Eurovision Community Org

Eurovision Community Org We are a worldwide community of Eurovision fans, committed to serve every nation that has a fan base.

All competing nations of past and present have their own national community social media platform where fans will know where to look for information.

30/04/2025
Armenia Eurovision Community showing previews of our forthcoming shop.
28/04/2025

Armenia Eurovision Community showing previews of our forthcoming shop.

This is the poll result of the votes from yourselves. Suprisingly you have placed Sweden lower down than the odds.
17/04/2025

This is the poll result of the votes from yourselves. Suprisingly you have placed Sweden lower down than the odds.

This Eurovision Organisation is going through the process of being rebranded. New logos for all the nations and areas ha...
13/04/2025

This Eurovision Organisation is going through the process of being rebranded. New logos for all the nations and areas have been produced. Whilst we always will have a social media presence the website is currently being re organised to be the main focus for traffic in the future. www.internationalcommunityofeurovision.org

The Origins of Eurovision...The Eurovision Song Contest began as a technical experiment in television broadcasting: the ...
06/04/2025

The Origins of Eurovision...
The Eurovision Song Contest began as a technical experiment in television broadcasting: the live, simultaneous, transnational broadcast that Europe has now been watching for nearly 70 years was in the late 1950s a marvel.
The first Eurovision Song Contest was held on May 24, 1956, and saw seven nations compete: the Netherlands, Switzerland, Belgium, Germany, France, Luxembourg and Italy. Austria and Denmark wanted to take part but missed the deadline, and the United Kingdom sent their apologies as they were busy with their own contest that year.
In the first edition, each country submitted two songs, with Switzerland’s Lys Assia triumphing with her second song Refrain; the French language number fared better than her first ditty, Das alte Karussell.
Over the years the format has evolved into the week-long, boundary pushing, technologically innovative, multi show spectacular we enjoy today… but how did the Eurovision Song Contest first come about?
As television services were introduced in most European countries in the mid 20th century, the European Broadcasting Union (EBU) created the Eurovision Network in 1954 for the exchange and production of common television programmes, in order to cost-effectively increase the programming material for national broadcasting organisations.
The proposal for the Eurovision Network had come from Marcel Bezençon, the director general of the Swiss Broadcasting Corporation. But the idea for the Eurovision Song Contest would come from RAI. The Italian national broadcasting organisation began regular television services in January 1954, although the first experimental television broadcasts in Italy had occurred in Turin in 1934.
The most popular and successful programme that the Eurovision Network would produce would be its namesake: the Eurovision Song Contest. After the Eurovision Network broadcast its first programmes in 1954 in Belgium, Denmark, France, Italy, the Netherlands, Switzerland, the United Kingdom and (what was then) West Germany, discussions ensued in the EBU as to how its co-productions could be made more entertaining and spectacular.
Following suggestions put forward at the meeting of its Programme Committee in Monte Carlo, Monaco in 1955, the EBU decided at the session of its General Assembly in Rome later in that year to establish the Eurovision Song Contest. The inspiration for the Contest came from RAI, which had been staging Festival di Sanremo (the Sanremo Italian Song Festival) in the seaside resort town of the same name from 1951. Members of the Programme Committee attended the Sanremo Italian Song Festival in 1955, when it was also broadcast through the Eurovision Network.
However, Sanremo was not the only song contest in Italy at the time: in the mid-1950s, the City of Venice and RAI organised the International Song Festival in Venice. The first edition in 1955 included entries submitted by the radio services of EBU members from Austria, Belgium, France, Italy, Monaco and the Netherlands. They each submitted six songs that were original and no longer than 3 and a half minutes, with the entries being voted on by national juries and the winner being awarded the Golden Gondola prize.
The Venice International Song Festival was therefore similar in its structure to the Eurovision Song Contest, except that it was only broadcast on radio. Still, the Venice International Song Festival was the world’s first-ever international song contest based on the participation of national broadcasting organisations, and some of its participants would go on to compete in the Eurovision Song Contest.
Yet, for technical reasons, the first Eurovision Song Contest in 1956 was not held in Italy but in Switzerland: its geographical centrality in Europe made it a natural node for the terrestrial transmitters required for this experiment in live, simultaneous, transnational broadcasting. The EBU’s headquarters were also in Switzerland. But the first Eurovision Song Contest still reflected an international fashion for Italian popular culture, as it was staged in the Swiss-Italian city of Lugano and was hosted in Italian.
In those first few Contests it seemed obvious to participating artists that they should enter songs sung in their native tongue, but as the event expanded and grew in popularity, songwriters began to assume that the more universal the lyrics, the more likely the song would resonate with juries. Which could explain the popularity of classic Eurovision winners like Boom Bang A Bang and La La La.
The rule on performing in your country’s native language changed over the years, alongside rules regarding the number of performers on stage, the inclusion of dance moves, and more recently the use of backing track vocals (brought in to reduce the number of delegation members needed to travel during the COVID-19 pandemic).
The Eurovision Song Contest is always evolving to provide the most exciting show for its millions of viewers across the planet.

