Craig Long

Craig Long

PART3Fast forward to 2023…Around February time I decided to randomly YouTube search ‘musicians dystonia’ to see what wou...
01/08/2024

PART3

Fast forward to 2023…
Around February time I decided to randomly YouTube search ‘musicians dystonia’ to see what would come up. This is when I found out about Ruth Chiles and her book ‘The Focal Dystonia Cure’ which she released in 2022. This was turn around time!
As I started to watch her videos and learn more about her methods, I realised that my dystonia problem COULD be fixed! After all these years of failed attempts and lost hope at times, there was still a little light shining! Through all the years that focal dystonia has been known to affect musicians, we’ve been told there’s no cure and it’s the end of your career as a musician, but Ruth has learned and shown that this is not the case. With tried and proven methods she has helped people all over the world with dystonia, including herself.
When I learned of her and her amazing work I immediately bought her book and read it. She’s also helped the great Victor Wooten (Bass player) with his hand dystonia too!
Through the rest of 2023 I was still very much immersed in my music production and investing pretty much all my time and energy into that. This led me to not put into action a lot of Ruth’s advice and techniques in her book or sort out the therapy sessions I needed to do the work for my hand dystonia.
I had turned the Traveler kit I injured myself on into a practice kit at home in 2023 to start having a little play now n again but my heart wasn’t in it and I barely touched the kit.

Around March 2024 I was thinking about my dystonia again and YouTubed more stuff about musicians hand dystonia and I learned of another specialist by the name of Dr Joaquin Farias. Dr Farias has also found a cure for dystonia using movement therapy and Neuroplasicity techniques. I’m currently reading his book ‘Limitless’. The brain is an incredible thing!
Over the course of April 2024 I had the strangest thing happen where I felt this extreme pull to get back on my drums again, out of nowhere. I started listening to all my favourite bands again and listened to Slipknot’s ’The Devil In I’ continuously for a few days after not listening to any Slipknot for years.
The only way I can describe it is I’m feeling the same way I felt when I saw that Slipknot video and Joey Jordison drum solo all those years ago on MySpace. It’s strange cause when I started to feel this pull back to my drums is when Eloy Casagrande just started playing with Slipknot, and when I saw him being the absolute beast he is on the kit, alongside Slipknot back in their original jumpsuits, it filled me with a strong sense of happiness and excitement…It kinda felt like a ‘come home’ signal.
I feel like I’ve woken up from a 12 year sleep…A very strange feeling, but it feels fu***ng good!

I started Dr Farias’ dystonia course in April 2024 and am well into my therapy. My hand dystonia is still in full effect and I have a long ways to go (and there’s no guarantee of a full recovery), but I swear I can already feel a bit of a difference in my fingers within a couple months of his therapy!
I wasn’t expecting all this to happen at the beginning of 2024…But I’ve gone with what my heart is telling me to do and decided to start playing again in May of this year :)
All the videos you see on my instagram page so far have been recorded over the last couple of months with my dystonia still in full effect in my left arm/hand/fingers.

I love drums. I always have. I always will. I’ve always loved watching, playing and listening to drums. Being a drummer is honestly what I feel I was born to do. It’s my purpose. It’s what makes me happy. And I’m looking forward to resolving this dystonia and getting back where I belong, on stage, when the time is right and I’m ready!

This is my journey so far.

Thank you for reading.

Anyone who needs any help or advice with Focal Dystonia, please don’t hesitate to reach out and I’ll help if I can!
I strongly advise reading the 2 books I’ve mentioned in this post to educate yourself on dystonia, it’s root causes, the way the brain works, neuroplasicity and the techniques used to dissolve the dystonia away. It’s honestly quite amazing the way our brains work and the way we can heal ourselves with the right information and techniques.

NEVER EVER EVER GIVE UP!!!

