London Review of Books

London Review of Books Europe’s leading magazine of politics, literature, history and ideas, published twice a month. Read and subscribe at lrb.co.uk

The London Review of Books is Europe’s leading magazine of politics, literature, history and ideas, published twice a month.

‘In his middle age​ , during the seventeen years he lodged for long periods at 36 Craven Street, just off the Strand, Be...
04/12/2025

‘In his middle age​ , during the seventeen years he lodged for long periods at 36 Craven Street, just off the Strand, Benjamin Franklin became addicted to what he called his “air bath”. Every morning, he would strip naked, throw open the windows and pass half an hour reading or writing in the n**e, before dossing down refreshed for another hour or so, sometimes answering the door in the buff to startled postmen.

Franklin was a total immerser; he bathed in the cold morning breeze, just as he plunged into the freezing Thames, or wallowed in the company of London wags and wits, or, above all, absorbed himself in his scientific investigations. He was a theorist of everything – swimming, for example. As a boy, he taught himself the different strokes from Melchisédech Thévenot’s 𝘈𝘳𝘵 𝘥𝘦 𝘯𝘢𝘨𝘦𝘳, then devised flippers for his feet (later adopted by Jacques Cousteau) and paddles for his hands.

Each fresh experience presented itself to him as an opportunity for experiment. While thousands were weeping at George Whitefield’s outdoor meeting in Philadelphia, Franklin, instead of getting closer to hear the preacher better, walked away to reach the limit of Whitefield’s voice and so calculate the maximum number of people who could fit within the area – and therefore how many troops a Roman general could have addressed at a time (25,000, he thought).’

Ferdinand Mount on Benjamin Franklin’s scientific endeavours, from our latest issue.

Read here: https://www.lrb.co.uk/the-paper/v47/n22/ferdinand-mount/his-very-variousness

Image: Portrait of Benjamin Franklin by David Martin (1767) (The White House Historical Association)

‘𝘉𝘪𝘨 𝘒𝘪𝘴𝘴, 𝘉𝘺𝘦-𝘉𝘺𝘦 has a recursive, repercussive logic. Scenes repeat. The book moves through set piece and recollection...
03/12/2025

‘𝘉𝘪𝘨 𝘒𝘪𝘴𝘴, 𝘉𝘺𝘦-𝘉𝘺𝘦 has a recursive, repercussive logic. Scenes repeat. The book moves through set piece and recollection. The narrator compulsively imagines scenarios, hypothetical conversations, prospective encounters. The reader largely remains in her mind, in a mode of unfree association as obsessional loops are replayed and amplified.

The novel, like erotic absorption, risks a kind of airlessness, but Bennett’s prose shimmers with a neo-baroque charisma. Her style is various, flexible and distinctive. It intermittently, unembarrassedly calls attention to itself – in its dictional frisson (“a maraud of big black flies”, “that dark innermost space, plethoric and phantasmal”) and in its syntactic command, equally at home in a stately multi-clausal grandeur and a skittery vernacular chop. At times the syntax enacts the pivots and whiplash of consciousness under pressure, of self-revising thought.’

Maureen N. McLane on Claire-Louise Bennett’s latest, from our current issue.

Read here: https://www.lrb.co.uk/the-paper/v47/n22/maureen-n.-mclane/she-is-the-situation

Illustration by Anne Rothenstein

‘“We make the best weapons in the world, and we’ve got a lot of them,” Trump told the Knesset on 13 October.“And we’ve g...
02/12/2025

‘“We make the best weapons in the world, and we’ve got a lot of them,” Trump told the Knesset on 13 October.

“And we’ve given a lot to Israel, frankly. Bibi would call me so many times, ‘Can you get me this weapon, that weapon, that weapon?’ Some of ’em I never heard of, Bibi, and I made ’em! [Laughter] But we’d get ’em here, wouldn’t we, huh? And they’re the best. They are the best. And you used them well. It also takes people that know how to use them, and you obviously used them very well. What a job! What a job you’ve done ... Those are just a few of the reasons why I am proud to be the best friend that Israel has ever had.”