How the Eurovision Song Contest works. An Overview...The Eurovision Song Contest is an internationally televised songwri...
06/04/2025

How the Eurovision Song Contest works. An Overview...
The Eurovision Song Contest is an internationally televised songwriting competition, organised by the European Broadcasting Union and featuring participants chosen by EBU member broadcasters representing their countries from across Europe and beyond.
Each Participating Broadcaster has until mid-March to choose a song and an artist to perform it. The song and artist can be selected through a televised national selection show (or shows), an internal process, or via any other means they decide.
Participants then compete at the Eurovision Song Contest, traditionally held in May.
The Contest format comprises three live shows: the First Semi-Final (Tuesday evening), the Second Semi-Final (Thursday evening), and the Grand Final (a Saturday night spectacular).
Participating Broadcasters work hard to prepare acts that will qualify from the show’s Semi-Finals, hoping for a ticket to the Saturday night Grand Final where they will join the so-called ‘Big Five’ broadcasters and Host Broadcaster (usually the broadcaster of the nation than won the previous year).
The ‘Big Five’ are the Participating Broadcasters from France, Germany, Italy, Spain and the United Kingdom - the group of countries who via their broadcasters make the biggest financial contribution towards the organisation of the Contest.
There is a comprehensive set of rules concerning participation that has evolved over the decades, but the main ones relating to competing songs and artists are:
Songs must be original and no more than 3 minutes in length
Lead vocals must be performed live
No more than 6 performers can take to the stage during any one performance
In each show, after all songs have been performed, each country will give two sets of points (1, 2, 3, 4, 5, 6, 7, 8, 10 and 12) to their favourite songs; one set is given by a jury of five music industry professionals from that country, and one set given by viewers watching the show in country. Viewers can vote by telephone, SMS and through the official app.
Out of fairness, you cannot vote for your own country.
In the Semi-Finals, only those countries who took part in that specific show, and those in non-participating countries - the "Rest of the World" - can vote (along with 2 or 3 of the ‘Big Five’ who are already in the Grand Final), whereas in the Grand Final, all competing countries and the "Rest of the World" can vote.
At the end of the Grand Final, the song that has received the most points wins the iconic trophy, and is performed once more.
National Selections
Each country is de facto represented by its respective public broadcaster, and it’s at the broadcaster’s sole discretion to determine who will represent their country at the Eurovision Song Contest.
There are three common ways to select a participant for the Eurovision Song Contest:
Televised National Selection
The broadcaster can select their entry by organising their own ‘mini Eurovision’ earlier in the year. For example, Albania uses their well established Festivali i Këngës to pick a participant, Sweden runs its annual Melodifestivalen, and Portugal utilises Festival da Canção.
Internal Selection
The broadcaster can invite submissions or approach record labels and individuals, and run the process without public involvement. This method has worked well in recent years for the United Kingdom (Sam Ryder finishing 2nd in 2022), the Netherlands (Duncan Laurence champion in 2019) and Israel (Netta was victor in 2018).
Mixed Format
The best of both worlds, where, for example, an artist is chosen by the broadcaster, leaving the song choice down to a public vote.
The EBU strongly encourages participating broadcasters to engage the public with the selection of a participant for the Eurovision Song Contest.
Semi-Final Allocation Draw
As the Contest moves around the globe, so do the Hosting responsibilities, and in January, the Host Broadcaster meets with their predecessor to symbolically mark the passing of the Contest from one Host City to the next.
It’s at this event that the Semi-Final Allocation Draw takes place, which determines which country takes part in which of the two Semi-Finals.
Event Weeks
While most TV viewers are focused on the three live shows, the broadcasts are in fact the climax of two exciting weeks in the Host City.
All participants rehearse individually on stage twice for each show. Rehearsals begin up to two weeks before the Saturday night Grand Final.
The Host City normally organises a Eurovision Village to entertain locals and visitors, and to give an extra platform for participants to perform, as well as screening the live shows.
Each of the three live shows is preceded by Dress Rehearsals. Tickets are sold to the second and third Dress Rehearsals.
Traditionally, a Welcome Reception and ‘Turquoise Carpet’ Ceremony are held on the Sunday preceding the live shows, for delegations and selected invitees.
On top of official events and engagements, the Host City welcomes tens of thousands of visitors, with City-organised and fan-run events.
Fairness
The European Broadcasting Union (EBU) is strongly committed to secure the fairness of the Eurovision Song Contest. In order to assure Participating Broadcasters, contestants and the public a fair and valid result the EBU implemented a wide range of measures.
Governance
Participation in the contest is governed by the Eurovision Song Contest Rules. These Rules are established and enforced by the contest's governing body, the Reference Group, on behalf of all Participating Broadcasters. Embedded within the Rules is a wealth of legacy, some of which dating back several decades. The EBU and the Reference Group are committed to continuously improving the Rules.
Significant changes that touch upon the basics of the contest will have to be approved by the EBU's Television Committee, a higher governing body on behalf of the EBU's Member Broadcasters.
The Executive Supervisor on behalf of the EBU, who is a permanent member of the Reference Group, ensures that the Rules are being followed on a day-to-day basis and reports any breach of the Rules to the Reference Group.
In particular, the Executive Supervisor oversees the voting procedure that determines the outcome of the Eurovision Song Contest.
A breach of the Rules may result in a formal warning, a financial penalty or a sanction. The highest possible sanction is an exclusion from participation in the contest for a maximum of three consecutive years.
Voting validation and observation
The outcome of the Eurovision Song Contest is determined by a jury of music industry professionals and viewers, each making a 50 percent contribution to the result.
Each jury, as well as each individual jury member, must meet a strict set of criteria regarding professional background, as well as diversity in gender and age. Additionally, judges pledge in writing they will evaluate the entries based on a set of criteria and state that they are not connected to any of the contestants in any way that could affect their ability to vote independently. Judges can only take seat in the jury once every three years.
The juries vote on the basis of the second Dress Rehearsal of each show, which takes place the night before each live show. Each judge should vote independently and no discussion about their vote is permitted. An independent notary oversees the jury gathering, to assure all regulatory procedures are being followed.
Each jury submits their result to the EBU and its official voting partner Digame via a highly secured system, as well as by fax.
Viewers can submit their vote by phone call, SMS or via the official app. They can vote up to 20 times. Voting tariffs are set by each Participating Broadcaster and will be presented on screen during the shows. Exceptions may apply due to differences in national legislation.
All televotes are being processed by the Pan-European Response Platform (PERP), which was developed by the EBU's official voting partner Once to assure all votes are counted in accordance with the Rules. The entire televoting process is monitored live by some 70 trained professionals from the Voting Control Centre in Cologne, Germany. The setup assures that any attempts to unfairly influence the voting, e.g. via bulk voting are detected and mitigated. The exact methods to prevent and/or detect malicious voting is classified and only known to the EBU Executive Supervisor, the Chairman of the Reference Group, E&Y and Once.
The entire procedure - both jury voting as well as televoting - is overlooked by independent observers of E&Y and by the EBU's Executive Supervisor, to assure that all results are being interpreted in accordance with the Rules.

