Print Quarterly

Print Quarterly The pre-eminent journal dedicated to the art of the print. For more regular updates and featured events find us on Twitter

FINAL WEEKS: 'Puerto Rico in Print: The Posters of Lorenzo Homar' at Poster House (until 7 September 2025), highlighting...
19/08/2025

FINAL WEEKS: 'Puerto Rico in Print: The Posters of Lorenzo Homar' at Poster House (until 7 September 2025), highlighting the pioneering printmaker, poster designer, calligrapher, painter, illustrator, caricaturist, and costume and theatrical set designer. Active from the 1950s through the 1990s, few equal his impact and influence as a teacher of poster design and printmaking in Latin America. https://posterhouse.org/exhibition/puerto-rico-in-print-the-posters-of-lorenzo-homar/

ON VIEW: 'Fashion, Feminism, and Fear: Clothing and Power in the 19th Century' at Princeton University Library (until 31...
16/08/2025

ON VIEW: 'Fashion, Feminism, and Fear: Clothing and Power in the 19th Century' at Princeton University Library (until 31 March 2026). The cartoons showcased in the exhibition show the anxiety with which these new women’s fashion choices were met, even as changes to women’s role in society were taking place.
https://library.princeton.edu/fashion-feminism-and-fear

OPEN CALL: New Voices 2026 (Print Center New York) provides opportunities for a curator-selected cohort of six to eight ...
14/08/2025

OPEN CALL: New Voices 2026 (Print Center New York) provides opportunities for a curator-selected cohort of six to eight U.S.–based artists to present their work and develop their practices through a group exhibition, artist-led public programming, focused conversation and community-building, and individualised resources for artistic and professional development. There is no fee to apply. Deadline, 31 August 2025. Further details on website:

Launched in 2022, New Voices is Print Center New York’s annual open call program, which provides opportunities for a curator-selected cohort of six to eight U.S.–based artists to present their work and develop their practices through a group exhibition, artist-led public programming, focused con...

OPEN NOW: 'Edvard Munch. Angst' at Kunstsammlungen Chemnitz (until 2 Nov 2025), focusing on fear, loneliness and illness...
10/08/2025

OPEN NOW: 'Edvard Munch. Angst' at Kunstsammlungen Chemnitz (until 2 Nov 2025), focusing on fear, loneliness and illness, as well as on Munch’s stay in Chemnitz in 1905 and his ongoing preoccupation with his childhood.

Fear as a fundamental emotion is an essential feeling for survival. Like joy, sadness, disgust, surprise, anger and contempt, it is part of our human…

07/08/2025

JOB OPPORTUNITY: Oral History Project Assistant (Remote, Hourly), The Atelier 17 Project

The Atelier 17 Project, Inc. is a nonprofit research initiative dedicated to preserving and promoting the legacy of Atelier 17, the influential printmaking studio founded by Stanley William Hayter (1901–1988). Honoring the studio’s centennial in 2027, we are conducting a series of oral history interviews with former members of the Atelier 17 studio. These interviews occur virtually and last for approximately 1 hour.

Position Overview:

We seek a detail-oriented Project Assistant to manage the post-production workflow of our recorded interviews. Working closely with the Executive Director, artists, interviewers, and an AV editor, the assistant will ensure timely delivery of high-quality transcripts and media files.

Key Responsibilities:

Media Coordination
- Download RAW audio and video files from Riverside after each interview.
- Organize and transfer files to the designated AV editor, maintaining clear naming conventions.

Transcript Production
- Import final edited video into Descript and generate an initial automated transcript.
- Review and refine the automated transcript for accuracy, with special attention to technical printmaking terminology and French-language names/phrases.
- Flag ambiguities or questions for follow-up with the interviewer or artist.

Stakeholder Review Cycle
- Circulate draft transcripts to the Executive Director, interviewer, and artist; track comments and incorporate revisions until the transcript is approved.
- Maintain version control and a status log for each interview.

Project Tracking & Documentation
- Track the progress of each oral history interview, outstanding tasks, and due dates.
- Ensure we have signed release forms from both interviewers and artists.

