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Insallah 🤲 of   💕đŸĨ°đŸĢļ✍began with the discovery of two critical principles: The first is camera obscura image projection, t...
08/07/2025

Insallah 🤲 of 💕đŸĨ°đŸĢļ✍
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images withThe light sensitive materials prior to the 18th century.
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.
In 1826, NicÊphore NiÊpce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. NiÊpce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and NiÊpce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print processes invented by William Henry Fox Talbot was already demonstrated in London (but with less publicity).[5] Subsequent innovations made photography easier and more versatile. New materials r

Mashallah
17/06/2025

Mashallah

āχāϤāĻŋāĻšāĻžāϏ⧇ āĻ¸ā§āĻŦāĻ°ā§āύāĻžāĻ•ā§āώāϰ⧇ āϰāϚāĻŋāϤ āĻĨāĻžāĻ•āĻŦ⧇, āĻ—āĻžāϜāĻžāĻŦāĻžāϏ⧀āϰāĻž āϝāĻ–āύ āĻļāĻšā§€āĻĻ āĻšāĻšā§āĻ›āĻŋāϞ⧋,āĻŽā§āϏāϞāĻŋāĻŽ āωāĻŽā§āĻŽāĻžāĻš āϤāĻ–āύ āϘ⧁āĻŽāĻžāĻšā§āĻ›āĻŋāϞ⧋..!
05/04/2025

āχāϤāĻŋāĻšāĻžāϏ⧇ āĻ¸ā§āĻŦāĻ°ā§āύāĻžāĻ•ā§āώāϰ⧇ āϰāϚāĻŋāϤ āĻĨāĻžāĻ•āĻŦ⧇,
āĻ—āĻžāϜāĻžāĻŦāĻžāϏ⧀āϰāĻž āϝāĻ–āύ āĻļāĻšā§€āĻĻ āĻšāĻšā§āĻ›āĻŋāϞ⧋,āĻŽā§āϏāϞāĻŋāĻŽ āωāĻŽā§āĻŽāĻžāĻš āϤāĻ–āύ āϘ⧁āĻŽāĻžāĻšā§āĻ›āĻŋāϞ⧋..!

With Meta Newsroom – I just got recognized as one of their top fans! 🎉
04/04/2025

With Meta Newsroom – I just got recognized as one of their top fans! 🎉

history of   💕đŸĨ°đŸĢļ✍began with the discovery of two critical principles: The first is camera obscura image projection, the ...
04/04/2025

history of 💕đŸĨ°đŸĢļ✍
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images withThe light sensitive materials prior to the 18th century.
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.
In 1826, NicÊphore NiÊpce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. NiÊpce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and NiÊpce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print processes invented by William Henry Fox Talbot was already demonstrated in London (but with less publicity).[5] Subsequent innovations made photography easier and more versatile. New materials reduced the required camera exposure time from minutes to seconds, and eventually to a small fraction of a second; new photographic media were more economical, sensitive or convenient. Since the 1850s, the collodion process with its glass-based photographic plates combined the high quality known from the Daguerreotype with the multiple print options known from the calotype and was commonly used for decades. Roll films popularized casual use by amateurs. In the mid-20th century, developments made it possible for amateurs to take pictures in natural color as well as in black-and-white.
The commercial introduction of computer-based electronic digital cameras in the 1990s soon revolutionized photography. During the first decade of the 21st century, traditional film-based photochemical methods were increasingly marginalized as the practical advantages of the new technology became widely appreciated and the image quality of moderately priced digital cameras was continually improved. Especially since cameras became a standard feature on smartphones, taking pictures (and instantly publishing them online) has become a ubiquitous everyday practice around the world.
!

