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Passacaille Records Passacaille is an independent label for classical music. www.passacaille.be

Passacaille records
MUSURGIA BVBA
Tel +32 492 951505
BTW BE 0443 895 061
www.passacaille.be
[email protected]

A short summer pause, with music close by. ๐ŸŒฟWhile we slow down for a moment and prepare the next albums, new catalogue s...
28/07/2026

A short summer pause, with music close by. ๐ŸŒฟ

While we slow down for a moment and prepare the next albums, new catalogue stories and a few new rubrics, ๐—๐—ฎ๐—ป ๐——๐—ฒ ๐—ช๐—ถ๐—ป๐—ป๐—ฒ has selected 26 tracks for ๐—ฃ๐—ฎ๐˜€๐˜€๐—ฎ๐—ฐ๐—ฎ๐—ถ๐—น๐—น๐—ฒ ๐—ฆ๐˜‚๐—บ๐—บ๐—ฒ๐—ฟ.

A playlist for long days, quiet mornings, travelling, reading, or simply returning to music from the ๐—ฃ๐—ฎ๐˜€๐˜€๐—ฎ๐—ฐ๐—ฎ๐—ถ๐—น๐—น๐—ฒ catalogue.

Listen to ๐—ฃ๐—ฎ๐˜€๐˜€๐—ฎ๐—ฐ๐—ฎ๐—ถ๐—น๐—น๐—ฒ ๐—ฆ๐˜‚๐—บ๐—บ๐—ฒ๐—ฟ here or link in bio

https://open.spotify.com/playlist/3AJPCloVohZe8gn51YJjpf?si=U90dLMwjQ3KTR13YFaGrWw

Stay hydrated and enjoy the music. โ˜€๏ธ๐Ÿ’ง๐ŸŽง

Beautiful news for ๐‘ณ๐‘จ ๐‘ต๐‘ถ๐‘ฉ๐‘ฐ๐‘ณ๐‘ปร€ ๐‘ซ๐‘ฐ ๐‘ด๐‘ฐ๐‘ณ๐‘จ๐‘ต๐‘ถ.The album has been selected as ๐—˜๐—ฑ๐—ถ๐˜๐—ผ๐—ฟโ€™๐˜€ ๐—–๐—ต๐—ผ๐—ถ๐—ฐ๐—ฒ in the August issue of ๐‘ฎ๐’“๐’‚๐’Ž๐’๐’‘๐’‰๐’๐’๐’†...
15/07/2026

Beautiful news for ๐‘ณ๐‘จ ๐‘ต๐‘ถ๐‘ฉ๐‘ฐ๐‘ณ๐‘ปร€ ๐‘ซ๐‘ฐ ๐‘ด๐‘ฐ๐‘ณ๐‘จ๐‘ต๐‘ถ.

The album has been selected as ๐—˜๐—ฑ๐—ถ๐˜๐—ผ๐—ฟโ€™๐˜€ ๐—–๐—ต๐—ผ๐—ถ๐—ฐ๐—ฒ in the August issue of ๐‘ฎ๐’“๐’‚๐’Ž๐’๐’‘๐’‰๐’๐’๐’†.

Bruce Dickey shared his gratitude for this recognition, and above all for the singers and musicians of ๐—ง๐—ต๐—ฒ ๐—•๐—ฟ๐—ฒ๐—ฎ๐˜๐—ต๐˜๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ and ๐—–๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—น๐—น๐—ฎ ๐— ๐—ฎ๐—ฟ๐—ถ๐—ฎ๐—ป๐—ฎ, who brought so much experience, generosity and energy to the project.

Congratulations to ๐—•๐—ฟ๐˜‚๐—ฐ๐—ฒ ๐——๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜†, ๐—ง๐—ต๐—ฒ ๐—•๐—ฟ๐—ฒ๐—ฎ๐˜๐—ต๐˜๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ and ๐—–๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—น๐—น๐—ฎ ๐— ๐—ฎ๐—ฟ๐—ถ๐—ฎ๐—ป๐—ฎ.

