ID Urbano

ID Urbano Este é o link do nosso podcast:
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Projetos urbanos, arte e afeto.

Ativando espaços com criatividade e engajamento coletivo.
Carolina é uma arquiteta e urbanista apaixonada que dedicou sua carreira à criação de projetos orientados por quem utiliza o espaço. Ela se formou em Arquitetura e Urbanismo, e Design. Através de anos de experiencia descobriu que esta interseção e o lugar perfeito para conectar as pessoas e seus desejos. Vind

o de uma família socialmente consciente motivou seu interesse por questões sociais. Carolina completou sua pesquisa de mestrado pelo Museu de Arte Contemporânea da Universidade de São Paulo, se comprometeu com teorias relacionadas a filosofia, educação, arte em comunidades, validando sua percepção de que o Placemaking ela desenvolvo uma teoria que a de Artecture. Especialista em entender e criar espaços através do olhar das pessoas. Como cidadã do mundo, o trabalho de Carolina a levou por todo o mundo. Ela está atualmente baseada em Ōtautahi (Christchurch, Nova Zelandia). Carolina também é uma mãe apaixonada da filhinha Maria, que desde pequena já aprende sobre diferentes culturas e idiomas. Casada com Ricardo Stuani, um musico que também dedicou a vida a questões sociais através do ensino da musica. Seu objetivo e interagir com diversos grupos, criar redes de network e aprender e ensinar sobre como melhorar a condição de vida das pessoas nas cidades.

Christchurch Art Gallery Te Puna o Waiwhetū | Curated by Chloe Cull, with contributions from Dr Kirsty Dunn and Dr Madi ...
20/09/2025

Christchurch Art Gallery Te Puna o Waiwhetū | Curated by Chloe Cull, with contributions from Dr Kirsty Dunn and Dr Madi Williams (Taniwha: A Cultural History Project) Taniwha are not allegories. They are not safely symbolic, nor reducible to decorative figures from a mythic archive. Whāia te Taniwha makes this abundantly clear. This major exhibition resists the colonial impulse to pin taniwha down into singular categories — monster, demon, or even protective spirit....

Christchurch Art Gallery Te Puna o Waiwhetū | Curated by Chloe Cull, with contributions from Dr Kirsty Dunn and Dr Madi Williams (Taniwha: A Cultural History Project) Taniwha are not allegories. Th…

Hermeto Pascoal, affectionately known as “O Bruxo da Música” (The Wizard of Music), was a Brazilian composer and multi-i...
14/09/2025

Hermeto Pascoal, affectionately known as “O Bruxo da Música” (The Wizard of Music), was a Brazilian composer and multi-instrumentalist whose innovative approach to music transcended conventional boundaries. Born on June 22, 1936, in Lagoa da Canoa, Alagoas, Brazil, Hermeto’s early life was marked by challenges, including albinism and severe nearsightedness, which led him to drop out of school. Despite these obstacles, he found solace and inspiration in music, often creating instruments from everyday objects and drawing melodies from the natural world ....

Hermeto Pascoal, affectionately known as “O Bruxo da Música” (The Wizard of Music), was a Brazilian composer and multi-instrumentalist whose innovative approach to music transcended conventional bo…

When Christo and Jeanne-Claude wrapped buildings, spanned landscapes, or staged floods of color across urban forms, they...
12/09/2025

When Christo and Jeanne-Claude wrapped buildings, spanned landscapes, or staged floods of color across urban forms, they were not merely making pretty or ephemeral statements. They were severing, for a moment, the simple architecture of power, visibility, memory. Their art works like Wrapped Reichstag (Berlin, 1995), The Gates (Central Park, 2005), Pont Neuf Wrapped (Paris, 1985), and Arc de Triomphe, Wrapped (2021) forcing us to see and feel monuments differently—not as fixed backdrops but as contested sites....

When Christo and Jeanne-Claude wrapped buildings, spanned landscapes, or staged floods of color across urban forms, they were not merely making pretty or ephemeral statements. They were severing, f…

We are living in a moment of intensifying oppression: authoritarian governments, systemic violence, economic precarity, ...
05/09/2025

We are living in a moment of intensifying oppression: authoritarian governments, systemic violence, economic precarity, and ongoing social inequities. In times like these, theatre is not just art — it is resistance. Augusto Boal’s Theatre of the Oppressed (1974, 1979) emerges as a blueprint for collective action, transforming audiences into “spect-actors” who do not simply watch but intervene, challenge, and imagine alternatives....

We are living in a moment of intensifying oppression: authoritarian governments, systemic violence, economic precarity, and ongoing social inequities. In times like these, theatre is not just art —…

Te Toi o te Ātetenga: The Art of Resistance Rangimārie Sophie Jolley explores Te Toi o te Ātetenga: The Art of Resistanc...
03/09/2025

Te Toi o te Ātetenga: The Art of Resistance Rangimārie Sophie Jolley explores Te Toi o te Ātetenga: The Art of Resistance, to understand wāhine activist art as a platform to protest and highlight Tino Rangatiratanga. Artwork Flagging the Future by Māori artist Diane Prince has been removed from public display. (Image: AP PHOTO) “Colonisation never really ended. It morphed into the systems we now live in.”...