Qualifications:

- Project & Workflow Management: Proven ability to juggle multiple projects and deadlines with exceptional attention to detail.
- Technical Proficiency: Comfort working in cloud-based environments (Google Drive, Descript, etc.). Familiarity with Descript and Riverside.fm
- Language & Communication: Excellent written English and strong proofreading skills. Working knowledge of French pronunciation and vocabulary is a plus.
- Subject Matter Familiarity: Knowledge of twentieth-century printmaking and modernism to ensure accurate use of terminology, names, and context during transcript review.

Time Commitment:

- Workload may vary month-to-month, based on the schedule of oral history interviews.
- Schedule is flexible but must accommodate prompt turnarounds after interviews.

Compensation & Benefits:

- Hourly rate based on experience (please include desired rate in your application).
- Flexible remote work environment.
- Opportunity to contribute to a landmark centennial research initiative and deepen expertise in modern printmaking history.

How to Apply:

Please email the following to [email protected] with the subject line “Oral History Project Assistant – [Your Name]”:

1. Brief cover letter outlining your relevant experience and availability.
2. Résumé/CV (2 pages max).
3. Reference from previous employer may be requested, after interview.

Applications will be reviewed on a rolling basis until the position is filled.

ON VIEW: 'Magdalena van der Passe and Ovid's Metamorphoses' at the Learning Resource Centre, University of Chichester (u...
06/08/2025

ON VIEW: 'Magdalena van der Passe and Ovid's Metamorphoses' at the Learning Resource Centre, University of Chichester (until 21 Sept 2025) where poetry and art collide in this experimental exhibition.

Poetry and art collide in this experimental exhibition inspired by engravings depicting scenes from Ovid’s Metamorphoses, most notably by 17th-century artists Magdalena van der Passe, Sebastien Le Clerc and Francois Chauveau.

FINAL WEEKS: "'WHEN THE EAST WIND BLOWS": Six encounters with Japanese Woodblock Printmaking' at the Embassy of Japan, L...
02/08/2025

FINAL WEEKS: "'WHEN THE EAST WIND BLOWS": Six encounters with Japanese Woodblock Printmaking' at the Embassy of Japan, London (until 28 August 2025), showing how ukiyo-e printmaking influenced the practices of six living artists. BOOKING ESSENTIAL.

2 June – 28 August 2025. An exhibition at the Japanese embassy in London showcasing six artists influenced by the splendour of Japanese woodblock printmaking. "When the East Wind Blows" Six encounters with Japanese Woodblock Printmaking Prudence Ainslie, Sara Lee, Paul Furneaux RSA, Rebecca Salter...

JOB OPPORTUNITY: Director of Curatorial and Collections (Full-Time, Exempt), Academy Art Museum, Easton, MarylandSalary ...
01/08/2025

JOB OPPORTUNITY: Director of Curatorial and Collections (Full-Time, Exempt), Academy Art Museum, Easton, Maryland

Salary Range: $75,000–$85,000 (commensurate with experience)

A key leadership role at the Museum, advancing its mission through the development of original exhibitions, strategic collection growth, and stewardship of its holdings. This position also leads curatorial planning for the Talbot Lane Collection Storage Annex, contributing to projects that elevate the Museum’s national reputation.

Applications will be reviewed on a rolling basis until the position is filled.

Further details on the museum website:

Our staff, volunteers, and interns are passionate, dedicated, and always looking toward the future. We invite you to join our team!

Congratulations to Justin Willson, recipient of the 2025 Schulman and Bullard Article Prize from the Association of Prin...
24/07/2025

Congratulations to Justin Willson, recipient of the 2025 Schulman and Bullard Article Prize from the Association of Print Scholars for his article 'Icon Printing and Pimen Sofronov's Collection,'" published in the September 2024 issue of Print Quarterly (Vol.XLI, No.3).

The prints were made by cleaning an old icon, tracing its lines, and printing the outline to a dampened sheet of paper. Painters travelled to out of the way villages throughout Eastern Europe, Russia, and the Balkans to print old icons.

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