Nine CDs. Nearly ten hours of piano. One road.๐——๐—ฎ๐—ฎ๐—ป ๐—ฉ๐—ฎ๐—ป๐—ฑ๐—ฒ๐˜„๐—ฎ๐—น๐—น๐—ฒโ€™s recording of ๐—™๐—ฟ๐—ฒ๐—ฑ๐—ฒ๐—ฟ๐—ถ๐—ฐ ๐—ฅ๐˜‡๐—ฒ๐˜„๐˜€๐—ธ๐—ถโ€™s ๐‘ป๐’‰๐’† ๐‘น๐’๐’‚๐’… is not really a...
13/07/2026

Nine CDs. Nearly ten hours of piano. One road.

๐——๐—ฎ๐—ฎ๐—ป ๐—ฉ๐—ฎ๐—ป๐—ฑ๐—ฒ๐˜„๐—ฎ๐—น๐—น๐—ฒโ€™s recording of ๐—™๐—ฟ๐—ฒ๐—ฑ๐—ฒ๐—ฟ๐—ถ๐—ฐ ๐—ฅ๐˜‡๐—ฒ๐˜„๐˜€๐—ธ๐—ถโ€™s ๐‘ป๐’‰๐’† ๐‘น๐’๐’‚๐’… is not really a release to sum up in a few lines.

Written between 1995 and 2003, the cycle was conceived by Rzewski as a โ€œroman pour pianoโ€ - a long, unpredictable journey through memory, politics, intimacy, absurdity, counterpoint and hope.

In ๐‘ช๐’“๐’†๐’”๐’„๐’†๐’๐’…๐’ ๐‘ด๐’‚๐’ˆ๐’‚๐’›๐’Š๐’๐’†, Jean Lacroix calls this Passacaille box set โ€œune aventure singuliรจre qui ne ressemble ร  aucune autreโ€, awarding 10/10 for both interpretation and booklet.

Recorded at ๐—–๐—ผ๐—ป๐—ฐ๐—ฒ๐—ฟ๐˜๐—ด๐—ฒ๐—ฏ๐—ผ๐˜‚๐˜„ ๐—•๐—ฟ๐˜‚๐—ด๐—ด๐—ฒ, ๐‘ป๐’‰๐’† ๐‘น๐’๐’‚๐’… is available as a 9-CD box set from Passacaille Records.

Read full review here

https://l1nq.com/no36sef

๐—•๐—ฟ๐˜‚๐—ฐ๐—ฒ ๐——๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜† is one of the few musicians worldwide who have dedicated themselves to reviving the cornetto.The revival of...
09/07/2026

๐—•๐—ฟ๐˜‚๐—ฐ๐—ฒ ๐——๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜† is one of the few musicians worldwide who have dedicated themselves to reviving the cornetto.

The revival of the instrument began in the 1950s, but from the late 1970s it was largely Bruce Dickey who gave the cornetto a new presence in historical performance. Through more than 40 years of teaching at the ๐—ฆ๐—ฐ๐—ต๐—ผ๐—น๐—ฎ ๐—–๐—ฎ๐—ป๐˜๐—ผ๐—ฟ๐˜‚๐—บ ๐—•๐—ฎ๐˜€๐—ถ๐—น๐—ถ๐—ฒ๐—ป๐˜€๐—ถ๐˜€, his many students have helped consolidate and raise the status of this once-forgotten instrument. Many of them, now remarkable virtuosi in their own right, are training a new generation of players.