How do I vote for my favourite Eurovision song?...You can vote for your favourite Eurovision song via the app, phone and...
06/04/2025

How do I vote for my favourite Eurovision song?...
You can vote for your favourite Eurovision song via the app, phone and SMS (via details on screen), and esc.vote.
Voting from Participating Countries
Viewers are able to cast their votes via the official Eurovision Song Contest app (or by following instructions on screen) during the live Semi-Finals and Grand Final. The app is available for your iOS, Android or Windows device, and if you vote via the app you will receive a special video message from your favourite artists.
In addition, those watching in participating countries can vote by telephone and/or SMS. Relevant numbers will be displayed on screen by each participating broadcaster and on www.esc.vote.
You can only vote in the Semi-Final your country takes part in, or the Semi-Final assigned to your country if you're watching from Germany, France, Italy, Spain, the United Kingdom or Sweden. You can vote up to 20 times for the countries you want to vote for.
Voting from non-Participating Countries
Viewers watching in eligible countries not participating in the Contest are able to vote in each Semi-Final and the Grand Final.
All viewers in non-participating countries can vote using the official Eurovision app or go directly to www.esc.vote – the new voting hub for the Eurovision Song Contest. Both app and website will provide the correct voting method for all eligible countries automatically.
When to Vote
Participating Countries

At the Grand Final, voting will open just before the first song is performed, and will remain open until approximately 25 and 40 minutes after the last song has been presented. In the Semi-Finals, voting will open after the last song has been performed, and will stay open for approximately 15 to 25 minutes.
Non-Participating Countries
Viewers in the Rest of The World will have nearly 24 hours to vote for their favourite songs, split across two voting windows.

