Wartime Productions

Wartime Productions Production services for Film & TV. Costume/Vehicles/Props/Supporting Artists I am self-represented via my own personal period network wartimeproductions.co.uk.

My name is David Forde and I am an Associate Producer/Production Coordinator/ walk-on-actor/supporting artiste. I am a specialist in playing period roles including both Wartime and Post-War. I own all my own uniforms and costume from this period. I also have an extensive collection of props from this era including period vehicles. Full Clean Driving Licence - Current DBS - Covid trained - Equity M

ember - Bectu Member

I personally own a collection of Allied & Axis uniforms and am also the owner of a number of WW2 vehicles and a large selection of WW2 props. I have worked on several series of the National Geographic channels 'N**i Megastructures' and other WW2 documentary series and major WW2 films. David has also worked with Theatre productions such as 'Alone in Berlin' Two Hats Films ' and Calling The Tune'.

The interior of a Schwerer Panzerspähwagen (7,5 cm) Sd. Kfz. 233
19/09/2025

The interior of a Schwerer Panzerspähwagen (7,5 cm) Sd. Kfz. 233

19/09/2025

N**i Megastructures: Russia's War: ep1 · Blitzkrieg in the East

Wartime Productions  Schwere Panzerspähwagen (Sd. Kfz. 233) and Schwimmwagen at The Victory Show 2025.
18/09/2025

Wartime Productions Schwere Panzerspähwagen (Sd. Kfz. 233) and Schwimmwagen at The Victory Show 2025.

Sd.kfz 233 scanning the horizon.
17/09/2025

Sd.kfz 233 scanning the horizon.

Panzer-Aufklärungs-Abteilung 2.
16/09/2025

Panzer-Aufklärungs-Abteilung 2.

Sd.Kfz.233 Schwerer Panzerspähwagen, on the move, Greece, May 1943.
15/09/2025

Sd.Kfz.233 Schwerer Panzerspähwagen, on the move, Greece, May 1943.

Sd.kfz 233 commander using S.F.14 Scherenfernrohr optics.
13/09/2025

Sd.kfz 233 commander using S.F.14 Scherenfernrohr optics.

The short-barreled (L/24) 7.5 cm KwK 37 gun.Shown here mounted on the Panzer III, Panzer IV, Sturmgeschütz III,  Sd.Kfz....
13/09/2025

The short-barreled (L/24) 7.5 cm KwK 37 gun.

Shown here mounted on the Panzer III, Panzer IV, Sturmgeschütz III, Sd.Kfz. 251/9 Schützenpanzerwagen halftrack as well as the Sd.Kfz.233 Schwerer Panzerspähwagen, "stummel".

The schwerer Panzerspähwagen Sd.Kfz.233 "Stummel" featured a short-barreled (L/24) 7.5 cm KwK 37 gun.This weapon was als...
12/09/2025

The schwerer Panzerspähwagen Sd.Kfz.233 "Stummel" featured a short-barreled (L/24) 7.5 cm KwK 37 gun.

This weapon was also mounted on the initial models of the Panzer IV, Panzer III, Sturmgeschütz III, and later on, the Sd.Kfz. 251/9 Schützenpanzerwagen halftrack.

Designed primarily for infantry support, the howitzer-like gun proved effective against early-war tanks by utilising high-explosive shells.

Wartime Productions schwere Panzerspähwagen (7,5 cm) Sd. Kfz. 233 "Stummel" at The Victory Show 2025
11/09/2025

Wartime Productions schwere Panzerspähwagen (7,5 cm) Sd. Kfz. 233 "Stummel" at The Victory Show 2025

Another "Stummel"  SD.KFZ 251/9 Ausf D "Stummel"
11/09/2025

Another "Stummel" SD.KFZ 251/9 Ausf D "Stummel"

On 6 June 1944 - D-Day - Allied forces attack and begin to land on the beaches of Normandy.The British and Canadians lan...
06/06/2025

On 6 June 1944 - D-Day - Allied forces attack and begin to land on the beaches of Normandy.

The British and Canadians landed at Juno, Gold, and Sword beaches. The American land at Omaha and Utah beaches.

Photo courtesy of Nick Hailing

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London Borough Of Islington

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WW2 PRODUCTION SERVICES FOR FILM & TV

Wartime Productions was initially set up as the professional film & TV service of the 21. Infanterie WW2 Historical society and has since grown into a WW2 production network of some of the best UK based WW2 production suppliers. Run by myself (David Forde) I also organise the 21. Infanterie WW2 Historical society.

Over the past decade, our services have been called upon to partake in numerous film and TV productions mainly as extras but also some prestigious productions along with even music videos and TV advertisements.

One of our biggest problems we encountered was while we always enjoyed the film and TV involvement our society wasn't really set up to manage anything other than one or two productions per year as we already had a full calendar of events and activities planned for the membership.