For his achievements, the ๐—›๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐—ถ๐—ฐ ๐—•๐—ฟ๐—ฎ๐˜€๐˜€ ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ฒ๐˜๐˜† awarded him the prestigious ๐—–๐—ต๐—ฟ๐—ถ๐˜€๐˜๐—ผ๐—ฝ๐—ต๐—ฒ๐—ฟ ๐— ๐—ผ๐—ป๐—ธ ๐—”๐˜„๐—ฎ๐—ฟ๐—ฑ in 2000, recognising โ€œhis monumental work in cornetto performance, historical performance practice and musicological scholarshipโ€. In 2007, he was honoured by British conductor and musicologist ๐—”๐—ป๐—ฑ๐—ฟ๐—ฒ๐˜„ ๐—ฃ๐—ฎ๐—ฟ๐—ฟ๐—ผ๐˜๐˜ with a ๐—ง๐—ฎ๐˜ƒ๐—ฒ๐—ฟ๐—ป๐—ฒ๐—ฟ ๐—”๐˜„๐—ฎ๐—ฟ๐—ฑ, as one of 14 musicians whose โ€œsignificant contributions to musical understanding have been motivated by neither commerce nor egoโ€.

Bruce Dickey can be heard on countless recordings, many of them with ๐—–๐—ผ๐—ป๐—ฐ๐—ฒ๐—ฟ๐˜๐—ผ ๐—ฃ๐—ฎ๐—น๐—ฎ๐˜๐—ถ๐—ป๐—ผ, the ensemble he founded with ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ฒ๐˜€ ๐—ง๐—ผ๐—ฒ๐˜ in 1987. His first solo CD, ๐‘ธ๐’–๐’†๐’ ๐’๐’‚๐’”๐’„๐’Š๐’—๐’Š๐’”๐’”๐’Š๐’Ž๐’ ๐’„๐’๐’“๐’๐’†๐’•๐’•๐’, received a ๐——๐—ถ๐—ฎ๐—ฝ๐—ฎ๐˜€๐—ผ๐—ป ๐—ฑโ€™๐—ข๐—ฟ and was selected by ๐‘ซ๐’Š๐’‚๐’‘๐’‚๐’”๐’๐’ as one of the 100 best Baroque music recordings of the past half-century.

Since 2011, he has recorded a series of albums for ๐—ฃ๐—ฎ๐˜€๐˜€๐—ฎ๐—ฐ๐—ฎ๐—ถ๐—น๐—น๐—ฒ, including a solo album and five recordings with Czech soprano ๐—›๐—ฎ๐—ป๐—ฎ ๐—•๐—น๐—ฎ๐˜‡ฬŒ๐—ถฬ๐—ธ๐—ผ๐˜ƒ๐—ฎฬ. Drawn to the affinity between her voice and the cornetto, they have collaborated on two recordings with Concerto Palatino and formed ๐—ง๐—ต๐—ฒ ๐—•๐—ฟ๐—ฒ๐—ฎ๐˜๐—ต๐˜๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ.

His new Passacaille album, ๐‘ณ๐‘จ ๐‘ต๐‘ถ๐‘ฉ๐‘ฐ๐‘ณ๐‘ปร€ ๐‘ซ๐‘ฐ ๐‘ด๐‘ฐ๐‘ณ๐‘จ๐‘ต๐‘ถ, with ๐—ง๐—ต๐—ฒ ๐—•๐—ฟ๐—ฒ๐—ฎ๐˜๐—ต๐˜๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ and ๐—–๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—น๐—น๐—ฎ ๐— ๐—ฎ๐—ฟ๐—ถ๐—ฎ๐—ป๐—ฎ, is available now on CD and digital platforms.

In its review of ๐‘ญ๐’๐’‚๐’Ž๐’ƒ๐’๐’š๐’‚๐’๐’„๐’†, ๐—–๐˜‚๐—น๐˜๐˜‚๐˜‚๐—ฟ๐—ฝ๐—ฎ๐—ธ๐˜ writes about an album full of movement, colour and contrast - perhaps the most...
07/07/2026

In its review of ๐‘ญ๐’๐’‚๐’Ž๐’ƒ๐’๐’š๐’‚๐’๐’„๐’†, ๐—–๐˜‚๐—น๐˜๐˜‚๐˜‚๐—ฟ๐—ฝ๐—ฎ๐—ธ๐˜ writes about an album full of movement, colour and contrast - perhaps the most ambitious recording ๐—ฆ๐—ผ๐—น๐—น๐—ฎ๐˜‡๐˜‡๐—ผ ๐—˜๐—ป๐˜€๐—ฒ๐—บ๐—ฏ๐—น๐—ฒ has released so far.