Many things about the society of the spectacle are now so familiar that hashing them over gets tedious. We’re all tired of apocalypse-speak. Nonetheless, the spectacle still has a few surprises up its sleeve. Some corners of the “social”, hitherto allowed their primitive ethnologies, are suddenly being pulled into the present. Politics, for instance – what has to be hidden, and what has now not to be hidden, in the conduct of a state. Political hypocrisy, that essential lubricant, seems to be under threat.’

In our latest issue, T.J. Clark continues his reflections on Trump in the society of spectacle.

Read here: https://www.lrb.co.uk/the-paper/v47/n22/t.j.-clark/the-job

Put some thought into Christmas: get them a subscription to the 𝘓𝘰𝘯𝘥𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸 𝘰𝘧 𝘉𝘰𝘰𝘬𝘴.Gift subscriptions start from jus...
01/12/2025

Put some thought into Christmas: get them a subscription to the 𝘓𝘰𝘯𝘥𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸 𝘰𝘧 𝘉𝘰𝘰𝘬𝘴.

Gift subscriptions start from just £22.99/ $39.99 and are available here: https://www.mylrb.co.uk/X25FB

After the Twin Towers fell, Donald Rumsfeld reportedly told President Bush: ‘Now we can do Iraq.’ The neo-conservatives ...
30/11/2025

After the Twin Towers fell, Donald Rumsfeld reportedly told President Bush: ‘Now we can do Iraq.’ The neo-conservatives said it would be easy: American troops would be greeted with flowers and sweets. But the occupation quickly unravelled, leaving Iraq in chaos. Welcome to the Forever Wars.

In this new six-part podcast, Daniel Soar, a senior editor at the paper, revisits the LRB’s coverage and reflects on the ways 9/11 has changed the world we live in.

Listen on your preferred podcast app or on our website:
https://www.lrb.co.uk/podcasts-and-videos/podcasts/aftershock-the-war-on-terror/episode-2-the-frog-and-the-scorpion

‘She is the queen of excess, who teaches us the lessons of history with shepherdess costumes and lace ruffles. Marie-Ant...
29/11/2025

‘She is the queen of excess, who teaches us the lessons of history with shepherdess costumes and lace ruffles. Marie-Antoinette, consort to Louis XVI of France, frolicked her way to revolution and death by guillotine. Her blithe irresponsibility is on display at the V&A (until 22 March) and in the accompanying catalogue, which captures the show’s aesthetic appeal.’

Anne Higonnet on ‘Marie-Antoinette Style’ at the V&A, from the latest issue:
https://www.lrb.co.uk/the-paper/v47/n22/anne-higonnet/at-the-v-a

28/11/2025

Why is the BBC more sensitive to accusations of bias to the left than the right? In this clip from the latest episode of ‘On Politics’ with James Butler, Lewis Goodall – formerly BBC Newsnight's policy editor – makes sense of the crisis at the corporation.

Listen to the full episode:
Apple: https://lrb.me/opbbcapplefb
Spotify: https://lrb.me/opbbcspotifyfb
LRB website: https://lrb.me/opbbclrbwebfb

‘What is Trumpism? After all these years, we’re still asking the question. One thing is beyond dispute: recent months ha...
27/11/2025

‘What is Trumpism? After all these years, we’re still asking the question. One thing is beyond dispute: recent months have seen an extraordinary concentration of executive power and an unprecedented weakening of what US civics textbooks once touted as a robust separation of powers.

A simple explanation would be that the GOP and Trump’s lackeys on the Supreme Court are letting him do it. A more interesting account – in fact a justification – is provided by thinkers often grouped together as “post-liberals”.’

Read Jan-Werner Müller on American post-liberalism in the latest issue:
https://www.lrb.co.uk/the-paper/v47/n22/jan-werner-muller/caesar-wept

‘In later life​ , the worst thing you could call Robert Frost was “literary”. “If I’m somewhat academic (I’m more agricu...
26/11/2025

‘In later life​ , the worst thing you could call Robert Frost was “literary”. “If I’m somewhat academic (I’m more agricultural) and you are somewhat executive, so much the better,” he wrote to Wallace Stevens teasingly in 1935. “It is so we are saved from being literary ... Our poetry comes choppy, in well-separated poems, well interrupted by time, sleep and events.”