PICTURES 📸
1. Drum collection 🥰
2. Dr Joaquin Farias book ‘Limitless’ 📖
3. Ruth Chiles book ‘The Focal Dystonia Cure’ 📚
4. My musicians hand dystonia ✋🏼
5. Self customised kit (There’s a whole story behind this kit and it’s customisation I’ll be posting about in the future) 🎨
6. My first time playing again after 12 years (Post Malone/Mark Morrison Remix) 🥁
7. Home practice setup 🤫
8. The first time in a long time re-heading one of my snares in May 2024 😬
9. Paradiddles in July 2024. This is the first time in years I’ve been able to play paradiddles without my hand instantly breaking into a claw shape. (Keep your eye on my left hand and notice the ripple effect going through my fingers…This is me constantly fighting off the dystonia spasm in my hand) 💪🏼
10. A framed picture of my Granddad and a quote I’ve kept with me since the beginning of my Dystonia battle 💫



https://www.instagram.com/hitmandrums/p/C-I6E3hue0V/?img_index=1

PART2Now this is where the story takes a sudden twist! (Dum dum dummmm!)In the 2012 Ibiza season I took a different type...
31/07/2024

PART2

Now this is where the story takes a sudden twist! (Dum dum dummmm!)
In the 2012 Ibiza season I took a different type of drum kit with me. This was a Pearl Traveler Kit which is smaller than a usual drum kit. I did this to try and help free up some space on the small stage I had to share with 7 other musicians/singers and thought it would be fun to play a different kind of kit from what I was used to. It also reminded me a little of the kit I used to play in the junior brass band when I was a kid.
I soon found out this kit was not built for this type of gig!…or at least not for an extended amount of time like a 2 hours a night for 8 months type of gig. The kit barely projected any volume and the only thing mic’d up was the bass drum. The owner of the bar also played piano in the band and had control over the volumes of the instruments and singer’s microphones through a mixer next to his piano. Over the course of the season, as it was getting busier and busier, the volume was going up and up and up and I was having to keep up/compete with the volume of everything else on stage and the people in the bar to be heard. It got to the point where I was literally throwing my bodyweight into the kit every night (mainly the snare drum with my left arm/hand) and beating the absolute s**t out of the kit to try and get some volume out of it.
Around early July of the 2012 season I started to notice something was going on with my left hand. At first I didn’t take much notice thinking it was just a little strain or bad habit thing going on. I was noticing that my hand wasn’t working the way it usually does and I was having a hard time gripping the stick. My fingers were going into a claw kind of shape and I couldn’t hold the stick as I usually would. This progressed into my whole arm starting to go into a tight, debilitating spasm, to the point I was literally using all my strength just to keep hold of the stick because all the grip in my hand had gone due to my left arm staying in this tensed up state.
It came to August time into the 2012 season and I knew something was seriously wrong because the spasms weren’t going away and getting worse and worse every night. It would start from the very first few minutes of playing and stay consistent through the whole course of the 2+ hours on stage every night. You have no idea how hard it was to play like this for months on end. I can honestly say it’s one of the hardest things I’ve ever had to physically endure.
Somehow I made it through the whole season, finishing in late September, and came back home to London. I didn’t want to feel ‘defeated’ or ‘weakened’ by this injury during my time in Ibiza and kept with the mind state ‘the show must go on!’ so I stuck it out and completed the whole thing even though I knew it probably wasn’t a good idea.
I came back to London late 2012 and decided I needed to rest for a few weeks and step away from the drums completely and give myself a rest in general. After this 3 week rest I went to play again and my hand was still clawing and my arm was still spasming. This terrified me cause it was occurring instantly and I had no control over it!

I played some more gigs back in London with some function bands, early 2013 for a few months, with my problem still well in effect. In July 2013 I decided to play my last gig due to how frustrated and unhappy I was feeling whilst playing because of the problem with my left arm and hand. I was so lost in what was happening that I started to lose love for playing because it was such a disappointing feeling to struggle so badly with something that had come so easily and naturally my whole life. Imagine waking up tomorrow and not being able to walk…Something you’ve done your whole life, without even thinking about how to do it, you just do it…And then suddenly one day you just can’t do it anymore and you have no idea why…It’s a soul destroying feeling…Some of the deepest sadness I’ve ever felt.
Anyway; Long story short!…Over the course of 2013 through to 2023 I’ve done the following:
Seen 10+ specialists,
Acupuncture sessions,
Sports massages,
Deep tissue massages,
Physiotherapy sessions,
Hot n cold treatment,
Rest periods,
MRI scans on my arm,
MRI scans on my neck,
Xray scans on my neck, arm and hand,
Ultrasound scans on my hand and arm,
Steroid injections into my middle finger 3 times,
Electro shock therapy in my left arm,
Botox injections into my left forearm 8 times,
Arm surgery (removing old scar tissue to try and help tendon movement).
Hand surgery (removing a ganglion cyst and cutting open a thickened tendon sheath in my middle finger where the stick in my left hand was smashing my hand so hard from the blunt force trauma in Ibiza).