Voices, instruments, dances, liturgical pieces, famous names and anonymous works all meet in a programme that refuses to make the late Middle Ages feel remote.
Read full review https://www.cultuurpakt.be/cd-lp/kleuren-en-stemmen-van-een-veranderende-wereld/

๐‘ญ๐’๐’‚๐’Ž๐’ƒ๐’๐’š๐’‚๐’๐’„๐’† is available on CD and digital platforms.
Alamire Foundation Editions



For Bruce Dickey, the final track is the one that brings the album together: Giuseppe Galloโ€™s ๐‘ด๐’‚๐’ˆ๐’๐’Š๐’‡๐’Š๐’„๐’‚๐’• ๐’‚๐’๐’Š๐’Ž๐’‚ ๐’Ž๐’†๐’‚. It r...
06/07/2026

For Bruce Dickey, the final track is the one that brings the album together: Giuseppe Galloโ€™s ๐‘ด๐’‚๐’ˆ๐’๐’Š๐’‡๐’Š๐’„๐’‚๐’• ๐’‚๐’๐’Š๐’Ž๐’‚ ๐’Ž๐’†๐’‚. It returns to the Milanese ๐’„๐’‚๐’๐’›๐’๐’-๐’Ž๐’๐’•๐’•๐’†t๐’•๐’, but opens it up into something more fluid, with voices and instruments moving in and out of the same musical space.

โ€œI think the final track (Nr. 19) captures very well the essence of the whole project. A strong focus of the CD is the uniquely Milanese โ€œcanzon-mottettoโ€ in which a choir of singers places a motet against a canzona played by a choir of instruments. But Galloโ€™s Magnificat goes beyond this. While using the same choir configuration, here there is a far more fluid use of voices and instruments, with groups of instruments sometimes acting as obbligati to the singers, and solo singers or small vocal groupings singing with the instrumental choir. We have used all of our forces to make this gorgeous piece an apt finale to our program.โ€

๐‘ณ๐‘จ ๐‘ต๐‘ถ๐‘ฉ๐‘ฐ๐‘ณ๐‘ปร€ ๐‘ซ๐‘ฐ ๐‘ด๐‘ฐ๐‘ณ๐‘จ๐‘ต๐‘ถ is available now on CD and digital platforms.

๐‘ณ๐’‚ ๐‘น๐’๐’–๐’•๐’† ๐‘ฉ๐’๐’‚๐’๐’„๐’‰๐’† has been reviewed in ๐‘ซ๐’Š๐’‚๐’‘๐’‚๐’”๐’๐’ by ๐—•๐—ฒ๐—ฟ๐˜๐—ฟ๐—ฎ๐—ป๐—ฑ ๐—•๐—ผ๐—ถ๐˜€๐˜€๐—ฎ๐—ฟ๐—ฑ.Writing about ๐—–๐—น๐—ฎ๐—ถ๐—ฟ๐—ฒ ๐—–๐—ต๐—ฒ๐˜ƒ๐—ฎ๐—น๐—น๐—ถ๐—ฒ๐—ฟโ€™s recording on an ร‰r...
02/07/2026

๐‘ณ๐’‚ ๐‘น๐’๐’–๐’•๐’† ๐‘ฉ๐’๐’‚๐’๐’„๐’‰๐’† has been reviewed in ๐‘ซ๐’Š๐’‚๐’‘๐’‚๐’”๐’๐’ by ๐—•๐—ฒ๐—ฟ๐˜๐—ฟ๐—ฎ๐—ป๐—ฑ ๐—•๐—ผ๐—ถ๐˜€๐˜€๐—ฎ๐—ฟ๐—ฑ.

