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Young Frankenstein (1974) 💕🌹🎥🌟1974 was a vintage year for Mel Brooks. His comedy western ‘Blazing Saddles’ was a huge bo...
27/12/2025

Young Frankenstein (1974) 💕🌹🎥🌟
1974 was a vintage year for Mel Brooks. His comedy western ‘Blazing Saddles’ was a huge box office hit when it opened in February and the year ended with the release of arguably his best film, the classic horror parody of classic horror movies, ‘Young Frankenstein’.
It was when filming on ‘Blazing Saddles’ was nearing completion that Gene Wilder suggested an idea he had to Brooks for a spoof on the Frankenstein films produced by Universal Pictures in the 30’s and 40’s. The director was indifferent at first, feeling the genre had pretty much ended up parodying itself but his interest grew when Wilder elaborated “What if the grandson of Doctor Frankenstein wanted nothing to do with the family whatsoever. He was ashamed of those wackos”.
The two met each night at Wilders Bel Air Hotel bungalow and over cups of tea and digestive biscuits began work on their screenplay. Brooks took the finished script to Columbia Pictures who were reluctant to agree to his budget of $2.3 million and the decision to make the picture in black and white, fearing it would be unmarketable in the 1970’s. Wanting to stay faithful to the source material, the director turned to 20th Century Fox who were willing to not film in colour as well as agreeing to a higher budget.
Dr Frederick Frankenstein (Gene Wilder) is a lecturing physician at an American medical school and desperate to disassociate himself from his infamous grandfather (“It’s pronounced Fronkensteen!”). When he inherits the family estate, Frederick travels to Transylvania to inspect the property and after reading his grandfathers journals decides to resume his work and attempt to re-animate the dead with the help of his assistant Inga (Teri Garr) and faithful hunchbacked bug-eyed servant Igor (Marty Feldman) who informs him “It’s pronounced Eyegor!”. The inevitable chaos ensues when The Creature (Peter Boyle) is given the wrong brain and the townspeople led by chief of police, Inspector Kemp (Kenneth Mars) storm Frankensteins castle.
Brooks wanted his film to look as authentic as possible and when he found out that film set designer Kenneth Strickfaden still had the laboratory equipment used in ‘Frankenstein’ (1931) in his garage he asked 20th Century Fox if they could rent them and pay the designer a decent sum of money. Strickfaden was never credited for his work on the original film and 43 years later would receive a special thanks mention in the opening credits of Brooks film. There’s an authenticity to how the movie sounds too, with an evocative score by Brooks’ long time composer, John Morris.
The Universal films are affectionately sent up with recreations of the Monster encountering the young girl in the 1931 original and the scene with the blind hermit in ‘Bride of Frankenstein’ (1935) featuring Gene Hackman in a rare but excellent comedy role, not to mention Madeline Kahn as Frankensteins fiancée turned monster lover, complete with Elsa Lanchester hairdo from ‘Bride’.
Packed full of absurd but brilliant comedic creations from Wilders exasperated and sometimes manic Frankenstein to Cloris Leachman as housekeeper Frau Blücher (cue neighing horses) as well as Feldman as Igor and Boyle as the Monster, ‘Young Frankenstein’ is a timeless comedy classic.

Madeline Kahn in Young Frankenstein 1974 💕🌟🥰🎥
27/12/2025

Madeline Kahn in Young Frankenstein 1974 💕🌟🥰🎥

Cloris Leachman’s portrayal of Frau Blücher in Young Frankenstein (1974) is one of the most brilliantly understated perf...
20/12/2025

Cloris Leachman’s portrayal of Frau Blücher in Young Frankenstein (1974) is one of the most brilliantly understated performances in comedy history — a masterclass in menace wrapped in mischief. With just a glance, a whisper, and the subtlest shift in posture, she turned a single name into a legend: the mere utterance of “Frau Blücher” sent horses rearing and audiences howling. Yet Leachman never played the character as a cartoon; she gave her dignity, mystery, and a quiet, unsettling authority that made her more terrifying — and funnier — because she felt real. Her stillness spoke louder than any scream, her dry delivery cut deeper than any slapstick, and her presence transformed the gothic mansion into a realm where fear and fascination danced hand in hand. In a film full of spectacle, it was Leachman’s quiet control that made the magic stick. She didn’t need to shout to be unforgettable — she simply needed to walk into the frame. And when she did, the world stopped… and laughed.

