Carry On Films

Carry On Films 🎬 Classic English Movies & TV Memories 🇬🇧

07/02/2026

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Coming from a working-class background herself, Burke has often argued that too much public debate is focused on judging...
06/30/2026

Coming from a working-class background herself, Burke has often argued that too much public debate is focused on judging ordinary people rather than questioning those with real power and influence.
She has been particularly critical of the way some sections of the media portray people who rely on benefits. In interviews, documentaries and newspaper columns, Burke has spoken about what she sees as a culture of looking down on struggling families while ignoring the wider economic problems that contribute to poverty. She has argued that television programmes and newspaper stories can sometimes encourage viewers to blame individuals rather than examine the systems that leave people struggling in the first place.
Much of her criticism has centred on Britain's powerful newspaper owners. While she has not always named individuals directly, Burke has repeatedly spoken about billionaire media proprietors and what she sees as their ability to shape public opinion. She believes newspapers can influence how people view issues such as immigration, welfare, unemployment and social justice.
One of Burke's recurring arguments is that ordinary people are often encouraged to direct their anger sideways rather than upwards. Instead of asking why wealth is concentrated in the hands of a small number of people, public debate can become focused on benefit claimants, migrants, public sector workers or other groups who have little power themselves.
This theme was explored in her Channel 4 documentary Kathy Burke: Money Talks. The programme examined wealth inequality in Britain and questioned why extreme wealth is often admired while poverty is frequently stigmatised. Burke argued that economic divisions become easier to maintain when people are encouraged to blame each other rather than examine the structures that create inequality.
She has also spoken about class snobbery in modern Britain, arguing that working-class people are often stereotyped, mocked or dismissed. Burke remains fiercely proud of her roots and regularly challenges what she sees as prejudice against people from poorer backgrounds.
Whether people agree with her or not, her position has been remarkably consistent. Burke believes that media narratives which encourage people to judge those on benefits, or to view other working-class communities as the enemy, ultimately serve the interests of those who already hold wealth and influence. For her, the real story is not why ordinary people are struggling, but why so much attention is spent encouraging them to blame each other rather than asking tougher questions of those at the top.

Captain Edmund Blackadder's insults aimed at Baldrick remain some of the finest examples of comedy writing on British te...
06/30/2026

Captain Edmund Blackadder's insults aimed at Baldrick remain some of the finest examples of comedy writing on British television. They rarely rely on simple name-calling. Instead, Blackadder tears apart Baldrick's intelligence through elaborate comparisons, inventive metaphors and brilliantly constructed put-downs that are as clever as they are merciless.
A typical exchange begins with Baldrick proudly unveiling one of his famous "cunning plans". Rather than dismissing it outright, Blackadder patiently dismantles every shred of optimism with language that makes the idea sound not just foolish but completely pointless. His insults compare Baldrick's thoughts to things that are invisible, worthless or absurdly impossible, turning every conversation into a masterclass in comic writing.
Much of the humour comes from the contrast between Blackadder's sophisticated, razor-precise language and Baldrick's complete lack of understanding. One man speaks with intelligence and precision, while the other remains blissfully convinced his latest plan might actually work. That contrast is what made their partnership one of the greatest comedy double acts British television has produced.

One of the funniest and most quotable comedy scenes ever, “What Have the Romans Ever Done for Us?” is a perfect example ...
06/30/2026

One of the funniest and most quotable comedy scenes ever, “What Have the Romans Ever Done for Us?” is a perfect example of why Life of Brian is still so loved.
What starts as a rant against the Romans quickly turns into a list of everything they’ve actually done, with each interruption making Reg’s argument weaker and the scene even funnier.
It’s classic Monty Python: clever, brilliantly paced and packed with lines that people are still quoting nearly 50 years later.
One of those scenes you can watch over and over again, and it never stops being funny.
Where does it rank among your favourite comedy scenes?