āĻŽāĻžāύ⧁āώ āϝāϤāχ āϘāύāĻŋāĻˇā§āϟ āĻšā§‹āĻ• āύāĻž āϕ⧇āύ, āϝ⧇ āϕ⧋āύ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻšāϝāĻŧ⧇ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇! subscribe YouTube channel Winman30331. The first f...
03/04/2025

āĻŽāĻžāύ⧁āώ āϝāϤāχ āϘāύāĻŋāĻˇā§āϟ āĻšā§‹āĻ• āύāĻž āϕ⧇āύ, āϝ⧇ āϕ⧋āύ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻšāϝāĻŧ⧇ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇!
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Winman3033
1. The first film ever made was "Roundhay Garden Scene" in 1888, directed by French inventor Louis Le Prince.
2. The first Hollywood film was "The Squaw Man" in 1911, directed by Oscar Apfel and Cecil B. DeMille.
3. The first 3D film was "The Power of Love" in 1922, directed by Nat G. Deverich and Harry K. Fairall.
4. The first film with sound was "The Jazz Singer" in 1927, directed by Alan Crosland.
5. The longest film ever made was "Ambian" in 2016, directed by Anders Weberg, with a runtime of 720 hours.
6. The highest-grossing film of all time is "Avengers: Endgame" in 2019, directed by Anthony and Joe Russo.
7. The most Academy Awards won by a single film is 11, achieved by "Ben-Hur" in 1959, "Titanic" in 1997, and "The Lord of the Rings: The Return of the King" in 2003.
8. The first film to feature a computer-generated image (CGI) was "Westworld" in 1973, directed by Michael Crichton.
9. The first film to use motion capture technology was "The Lord of the Rings: The Fellowship of the Ring" in 2001, directed by Peter Jackson.
10. The highest-paid actor of all time is Keanu Reeves, with a salary of $250 million for "The Matrix" trilogy.

1. āϤ⧁āĻŽāĻŋ āĻŦāϞ⧇āĻ›āĻŋāϞ⧇ āĻŽāĻžāύ⧁āώ āĻŦāĻĻāϞāĻžā§ŸāϤāĻžāχ āϤ⧁āĻŽāĻŋ āĻŦāĻĻāϞ⧇ āϗ⧇āϞ⧇ āĻ•āĻŋāĻ¨ā§āϤ⧁āφāĻŽāĻŋ āĻŦāĻĻāϞāĻžā§Ÿ āύāĻŋ āϤāĻŦ⧇ āφāĻŽāĻŋ āĻ•āĻŋ āĻŽāĻžāύ⧁āώ āύāχ?—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ 2. āφāĻŽāĻŋ āϝāĻžāϕ⧇ āφāρ...
02/04/2025

1. āϤ⧁āĻŽāĻŋ āĻŦāϞ⧇āĻ›āĻŋāϞ⧇ āĻŽāĻžāύ⧁āώ āĻŦāĻĻāϞāĻžā§Ÿ
āϤāĻžāχ āϤ⧁āĻŽāĻŋ āĻŦāĻĻāϞ⧇ āϗ⧇āϞ⧇ āĻ•āĻŋāĻ¨ā§āϤ⧁
āφāĻŽāĻŋ āĻŦāĻĻāϞāĻžā§Ÿ āύāĻŋ āϤāĻŦ⧇ āφāĻŽāĻŋ āĻ•āĻŋ āĻŽāĻžāύ⧁āώ āύāχ?

