Cary Grant's Style

Cary Grant's Style Enjoy! Bristol born Cary Grant admirer...

A site dedicated to the timeless style of Cary Grant...its aim is to build a family with the intention of spreading the wonderfulness of all things Cary Grant to the four corners of the earth, especially to the younger generation.

Good morning, everybody. Up bright and early today—knocked out a few errands that simply couldn't wait, and now I'm just...
14/08/2026

Good morning, everybody. Up bright and early today—knocked out a few errands that simply couldn't wait, and now I'm just taking a quiet moment to sit back and have a read.
You know, there is precious little in this world quite like sharpening the mind with a proper book. Although, I must confess, as the years add up, it does require a touch more concentration than it used to, and the old mind does tend to wander off on its own little adventures every now and then. But still, life's a splendid challenge, and these days, reading certainly keeps one on one's toes. One simply has to dive right in, doesn't one?
Anyway, I do hope each and every one of you is having a fabulous day. Let's see what wonderful little treasures we can dig up in the old archives later on, shall we?
Have a lovely day, everybody. See you soon. Toodle pip…

Kiss Them for Me is a 1957 comedy directed by Stanley Donen and produced by Jerry Wald for 20th Century Fox. The project...
14/08/2026

Kiss Them for Me is a 1957 comedy directed by Stanley Donen and produced by Jerry Wald for 20th Century Fox. The project originated as a 1944 novel titled Shore Leave by Frederic Wakeman, which was subsequently adapted into a successful Broadway play by Luther Davis. By the time it reached the screen in the late fifties, the wartime satire about naval fliers seeking four days of R and R in San Francisco while dodging corporate profiteers had lost much of its topical punch. Cary Grant signed on to the film primarily because he wanted to work with director Stanley Donen, despite having reservations about the script.
The film stars Cary Grant as Commander Andy Crewson, leading a trio of naval aviators on a chaotic shore leave. While you jokingly mentioned Ray Winston, the actual cast featured Ray Walston making his film debut alongside Larry Blyden as Grant's fellow servicemen. Famous supermodel Suzy Parker made her big-screen debut as Gwinneth, the sophisticated love interest for Grant's character, after being recommended by Audrey Hepburn. Jayne Mansfield also featured prominently in the cast as the vivacious Alice Kratzner, alongside Leif Erickson, Werner Klemperer, and Jack Mullaney.
Upon its release, the film was a critical and commercial disappointment. Critics gave it harsh reviews, taking aim at the dated material, the heavy-handed comedic tone, and the performances of the supporting actresses, which temporarily hurt momentum for Jayne Mansfield's film career. At the box office, it performed sluggishly and failed to make a major mark.
Fortunately, the film had virtually no negative long-term effect on Cary Grant's legendary career. Because 1957 was a bustling year for him with massive public hits like An Affair to Remember and The Pride and the Passion, this brief misstep was easily absorbed. Furthermore, Grant and director Stanley Donen quickly bounced back from the experience, going on to forge a much more successful creative partnership on beloved classics like Indiscreet and Charade.

Two legendary icons of the silver screen, Cary Grant and Charlie Chaplin, shared lives that began with an uncanny number...
14/08/2026

Two legendary icons of the silver screen, Cary Grant and Charlie Chaplin, shared lives that began with an uncanny number of parallels.
Both born in England—Chaplin in the heart of London and Grant as Archibald Leach in Bristol—they grew up navigating difficult households. While Chaplin experienced severe, destitution-level poverty, Grant's family belonged to the lower-middle class; though they were not starving, financial security was always just out of reach.
Beneath the humor these men later shared with the world lay heavy childhood griefs. Both grew up with mothers who battled severe mental health struggles and were institutionalized when their sons were very young. Grant was initially shielded with the lie that his mother had gone away, only to later be told she had died, remaining separated from her for two decades. Both of their fathers were heavy drinkers who eventually drifted away, forcing the boys to look after themselves far too early in life.
Psychologists often refer to individuals who survive profound early trauma and go on to thrive as "the Invulnerables." When a child's foundation shatters, they either break or build an unshakeable inner resilience. Chaplin and Grant didn't just survive—they completely reinvented themselves.
Their journeys out of hardship followed a remarkably similar script. Both found their first true sense of belonging in the performing arts: Chaplin left Fred Karno’s troupe once he arrived in America to launch his own film career, and Archie similarly left Bob Pender’s acrobatic troupe after reaching America to carve out his own path. Both mastered the art of charm early on, wearing a confident public mask to hide private pain as they built personas that completely eclipsed their humble beginnings.
Even their eventual maternal reunions mirrored one another. After conquering global stardom, both men reached across the ocean to reconnect. Chaplin brought his mother across the Atlantic to live with him in America, whereas Grant’s mother preferred to remain in Bristol, which she simply knew as home.
Romance also proved complicated for both, as each married many times before finally finding profound, enduring happiness later in life. Chaplin found peace with Oona O’Neill, and Grant found steady companionship and late-in-life fatherhood with Barbara Harris.
What ultimately set them apart was a rare genius: the ability to make audiences laugh, cry, and think all at once. Chaplin achieved this through the timeless poetry of the Little Tramp, while Grant effortlessly transitioned from the heartbreaking emotional depth of Penny Serenade to the frantic, screwball comedy of Bringing Up Baby.
Having known scarcity and hardship, both men forged those experiences into timeless art. Their stories stand as a powerful reminder that true strength is often born in the harshest conditions—and that it is never too late to find the love and peace we were meant to have all along.

