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Hotshoe Magazine

Independent Photographic Journal, published in London. www.hotshoemagazine.com

Hotshoe is the UK's leading Contemporary Photography magazine showcasing the best of established and up-and-coming talent.

07/09/2026

We will be at Glue Book Fair this weekend at ICA, London. This is the fair’s second year, but it’s our first time participating, so please come by and say hi!
Glue brings together over 90 publishers for a weekend celebrating independent and artist publishing. You can find a list of talks and exhibitions and more general info on the ICA website. We will have a few back issues and some merch, and it’s free to enter the book fair (£5 for talks), so drop in between 12-7pm on Sept.12th and 12-6pm on the 13th.
We hope to see you there!
Institute of Contemporary Arts

04/09/2026

For our latest issue, British photographer Jack Davison shares his perspective on photographing Denis Villeneuve’s Dune: Part Two.

Invited onto the set by Villeneuve, Davison’s images exist within the world of Dune without fully belonging to its visual language.
Read the full story in our latest issue, available via the link in our bio. For more stories and exclusive content, sign up for our newsletter, also available at the link in bio.
Jack Davison Timothée Chalamet Denisvilleneuvefilmmaker

31/08/2026

Jack Davison For Denis Villeneuve’s Dune: Part Two, 2024.

‘Dune: Part Two’ is a sci-fi epic set across distant worlds. Following Paul Atreides as he moves through political betrayal, survival, and the weight of his inheritance, as rival forces circle a rare substance that underpins space travel.
British photographer Jack Davison was invited onto the set by Denis Villeneuve. Working in his characteristic style, the images never fully settle into Villeneuve’s visual language. They exist within his world, but do not fully belong to it. At times, they feel closer to something else, an echo that could sit just as easily within El Topo, perhaps a trace of where Alejandro Jodorowsky’s aborted Dune might have taken us.
Jack Davison Timothée Chalamet Denisvilleneuvefilmmaker

27/08/2026

For our latest issue, Parisa Taghizadeh takes us behind the scenes of Steve McQueen’s ‘Blitz’, capturing the world of the film through her lens.

Read the full interview in our latest issue, 215: At the Movies, available via the link in our bio.
Steve McQueen

25/08/2026

Parisa Taghizadeh

For Steve McQueen’s
‘Blitz’, 2024
‘Blitz’ is set in wartime England, following George, a young boy evacuated to the countryside to escape the bombing of London. The story unfolds as he becomes determined to return home, moving through a city shaped by war. Iranian stills photographer Parisa Taghizadeh has spent her career working alongside filmmakers to produce images that live within the world of their films.

Parisa’s work features in our latest issue, 215: At the Movies, available at the link in bio.
Steve McQueen

11/08/2026

Merrick Morton

For Luis Valdez’s ‘La Bamba’, 1987
‘La Bamba’ is a biographical film written and directed by Luis Valdez, telling the story of Ritchie Valens, a Latino rock and roll idol, who led a short but influential life that changed music history.
Merrick Morton brought a dynamic street photography approach to the stills he was commissioned to create.
Merrick Morton

28/07/2026

Robby Müller
For Jim Jarmusch’s Down by Law 1986

The poetic B& W film Down by Law follows three men after their escape from prison, forming an unlikely bond as they move through the swamps of New Orleans. It marked the beginning of a long collaboration between Dutch cinematographer Robby Müller and American director Jim Jarmusch, a partnership that would go on to shape a number of influential films. Jarmusch later said, ‘...without him, I don’t think I would know anything about filmmaking’. Müller, who also worked closely with Wim Wenders and Lars von Trier, would often make Polaroids for his own use. This portfolio was produced while location scouting for Down by Law in the New Orleans swamps.
Andrea Müller-Schirmer Robby Müller Archive Jim Jarmusch

23/07/2026

Daniel Arnold
For Josh Sadie’s Marty Supreme 2026

Marty Supreme is set in 1950s New York, following Marty Ma**er, an ambitious young man determined to become a world champion in table tennis. American artist Daniel Arnold has photographed on the sets of the past three films directed by Josh Safdie. Known for his street work, his photographs carry a similar charge here. While made within the structure of the film, they could just as easily have been taken decades earlier.
Daniel Arnold Marty Supreme Timothée Chalamet

21/07/2026

For our latest issue, Daniel Arnold shares his perspective on photographing the world of ‘Marty Supreme’, Josh Safdie’s film set in 1950s New York.

Read the full interview in our latest issue, 215: At the Movies, available via the link in our bio. For more stories, interviews, and exclusive content, sign up for our newsletter, also available at the link in bio.

16/07/2026

In our latest issue, we speak with Donata Wenders about her journey into photography and her collaboration on Perfect Days.

Sign up to our newsletter for the full interview, or purchase Issue 215: At the Movies via the link in bio.

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