19/12/2025
It had been a very long time since I'd bought a complete bike. I also haven't often had the opportunity to buy a handcrafted bike, and I think my professional year in 2024 will have definitively turned me away from modern handcrafted bikes, as the prices sometimes don't reflect the durability of bikes compare to those made before 1990. And then there are the egos of some bike manufacturers. Anyway.
Last year, probably after talking with someone I greatly admire, I realized that a bike is a complete package, and a handcrafted bike even more so. You acquire a project, a thought process, a work process; you support the lifestyle of a craftsman or a team you admire and love. It's not just a frame, but also a geometry, the artisan's interpretation of your desires and needs, the result of a collaboration. You're buying a selection of components and a wheel build, as well as attention to detail and, finally, ongoing support for your bike over the years. Also, I still have time to change my mind; chasing after bare frames to assemble seems less relevant now when it comes to buying a handcrafted bike: Singer, Dejouannet, Michel, Carré, Urago, Chiron, Doléac, and so on.
With this in mind, I wanted to make as few modifications as possible to this Bernard Carré, which I was able to acquire thanks to a network of people who share my vision of cycling. La Bardouille, Octave from Paris, whom I first met at the 2025 Singer Rally without really getting to know each other, then again at the Cezanne Rally, and even shared a delicious meal with a mutual friend, Olivier Csuka, followed by kilometers on the Gabriel Refait loop.
An alert on Le Bon Coin. A very attractive price of €180. An extremely friendly seller. And above all, Octave, quick to help me, to give me, a little enthusiast, a boost in acquiring this beautiful size 56 bike. Octave went to Fontainebleau, picked up the bike, and then took it to Marseille a few weeks later. I rode it for a few kilometers before giving it a little makeover, but so little as the bike was in such good condition. I added a touch of color with pink and sky blue cotton bar tape, installed Japanese-style (Ninja Maki), Nissen cable housing, Dia Compe brake levers, and two pairs of Kool Stop brake pads. No real need for anything more, the rest is like new. I'm also swapping in a pair of clincher wheels I had on my previous bike.
The bike is extremely pleasant, easy to ride in high gears, generously stiff when standing up without being too stiff on rougher sections of road. The riding position is intentionally aerodynamic, with a 560mm frame and a 110mm stem. You move around on the saddle to adjust your position according to the effort required, and the 415mm handlebars don't offer too many surprises in terms of available positions. While the current trend is for seatposts as high as the Eiffel Tower, this Bernard Carré offers a traditional design and, in my opinion, a more mechanically sound one: a 565mm seat tube for a seat height of 730mm in center, resulting in a 165mm seatpost (tube/rails/saddle). You'll notice that before the 1990s, commercially available seatposts were generally close to 180 mm. I'm curious to know what motivates manufacturers to release seatposts today that are close to 350, or even 400 mm. As for the rest, I note a bottom bracket height of 280 mm and a wheelbase (center to center) of 995 mm. I have no opinion on these measurements, but I'm noting them for potential future comparisons. I would have liked to measure the head tube and seat tube angles, but I don't know how; if anyone has any ideas, please let me know. One small flaw to note: the rear brake bridge is positioned a bit high (about 5 mm). The brake pad, therefore, sits on the upper edge of the braking surface and, after wear, risks touching the tire. I'll have to correct this by filing down the caliper where the brake pad mounting bolts pass through.
So all that remains for me is to ride this bike to appreciate and pay tribute to the work of Bernard Carré.