Writing about ๐—–๐—น๐—ฎ๐—ถ๐—ฟ๐—ฒ ๐—–๐—ต๐—ฒ๐˜ƒ๐—ฎ๐—น๐—น๐—ถ๐—ฒ๐—ฟโ€™s recording on an ร‰rard from 1920 and a Steinway from 1864, he describes โ€œun Satie secret et facรฉtieuxโ€.

The review notes the subtlety of the ๐‘ท๐’Šรจ๐’„๐’†๐’” ๐’‡๐’“๐’๐’Š๐’…๐’†๐’”, the modernity of the ๐‘ซ๐’‚๐’๐’”๐’†๐’” ๐’…๐’† ๐’•๐’“๐’‚๐’—๐’†๐’“๐’”, and the delicate colours of the two historical instruments.

๐‘ณ๐’‚ ๐‘น๐’๐’–๐’•๐’† ๐‘ฉ๐’๐’‚๐’๐’„๐’‰๐’† is available on CD and digital platforms.

In ๐‘ณ๐‘จ ๐‘ต๐‘ถ๐‘ฉ๐‘ฐ๐‘ณ๐‘ปร€ ๐‘ซ๐‘ฐ ๐‘ด๐‘ฐ๐‘ณ๐‘จ๐‘ต๐‘ถ, voices and instruments often seem to step into one anotherโ€™s roles. Bruce Dickeyโ€™s first select...
01/07/2026

In ๐‘ณ๐‘จ ๐‘ต๐‘ถ๐‘ฉ๐‘ฐ๐‘ณ๐‘ปร€ ๐‘ซ๐‘ฐ ๐‘ด๐‘ฐ๐‘ณ๐‘จ๐‘ต๐‘ถ, voices and instruments often seem to step into one anotherโ€™s roles. Bruce Dickeyโ€™s first selected track brings this idea into the world of pastoral love: Francesco Rognoni Taeggioโ€™s ๐‘ซ๐’Š๐’‚๐’๐’๐’ˆ๐’: ๐‘ญ๐’Š๐’๐’๐’Š ๐’† ๐‘ป๐’Š๐’“๐’”๐’Š.

โ€œI would have to choose track 7: Dialogo Filli e Tirsi. This is one of a half dozen highly expressive 5-voice madrigals by Francesco Rognoni on the CD. This one is a love dialogue between Filli and Tirsi. Rognoni wrote the dialogue so that two sopranos together represent Filli, and alto, tenor and bass voices represent Tirsi. Because Rognoni was one of the first great violin virtuosi, I felt that it might be interesting to use instruments on some parts, and here it was a perfect choice. Filli is sung by a soprano paired with a cornetto, and Tirsi is sung by a high tenor accompanied by two viols. I think the result is wonderful (and as a bonus I get to imitate Hanaโ€™s voice on the cornetto, just about the most joyous thing a cornetto player can do!).โ€

๐‘ณ๐‘จ ๐‘ต๐‘ถ๐‘ฉ๐‘ฐ๐‘ณ๐‘ปร€ ๐‘ซ๐‘ฐ ๐‘ด๐‘ฐ๐‘ณ๐‘จ๐‘ต๐‘ถ is available now on CD and digital platforms.

From the recording sessions of ๐‘ญ๐’๐’‚๐’Ž๐’ƒ๐’๐’š๐’‚๐’๐’„๐’†, ๐‘ด๐’–๐’”๐’Š๐’„ ๐’๐’‡ ๐’•๐’‰๐’† ๐‘ญ๐’๐’‚๐’Ž๐’ƒ๐’๐’š๐’‚๐’๐’• ๐‘ฌ๐’“๐’‚ at AMUZ in Antwerp.Sollazzo Ensemble working on ...
30/06/2026

From the recording sessions of ๐‘ญ๐’๐’‚๐’Ž๐’ƒ๐’๐’š๐’‚๐’๐’„๐’†, ๐‘ด๐’–๐’”๐’Š๐’„ ๐’๐’‡ ๐’•๐’‰๐’† ๐‘ญ๐’๐’‚๐’Ž๐’ƒ๐’๐’š๐’‚๐’๐’• ๐‘ฌ๐’“๐’‚ at AMUZ in Antwerp.