As a boy, he told his friend Bernard De Voto, he had been entirely normal: “I wasn’t marked off from the other children as a literary sissy like Yates [sic] and Masters.” In an interview with Richard Poirier for the 𝘗𝘢𝘳𝘪𝘴 𝘙𝘦𝘷𝘪𝘦𝘸 in 1960, a few years before his death, he reiterated that he hadn’t had “a very literary life”; he didn’t keep up with reviews or gossip. He told Poirier that when he first visited Harold Monro’s Poetry Bookshop in London in 1913, he’d had no idea who the Imagists were. “You should know your fellow countryman, Ezra Pound,” Monro said. “I’ve never heard of him,’ Frost replied.”’

Clare Bucknell on the life and work of Robert Frost, from our latest issue.

Read here: https://www.lrb.co.uk/the-paper/v47/n22/clare-bucknell/discord-and-fuss

Image: Robert Frost 𝘤. 1955. (Alamy)

Issue 47.22 is now online, featuring:James Meek on the green energy transition and North-East EnglandClare Bucknell on R...
26/11/2025

Issue 47.22 is now online, featuring:

James Meek on the green energy transition and North-East England
Clare Bucknell on Robert Frost
Jan-Werner Müller on American post-liberalism
and Maureen N. McLane on Claire-Louise Bennett’s new novel.

Also in this issue:

Ferdinand Mount on Benjamin Franklin
Terry Eagleton on Schopenhauer
Michael Hofmann on the poetry of César Vallejo
Susannah Clapp on Jean Rhys
Hal Foster on Surrealism and fascism

David Todd on Charles de Gaulle’s memoir
T.J. Clark on Trump’s brazenness
Malcolm Gaskill on Catholics in colonial America
Nicholas Penny on church monuments
Tom White on the Humber Bridge

Anne Higonnet on Marie-Antoinette
Julian Bell on the painter Kerry James Marshall
Ysenda Maxtone Graham on the Strand
Michael Wood on Frankenstein
and a poem by Nick Laird.

Read now at https://www.lrb.co.uk

‘The ghost of the industrial revolution haunts Britain. The language of today’s politicians, of unlocking and unleashing...
24/11/2025

‘The ghost of the industrial revolution haunts Britain. The language of today’s politicians, of unlocking and unleashing the industrial heartlands, is the language of a seance promising communication with an era that is just beyond the curtain, and can be summoned back if the right steps are taken. Lower taxes. Better infrastructure. Less regulation. Incentives. Subsidies. Better trained workers. Cheaper energy. Incantations to native genius.

Although the summoning is framed in patriotic language (“to make the UK a clean energy superpower ... supporting British innovation from blueprint to blade ... to ensure that British companies and workers win the global race for clean energy”, as a recent Great British Energy announcement put it), a closer look shows that most of the significant areas of work are run by foreign companies. As excellent as these may be, and as grateful as Britain should be for their willingness to build the odd factory in the UK, it’s never going to be the aim of a Polish billionaire or the Siemens family or the Danish government to help Britain “win” a “global race for clean energy”. So why say it?’

Online early: James Meek reports from Northumberland on the green energy transition.

Read here: https://www.lrb.co.uk/the-paper/v47/n22/james-meek/ten-foot-chopsticks

Image: The proposed site of the Britishvolt battery factory, Blyth, Northumberland, 2023. (Owen Humphreys/PA Images/Alamy)

‘Comic​ strips and comic books are quintessential creations of America’s 20th-century culture industry. They are also pe...
23/11/2025

‘Comic​ strips and comic books are quintessential creations of America’s 20th-century culture industry. They are also perhaps its lowliest products. Yet this trash medium, with its presumed audience of subliterates and kids, has produced its own geniuses, not all of whom were Disney prodigies of brand creation and marketing. Chester Gould, the hard-boiled newsman responsible for the harsh dynamism of the long-running detective strip 𝘋𝘪𝘤𝘬 𝘛𝘳𝘢𝘤𝘺, is one. George Herriman, inventor of the sweet, enigmatic 𝘒𝘳𝘢𝘻𝘺 𝘒𝘢𝘵, a strip that refined a single situation for more than thirty years, is another. And then there is Robert Crumb, better known as R. Crumb, the originator of so-called “underground comix”.’

J. Hoberman on R. Crumb, from our latest issue.

Read here: https://www.lrb.co.uk/the-paper/v47/n21/j.-hoberman/desperate-character

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