Through the years the problem had been diagnosed as Trigger Finger, RSI, Tennis Elbow, Tendonitis, and Focal Dystonia.
Focal Dystonia (aka Musicians hand dystonia) is a neurological problem which affects the shoulders/arms/hands/fingers in musicians and other professions like golfing, writing, typing etc. In musicians hand dystonia, it will mostly affect drummers, guitarists, pianists and string players (usually musicians who have to use a lot of intricate movements in the hands and fingers).
What happens is the brain starts to send signals to certain parts of the body (in my case, my left arm/hand/fingers) to trigger involuntary muscle spasms and movements without the person having any control of what’s happening. It’s kinda like a defence mechanism your brain does.
This is due to certain neuropathways in the brain becoming affected and becoming ‘scrambled’ which leads to them to send these signals to body parts which affects their regular functions and movements.
This is also usually only task specific, so it’ll only start to happen with a specific movement or activity. In my case this means that only when I hold a drumstick in my left hand will my hand go into a claw shape and my arm goes into these painful spasms…It’s the craziest thing! So what happens is I’ll start to play and my brain goes into a like ‘shock mode’ and my middle finger will stick out, my little finger pulls into a grip and won’t let go. My left arm (shoulder downwards) also locks up into a tensed spasm which is extremely painful through my forearm. Drummers: Imagine gripping the stick as hard as you can, as tense as you can with your arm, and trying to play/strike the drum…It’s almost impossible to play with any kind of technique or control (especially at more controlled, lower volumes). It’s also extremely frustrating when you have absolutely no control over this happening, even when you concentrate and focus all your energy on stopping it from happening and you can’t stop it.
The heavy playing I was doing in Ibiza 2012 was most likely to have caused the dystonia to start setting in. So when I pick up the stick in my left hand my brain automatically thinks that continuous aggressive playing I was doing in Ibiza is about to start and the spams start to happen as a defence mechanism. It could have also been a couple of other factors like too much practice over the years prior to Ibiza (a lot of days spending 6 hours practicing as a standard), but it’s very likely that the trauma of beating the s**t out of the Traveler kit brought it on.
I’d never heard of Focal Dystonia before and didn’t know what it was. After being diagnosed with this from one of the specialists in 2013 and being told there’s no cure and it’s the end of my career as a drummer, I couldn’t/didnt want to believe it.
Then another specialist diagnosed it as dystonia months later and I still wouldn’t accept it and was still sure it was a tendon or muscular problem. (This is why I went ahead with the arm and hand surgeries in hope they’d be the fix for the problem).
Then, on the 3rd diagnosis from another specialist of my problem being musicians hand dystonia, I decided to let go and accept it.
The depression I went through at this stage was scary. To learn that you can’t do something you felt you was born to do and have done your whole life, will do things to your mind, your self esteem and belief in life like you wouldn’t believe. Through the years of this battle I’ve resorted to some heavy alcohol and drug use at times, self harming, violent outbursts, states of unhealthy isolation, amongst other things. I would be lying if I said su***de hadn’t crossed my mind at times through the years as well. When you’re faced with one of the hardest things you could ever imagine happening in your life, it will change you and make you behave in ways completely out of character. As you can imagine, this wasn’t only a career changing injury, but a life changing one too. I felt like I’d lost my identity and didn’t know what to do with myself or my life anymore.

