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Village Diary đŸŒēŲ„Øĸ Ø§ŲŲ„ŲŽŲ‡ŲŽ Ø§ŲŲ„Ų‘Ø§ Ø§Ų„Ų„Ų‘Ų‡Ų Ų…ŲØ­ŲŽŲ…Ų‘ŲŽØ¯ŲŒ ØąŲŽØŗŲŲˆŲŲ„ Ø§Ų„Ų„Ų‘Ų‡ŲđŸŒē
(1)

12/09/2025

â¤ī¸

09/09/2025

āĻĢāϤāĻšā§‡ āĻĄāĻžāĻ•āϏ⧁................................
āφāϜ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻŦāĻŋāϜ⧟ āĻšāĻŦ⧇ āχāύāĻļāĻžāφāĻ˛ā§āϞāĻžāĻš

08/07/2025

āφāĻŽāĻŋ āĻĢāĻžāχāĻ›āĻž āϗ⧇āĻ›āĻŋ āĻŽāĻžāύāĻŋāĻ•ā§āĻ•āĻžāϰ āϚāĻŋāĻĒāĻžā§Ÿ

āĻāĻŽāύ āĻ•āĻžāρāϟāĻžāϰ āĻ—āĻžâ€Œāϛ⧇ āĻŦāĻžâ€ŒāϞāĻŋ‌āĻļ⧇āϰ āύāϰāĻŽ āĻ¤ā§â€ŒāϞ⧇āĻž āϜāĻ¨ā§āĻŽāĻžā§Ÿ,āĻ­āĻžāĻŦ‌āϤ⧇ āĻ…āĻŦāĻžāĻ• āϞāĻžâ€Œāϗ⧇! āϏ⧁āĻŦāĻšāĻžāύāĻžāĻ˛ā§āϞāĻžāĻš...
31/05/2025

āĻāĻŽāύ āĻ•āĻžāρāϟāĻžāϰ āĻ—āĻžâ€Œāϛ⧇ āĻŦāĻžâ€ŒāϞāĻŋ‌āĻļ⧇āϰ āύāϰāĻŽ āĻ¤ā§â€ŒāϞ⧇āĻž āϜāĻ¨ā§āĻŽāĻžā§Ÿ,āĻ­āĻžāĻŦ‌āϤ⧇ āĻ…āĻŦāĻžāĻ• āϞāĻžâ€Œāϗ⧇!
āϏ⧁āĻŦāĻšāĻžāύāĻžāĻ˛ā§āϞāĻžāĻš...

17/03/2025

āĻ—āϤ ā§§ā§Ē āχ āϰāĻŽāĻžāĻĻāĻžāύ ā§§ā§Ģ-ā§Ļā§Š-⧍ā§Ļ⧍ā§Ģ āχāĻ‚ āϰ⧋āϜ āĻļāύāĻŋāĻŦāĻžāϰ
āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āχāϏāϞāĻžāĻŽāĻŋ āĻ›āĻžāĻ¤ā§āϰāĻļāĻŋāĻŦāĻŋāϰ
āϏāĻžāϤāĻ•ā§āώ⧀āϰāĻž āĻļāĻšāϰ āĻļāĻžāĻ–āĻžāϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āĻĨāĻžāύāĻž āĻļāĻžāĻ–āĻž ❝āϏāĻĻāϰ āωāĻ¤ā§āϤāϰ āĻĨāĻžāύāĻž āĻļāĻžāĻ–āĻžâž āϏāĻžāĻĨā§€ āĻ“ āĻĻāĻžā§ŸāĻŋāĻ¤ā§āĻŦāĻļā§€āϞ āĻ­āĻžāχāĻĻ⧇āϰ āϏāĻŽā§āĻŽāĻžāύāĻžāĻ°ā§āĻĨ⧇ āχāĻĢāϤāĻžāϰ āĻŽāĻžāĻšāĻĢāĻŋāϞ⧇āϰ āĻ†ā§Ÿā§‹āϜāύ āĻ•āϰ⧇āĨ¤

āωāĻ•ā§āϤ āχāĻĢāϤāĻžāϰ āĻŽāĻžāĻšāĻĢāĻŋāϞ⧇ āĻĒā§āϰāϧāĻžāύ āĻŽā§‡āĻšāĻŽāĻžāύ āĻšāĻŋāϏ⧇āĻŦ⧇ āωāĻĒāĻ¸ā§āĻĨāĻŋāϤ āĻ›āĻŋāϞ⧇āύ āϏāĻžāϤāĻ•ā§āώ⧀āϰāĻž āĻļāĻšāϰ āĻļāĻžāĻ–āĻžāϰ āϏāĻŽā§āĻŽāĻžāύāĻŋāϤ āϏ⧇āĻ•ā§āϰ⧇āϟāĻžāϰāĻŋ āĻŽā§‹āσ āĻŽā§‡āĻšā§‡āĻĻā§€ āĻšāĻžāϏāĻžāύ
āĻŦāĻŋāĻļ⧇āώ āĻŽā§‡āĻšāĻŽāĻžāύ āĻšāĻŋāϏ⧇āĻŦ⧇ āωāĻĒāĻ¸ā§āĻĨāĻŋāϤ āĻ›āĻŋāϞ⧇āύ āϏāĻžāϤāĻ•ā§āώ⧀āϰāĻž āĻļāĻšāϰ āĻļāĻžāĻ–āĻž āĻ“ āĻ…āĻ¤ā§āϰ āĻĨāĻžāύāĻž āĻļāĻžāĻ–āĻžāϰ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻĻāĻžā§ŸāĻŋāĻ¤ā§āĻŦāĻļā§€āϞ āĻŦ⧃āĻ¨ā§āĻĻāĨ¤



