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99Art 99 Art Net was set up in 2003. It has became one of the best contemporary art net in China.

It has became one of the best contemporary art net in China in years of development. Coordinate with the headquarter in Beijing 798 Art Zone, We have other two branch offices in Shanghai and Chengdu. And special correspondents in London, Paris, New York and Tokyo. 99 Art Net is devoted to provide high quality media coverage, organize exhibitions and forums, collect art related data , do the date analysis and offer professional art collection adverse.

David Hockney Starts Painting the MoonDuring his lockdown in the Normandy countryside, David Hockney began to gaze at th...
05/06/2026

David Hockney Starts Painting the Moon
During his lockdown in the Normandy countryside, David Hockney began to gaze at the night sky in a state of near-silent contemplation. Here, the moon is no longer a grand, romanticized natural motif; instead, it enters his field of vision and experience of time in a deeply intimate, slowly unfolding daily rhythm. It was through this deliberate practice of looking that The Moon Room series was born: the artist captures the shifting play of light across grass and tree shadows, documenting the subtle, hour-by-hour transitions in the color of the night sky.
This series of iPad paintings is currently on view at Pace Gallery’s flagship space in New York—marking the first comprehensive presentation of The Moon Room in the city. The exhibition features fifteen works created between April and December 2020, documenting the artist’s sustained observation of the changing lunar phases from his farmhouse in Normandy. Throughout these compositions, Hockney repeatedly approaches the same patch of night sky from various vantage points. Rather than a static object, the moon functions as a dynamic, shifting light source, revealing the delicate interplay between space, foliage, and the ground, and transforming the act of looking into an experience of time itself.

Venice Biennale’s Austrian Pavilion Staged 9-Hour "Extreme Physical Action"At the Venice Biennale, the Austrian Pavilion...
05/06/2026

Venice Biennale’s Austrian Pavilion Staged 9-Hour "Extreme Physical Action"
At the Venice Biennale, the Austrian Pavilion has been flooded into a vast, speculative sea. Yet, what sustains this aquatic environment is not a high-tech filtration device, but the purified urine contributed by the visitors themselves.
A female performer lives entirely inside a transparent glass tank, relying on this dystopian, closed-loop system for survival. She is no longer art history's "Sleeping Venus" draped in velvet; instead, she is a survivor silently staring back at you from the ruins of a civilization slowly dissolving in urine.
Jet skis roar across the exhibition hall, robotic dogs patrol the rising tide, and a massive bell is struck by a human body, tolling every hour to signal the collapse of old power structures.
These radical performance acts shatter our dualistic perceptions of purity and pollution, the sacred and the discarded. They force us to confront a haunting question: in a city drained dry by mass tourism and consumerism, who is gazing at the landscape, and who is being flushed down the drain? You might think you are merely a spectator, but you, too, are part of the loop.

Is an Art Degree "Not Worth It"? Proposed U.S. Rule Stings Countless Art StudentsRecently, the U.S. Department of Educat...
05/06/2026

Is an Art Degree "Not Worth It"? Proposed U.S. Rule Stings Countless Art Students
Recently, the U.S. Department of Education proposed a new "earnings test" slated for implementation in July 2026. Under this proposed framework, if the median earnings of a graduate program's alumni fail to significantly exceed those of peers in the same field who only hold a bachelor's degree, the program will lose its eligibility for federal student loans. Elite art programs—including Yale University's master’s in visual arts, Harvard University's master's in museum studies, and The Juilliard School's graduate music programs—could all face a "failing" grade under these new metrics.

Put simply, this is using Return on Investment (ROI) to pass final judgment on art education. This move strikes at the very heart of the anxiety shared by every artist, practitioner, and enthusiast: Is studying art actually worth it?

When federal loan eligibility hinges solely on future paychecks, passion from ordinary families may be shut out entirely. Yet creativity, critical thinking, and spiritual enrichment—the very core of art—have never been things a salary could measure.