Online voting will open for the Rest of The World at approximately midnight on the day of each Semi-Final and Grand Final, and will initially stay open until the live shows begin.
At the Grand Final, voting for the Rest of the World opens again just before the first song is performed, and will remain open until approximately 25 and 40 minutes after the last song has been presented. In the Semi-Finals, voting will open again after the last song has been performed, and will stay open for approximately 15 to 25 minutes.

The Organisers behind the Eurovision Song Contest...The Eurovision Song Contest is organised yearly by the European Broa...
05/04/2025

The Organisers behind the Eurovision Song Contest...
The Eurovision Song Contest is organised yearly by the European Broadcasting Union (EBU), together with a Host Broadcaster and around 40 Participating Broadcasters.
The Contest is overseen by the Reference Group on behalf of the Participating Broadcasters, and each Participating Broadcaster is represented by a Head of Delegation.
European Broadcasting Union (EBU)
Established in 1950 and also known in French as Union Européenne de Radio-télévision (UER), the EBU is the world’s leading alliance of public service media.
The European Broadcasting Union has 112 member organisations in 56 countries and an additional 31 Associates in Asia, Africa, Australasia and the Americas. Members operate nearly 2,000 television, radio and online channels and services, and offer a wealth of content across other platforms.
For the Eurovision Song Contest, the EBU supports and supervises the work of the Host Broadcaster and is the central point of contact of all Participating Broadcasters. Together with its Partners, the EBU is centrally dealing with all matters related to the brand, international marketing activities, rights management, voting, communications and online activities.
You can find out more about the EBU on their website.
Executive Supervisor
The Executive Supervisor oversees the preparation and organisation of the Eurovision Song Contest on behalf of the EBU. Together with their team, they provide the main point of contact for over 40 participating EBU Members and are in charge of the operation on their behalf, ensuring the Contest is delivered annually by the Host Broadcaster in accordance with the Contest rules.
The current Executive Supervisor is Martin Österdahl, a senior television executive with over 20 years of experience.
Martin was the Executive Producer for the Eurovision Song Contest in 2013 and 2016 when the Contest was hosted by Swedish EBU Member SVT in Malmö and Stockholm respectively.
Reference Group
The Reference Group was established in 1998 and is the executive committee tasked with overseeing the organisation of the Eurovision Song Contest on behalf of Participating Broadcasters.
As of September 2023, the Reference Group includes:
The Reference Group is established by the EBU Television Committee and its tasks are:
Approving the development and future format of the Eurovision Song Contest
Securing the financing of the Eurovision Song Contest
Modernising the brand and raising awareness of the Eurovision Song Contest
Overseeing the yearly preparation by the Host Broadcaster
The Reference Group meets four to five times each year on behalf of all Participating Broadcasters, and is required to take decisions in the general interest of the Contest.
The Reference Group is composed of the following members :
The Chairperson
Three elected members from among the Heads of Delegations
Two Executive Producers from previous host countries, as well as the Executive Producer of the current Host Broadcaster
Up to two invited members based on competence and experience
The EBU Eurovision Song Contest Executive Supervisor
You can read more about the Reference Group on the EBU website.
Host Broadcaster
The Eurovision Song Contest is usually organised by the national public broadcaster of the country that won the year before (with some notable exceptions). In 2022 the Host Broadcaster was Rai from Italy.
For the Host Broadcaster, organising the Contest is an unprecedented but exciting challenge which includes working closely with the Host City and appointing a domestic Executive Producer who can oversee and manage operations.
Participating Broadcasters
The Participating Broadcasters are…. the broadcasters participating in the Eurovision Song Contest of any given year!
The list changes from year to year as broadcasters debut, leave and rejoin the Contest, but it usually comprises around 40 competing delegations.
Participating Broadcasters work hard to prepare acts that will qualify from the show’s Semi-Finals, hoping for a ticket to the Saturday night Grand Final where they will join the so-called ‘Big Five’ broadcasters.
The Big Five are the Participating Broadcasters from France, Germany, Italy, Spain and the United Kingdom - the group of countries who via their broadcasters make the biggest financial contribution towards the organisation of the Contest.
Head of Delegation (HoD)
Each Participating Broadcaster taking part in the Eurovision Song Contest must appoint a Head of Delegation (HoD). This person is the European Broadcasting Union's contact point and leader of their country’s delegation at the Contest.