When I started to realise that this injury wasn’t going to be fixed any time soon I decided to resort to ‘Plan B’ in 2014. This was the decision to step back from the drums and pursue a career in music production and take something which was more of a hobby as my main focus of attention. I had made music using music software through the years starting from my secondary school days but always thought of it as more of something else to do in my free time when I wasn’t playing drums. So with what was going on with my drumming injury, I decided to really step up my music production and take it to the next level, recreating myself as a producer rather than a drummer.
I decided to go the route of West Coast Hip Hop as this was something I grew up listening to heavily and had always loved the whole West Coast sound and feel. I started studying the music and the producers I grew up admiring but never fully educated myself on. Some of these producers included Dr Dre, DJ Battlecat, DJ Quik, Daz Dillinger etc. I eventually got myself a talkbox and some other cool bits of kit and really threw myself into the whole West Coast sound and lifestyle.
Over the course of 2013 till 2023 I basically completely stopped playing drums…No gigs, no recording sessions, no home practice…nothing. From 2015 onwards is where my career as a producer really took the lead. Over this last 9 years I’ve gained the respect of and worked with artists I grew up listening to and admiring, including The Game, Kurupt, Butch Cassidy, amongst many other talented individuals. I’ve released independent records of my own, had the opportunity to feature as a talkbox artist on multiple records, and produced beats for different artists over the years.
Deciding to take this route of ‘Plan B’ saved my life. It literally saved my life. If I didn’t have my music production to fall back on and have as a source of a musical outlet through all these years since my drumming injury I can honestly say I’m not sure what I’d be doing right now or if I’d even be here at all.
In 2016 I released my first independent Hip Hop release ‘Craig ‘H!Tman Long Presents: The DeTour Demos - Volume 1’.
Over the following 2 years I released 3 more volumes of this DeTour Demos series. These are all instrumental EPs which were supposed to be more of a showcase of my production to hopefully open some doors for what I was working towards at the time (working with West Coast rappers and singers) and get my name out there as a West Coast Producer from the UK.
Following these EP’s I released multiple singles of my own featuring rappers and singers from all over the world in the West Coast genre.

(PART 3 OF POST TO FOLLOW)

PICTURES📸
1. Traveler kit (Ibiza 2012) 🥁
2. 2012 drum solo in Ibiza (Pay attention to the power of the flams at the end of the solo…This is a quick example of the way I was having to play through the 2012 season) 🥵
3. Dystonia information 👀
4. Dystonia information 🧠
5. Arm and hand surgeries 🤕
6. New Zildjian cymbals on my first kit. Notice the Atari ST1080 in the background! I’d gotten familiar with music production software and used it mainly for drum practice and making cheesy house music haha! 👨🏻‍💻
7. The Detours Demos: Volume 1 📀
8. Live clip of my first independent release ‘Connected’ featuring an artist 🔊
9. Live clip of another independent release ‘Outerspace’ featuring various artists 🔥
10. Talkboxing (Tupac featuring Dr Dre - California Love) 🎙️



https://www.instagram.com/hitmandrums/p/C-GWO3Ru8em/?img_index=1

PART 1My name’s Craig Long.I’m a drummer currently recovering from Focal Dystonia (aka Musicians Hand Dystonia) in my le...
30/07/2024

PART 1

My name’s Craig Long.
I’m a drummer currently recovering from Focal Dystonia (aka Musicians Hand Dystonia) in my left arm/hand/fingers.
This is my story so far…
I was born and bred in East London and grew up in a little s**thole called Plaistow.
I started showing interest in drums around the age of 3 when my parents bought me a little plastic drum kit to play with and my mum noticed I was enjoying it quite a lot more than the usual toy.
I have memories of taking my mums pots n pans out of a kitchen cupboard and laying them all over the floor and playing them with wooden spoons when I was little. I even remember there was a small red pot which was supposed to be my snare drum haha!
Around the age of 6 I have another memory of having this strong urge to get that little plastic drum kit out of a cupboard and take it downstairs (in the middle of the night when everyone was sleeping) and set it up so I could play it the next day as soon as I woke up. Doing this set off a safety alarm in my house (which scared the s**t out of me) and I remember my parents coming downstairs and running into the living room while I was standing there with all the drums and my dad getting really angry at me asking what the hell I was doing at that time getting the drum kit out lol!
It was around this time my mum started noticing that I had a genuine interest in the drums and she noticed that my Granddads rhythm may have been passed down to me. I’m gonna speak more in depth about my Granddad in a future post. He was also a drummer but unfortunately passed before I was born (RIP Eddie Jones).
After a lot of pleading and begging, my parents bought me a snare drum for my 7th birthday. I remember seeing this black snare drum covered in a blue plastic bag a couple nights before my birthday and I got so excited! It was hidden away and I went snooping round the house looking for presents and found it haha!
After a short while of playing the snare drum my mum convinced my old man to buy me a full drum kit as she saw that me playing may not just be a hobby or a 5 minute wonder.
We found a cheap 2nd hand drum kit in an area nearby where we lived and went to look at it, taking my dads work van incase we ended up buying it. I remember when we walked in and I saw it all in bits and barely set up properly in the corner of a room, and I remember falling in love with it on the spot and begging my dad to buy it. I think we ended up paying like £80 for the whole kit (with cymbals and stands!). It was a dark emerald green kit with a wood finish and Paiste cymbals…I fu***ng loved it!!!
It was on this kit where my love for playing drums and drums in general really started to grow. My Grandmother lived in the house next door to ours on the end of our street and had a spare room for the drums and that’s where my practice really began. I would spend a couple of hours in this room everyday playing and doing something that truly made me happy. I had a little boombox with a tape deck and CD player which I used to plug headphones into and play along to various bands which I liked and had heard my parents listening to. I feel like this is where the foundation for a lot of my musical influence started. The Beatles, The Rolling Stones, Chuck Berry, Buddy Holly, The Beach Boys, The Kinks, AC/DC, Oasis, compilation tapes of various soul records etc…I would play along to these bands/artists tapes and CD’s everyday until I knew them backwards.
My mother told the priest at our local church about me playing and he suggested I come n try playing in church for a Sunday with the piano player to see how it went. Anxiously, I thought I’d give it a try and went to play! This was my first ‘gig’, playing in my local church, Saint Martins Church in Plaistow.
It was here I started to learn about playing with other musicians and playing live in front of an audience thanks to the piano player in the church, John.
Playing in St Martins became a regular thing and I’d play every Sunday, sometimes playing at different fares/community events and playing in different churches for special events all over east London.
I also started playing at my primary school, New City Primary School, playing in school plays and events.
I was self taught up to this point and then went on to have some lessons with a local drum tutor in The Royal Academy of Music in East London. It was with him that I started to learn to read music and after a while he recommended I join the Academy’s junior brass band. I was never fond of (or good at) reading music, but it was with the brass band that I started to learn to play with a conductor and a big band comprising of 15+ other musicians. I learned a lot of marching stuff, how to take solos, how to control the dynamics of the band etc. Great fun! We used to play events all over London and I learned what it was to play in a lot of outdoor situations.