Te Toi o te Ātetenga: The Art of Resistance Rangimārie Sophie Jolley explores Te Toi o te Ātetenga: The Art of Resistance, to understand wāhine activist art as a platform to protest and highli…

When the Brazilian artist Lygia Clark (1920–1988) cut open the picture plane, she also cut open the body of modernism. W...
01/09/2025

When the Brazilian artist Lygia Clark (1920–1988) cut open the picture plane, she also cut open the body of modernism. What had been an optical regime of form and color suddenly became tactile, relational, collective. Clark’s trajectory — from geometric abstraction to her radical “propositions” — is one of the most significant ruptures in twentieth-century art. She did not simply anticipate performance; she unsettled its very foundations, creating a space where art was no longer about the artist’s presence on stage, but about the participant’s embodied experience....

When the Brazilian artist Lygia Clark (1920–1988) cut open the picture plane, she also cut open the body of modernism. What had been an optical regime of form and color suddenly became tactile, rel…

In the age of constant connectivity, the internet is no longer just a tool—it is a street, a city, a landscape where you...
30/08/2025

In the age of constant connectivity, the internet is no longer just a tool—it is a street, a city, a landscape where young people walk every day without maps. Children and adolescents move with curiosity, yet often without guidance, into spaces that are as vivid as they are perilous. This is not merely a call for digital literacy; it is a call to rethink priorities....

In the age of constant connectivity, the internet is no longer just a tool—it is a street, a city, a landscape where young people walk every day without maps. Children and adolescents move with cur…

Flux of Images / Imaginaries: A Decolonial Lens at the 36th São Paulo Biennial
30/08/2025

Flux of Images / Imaginaries: A Decolonial Lens at the 36th São Paulo Biennial

Sad Song of Tuha (1971), directed by Atteyat El Abnoudy, is part of the screening program Flux of Images / Imaginaries, presented within the context of the Saison France-Brésil and included in the …

Art doesn’t require fine materials or to follow trends. For Arthur Bispo do Rosário (1911–1989), creation came straight ...
28/08/2025

Art doesn’t require fine materials or to follow trends. For Arthur Bispo do Rosário (1911–1989), creation came straight from the heart: a living, breathing act that made his mind free. A Simple Mission, a Monumental World In late December 1938, Bispo experienced a vision: angels descending on Rio de Janeiro, commanding him to recreate the entire world for Judgment Day. He would spend over 50 years confined in Colônia Juliano Moreira, crafting a universe made of ordinary scraps, silently obeying that divine mandate ....

Art doesn’t require fine materials or to follow trends. For Arthur Bispo do Rosário (1911–1989), creation came straight from the heart: a living, breathing act that made his mind free. A Simple Mis…

“Every stitch, every ruin, every fragment is a refusal to disappear.” In today’s fractured world, artists aligned with P...
26/08/2025

“Every stitch, every ruin, every fragment is a refusal to disappear.” In today’s fractured world, artists aligned with Palestine are reshaping how we understand art’s role in politics. Their work is not decorative. It is witness. It is survival. It is rupture. Embroidery as Defiance — V&A Dundee Thread Memory: Embroidery from Palestine The exhibition gathers 150 years of Palestinian embroidery, from wedding dresses to refugee fragments....

“Every stitch, every ruin, every fragment is a refusal to disappear.” In today’s fractured world, artists aligned with Palestine are reshaping how we understand art’s role in politics. Their work i…

By @ Nigerian photographer Mayowa Lawal, , creates visual narratives that intertwine memory, identity, and aesthetic pow...
26/08/2025

By @ Nigerian photographer Mayowa Lawal, , creates visual narratives that intertwine memory, identity, and aesthetic power. His series build bridges between tradition and contemporary life, celebrating African culture as a foundation of resistance and beauty. Each series magnifies elements of clothing, hairstyles, and daily life… In “Fighter’s Journey”, the boxing ring becomes a metaphor for the universal fight for freedom....

By @ Nigerian photographer Mayowa Lawal, , creates visual narratives that intertwine memory, identity, and aesthetic power. His series build bridges between tradition and contemporary l…

Rigoberto A. González, “Refugees Crossing the Border Wall into South Texas” (2020) was among the artworks targeted in a ...
24/08/2025

Rigoberto A. González, “Refugees Crossing the Border Wall into South Texas” (2020) was among the artworks targeted in a statement from the White House on August 21, 2025 In August 2024, the Trump White House issued a 26-point memo targeting the Smithsonian Institution, demanding “content corrections” for exhibitions that addressed slavery, migration, LGBTQ+ lives, or figures such as Angela Davis and Anthony Fauci....

Rigoberto A. González, “Refugees Crossing the Border Wall into South Texas” (2020) was among the artworks targeted in a statement from the White House on August 21, 2025 In August 2024, the Trump W…

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