A delegation, managed by the Head of Delegation, also includes a Head of Press (HoP), the artists, songwriters, composers, backing vocalists and, of course, the artist's entourage. The size of a delegation can vary greatly.
Traditionally, the HoDs meet in March before the Contest to discuss and learn about the upcoming event.The Organisers behind the Eurovision Song Contest
The Eurovision Song Contest is organised yearly by the European Broadcasting Union (EBU), together with a Host Broadcaster and around 40 Participating Broadcasters.
The Contest is overseen by the Reference Group on behalf of the Participating Broadcasters, and each Participating Broadcaster is represented by a Head of Delegation.
European Broadcasting Union (EBU)
Established in 1950 and also known in French as Union Européenne de Radio-télévision (UER), the EBU is the world’s leading alliance of public service media.
The European Broadcasting Union has 112 member organisations in 56 countries and an additional 31 Associates in Asia, Africa, Australasia and the Americas. Members operate nearly 2,000 television, radio and online channels and services, and offer a wealth of content across other platforms.
For the Eurovision Song Contest, the EBU supports and supervises the work of the Host Broadcaster and is the central point of contact of all Participating Broadcasters. Together with its Partners, the EBU is centrally dealing with all matters related to the brand, international marketing activities, rights management, voting, communications and online activities.
You can find out more about the EBU on their website.
Executive Supervisor
The Executive Supervisor oversees the preparation and organisation of the Eurovision Song Contest on behalf of the EBU. Together with their team, they provide the main point of contact for over 40 participating EBU Members and are in charge of the operation on their behalf, ensuring the Contest is delivered annually by the Host Broadcaster in accordance with the Contest rules.
The current Executive Supervisor is Martin Österdahl, a senior television executive with over 20 years of experience.
Martin was the Executive Producer for the Eurovision Song Contest in 2013 and 2016 when the Contest was hosted by Swedish EBU Member SVT in Malmö and Stockholm respectively.
Reference Group
The Reference Group was established in 1998 and is the executive committee tasked with overseeing the organisation of the Eurovision Song Contest on behalf of Participating Broadcasters.
The Reference Group is established by the EBU Television Committee and its tasks are:
Approving the development and future format of the Eurovision Song Contest
Securing the financing of the Eurovision Song Contest
Modernising the brand and raising awareness of the Eurovision Song Contest
Overseeing the yearly preparation by the Host Broadcaster
The Reference Group meets four to five times each year on behalf of all Participating Broadcasters, and is required to take decisions in the general interest of the Contest.
The Reference Group is composed of the following members :
The Chairperson
Three elected members from among the Heads of Delegations
Two Executive Producers from previous host countries, as well as the Executive Producer of the current Host Broadcaster
Up to two invited members based on competence and experience
The EBU Eurovision Song Contest Executive Supervisor
You can read more about the Reference Group on the EBU website.
Host Broadcaster
The Eurovision Song Contest is usually organised by the national public broadcaster of the country that won the year before (with some notable exceptions). In 2022 the Host Broadcaster was Rai from Italy.
For the Host Broadcaster, organising the Contest is an unprecedented but exciting challenge which includes working closely with the Host City and appointing a domestic Executive Producer who can oversee and manage operations.
Participating Broadcasters
The Participating Broadcasters are…. the broadcasters participating in the Eurovision Song Contest of any given year!
The list changes from year to year as broadcasters debut, leave and rejoin the Contest, but it usually comprises around 40 competing delegations.
Participating Broadcasters work hard to prepare acts that will qualify from the show’s Semi-Finals, hoping for a ticket to the Saturday night Grand Final where they will join the so-called ‘Big Five’ broadcasters.
The Big Five are the Participating Broadcasters from France, Germany, Italy, Spain and the United Kingdom - the group of countries who via their broadcasters make the biggest financial contribution towards the organisation of the Contest.
Head of Delegation (HoD)
Each Participating Broadcaster taking part in the Eurovision Song Contest must appoint a Head of Delegation (HoD). This person is the European Broadcasting Union's contact point and leader of their country’s delegation at the Contest.
A delegation, managed by the Head of Delegation, also includes a Head of Press (HoP), the artists, songwriters, composers, backing vocalists and, of course, the artist's entourage. The size of a delegation can vary greatly.
Traditionally, the HoDs meet in March before the Contest to discuss and learn about the upcoming event.

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