When I started secondary school (Saint Bonaventure’s Secondary School) I was completely blown away with the schools music department and music teachers, Mr O’Connor and Mr Broadbent. It was here where I started to play with the school’s Gospel Choir and started to play in different school events and music events over London. I also learned the basics of music production on an Atari ST1040 using Cubase 1 and a midi keyboard. This was back in the days of floppy discs and waiting at least 5 minutes for the computer to start up (which was probably gonna crash again in another 30 minutes haha!).
I have some fond memories learning with Mr O’Connor and Mr Broadbent and can’t thank them enough for everything they taught me and all the great experiences I had with them in St Bons.
I used to be taken out of my classes by Mr O’Connor to help in his lessons with other students and I eventually started teaching drums in school. This only lasted a short while due to me ‘not getting my education’ and I wasn’t allowed to teach anymore (which really pi**ed me off cause all I wanted to do was be in the music department and play drums all day haha!).
It was also around this time I started taking private drum lessons with Bob Armstrong (RIP) outside of school. I learned a lot from Bob. He taught me to play Latin music, Jazz, The Moeller technique, Rudiments, Linear phrasing, helped me advance my music reading etc.
He also gave a lot of advice on playing situations, business situations, and helped me understand the importance of slow and soft playing. “Slow practice - Fast progress”.
Bob recommended me to a company who contacted him looking for a little drummer for a bit on a TV show (TFI Friday with Chris Evans). I went in for an audition in the afternoon and went on to play the show later in the evening! I got to meet Cozy Powell (RIP), Finley Quay, David Seamen, amongst others. It’s definitely one of the highlights of my career so far and I’m grateful to have had that opportunity. (And yes, I was so little that I wasn’t wearing the Ben Sherman shirt; the Ben Sherman Shirt was wearing me! lol!).
I did my GCSE in music in year 8 along with another student who was a guitarist in the same year. We both passed with A’s and started to learn for AS level exams but I ended up dropping out shortly into studying.
It was around this time, at the age of 14, I was having a lot of stuff going on at home with my parents divorcing amongst other things and I went into the ‘rebellious teen’ stage of my life and my character completely changed. I stopped playing drums, started bunking off school and eventually dropped out, started smoking and drinking, getting up to mischief with my friends and basically being a little s**t!
My mum was completely devastated when I stopped playing and realised that I was really sticking to my decision.
I won’t go into too much detail here, but from around age 15 up to 18 I was getting myself into some serious trouble unfortunately due to a lot of alcohol abuse and anger. The range of this behaviour extended to me punching through 2 glass doors in a fit of rage when I was 16 and losing 6 pints of blood, bleeding to death and having to be resuscitated back to life. This amongst other life changing situations were occurring at the time and I very narrowly missed doing time in prison. These were some of the darkest times of my life and I’m lucky and grateful to have survived all the s**t that happened.
But even though I wasn’t playing drums during this period I was still musically active and got heavily into UK Garage and Hip Hop music and started learning to DJ with record decks. This completely took over my life for a couple of years…Learning to scratch, learning how to line up records, learning how to control a DJ mixer, going record shopping and collecting vinyls etc…So much fun! That era (late 90’s/early 2000’s) was a great time for UK Garage music!
I was also using a version of Cubase on a Packard Bell PC at home while I wasn’t drumming and used to lay down some rough ideas for Hip Hop beats now n again.

