09/16/2026
When seven Canadian artists unveiled their new style of painting in 1920, critics called it primitive and crude, and only five paintings sold. A century later, those same paintings define Canadian art around the world.
The Group of Seven held its first public exhibition at what's now the Art Gallery of Ontario on May 7, 1920, showing bold, colour-saturated depictions of the Canadian wilderness that broke sharply from the softer, European-influenced styles of the time. Founders Franklin Carmichael, Lawren Harris, A.Y. Jackson, Frank Johnston, Arthur Lismer, J.E.H. MacDonald, and F.H. Varley believed Canada needed its own artistic voice, free from European tradition, rooted directly in the rugged forests, lakes, and rock of the Canadian Shield. Around 2,000 people attended that first show, but reviews were sharply mixed, with some critics dismissing the work's heavy brushstrokes and unconventional colour choices as crude, even though painter Tom Thomson, who died in 1917 before the group officially formed, had already deeply influenced their direction.
Over the next 13 years, the Group held seven increasingly successful exhibitions and launched dozens more across North America, gradually winning over the same critics who'd once mocked them, before disbanding in 1933 amid concerns that other Canadian artists were being overlooked in their shadow. Today their paintings hang in nearly every major Canadian art museum, and most Canadians grow up learning their names as part of the country's cultural identity.
Had you ever heard how harshly the Group of Seven's work was received when it was first shown to the public?