Sollazzo Ensemble working on the soundworld of the fourteenth and fifteenth centuries - its colours, lines, voices and details.

The album is available on CD and on your favourite streaming platforms.
Alamire Foundation Editions

๐—›๐—ผ๐˜„ ๐—ฑ๐—ผ๐—ฒ๐˜€ ๐—ฎ ๐—ฐ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐˜๐—ฎ๐—ธ๐—ฒ ๐˜€๐—ต๐—ฎ๐—ฝ๐—ฒ?For ๐˜ฝ๐™ง๐™ช๐™˜๐™š ๐˜ฟ๐™ž๐™˜๐™ ๐™š๐™ฎโ€™s new album ๐™‡๐™– ๐™‰๐™ค๐™—๐™ž๐™ก๐™ฉร  ๐™™๐™ž ๐™ˆ๐™ž๐™ก๐™–๐™ฃ๐™ค - ๐™ˆ๐™ช๐™จ๐™ž๐™˜ ๐™›๐™ง๐™ค๐™ข ๐™ฉ๐™๐™š ๐˜พ๐™ž๐™ฉ๐™ฎ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™Ž๐™ฅ๐™–๐™ฃ๐™ž๐™จ๐™ ๐™‘๐™ž๐™˜๐™š๐™ง...
26/06/2026

๐—›๐—ผ๐˜„ ๐—ฑ๐—ผ๐—ฒ๐˜€ ๐—ฎ ๐—ฐ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐˜๐—ฎ๐—ธ๐—ฒ ๐˜€๐—ต๐—ฎ๐—ฝ๐—ฒ?

For ๐˜ฝ๐™ง๐™ช๐™˜๐™š ๐˜ฟ๐™ž๐™˜๐™ ๐™š๐™ฎโ€™s new album ๐™‡๐™– ๐™‰๐™ค๐™—๐™ž๐™ก๐™ฉร  ๐™™๐™ž ๐™ˆ๐™ž๐™ก๐™–๐™ฃ๐™ค - ๐™ˆ๐™ช๐™จ๐™ž๐™˜ ๐™›๐™ง๐™ค๐™ข ๐™ฉ๐™๐™š ๐˜พ๐™ž๐™ฉ๐™ฎ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™Ž๐™ฅ๐™–๐™ฃ๐™ž๐™จ๐™ ๐™‘๐™ž๐™˜๐™š๐™ง๐™ค๐™ฎ๐™จ, the cover design began with a ๐˜ณ๐˜ฆ๐˜ฃ๐˜ข๐˜ต๐˜ฐ collar from the collection of ๐™๐™๐™š ๐™ˆ๐™š๐™ฉ๐™ง๐™ค๐™ฅ๐™ค๐™ก๐™ž๐™ฉ๐™–๐™ฃ ๐™ˆ๐™ช๐™จ๐™š๐™ช๐™ข ๐™ค๐™› ๐˜ผ๐™ง๐™ฉ.

The ๐˜ณ๐˜ฆ๐˜ฃ๐˜ข๐˜ต๐˜ฐ was a structured collar worn by the nobility in the early 17th century. More than a decorative detail, it framed the face almost like architecture, making dress a sign of rank, presence and social position.

The black background also belongs to the world of early 17th-century Milan. Under Spanish rule, black was strongly present in aristocratic portraits and dress.

Scroll to move from the final cover back to the first proposals.

Cover design by ๐™‡๐™ช๐™˜๐™ž๐™– ๐™‚๐™๐™ž๐™š๐™ก๐™ข๐™ž.
Image source: ๐™๐™๐™š ๐™ˆ๐™š๐™ฉ๐™ง๐™ค๐™ฅ๐™ค๐™ก๐™ž๐™ฉ๐™–๐™ฃ ๐™ˆ๐™ช๐™จ๐™š๐™ช๐™ข ๐™ค๐™› ๐˜ผ๐™ง๐™ฉ

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