OUR SERVICES
01.
“Temp effects” provided to the picture editors as Avid ready digital audio files - either on CD, DVD or any other requested formats.
02. Spotting sessions of the “locked output” of the show with Supervising Sound Editor, and Sound Designer in attendance.
03. Complete dialogue assembly referenced to the EDL/ phase aligned to the picture editors reference track - alternate take
s pulled.
04. ADR Stages, supervision, spotting / programming of all principal characters and Walla group for all shows.
*ADR or Walla stage time outside of our premises as well as all ISDN Fees, ISDN related studio charges, SAG fees, Union wages, and above the line expenses shall be the sole responsibility of the Production Company.
05. We offer Source Connect, Skype or phone patch options for all ADR and voice over sessions.
06. Editing, cleaning and prelay ADR sound elements. Complete ADR editorial / assembly cut to picture & aligned to the production
audio track for the project.
07. Spotting, recording, sourcing, editing and prelay of all hard effects and background sound elements - prepared for surround 5.1/7.1 or as required by the Production Company.
08. All custom sound design and custom audio sound effects recording, editing and prelay prepared as per Production Company’s request.
09. Foley supervision, spotting / programming, foley walkers (2), foley stage time, recording to Pro-Tools with back-up and prelay of the shows. 100% coverage, fully filled / M&E preparation.
10. Foley editorial and prelay of all foley elements , cut to picture and aligned to the production audio elements.
11. Playback session of edited sound elements and subsequent revisions prior to dub upon request.
12. Music editing before and during dub is available upon request of
the composer or the Production Company.
13. Project supervisor / sound supervisor responsible for overseeing all audio related aspects of the shows.
14. Coordination and supervision of the final dub in our studios.
15. Stage dub time and supervision of final mix down of all elements in any of our studios.
16. Stage revisions, fixes, and augmentations on site & via our online network sound server- providing virtually instant high speed remote access to our digital library and all production sound elements. Sound editorial staff available during all dubs.
17. Layback / Print Master of the completed Mix to any formats requested by Producers: D-Beta, DA-88, DA98 HR, Dolby E, DTS, Sony Digital, MO Discs, etc...
18. Creation of any subsequent delivery requirements as requested by the Production Company.