Happy birthday to the one and only Ricky Gervais born on this day in 1961. He is a comedic force and creator whose sharp...
06/30/2026

Happy birthday to the one and only Ricky Gervais born on this day in 1961. He is a comedic force and creator whose sharp wit and fearless comedy have redefined modern television. While many first fell in love with his awkward comedy style in The Office, he has spent decades proving he is a master of both cringe comedy and deep storytelling.
His career changed forever in 2001 with the launch of The Office, which became a global phenomenon and earned him multiple BAFTA and Emmy awards. He followed this success with brilliant shows like Extras, the beautifully heartwarming Derek, and the deeply moving After Life, which blended heavy grief with beautiful humor. He also brought his bold, unfiltered style to Hollywood, hosting the Golden Globes five times and shaking up the entertainment industry with his famous celebrity roasts.
He always defends the right to make people laugh, famously saying:
"You have a right to be offended, and I have a right to offend you. But no one has the right to never be offended."
Away from the spotlight, he dedicates much of his life to defending those without a voice. He is a passionate animal rights activist who uses his massive platform to fight against cruelty, support shelters, and campaign for global animal welfare. His deep love for creatures great and small defines much of his daily life, a sentiment he summed up perfectly by stating:
"Animals are the best thing about the world. They're just perfect. They don't have an agenda, they're just beautiful."
Happy birthday Ricky 🎊

Nora's stone-faced delivery of lines was so hilarious!Few actresses could make a disapproving look or a single sharp rep...
06/30/2026

Nora's stone-faced delivery of lines was so hilarious!
Few actresses could make a disapproving look or a single sharp reply as funny as Kathy Staff.
She became so closely associated with strict, deadpan roles that television producers frequently cast her in similar parts throughout her career. Her ability to play complete seriousness in the middle of complete absurdity became one of her trademarks.
That style made Nora Batty one of the defining characters in Last of the Summer Wine. Surrounded by Compo's endless schemes and childish behaviour, Nora rarely smiled. Her furrowed brow, pursed lips and icy glare often said more than the dialogue itself, and she could stop Compo in his tracks before she'd even spoken.
When Nora did answer back, every line was delivered with complete conviction. Kathy Staff made Nora's frustration feel genuine, whether she was chasing Compo with a broom or cutting him down with a single sentence. Her sharp Northern delivery, impeccable timing and long-suffering sighs turned ordinary exchanges into some of the funniest moments in the series.
It's no surprise that Nora Batty remains one of the greatest comedy characters in British television. Much of that is down to Kathy Staff's remarkable gift for saying so much with a single look.

It's great to see these two legends back together. The BBC is celebrating 25 years of The Office with a special episode ...
06/30/2026

It's great to see these two legends back together. The BBC is celebrating 25 years of The Office with a special episode of Remembers, honouring one of Britain's most iconic and influential sitcoms.
Created by Ricky Gervais and Stephen Merchant, The Office changed television comedy forever with its mockumentary style and unforgettable characters at Slough paper merchant Wernham-Hogg. Since first airing in 2001, the show has become a worldwide phenomenon, inspiring numerous international versions and shaping modern comedy.
To mark the anniversary, Martin Freeman and Mackenzie Crook - who played Tim and Gareth - have reunited to look back on the groundbreaking series. The pair, who had not seen each other for more than 15 years, share personal memories and behind-the-scenes stories from their time on the show.
Among the highlights are revelations that Martin originally auditioned for the role of Gareth, how Mackenzie embraced one of television's most infamous haircuts, and how Ricky Gervais nearly disrupted filming on a daily basis.
The actors also reflect on the height of 'Office-mania', discuss the American adaptation and reveal some of their favourite Wernham-Hogg moments.
Mackenzie Crook and Martin Freeman Remember...The Office will air on BBC Two and iPlayer on Wednesday 8 July at 10pm.