Tea Party with the cast of Young Frankensteinyoung.frankenstein.1974's profile pictureyoung.frankenstein.197470wTea Part...
20/12/2025

Tea Party with the cast of Young Frankensteinyoung.frankenstein.1974's profile picture
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Tea Party with the cast of Young Frankenstein
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🧟‍♂️ #1974

Gene Wilder would only make "Young Frankenstein" (1974) if Mel Brooks promised not to appear in it. Brooks usually appea...
20/12/2025

Gene Wilder would only make "Young Frankenstein" (1974) if Mel Brooks promised not to appear in it. Brooks usually appeared in his own films, but Wilder felt that Brooks' appearance would ruin the illusion. Brooks made off-camera appearances as the howling wolf, Frederick's grandfather, and the shrieking cat.
Wilder and Brooks got into only one fight during the movie's production, but it was a big one with Mel throwing a huge temper tantrum, yelling and raging and eventually storming out of Gene's apartment (where the men had been working on the script). Roughly ten minutes later, Gene's phone rang. The caller was Mel, who had this to say: "WHO WAS THAT MADMAN YOU HAD IN YOUR HOUSE? I COULD HEAR THE YELLING ALL THE WAY OVER HERE. YOU SHOULD NEVER LET CRAZY PEOPLE INTO YOUR HOUSE, DON'T YOU KNOW THAT? THEY COULD BE DANGEROUS." That, as Gene later put it, was "Mel's way of apologizing."
Maybe two fights? Maybe a fight and a half?... Wilder conceived the "Puttin' on the Ritz" scene, while Mel Brooks was resistant to it as a mere "conceit," and felt it would detract from the fidelity to Universal horror films in the rest of the film. Wilder recalls being "close to rage and tears" and argued for the scene before Brooks stopped him and said, "It's in!" When Wilder asked why he had changed his mind, Brooks said that since Wilder had fought for it, then it would be the right thing to do. But it was only when he soon saw the musical number along with a howling audience that Brooks was finally confident about the sequence.
Wilder constantly cracked up during takes. According to Cloris Leachman, "He killed every take (with his laughter) and nothing was done about it!" Shots would frequently have to be repeated as many as fifteen times before Wilder could finally summon a straight face.
Gene Hackman learned about the film through his frequent tennis partner Wilder and requested a role, because he wanted to try comedy. Hackman ad-libbed The Blind Man's parting line "I was gonna make espresso." The scene immediately fades to black because the crew erupted into fits of laughter. Hackman was uncredited when the movie was originally released in theaters

Teri Garr's portrayal in "Young Frankenstein" (1974) as Inga, the lab assistant to Dr. Frederick Frankenstein (played by...
20/12/2025

Teri Garr's portrayal in "Young Frankenstein" (1974) as Inga, the lab assistant to Dr. Frederick Frankenstein (played by Gene Wilder), is characterized by several key personality traits:
Cheerful and Energetic: Inga is depicted as a cheerful and energetic character. She brings a sense of enthusiasm and positivity to her role as Dr. Frankenstein's assistant, often brightening the scenes she appears in.
Playful and Flirtatious: Inga's interactions with Dr. Frankenstein are marked by playfulness and flirtation. She teases him gently and engages in humorous banter, adding a light-hearted romantic tension to their relationship.
Naive Innocence: There's an element of innocence to Inga's character, reflected in her wide-eyed curiosity and earnestness. She approaches her duties in the laboratory with sincerity and a genuine desire to assist Dr. Frankenstein.
Supportive and Loyal: Inga is portrayed as a supportive and loyal assistant to Dr. Frankenstein. She believes in his work and is dedicated to helping him achieve his scientific goals, even when faced with the bizarre and comical situations that arise.
Comic Timing and Charm: Teri Garr infuses Inga with her trademark comic timing and charm, enhancing the character's appeal and contributing to the film's overall comedic tone. Her performance adds warmth and levity to the ensemble cast of "Young Frankenstein."
Overall, Teri Garr's portrayal of Inga in "Young Frankenstein" showcases her ability to blend humor, sweetness, and a touch of romantic spark, making Inga a memorable and endearing character in this classic Mel Brooks comedy

