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《等待》在啟程前收到一份遠方的祝福。9月7日晚上9點,公視台語台,等你赴約
08/12/2025

《等待》在啟程前收到一份遠方的祝福。
9月7日晚上9點,公視台語台,
等你赴約

🎉 喜訊報到❗❗❗❗
台語有影全新電視電影 《 #等待》𝐓𝐚́𝐧-𝐭𝐡𝐚̄𝐢
入圍 ✦ #多倫多藝術電影精神獎✦ 肯定 🥇
⠀ ⠀
這項獎項是 IMDb 認證的一個國際競賽暨年度盛事!致力於推廣全球藝術電影,支持新銳與資深創作者,以多元敘事讓觀眾看見影像力量。由《Toronto Film》雜誌與美加獨立平台支持,為獨立電影開啟亮窗,培養大眾對藝術電影的欣賞。
⠀ ⠀
《 #等待》能與世界各地優秀作品並肩,我們感到無比榮幸與感動。

#好作品值得你等待 !
這份等待,不只是對故事的等待,
也是對觀眾的一份約定!

不要忘記!與我們穿越時空相遇。
邀你一起收看 《等待》。

෴෴෴ 🕰️《等待》 𝐓𝐚́𝐧-𝐭𝐡𝐚̄𝐢 ⸝⸝꙳
9.7 (日)晚間9點 我在未來等待你。
▌ 公視台語台 首播| 公視+ 同步上架
▌ DAY DAY 台語台 𝙔𝙏 限時上架𝟭𝟰天
⠀ ⠀  
𐌙 製作人/導演/編劇| 吳米森
𐌙 主演|李宗霖、楊欣儀
𐌙 特別演出|戴立忍、馬念先、張寧、張翰、周明宇
𐌙 監製|公視台語台
✧ 更多詳情敬請鎖定 #台語有影 ෴෴
⠀ ⠀  
⭓⭓ 台語有影 𝙏𝙖𝙞𝙜𝙞 𝘾𝙞𝙣𝙚𝙢𝙖 ⭓⭓
#等待 #吳米森 #多倫多藝術電影精神獎 #公視台語台

08/07/2025
08/07/2025

▌▌▌▌ 🕰️《 #等待》 𝐓𝐚́𝐧-𝐭𝐡𝐚̄𝐢 ▌▌▌ ▌
▂▂▂ 主視覺 & 播出時間 公開!▂▂▂
​ ​ ​ ​ ​ ​ ​ ​ ​
「我們是在你的未來認識的,你相信嗎?」
​ ​ ​ ​ ​ ​ ​ ​ ​
一段愛情、三段記憶,
究竟是夢境,還是真實?
​ ​ ​ ​ ​ ​ ​ ​ ​
𝟷𝟿𝟺𝟽年, #台北。
已近暮年的和田涼,追問著𝟷𝟿歲的木村關於命運的相識。
​ ​ ​ ​ ​ ​ ​ ​ ​
𝟷𝟿𝟼𝟽年, #東京。
𝟺𝟶歲的木村告訴貌似和田涼的女子,我們永遠無法一起變老...
​ ​ ​ ​ ​ ​ ​ ​ ​
𝟷𝟿𝟾𝟽年, #金門。
少女和田涼,猶豫著要不要相信眼前這位老木村先生的故事。
​ ​ ​ ​ ​ ​ ​ ​ ​
疾走在時間隧道的不同車道,
兩人意識的交會,似乎只停在𝟷𝟿𝟼𝟽年的東京。
​ ​ ​ ​ ​ ​ ​ ​ ​
他們將如何反轉「現在」和「未來」的斷絕,
讓當下成為永恆?
​ ​ ​ ​ ​ ​ ​ ​ ​
✧ #歷史懸疑X ✧ #愛情奇幻 X ✧ #穿越時空
෴෴ 金鐘導演 #吳米森 最新力作෴෴෴
​ ​ ​ ​ ​ ​ ​ ​ ​
🕰️《等待》 𝐓𝐚́𝐧-𝐭𝐡𝐚̄𝐢
𝟮𝟬𝟮𝟱 年 𝟵 月 𝟳 日(週日)晚間𝟵點
▌ 公視台語台 首播\ 公視+ 同步上架
▌ DAY DAY 台語台 𝙔𝙏 限時上架𝟭𝟰天
​ ​ ​ ​ ​ ​ ​ ​ ​
෴෴෴෴
∞ 製作人/導演/編劇| 吳米森
∞主演| 李宗霖 、 楊欣儀
∞ 特別演出| #戴立忍、 #馬念先、 張寧Ning 、 張翰 Han Chang 、周明宇 Chou Ming-Yu
∞ 監製|公視台語台
​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​
✧ 更多詳情敬請鎖定 #台語有影 ✧