Few friendships shaped British comedy quite like the one between Ben Elton and Rik Mayall. They first met at Manchester ...
06/30/2026

Few friendships shaped British comedy quite like the one between Ben Elton and Rik Mayall. They first met at Manchester University in the late 1970s, long before either had become household names, and although their relationship would include disagreements, creative rivalry and difficult periods, Elton says one thing never changed: "I never stopped loving him."
Together they became part of the generation that transformed British comedy during the 1980s. From The Young Ones and Blackadder to Filthy Rich & Catflap, they helped redefine television comedy with a style that was louder, bolder and unlike anything audiences had seen before. Looking back on those years, Elton sums them up with remarkable honesty: "There were rows, rivalry and excess." Yet alongside all of that was enormous respect for Mayall's extraordinary talent.
Elton recalls being captivated by Mayall from the moment they met. Even as a student, he possessed the confidence, energy and charisma of someone destined for stardom. That confidence never really left him, but fame also brought challenges. One of the most revealing moments Elton describes came when Mayall arrived to discuss work, immediately asking whether there was any Scotch before pouring himself a large whisky first thing in the morning. Elton remembers telling him, "It's the morning, for f---'s sake," urging his friend to get help, but Mayall simply brushed the concern aside.
As the years passed, Elton realised alcohol had become a serious problem. Reflecting on that period today, he describes Mayall as "a hugely functioning alcoholic," recognising both the scale of his talent and the fact that his drinking increasingly affected those around him. Despite that, Elton never reduces his friend to his struggles. Instead, he remembers someone capable of astonishing comic performances, immense generosity and infectious enthusiasm.
Their friendship wasn't without tension. Success occasionally created friction, creative differences surfaced, and both men followed different paths as their careers developed. Yet Elton never lost sight of what made Mayall special. Whether as Rick in The Young Ones, Alan B'Stard in The New Statesman, Richie Rich in Bottom or the unforgettable Lord Flashheart in Blackadder, Mayall remained one of Britain's most fearless and original comedy performers.
Reading Elton's reflections today, what stands out isn't the rivalry or the excess but the affection. He speaks openly about Mayall's flaws without diminishing his brilliance, and when he reflects on losing his old friend in 2014, the emotion is unmistakable. As Elton simply puts it, "His death was a true bereavement."
It's a reminder that behind some of Britain's greatest comedy partnerships were real friendships, shaped by success, conflict, loyalty and forgiveness. For Ben Elton, Rik Mayall wasn't just one of the funniest people he ever worked with. He was a lifelong friend whose talent, flaws and larger-than-life personality left an enduring mark on British comedy and on everyone fortunate enough to know him.

Remembering Joan Sims, who passed away on 27 June 2001.Sims is most famously remembered as the ultimate leading lady of ...
06/30/2026

Remembering Joan Sims, who passed away on 27 June 2001.
Sims is most famously remembered as the ultimate leading lady of British farce, bringing her unmatched facial expressions and impeccable comic timing to an astonishing 24 Carry On films. As the franchise's longest-serving female cast member, she effortlessly evolved from playing wide-eyed, accident-prone young women to formidable, sharp-tongued battle-axes, becoming one of the series' most recognisable faces.
Away from the cameras, her life was enriched by a lifelong friendship with fellow Carry On star Hattie Jacques. The pair shared a deep bond built on mutual respect, affection and plenty of laughter, and their friendship became one of the enduring relationships behind Britain's favourite comedy films.
Before becoming a household name, Sims trained at the Royal Academy of Dramatic Art (RADA), developing the versatility that kept her in demand across British television for more than five decades. In 1987, she delighted viewers with a memorable cameo in the Only Fools and Horses Christmas special The Frog's Legacy, playing Auntie Reenie Turpin. As she revealed the story of the elusive bank robber Freddie the Frog to an intrigued Del Boy, she delivered one of her memorable lines: "Yes. Well. She used to help Freddie the Frog out."
Despite making millions laugh, Sims was a private and modest woman who often spoke of her loneliness, choosing to devote herself almost entirely to her work. Even as her health declined in later life, her commitment to entertaining audiences never faded.
Joan Sims died on 27 June 2001 after falling into a coma following complications from surgery. She was 71 years old. More than two decades later, she remains one of British comedy's true greats, remembered for her brilliant comic timing, expressive performances and the immense joy she brought to generations of audiences.

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