At 18, after attending an offenders college I started to work in offices being an office junior (which I absolutely hated!). After doing this for a year or so my mum randomly called me one day asking if I’d like a drum kit a friend of hers was getting rid of. I remember sitting in the office I was working in and hearing this and looking at the computer screen thinking to myself ’what the f**k am I doing this for?!’…So I agreed to take the kit and see what it was like to have a play again after all them years away. It was a beautiful little Pearl Export Chrome finish 5 piece kit.
I would have a little play on it at home now n again but I could feel my heart wasn’t really in it.
That was until one day I was on MySpace (who remembers MySpace?!) and I was logging out of my account and I noticed a small picture on the sidebar of a clown hitting a keg with a baseball bat and seeing Slipknot written underneath it. Out of curiosity I decided to ‘see what this s**t is all about’, meaning I’d heard of Slipknot before but never bothered to check them out properly cause I was sure it wouldn’t be my kinda thing (Ignorance is bliss, right?). The link was to their new single ‘Duality’ from their 3rd album ‘The Subliminal Verses. Vol 3’.
This changed my life.
I was completely taken in by the chaos in this video and this song…The people falling through the ceilings…Clown beating the s**t out of the keg with a baseball bat…Joey playing drums like I’d never heard before…Corey’s scream…The tasteful madness of the songs riffs and lyrics…The masks and the numbered jumpsuits…All of it grabbed me in that moment of watching that one single video. I’d never heard or seen anything musically like this before! I felt like this is what I wanted to be part of…like this is what I should be doing. (For any Slipknot fans: Apparently everything you see in that video was unplanned…All the fans falling through the ceilings, breaking through the walls etc was all real and the band and video directors just went along with the madness and let it all happen!). After a few more listens I decided to Youtube their drummer Joey Jordison (RIP). This is when I saw his drum solo from the Disasterpieces concert DVD. The drum kit, the mask, his playing, the black drumsticks, the drum riser going up and spinning around with the pentagram lighting up underneath him and everyone throwing up horns…It blew my fu***ng mind man!…Seeing and hearing all that and then seeing him smash the s**t out of the cymbals at the end of the solo and stick his middle finger up at the crowd and them all starting to chant “Joey! Joey! Joey!” - I knew from that moment on I wanted to play my drums again!!!
The impact that day I found Slipknot had on my life will stay with me forever.

This was where things completely changed for me again. I left the soul sucking office job I was doing and everything I lived and breathed became about drums again. I started getting heavily into bands like Slipknot, Marilyn Manson, Deftones, Linkin Park, Limp Bizkit, Korn, POD, Mudvayne, Blink182 and so on.
After getting back on the drums and practicing for a few months I made a pact with myself to get into a band before I turned 20. I did this and joined a band by the name of Polanski. We started rehearsing in a local studio and eventually played our first gig at a little festival in east London.
When my dad realised I was serious about playing again we built a semi soundproofed room in our house where I could practice and would spend about 3 or 4 hours a day in there.
After playing some more gigs with Polanski I felt I wanted to be out playing more gigs in a different kind of genre and I went on to join another band by the name of Once A Thief.
We gained a following over the course of a few years and played gigs all over the UK, touring up n down the country in places like Manchester, Newcastle, Leeds, Edinburgh etc in various venues. We also gained the interest of a renowned photographer by the name of Roger Sargent. Roger’s a legend who’s worked with many other legends! He later became our unofficial manager for a while and helped us network and play some cool shows over London. He also gave me the opportunity to play a secret gig in Camden’s Proud Galleries with The Dirty Pretty Things and Liam Gallagher as a special guest. The opportunity came about due to their drummer Gary Powell having a leg injury at the time. As anxious I was to take this gig (Roger literally offered it to me a few hours before the show) I took the gig and went on to play one of the wildest shows I’ve ever been part of! Security had to stop it a few times cause the audience were going so fu***ng crazy, and then they went on to completely stop it early cause it was getting so out of hand in there! lol! It was one of the highlights on my career so far and an unforgettable night spent with Liam, one of my childhood heroes! (I used to play the ’What’s The Story’ album in it’s entirety at least once everyday after school!). I’m forever grateful to Roger for that opportunity and the unforgettable experience.
It was with Once A Thief where I also gained the name ‘H!Tman’ but I’ll speak more on that in a later post.

