17/04/2026
Bekool Records would like to give back to its listeners with this free release as a token of appreciation for the many years of support. This special piece comes in the form of an edit by Ander Hogin, whose sound perfectly aligns with the label’s identity. Blending emotional storytelling with refined electronic elements, his work captures both nostalgia and a modern musical vision, making this release particularly meaningful for us. We are truly grateful for this outstanding contribution.
Ander Hogin
A contemporary electronic music producer from Spain, Ander Hogin began his journey in Barcelona, experimenting with sounds in a home studio while working behind the scenes as a club technician. Deeply influenced by flamenco rhythms and analog synthesizers from an early age, he developed a unique style that merges organic musicality with modern house and EDM structures.
He gained wider recognition through viral remixes on platforms like YouTube and SoundCloud, where his ability to reinterpret traditional melodies into fresh electronic arrangements stood out. In recent years, releases such as “Hugs,” “Tramonti,” and “Ruisenor” have helped establish his presence in the European electronic scene, earning support on platforms like Beatport and Spotify.
His sound is characterized by warm atmospheres, expressive melodies, and subtle cultural influences, creating music that feels both intimate and timeless. Today, he continues to refine a style that bridges classic emotion with contemporary electronic production.
Original Track
“Milenki ty moi” is a classic Russian folk-inspired song popularized by Valentina Tolkunova, known for its emotional storytelling and timeless melody.
Remix
“Tam v Krau Dalekom (Ander Hogin Remix)” transforms the original into a modern house track, combining nostalgic vocals with deep bass and a strong, immersive electronic sound.
Bekool Records would like to give back to its listeners with this free release as a token of appreciation for the many years of support. This special piece comes in the form of an edit by Ander Hogin,