Fans still get emotional when they remember the gentle magic Gene Wilder brought into the world… a man whose kindness sh...
04/12/2025

Fans still get emotional when they remember the gentle magic Gene Wilder brought into the world… a man whose kindness shone even brighter than his characters.
He didn’t just act.
He didn’t just entertain.
Gene Wilder created moments —
moments of wonder, warmth, laughter, and quiet beauty that touched millions of hearts.
As W***y Wonka, he gave the world a performance so iconic,
so mysterious,
so full of heart,
that it became a piece of childhood for generations.
But behind the purple coat, behind the sparkle in his eyes,
Gene Wilder was something even more rare:
A gentle soul who cared deeply about people.
A man who believed in kindness.
A man who treated everyone with quiet respect.
His co-stars spoke of his soft voice, his warm humor, and his ability to make a set feel like family.
Even when he played eccentric or wild characters,
there was always a softness beneath it —
a tenderness that was unmistakably Gene.
Off screen, he faced heartbreak, loss, and illness with a quiet courage that inspired everyone who knew him.
He loved deeply, laughed honestly, and lived with a gentle dignity until the very end.
When he passed in 2016, the world didn’t just lose an actor.
It lost a little bit of its magic.
Yet his legacy never dimmed.
Every time someone re-watches W***y Wonka,
or Young Frankenstein,
or Blazing Saddles,
they feel that warmth again —
that spark, that smile,
that unmistakable tenderness only Gene Wilder could bring.
🕊️ Gone, but never forgotten.
Thank you, Gene Wilder, for the magic, the laughter,
and the gentle heart you shared with the world.

Alex Karras was the rare kind of man who could knock you flat on the football field, make you laugh on primetime TV, and...
01/12/2025

Alex Karras was the rare kind of man who could knock you flat on the football field, make you laugh on primetime TV, and still come off as the guy you’d want to grab a beer with—smart, tough, wry, and utterly real.

A force on the gridiron, he dominated as a defensive tackle for the Detroit Lions for 12 seasons (missing only 1963 due to suspension for betting—a chapter he later admitted was a serious mistake). At Iowa, he was legendary: two-time All-American, Outland Trophy winner in ’57, and runner-up for the Heisman—still the highest a pure lineman has ever placed. With Roger Brown beside him, Karras helped build one of the most feared defensive lines in NFL history. Four Pro Bowls. Three First-Team All-Pro nods. A reputation for ferocity—and wit. (He once called an opposing guard “a good man to have in a foxhole… if the foxhole were underground and very quiet.”)

After football, he didn’t fade—he reinvented. As Mongo in Blazing Saddles—the grinning, chair-smashing brute who delivered the immortal line, “Mongo only pawn in game of life”—he proved he had comedic timing to match his 270-pound frame. He joined Monday Night Football as a color commentator (1974–76), bringing candor and irreverence that cut through the usual sports-speak.

Then came Webster (1983–1989), where he and his real-life wife, Susan Clark, starred as George and Katherine Papadapolis—two sharp, big-hearted people who adopted a young Black boy and navigated life, love, and family with humor and heart. It wasn’t just a sitcom; it was quietly groundbreaking—and Karras made George feel like family.

He battled health issues in later years—cancer, dementia, kidney disease—but never lost his dignity or dry sense of humor. He died on October 10, 2012, at age 77.

In 2020, the NFL honored him posthumously with induction into the Pro Football Hall of Fame as part of the historic Centennial Class—a long-overdue bow to one of the game’s greats.

He was cremated. His ashes were kept by his family—including Susan and their children.

Alex Karras: Hall of Famer. Actor. Husband. Father. Straight-shooter. And yeah—still the only lineman who could stop a running back and steal a scene from Mel Brooks.