After some time together Once A Thief decided to part ways and I was without an originals band to play with.
I was mostly doing the odd recording session here n there but not gigging and felt a bit stuck because I didn’t know what was next for me. I was doing some Hip Hop production on my computer (mainly as a hobby), composing drum parts, laying down drum pattern ideas, and getting fat!
Some time passed and I was given the opportunity to audition to play a summer season in a bar in Ibiza. I was a little reluctant to do this as it was overseas and I wasn’t sure how I’d feel playing covers for a long time, continuously.
But I thought I’d give it a go and went for the audition. I flew over there and was greeted by a fellow bandmate and the owner of the bar at the airport. They took me into Eivissa and showed me the bar/stage/setup where we’d be playing. We had a quick play in the afternoon (just drums and keyboard) and played a couple songs to give me an idea of the vibes. They were covers but done in a very unique way, where they had their own funky/dance spin to them and the band made the songs their own.
Later that evening came showtime and we hit the stage basically winging the whole thing! It went really well and the owner of the bar said I could stay if I wanted on the first night. I was still a little unsure at this point cause it was all very new and scary for me to be in a different country by myself with people I didn’t know. But after a few more nights and some great experiences on stage I ended up staying and doing the whole season. This season comprised of playing 2+ hours a night (in 4 half hour sets, from 12am till 3.30am), 7 days a week, for nearly 8 months straight (not missing a single night). This was extremely hard work at times! Not only the duration of that many shows continuously, but the shows themselves too, playing in that Ibiza heat, in a packed out bar of 300+ people, full of smoke, on a small stage every night…I would come off stage some nights literally looking like I’d just gotten out of a swimming pool because I was so drenched in sweat (that’s not an exaggeration either!). I had other moments where I’d have to concentrate on staying seated on the drum throne and not falling off cause I was so dizzy at times from the heat in the heavy months mid season.
Over the course of the season I warmed to the island and it became my second home. I made some good friends there and started to gain a knowledge for the language, the way of life and the different areas all over the island.
I completed the 2010 season and was asked to go back to play the summer season of 2011…Which I did! (Sharing the stage with Amina Buddafly).
I was then asked to go back to play another season in 2012…Which I did! (Sharing the stage with Barbara Tucker).
I cannot begin to express the times, experiences and fun I had on this island for the 3 years I was there…The weather, the people, the food, the music, the drugs, the bars, the clubs, the beaches, the times on stage, the lifestyle etc…It was all something which literally felt like a dream at times! I could tell you stories of s**t that went on over there you wouldn’t believe! lol!
I was also lucky enough to be on the island when Spain won the World Cup 2010 and The Euro 2012!…It was complete madness in the streets!…I’ve never seen anything like it!
If I had to sum up my whole time over in Ibiza, I can only describe it as ‘an experience’.

(PART 2 & 3 OF POST TO FOLLOW)

PICTURES📸
1. 😊
2. My toy drum set 👶🏻
3. Playing at Saint Martins summer fete on my first full drum kit ⛪️
4. Royal Academy of Music 🏤
5. Junior Brass band rehearsal 🎺
6. Over the moon with resonant heads being put on my first kit ☺️
7. On TV Show TFI Friday as ‘The Ickle Drummer’ with Chris Evans 📺
8. First gig back playing Redbridge Green Festival with Polanski 🥁
9. Once A Thief rehearsal and NME write up with Dirty Pretty Things & Liam Gallagher 🤘🏼
10. Ibiza seasons 2010, 2011 & 2012 🌅



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