The text provides an in-depth look at the films of Eric Rohmer, exploring recurring themes and stylistic choices. It exa...
03/21/2025

The text provides an in-depth look at the films of Eric Rohmer, exploring recurring themes and stylistic choices. It examines Rohmer's distinctive approach to realism, his use of amateur actors, and his focus on the nuances of human relationships. The analysis differentiates between his period films and those set in contemporary times, highlighting how each engages with the concepts of tragedy, morality, and grace. It discusses how Rohmer uses space, especially Paris and the countryside, as settings that influence and reflect the characters' internal states. The text also emphasizes Rohmer's Catholic worldview and its influence on his cinematic representations of everyday life and the possibility of miracles. Ultimately, it argues that Rohmer's films are deeply humanistic, celebrating the complexities and contradictions of the person within atmospheric conditions of empirical life.

The text provides an in-depth look at the films of Eric Rohmer, exploring recurring themes and stylistic choices. It examines Rohmer's distinctive approach t...

This text is primarily an academic article titled "Lars von Trier, Dogville and the hodological space of cinema" by Tarj...
03/05/2025

This text is primarily an academic article titled "Lars von Trier, Dogville and the hodological space of cinema" by Tarja Laine, published in the journal Studies in European Cinema. The article analyzes Lars von Trier's film Dogville through the lens of Kurt Lewin's concept of "hodological space," which relates to human experience as a social energy field. Laine argues that Dogville's minimalist setting encourages viewers to actively create the space, highlighting the intersubjective and embodied nature of cinematic experience, particularly in post-classical cinema. The essay also incorporates concepts from Sartre and Lefebvre to explore themes of social space, the spectator's body, and the interplay of different temporal rhythms within the film. Ultimately, the article proposes that hodological space offers a valuable framework for understanding the dynamic relationship between the film and the spectator's lived experience.

This text is primarily an academic article titled "Lars von Trier, Dogville and the hodological space of cinema" by Tarja Laine, published in the journal Stu...

Utopia and Reality Documentary, Activism, and Imagined Worlds😉
03/02/2025

Utopia and Reality Documentary, Activism, and Imagined Worlds😉

Environmentalism is a recurring theme in the sources, particularly in the context of documentary filmmaking and utopian visions. The sources touch on ecofemi...

《等待》前製在臺大創新設計學院《影像戰鬥營》的試鏡讀本。
02/24/2025

《等待》前製在臺大創新設計學院《影像戰鬥營》的試鏡讀本。

等待,是時間的凝視,是渴望與信念交織的片刻。它不是靜止,而是內在的流動;不是空白,而是未來的伏筆。等待可以是愛的試煉,是靈魂的低語,是黑暗中對光的守望。它可能是一場無聲的祈禱,也可能是命運在測試耐心與決心。小丑可以等待天使,夜可以等待黎明,...
02/23/2025

等待,是時間的凝視,是渴望與信念交織的片刻。

它不是靜止,而是內在的流動;不是空白,而是未來的伏筆。
等待可以是愛的試煉,是靈魂的低語,是黑暗中對光的守望。
它可能是一場無聲的祈禱,也可能是命運在測試耐心與決心。

小丑可以等待天使,夜可以等待黎明,
但等待的本質,是期盼某種回應,
或者,只是讓自己在時間裡,學會存在。

等待一個回應,或是一個無法預測的沉默。
等待一場重逢,或是永不歸來的身影。
等待愛的降臨,或是心碎的結局。

有時,等待是一場信仰,深信光會穿透黑暗。
有時,等待是一種試煉,測量靈魂能承受的重量。
有時,等待本身就是答案,因為在等待的過程中,
我們才知道自己真正渴望的是什麼。

世俗中的神聖感... 只有馬丁史柯西斯想得出來,把在拍片現場錄 Room Tone 的時刻和主日閉會祈禱 (benediction)聯想在一起 😆  其實一點都沒錯,一樣是全然沉浸在靜默裡,虔誠的盼望著...
04/05/2024

世俗中的神聖感...
只有馬丁史柯西斯想得出來,把在拍片現場錄 Room Tone 的時刻和主日閉會祈禱 (benediction)聯想在一起 😆
其實一點都沒錯,一樣是全然沉浸在靜默裡,虔誠的盼望著...

Happy holidays from all of us at Criterion! As we reflect on 2023, we invite you to look back on the collaborations that defined our year, captured in this compilation…

DUNE兒童版?
04/05/2024

DUNE兒童版?

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