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29/11/2025

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Gene Wilder (1933–2016)A brilliant actor, writer, director, and storyteller whose wit, heart, and quiet intensity brough...
22/11/2025

Gene Wilder (1933–2016)
A brilliant actor, writer, director, and storyteller whose wit, heart, and quiet intensity brought joy to generations.
Born Jerome Silberman in Milwaukee, Wisconsin, he discovered a love for acting—and for laughter—as a young boy, encouraged by his mother to “be someone who makes people happy.” He studied theater at the University of Iowa and deepened his craft at the prestigious Bristol Old Vic Theatre School in England, where he made history as the first freshman to win the school’s fencing championship. Later, he trained at New York’s HB Studio and earned a coveted place in the Actors Studio—around which time he adopted the stage name Gene Wilder, inspired by a character in Thornton Wilder’s Our Town.
His early career included a meaningful two-year service in the U.S. Army, where he worked compassionately as a psychiatric aide at Valley Forge Army Hospital—a role that profoundly shaped his empathy and human insight.
Wilder’s unforgettable screen journey began with a standout role in Bonnie and Clyde (1967). His collaboration with Mel Brooks launched a golden era of comedy: The Producers (1968)—earning him an Academy Award nomination—was followed by classics like Blazing Saddles (1974) and Young Frankenstein (1974), which he co-wrote with Brooks. His portrayal of W***y Wonka in W***y Wonka & the Chocolate Factory (1971) became a timeless cultural touchstone—quirky, enigmatic, and deeply human—winning him a Golden Globe nomination and the enduring love of fans worldwide.
A gifted creative force beyond acting, Wilder wrote and directed several beloved films, including The Adventure of Sherlock Holmes’ Smarter Brother (1975), Stir Crazy (1980—a landmark comedy co-starring Richard Pryor), and See No Evil, Hear No Evil (1989). His work consistently balanced sharp humor with deep emotional resonance.
In 1982, he met comedian Gilda Radner on the set of Hanky Panky—beginning a profound love story. They married in 1984, and after her passing in 1989, he channeled his grief into purpose: helping to establish the Gilda Radner Hereditary Cancer Program (now part of the Gilda’s Club nonprofit network), dedicated to supporting families facing cancer. He also co-authored Gilda’s Disease, raising awareness with honesty and hope.
Later in life, Wilder turned to writing fiction and memoir, sharing his reflections on love, art, and resilience in books like Kiss Me Like a Stranger and What Is This Thing Called Love?—each filled with his signature blend of tenderness and wit.
He passed peacefully at home on August 29, 2016, at age 83. His family revealed he had been living with Alzheimer’s disease, and requested that in lieu of flowers, donations be made to Alzheimer’s research—a final act of generosity and advocacy.
Gene Wilder’s legacy lives on—not just in laughter, but in kindness, creativity, and the quiet courage to be both wildly funny and deeply kind.
"You is kind. You is smart. You is important."
(—A sentiment he embodied, long before it echoed in another beloved story.)
📍 Star on the Hollywood Walk of Fame
📍 Posthumously honored with the Screen Actors Guild Life Achievement Award (2024)
Suggested Hashtags:

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When Chris Candy and Jennifer Candy walked onto the set of Spaceballs 2 to reunite with Mel Brooks, the atmosphere shift...
18/11/2025

When Chris Candy and Jennifer Candy walked onto the set of Spaceballs 2 to reunite with Mel Brooks, the atmosphere shifted instantly. It wasn’t just a visit; it was a full circle moment decades in the making. Mel’s face lit up the second he saw them, as if he were seeing a piece of their father standing there. For everyone watching, it felt like a bridge between eras opening right before their eyes.

John Candy left an impact on Spaceballs that time has never dimmed. Mel often spoke about how much joy John brought to the set, how he could turn a stressful day into something magical just by walking into the room. Seeing his children now, carrying his spirit with them, brought back a rush of memories for those who were there in the early days. Chris and Jennifer didn’t just resemble him; they carried the same kindness and warmth that made John unforgettable.

Their reunion with Mel Brooks wasn’t just nostalgic it was emotional. Mel spent time laughing with them, sharing stories about their father, stories neither of them had heard before. It reminded everyone that John’s legacy goes far beyond the screen. It lives on through his children, through the people he touched, and through the projects that still celebrate his brilliance. Spaceballs 2 didn’t just get a reunion. It got a reminder of the heart that made the original so specia

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18/11/2025

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