Looking at the situation in China, while the financial investment in art education is significantly higher than in other disciplines, post-graduation career opportunities and earnings fall far behind. Now, with some Chinese universities tightening or even axing arts admissions altogether, is an art degree truly becoming "worthless"?

Honoring Monet: Cai Guo-Qiang Ignites "Radiance of Spring" at France’s Mont-Saint-Michel AbbeyThe Verdict:An encounter w...
05/06/2026

Honoring Monet: Cai Guo-Qiang Ignites "Radiance of Spring" at France’s Mont-Saint-Michel Abbey
The Verdict:
An encounter with the cosmos of gunpowder atop a medieval abbey—Cai Guo-Qiang transforms Monet's fleeting light into a permanent blast of spring.
On May 29, Cai Guo-Qiang’s solo exhibition, "Radiance of Spring," opened at the UNESCO World Heritage site of Mont-Saint-Michel Abbey in France. Spanning several of the abbey's iconic spaces, including the historic guest room (Salle des Hôtes), the exhibition presents a series of gunpowder paintings created especially for this showcase, featuring works painted en plein air at Monet’s garden in Giverny and others conceived during his residency in Vernon, as well as a porcelain floral sculpture set ablaze with colored powder. "Radiance of Spring" coincides with the centenary of the passing of the "Father of Impressionism," Claude Monet, and was commissioned by the Normandie Impressionniste 2026 festival, curated by the festival's artistic director, Philippe Platel.
Philippe Platel, artistic director of Normandie Impressionniste 2026 and curator of "Radiance of Spring," remarked: "Cai Guo-Qiang and Claude Monet, two artists separated by a century, both seek to make visible the flow and interaction of natural elements. Monet spent forty-three years capturing the fleeting instant when water, earth, and light meet in his Water Lilies series; Cai, meanwhile, freezes the moment when fire, air, and earth collide through gunpowder. For Monet, that instant was a lifelong narrative; for Cai, it is an 'atemporal' performance... The renowned French philosopher Michel Serres once wrote: 'Our world is made of earth and stars.' At Mont-Saint-Michel, we stand at the core of these cosmic forces—forces that ignite the vital energy within Cai's creations."
In the two weeks leading up to the opening of "Radiance of Spring," Cai embarked on an outdoor sketching journey in Normandy, fully embracing the Impressionist spirit of painting en plein air. His travels took him from the Old Mill of Vernon and the house of Pierre Bonnard to Monet’s grave and legendary garden in Giverny.

Shenzhen's Blockbuster New Exhibition Opens: Seven Yuanmingyuan Zodiac Heads Gather for a Century-Old EncounterThe grand...
03/06/2026

Shenzhen's Blockbuster New Exhibition Opens: Seven Yuanmingyuan Zodiac Heads Gather for a Century-Old Encounter
The grand opening of the Shenzhen International Art Museum is an absolute sensation, miraculously bringing together seven of the legendary Yuanmingyuan Zodiac bronze heads under one roof! This is no ordinary reunion of national treasures, but a poignant chronicle of repatriations spanning over twenty years.
The Tiger, Ox, and Monkey heads: Rescued at auction by the Poly Group with a heavy investment, initiating the historic chapter of repatriating China's looted cultural relics.
The Pig head: Funded by the generous donation of Dr. Stanley Ho, preventing this precious relic from wandering endlessly in foreign lands.
The Horse head: Also acquired by Dr. Stanley Ho, returned to the native soil of Zhengjue Temple in Yuanmingyuan after a century of displacement.
The Rat and Rabbit heads: Generously donated by the French Pinault family, standing as a testament to a cross-border dialogue of civilizations.
From auctions to voluntary returns, what has come back is more than just exquisite bronze sculptures; it is a restoration of national pride and historical dignity. Standing in the gallery, gazing upon their mottled surfaces and the visible traces of their global wanderings, the visceral shock is deeply moving, whispering in your ear: never forget our history.
To protect the fragile relics, three of the seven displayed heads are replicas. Although the replication craftsmanship is equally exquisite, they lack the luster and aura of the originals. Can you distinguish which are authentic and which are replicas?
Venue: Shenzhen International Art Museum

