Spike Art Magazine

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Spike Art Magazine Spike is a magazine for contemporary art, founded in 2004, and run by artist Rita Vitorelli. It's based in Vienna and Berlin.

Adina Glickstein made the glissade across the Rocky Mountains for the first edition of AIR, a weeklong festival dedicate...
15/08/2025

Adina Glickstein made the glissade across the Rocky Mountains for the first edition of AIR, a weeklong festival dedicated to “radical imagination, art, and exchange” at the Aspen Art Museum.

NOW ONLINE 🔥🔥🔥

Images:
1. Matthew Barney, TACTICAL parallax, 2025
2. By Adina Glickstein
3. Paul Chan
4. Inside an Installation by Mimi Park

What lengths would you go to on stream for your fifteen minutes of fame? Eat gas-soaked pizza? Smoke m**h? Become presid...
14/08/2025

What lengths would you go to on stream for your fifteen minutes of fame? Eat gas-soaked pizza? Smoke m**h? Become president of the United States? As artist and gallerist Jared Madere writes in Spike 84 – Vulgarity, while the attention economy is indeed bringing out the dumbest in people, it’s also true that no picture so clearly conveys the lunatic sensation of being online like the meme coin. Link in bio, OUT NOW via our webshop and bookstores worldwide!

Want your copy at a 25% discount? Then consider SUBSCRIBING to one year of Spike – and get our 20th-anniversary PORCUPINE T-Shirt as a gift.

What is it that makes art human? Adina Glickstein scoured the Aspen Art Museum’s new, lush, firework-like festival for c...
13/08/2025

What is it that makes art human? Adina Glickstein scoured the Aspen Art Museum’s new, lush, firework-like festival for clues in an age of TMI. Link in bio, her column “How I Spent My Summer Vacation” is now online!

Images:
1. Matthew Barney, TACTICAL parallax, 2025. Photo: Maria Baranova
2. Issy Wood, Sounds ominous study, 2024
3-4. Aspen, 2025. Photos: Adina Glickstein
5. Werner Herzog. Photo: Elyse Mertz
6. Paul Chan, Sympathy for the Devil in the Machine, 2025. Photo: Elyse Mertz
7. Solange Pessoa, NIHIL NOVI SOLE (fragments), 2019–21. Photo: Paul Salveson
8. Performance by Caroline Polachek. Photo: Maria Baranova

What makes art human? User Error’s Adina Glickstein scoured AIR 2025, a new, lush, firework-like festival at the Aspen A...
13/08/2025

What makes art human? User Error’s Adina Glickstein scoured AIR 2025, a new, lush, firework-like festival at the Aspen Art Museum, for the truth in our age of information. 🔗 in bio, her column “How I Spent My Summer Vacation” is now online!

Images:
1. Matthew Barney, TACTICAL parallax, 2025. Photo: Maria Baranova
2. Issy Wood, Sounds ominous study, 2024
3-4. Aspen, 2025. Photos: Adina Glickstein
5. Werner Herzog. Photo: Elyse Mertz
6. Paul Chan, Sympathy for the Devil in the Machine, 2025. Photo: Elyse Mertz
7. Mimi Park, Melody from Stomach, 2025. Photos: Adina Glickstein
8. Solange Pessoa, NIHIL NOVI SOLE (fragments), 2019–21. Photo: Paul Salveson
9. Performance by Caroline Polachek. Photo: Maria Baranova

Emma Stern, 𝘉𝘰𝘯𝘦𝘳, 2025. Featured in Spike 84 – Vulgarity. OUT NOW via our webshop and bookstores worldwide!Want your co...
12/08/2025

Emma Stern, 𝘉𝘰𝘯𝘦𝘳, 2025. Featured in Spike 84 – Vulgarity. OUT NOW via our webshop and bookstores worldwide!

Want your copy at a 25% discount? Then consider SUBSCRIBING to one year of Spike – and get our 20th-anniversary PORCUPINE T-Shirt as a gift. 🔗 in bio.

Looking for the word to bridge AI and authoritarianism? Paul Feigelfeld has you covered. In May, he delivered a lecture ...
08/08/2025

Looking for the word to bridge AI and authoritarianism? Paul Feigelfeld has you covered. In May, he delivered a lecture at Vienna Digital Cultures that cuts through the semantic fog of “optimization” to uncover AI-thoritarianism’s rising bid for power. A video of his talk, produced by Autotelic Foundation for VDC 2025, is now on YouTube and spikeartmagazine.com. 🔗 in bio.