AH…The one and only…
13/08/2026

AH…The one and only…

Oh, and before I tuck myself in for the night, I nearly forgot—how could I? It is Alfred’s birthday today. Can you belie...
13/08/2026

Oh, and before I tuck myself in for the night, I nearly forgot—how could I? It is Alfred’s birthday today. Can you believe it? The man would be one hundred and twenty-seven. Bless him.
So, I suggest we all raise a glass to dear old Hitch. He truly was one of a kind—and remarkably astute when it came to a bit of self-promotion, I must say. But my word, what a fabulous director. The likes of him will never be seen again, I'm quite sure of that.
Anyway, as I mentioned earlier on: toodle-pip, and good night. Let's have one final, magnificent drink to the unforgettable Mr. Hitchcock. Take care, everyone.

What could possibly go wrong…🤔
13/08/2026

What could possibly go wrong…🤔

Good evening, everybody.It is a bit of an early departure for me tonight, I must confess, but an early start awaits in t...
13/08/2026

Good evening, everybody.
It is a bit of an early departure for me tonight, I must confess, but an early start awaits in the morning, and discipline must be maintained—even if it does occasionally interrupt a thoroughly delightful evening.
Here at Hughenden Towers, the weather of late has been nothing short of absolute perfection. I gather it is considered rather record-breaking by local standards, though I suspect there are quite a few folks elsewhere in the world who might look on the British and wonder what all the fuss is about. Still, for us here, it is rather splendid—blessed with a quality of light we haven't laid eyes on in a very long time.
Anyway, I digress. The primary objective is simply to hope you've all had a fabulous day.
Someone did express a rather anxious concern the other day that we might eventually reach the bottom of the drawers, so to speak, and run out of material in the archives. But let me assure you, there is still an absolute wealth of items left to explore. Plenty of little stories yet to tell, and no shortage of fascinating history just waiting to be unearthed. We simply need to dust them off, so do bear with us.
It will be a very long time indeed, I suspect, before we find ourselves running dry or repeating ourselves too much. So, there is a great deal left to look forward to.
Have a truly fabulous evening, everyone, and may the glorious weather continue.
Toodle-pip, and do look after yourselves.

13/08/2026

If you love Cary Grant then come on over to Cary Grant’s Style!

13/08/2026

Come and join us over at Cary Grant’s Style!! # Leech

Stop!!!!I know I posted this before, but having just watched the film again, I must admit it's one of the funniest scene...
13/08/2026

Stop!!!!
I know I posted this before, but having just watched the film again, I must admit it's one of the funniest scenes. I do love it. It's so funny. And I thought I'd let you know who the woman was who made me laugh so much. It's Patricia Cutts.
I don't know if you know this, but Patricia Cutts was an English film and television actress born in London on July 20, 1926. She came from an entertainment background as the daughter of the British writer-director Graham Cutts. After studying at the Royal Academy of Dramatic Art (RADA), she began her acting career appearing in various British films and stage productions through the late 1940s and early 1950s.
By the late 1950s, she crossed the Atlantic to expand her career into American television and cinema. Alongside her unforgettable, highly amusing brief encounter with Cary Grant in Alfred Hitchcock's North by Northwest (1959), she built a busy resume guest-starring on popular US shows like Perry Mason, Alfred Hitchcock Presents, and The Lucy Show, as well as starring alongside Vincent Price in the horror film The Tingler (1959). She was also well-known as a regular panelist on the American TV quiz show Down You Go.
Later in her career, she returned to the UK. In 1974, she achieved notable recognition as the very first actress to portray the iconic character Blanche Hunt in the long-running ITV soap opera Coronation Street. Tragically, after appearing in just two episodes, her life was cut short when she passed away in London in September 1974 at the age of 48.

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