Kiang Malingue to Participate in Art Basel in Basel 2026In mid-June, Kiang Malingue will participate in Art Basel in Bas...
03/06/2026

Kiang Malingue to Participate in Art Basel in Basel 2026

In mid-June, Kiang Malingue will participate in Art Basel in Basel 2026, presenting a selection of recent paintings, drawings, and sculptures by Chang Ya Chin, Cho Yong-Ik, Tiffany Chung, Henry Curchod, Shirley Kaneda, Miao Ying, Nabuqi, Thảo Nguyên Phan, Trương Công Tùng, Nicola Tyson, Kaifan Wang, Carrie Yamaoka, Hiroka Yamash*ta, and Yuan Yuan.

A central highlight of the booth is the inclusion of three sets from Trương Công Tùng's ongoing series “As time passes through shadows…” These lacquer-on-terracotta pieces utilise a rigorous process of layering and sanding. By partially revealing concealed strokes and natural forms, Trương creates a spectral quality where images fluctuate between visibility and disappearance. As the artist notes, these works serve as “a gateway to dream realms,” seeking connections between the human, the natural, and the invisible.

The Kiang Malingue booth also presents a series of “Toy” sculptures by Nabuqi that subverts the power relations between subject and object[3]. What begins as the solving of bright, cold, and seemingly simple puzzles soon reveals a more complex reality: the toys themselves govern the rules of engagement[. Under their influence, a physical environment is rendered precarious; the viewer is transformed into a cautious participant, forced to navigate the maze of scattered trinkets, and to confront the playfully totemic No. 2 (Yellow leather sculpture) (2022).

Lucian Freud’s monumental portrait Sleeping by the Lion Carpet (1995–96) will be offered at Sotheby’s London in June, ca...
02/06/2026

Lucian Freud’s monumental portrait Sleeping by the Lion Carpet (1995–96) will be offered at Sotheby’s London in June, carrying an estimate of $33 million to $45 million. Measuring nearly eight feet high, the canvas has been hailed by art critics as the most important work that Freud ever painted. It is also the final and most ambitious of four monumental portraits he created of benefits supervisor Sue Tilley. Tilley was introduced to Freud through the performance artist Leigh Bowery and sat for nine months as the artist captured her slumped and asleep in a leather armchair. Since its acquisition in 1996 by British financier Joe Lewis, the painting has remained in his private collection and has never before appeared on the open market. Previously, another major work in the series, Benefits Supervisor Resting, sold for $56.2 million in 2015, setting a record at the time for any living artist. Sotheby's European Chairman has called the present painting "the Mona Lisa of the modern age." The work will go on public view at Sotheby's New Bond Street galleries from June 10 to 23, as part of a broader sale of masterpieces from the Lewis Collection, which carries a combined estimate in excess of 150 million pounds.

Madrid Hosts a "Faceless" Portrait Phenomenon: Ewa Juszkiewicz's First Museum Solo Exhibition in SpainYou might not imme...
02/06/2026