.samman

Need some perspective on yet another breathless summer? Order a copy of Spike 80 – The State of the Arts, now back in st...
07/08/2025

Need some perspective on yet another breathless summer? Order a copy of Spike 80 – The State of the Arts, now back in stock in our webshop.

***

A sense of major flux is spreading in the art world – and not only among its pessimists. Under pressure from reactionary politics and its own “now more than ever” imperatives, so much in art is transforming: criticism into a flashy rubber stamp; art schools into trauma industries; fairs into 3D-PDFs; museums into everything for everybody; and art-making into a moral protocol. 

Some artists are responding by dropping out, going Web3, or protesting genocide; a few are launching their own galleries or wellness brands; plenty are still just painting painting painting.

This issue is point of reference so that the next time we go off road, we can find a way back to our last clear perspective – a bit jaded, a little dizzy, but faithful as ever that artists are finding our way forward.

With Travis Diehl on riskless art; Domenick Ammirati on getting ahead by getting hot; Anna Kornbluh on culture as pure vibe; Daniel Baumann on the impossibility of succeeding as a curator; an interview with painter and gallerist Jamian Juliano-Villani; Aodhan Madden on the trash girl art of Maggie Lee, Ser Serpas & K8 Hardy; Jaakko Pallasvuo and Kristian Vistrup Madsen talk trying (and failing) to drop out of the art world; a guide to decentralized social media; Marina Abramović’s secret to longevity; a postcard from Riyadh; Nicolas Bourriaud on this year’s Venice Biennale; and so much more.

“There is too much beauty in the world. There is too much beauty and there are more beautiful people than there have eve...
06/08/2025

“There is too much beauty in the world. There is too much beauty and there are more beautiful people than there have ever been, and they are generally beautiful in the same way. With trompe l’oeil make-up, fillers, and photo editing, they began to give themselves the same face and to make the same kinds of images of themselves. They are becoming images. They tend toward the same ideal (worked out, contoured, airbrushed, fake) image, they bombard the world with that image relentlessly, every day, and that image continues to infinity. In Soho in London last winter, I had dinner with a beauty editor, a stylist, and a fashion photographer. The photographer, showing us som**hing on her phone, casually observed that her Instagram for you page was full of monsters. That is what she was recommended, videos of monsters. Oh yeah, the very successful beauty editor said, that’s what I have too. They showed me.

There are AI-generated monsters stalking Instagram Reels. Hideous ghouls are emerging from footage of real places: hairless swimming cats with the shrunken heads of elderly Chinese women; the autophagic flayed salmon-man god greedily consuming his own lurid orange flesh; a giddy-eyed, ticklish, mischievous raccoon goblin spirit having his sponge bath. Beauty is boring, so we turn to the grotesque …”

Read Dean Kissick’s essay “The Vulgar Image” in full in Spike 84 – Vulgarity. OUT NOW via our webshop and bookstores worldwide!

Want your copy at a 25% discount? Then consider SUBSCRIBING to one year of Spike – and get our 20th-anniversary PORCUPINE T-Shirt as a gift.



How might a buffed-up muscleman get into a museum without shamefully putting on a shirt? Smuggled in the drag of his own...
05/08/2025

How might a buffed-up muscleman get into a museum without shamefully putting on a shirt? Smuggled in the drag of his own image, according to Philipp Timischl. Painted, printed, or in pointillist LED, the Austrian artist’s works emulsify high and low to push at what good taste regards as extra.

Read a feature by Maximilian Geymüller in Spike #84 – VULGARITY. OUT NOW!

At the Neue Nationalgalerie, Berlin a highly interactive retrospective makes palpable Lygia Clark’s turn to touch as the...
04/08/2025

At the Neue Nationalgalerie, Berlin a highly interactive retrospective makes palpable Lygia Clark’s turn to touch as the occasion for psychic awakening. 🔗 in bio, Ela Bittencourt’s review is now online!

Image: Lygia Clark, Túnel, 1968. Installation view, Neue Nationalgalerie, Berlin, 2025. Photo: David von Becker

Statuia Sfintei Maria, Timisoara, Romania
03/08/2025

Statuia Sfintei Maria, Timisoara, Romania

Constantin Brâncuși, The Endless Column (Coloana Infinitului), 1938, Târgu Jiu, RomaniaCommissioned by the National Leag...
02/08/2025

Constantin Brâncuși, The Endless Column (Coloana Infinitului), 1938, Târgu Jiu, Romania

Commissioned by the National League of Gorj Women to honor those soldiers who had defended Târgu Jiu in 1916 from the forces of the Central Powers

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