—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ

2. āφāĻŽāĻŋ āϝāĻžāϕ⧇ āφāρāĻ•ā§œā§‡ āϧāϰāϤ⧇ āĻšā§‡ā§Ÿā§‡āĻ›āĻŋ, āϏ⧇ āφāĻŽāĻžāϕ⧇ āĻĢ⧇āϞ⧇ āϗ⧇āϛ⧇āĨ¤ āφāĻŽāĻžāĻĻ⧇āϰ āĻœā§€āĻŦāύ⧇āĻ“ āĻĒā§āϰāĻžā§Ÿāχ āĻāĻŽāύāϟāĻž āĻšā§ŸāĨ¤ āϝāĻžāĻĻ⧇āϰāϕ⧇ āφāĻŽāϰāĻž āĻāĻ•āĻžāĻ¨ā§āϤāχ āϖ⧁āĻŦ āĻ•āĻžāϛ⧇āϰ āĻŽāĻžāύ⧁āώ⧇āϰ āĻŽāϤ āĻĒā§āϰāĻžāϧāĻžāĻ¨ā§āϝ āĻĻ⧇āχāĨ¤ āύāĻŋ⧟āϤāĻŋāϰ āĻĻā§‹āώ⧇ āϤāĻžāĻĻ⧇āϰ āϏāĻžāĻĨ⧇āχ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦ⧇āĻļāĻŋ āĻ›āĻžā§œāĻžāĻ›āĻžā§œāĻŋ āĻšā§ŸāĨ¤

—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ

3. āϕ⧇āύ āĻĒā§āϰ⧇āĻŽā§‡ āĻĒ⧜āϞāĻžāĻŽ, āϕ⧇āύ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāϞāĻžāĻŽ āĻāϰ āĻ•āĻžāϰāĻŖ āϝāĻĻāĻŋ āϤ⧁āĻŽāĻŋ āϖ⧁āρāϜāϤ⧇ āϝāĻžāĻ“, āĻĻ⧇āĻ–āĻŦ⧇ āϤ⧁āĻŽāĻŋ āĻ•āĻŋāϛ⧁āχ āϖ⧁āρāĻœā§‡ āĻĒāĻžāĻšā§āϛ⧋ āύāĻžā§ˇ āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ āϘāϰ⧇ āϤ⧁āĻŽāĻŋ āĻ•āĻžāϞ⧋ āĻŦāĻŋ⧜āĻžāϞāϕ⧇ āϖ⧁āρāϜāϛ⧋ - āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŦāĻŋ⧜āĻžāϞāϟāĻŋ āϏ⧇āχ āϘāϰ⧇ āύ⧇āχ, āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϟāĻŋ āĻāĻŽāύāĨ¤

—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ

4. āĻĒā§āϰ⧇āĻŽā§‡āϰ āφāϰ āĻāĻ•āϟāĻž āĻĻāĻŋāĻ• āĻšāĻšā§āϛ⧇ āύāĻž āĻŦ⧁āĻāĻž, āφāĻĒāύāĻŋ āϕ⧇āύ āĻĒā§āϰ⧇āĻŽā§‡ āĻĒāĻĄāĻŧ⧇āϛ⧇āύ? āϏ⧇āχāϟāĻžāϰ āĻŽāĻžāύ⧇ āϝāĻĻāĻŋ āϖ⧁āρāϜāϤ⧇ āϝāĻžāύ āϤāĻžāĻšāϞ⧇ āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ āϘāϰ⧇ āĻ•āĻžāϞ⧋ āĻŦāĻŋāĻĄāĻŧāĻžāϞ āĻ–ā§‹āρāϜāĻžāϰ āĻŽāϤ⧋āχ āϏāĻŽāĻžāύāĨ¤

—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ

5. āĻŽāĻžāύ⧁āώ āĻ•āĻŋ āĻ•āĻ–āύ⧋ āĻŽāĻžāύ⧁āώāϕ⧇ āϭ⧁āϞ⧇ āϝāĻžā§Ÿ? āύāĻžāĻ•āĻŋ āĻāĻ•āϟāĻž āĻ…āĻ­āĻŋāĻŽāĻžāύ⧇āϰ āĻĒāĻ°ā§āĻĻāĻž āĻŸā§‡āύ⧇ āĻ•āĻžāϟāĻŋā§Ÿā§‡ āĻĻā§‡ā§Ÿ āĻŦāĻžāĻ•āĻŋāϟāĻž āĻœā§€āĻŦāύāĨ¤

—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ

6. āĻ•āĻžāωāϕ⧇ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āĻ…āύ⧇āĻ• āĻĒāĻĨ āφāϛ⧇, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻžāϕ⧇ āĻ­ā§‹āϞāĻžāϰ āϕ⧋āύ āĻĒāĻĨ āύ⧇āχ!