Madrid Hosts a "Faceless" Portrait Phenomenon: Ewa Juszkiewicz's First Museum Solo Exhibition in Spain
You might not immediately remember the name of this Polish artist, but the "faceless heroines" under Ewa Juszkiewicz's brush have undoubtedly taken over your social media feeds.
The Museo Nacional Thyssen-Bornemisza in Madrid is currently hosting the first Spanish museum solo exhibition for Polish artist Ewa Juszkiewicz.
Juszkiewicz is celebrated for her radical subversion of classical female portraiture.
She masterfully replicates academic painting techniques spanning from the Renaissance to the 19th century, only to conceal her female subjects' faces with draped fabrics, elaborate floral arrangements, braided hair, or piled fruit, creating surreal and unsettling distortions.
This gesture is not a negation of beauty, but rather a profound interrogation of how the European painting tradition has historically disciplined and constrained the female image—reminding us that behind those elegant facades lay the silent shackles of societal expectations.
The exhibition brings together over twenty works spanning from 2013 to the present, including several newly unveiled paintings. Juszkiewicz’s works are held in prestigious international public collections, including the Long Museum in Shanghai and the Musée d’Art Moderne de Paris.

Oil Painter Xu Mangyao Passes Away at 81: Remembering His 1980s Classic "My Dream"Xu Mangyao previously served as the De...
02/06/2026

Oil Painter Xu Mangyao Passes Away at 81: Remembering His 1980s Classic "My Dream"
Xu Mangyao previously served as the Dean of the Academy of Fine Arts at Shanghai Normal University. He was also appointed as a researcher at the Academy of Fine Arts of the Chinese National Academy of Arts, an artist at the China Academy of Oil Painting, a standing director of the Chinese Oil Painting Society, and a member of the Oil Painting Art Committee of the China Artists Association. In the 1980s, Xu's masterpiece "My Dream" shocked the Chinese oil painting community by employing an extraordinarily lifelike realist technique to depict a scene that could never happen in reality. His other representative works include "The Suture Series" and "The New Fourth Army." His artistic subjects spanned portraiture, narrative, and contemporary conceptual expressions.
In 1987, following his return from France, Xu created "My Dream." In the painting, a clay-red brick wall covers the canvas, from which the protagonist bursts forth. While the head, shoulders, and most of the limbs have emerged from the wall, the torso remains embedded within it. The painting later won the Gold Award at the First Chinese Oil Painting Exhibition, causing a sensation across the Chinese art world. Viewers were astonished to find that oil painting could be executed in such a manner—using highly realistic techniques to render a scene that defied reality. The debut of "My Dream" immediately sent shockwaves through the oil painting circle. Renowned oil painter Li Xiangyang remarked, "His works exerted a tremendous influence. They are both classical and contemporary; behind his canvases, there are always deep concepts and ideas."

Boycotted, Works Withdrawn, Exhibition Space Closed: Why Are These Controversial Collectors Selling Their Art Now?A top-...
01/06/2026

Boycotted, Works Withdrawn, Exhibition Space Closed: Why Are These Controversial Collectors Selling Their Art Now?
A top-tier auction laden with multiple signals is about to unfold in London: Anita and Poju Zabludowicz—among Britain's most influential yet highly controversial contemporary art collectors—will consign approximately one hundred works to Christie's, with an overall estimate approaching twenty million pounds.
While the couple has championed emerging art with a pioneering stance since 1994, they became deeply embroiled in a vortex due to their fortune's origins in the Israeli defense industry. This controversy catalyzed the artist-led campaign "Boycott Divest Zabludowicz" (BDZ) and culminated in twenty-five artists publicly "deauthoring" their works in the collection in 2021. Furthermore, their non-profit exhibition space in north London, "176," which operated for sixteen years, closed its doors in 2023.
A major sell-off by such prominent collectors at this moment carries complex implications. On one hand, Anita Zabludowicz admitted that the sale comes at "a period of reflection," preparing for transition to the next generation; thus, the auction appears to be a rational milestone in family financial planning. On the other hand, in a contemporary landscape marked by escalating cultural wars and intensifying ethical scrutiny, the circulation of these works serves as a litmus test for the market's acceptance of "controversial wealth" collections, while quietly completing a strategic divestment of reputational risk. While this auction may not directly depress prices—as Christie's continues to project robust demand—it serves as a poignant reminder that the legitimacy and social license of private collecting have become just as vital as the aesthetic value of the artworks themselves.

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