The history of   began with the discovery of two critical principles: The first is camera obscura image projection, the ...
04/03/2025

The history of

began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).

Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.

In 1826, NicÊphore NiÊpce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. NiÊpce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and NiÊpce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print p

āĻŽāĻž-āĻļāĻž-āφāĻ˛ā§āϞāĻžāĻš!!
02/03/2025

āĻŽāĻž-āĻļāĻž-āφāĻ˛ā§āϞāĻžāĻš!!

āϕ⧇, āϚāĻŋāύāϤ⧇ āĻĒ⧇āϰ⧇āϛ⧇āύ??āϚāĻŋāύāϤ⧇ āĻĒāĻžāϰāϞ⧇ āφāĻĒāύāĻŋ āϞāĻŋāĻœā§‡āĻ¨ā§āĻĄ!
28/02/2025

āϕ⧇, āϚāĻŋāύāϤ⧇ āĻĒ⧇āϰ⧇āϛ⧇āύ??
āϚāĻŋāύāϤ⧇ āĻĒāĻžāϰāϞ⧇ āφāĻĒāύāĻŋ āϞāĻŋāĻœā§‡āĻ¨ā§āĻĄ!

āĻĒāĻŋāϞāĻ–āĻžāύāĻž āĻŸā§āϰāĻžāĻœā§‡āĻĄāĻŋāϤ⧇ āύāĻŋāĻšāϤ āĻŦā§€āϰāĻĻ⧇āϰāϕ⧇ āĻŽāĻšāĻžāύ āφāĻ˛ā§āϞāĻžāĻš āĻ•ā§āώāĻŽāĻž āĻ•āϰ⧁āύāĨ¤ āĻļāĻšā§€āĻĻ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻŦ⧁āϞ āĻ•āϰ⧇ āύāĻŋāύāĨ¤ āφāĻŽā§€āύāĨ¤āĻĢā§āϝāĻžāϏāĻŋāĻŦāĻžāĻĻ āĻ•āĻžā§Ÿā§‡āĻŽā§‡āϰ āύ⧀āϞāύāĻ•āĻļāĻž āĻāχ āĻšāĻ¤ā§...
25/02/2025

āĻĒāĻŋāϞāĻ–āĻžāύāĻž āĻŸā§āϰāĻžāĻœā§‡āĻĄāĻŋāϤ⧇ āύāĻŋāĻšāϤ āĻŦā§€āϰāĻĻ⧇āϰāϕ⧇ āĻŽāĻšāĻžāύ āφāĻ˛ā§āϞāĻžāĻš āĻ•ā§āώāĻŽāĻž āĻ•āϰ⧁āύāĨ¤ āĻļāĻšā§€āĻĻ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻŦ⧁āϞ āĻ•āϰ⧇ āύāĻŋāύāĨ¤ āφāĻŽā§€āύāĨ¤

āĻĢā§āϝāĻžāϏāĻŋāĻŦāĻžāĻĻ āĻ•āĻžā§Ÿā§‡āĻŽā§‡āϰ āύ⧀āϞāύāĻ•āĻļāĻž āĻāχ āĻšāĻ¤ā§āϝāĻžāĻ•āĻžāĻŖā§āĻĄā§‡āϰ āĻĻā§āϰ⧁āϤ āĻŦāĻŋāϚāĻžāϰ āĻĻāĻžāĻŦāĻŋ āĻ•āϰāĻ›āĻŋāĨ¤ āϜāĻžāϤāĻŋāϰ āϏāĻžāĻŽāύ⧇ āϏāĻ¤ā§āϝ āωāĻ¨ā§āĻŽā§‹āϚāĻŋāϤ āĻšā§‹āĻ•āĨ¤ āĻ¨ā§āϝāĻžā§ŸāĻŦāĻŋāϚāĻžāϰ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻž āϞāĻžāĻ­ āĻ•āϰ⧁āĻ•āĨ¤

āĻ›āĻŦāĻŋ : āϏāĻ•āĻžāϞ, ⧍ā§Ģ āĻĢ⧇āĻŦā§āϰ⧁āϝāĻŧāĻžāϰāĻŋ ⧍ā§Ļā§Ļ⧝āĨ¤

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