—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ

7. āĻāĻ• āϏāĻŽā§āĻĻā§āϰ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āĻĒāϰ⧇āĻ“ āϝāĻžāϰ āĻ…āĻ¨ā§āϝ⧇āϰ āĻĒā§āϰāϤāĻŋ āĻĨāĻžāϕ⧇ āĻā§‹āρāĻ•, āϏ⧇ āφāĻŽāĻžāϰ āύāĻž āĻšā§‹āĻ•āĨ¤

—āĻšā§āĻŽāĻžā§Ÿā§‚āύ āĻĢāϰāĻŋāĻĻāĻŋ āĻ¸ā§āϝāĻžāϰ

8. āĻ•āĻžāωāϕ⧇ āĻāϤāϟāĻžāĻ“ āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧋ āύāĻž, āϝāϤāϟāĻž āĻ­āĻžāϞ⧋āĻŦāĻžāϏāϞ⧇ āĻŽāĻžāύ⧁āώāϟāĻž āϤ⧋āĻŽāĻžāϕ⧇ āĻ›ā§‡ā§œā§‡ āϚāϞ⧇ āϗ⧇āϞ⧇, āϤ⧁āĻŽāĻŋ āύāĻŋāσāĻ¸ā§āĻŦ āĻ“ āĻ…āϏāĻšāĻžā§Ÿ āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇! āĻŦāϰāĻ‚ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āĻšā§‹āĻ• āĻ—āĻŋāĻ­ āĻāĻ¨ā§āĻĄ āĻŸā§‡āĻ• āĻĒāϞāĻŋāϏāĻŋāĨ¤ āϤ⧁āĻŽāĻŋ āϝāϤāϟ⧁āϕ⧁ āĻĻ⧇āĻŦ⧇ āϤāϤāϟ⧁āϕ⧁āχ āĻĒāĻžāĻŦ⧇āĨ¤ āĻāϰ āĻŦ⧇āĻļāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āĻĻāĻŋāϞ⧇ āϤ⧁āĻŽāĻŋ āĻĒāĻžāĻŦ⧇ āĻ…āĻŦāĻšā§‡āϞāĻž āφāϰ āĻ…āĻĒāĻŽāĻžāύāĨ¤

9. āϝāϤāĻŋ āĻ•āĻĒāĻžāϞ⧇ āĻĻ⧁āσāĻ– āϞ⧇āĻ–āĻž āĻĨāĻžāϕ⧇āĨ¤
āϤāĻŦ⧇,āĻŽāĻžāύ⧁āώ āĻšāĻžāϏāϞ⧇āĻ“ āĻšā§‹āĻ– āĻĻāĻŋā§Ÿā§‡ āĻ…āĻļā§āϰ⧁ āĻāϰ⧇!

10.āϖ⧁āĻŦ āĻŦ⧇āĻļāĻŋ āĻ•āĻˇā§āϟ āĻĒ⧇āϞ⧇ āϕ⧇āρāĻĻ⧇ āύāĻŋāĻ“āĨ¤
āϤāĻŦ⧁āĻ“,āĻ¸ā§āĻŦāĻžāĻ°ā§āĻĨāĻĒāϰ⧇āϰ āĻ•āĻžāϛ⧇ āύāĻŋāĻœā§‡āϰ āĻ•āĻˇā§āĻŸā§‡āϰ āĻŦāĻ°ā§āĻŖāύāĻž āĻ•āϰāϤ⧇ āϝ⧇āĻ“ āύāĻžāĨ¤

āĻ¸ā§āĻŦāĻĒā§āύ āĻŽāĻžāύ⧁āώāϕ⧇ āĻŦāĻžāρāϚāϤ⧇ āĻļ⧇āĻ–āĻžā§Ÿ
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