21/07/2025
I thought Netflix's ADOLESCENCE was one of the strongest dramas I've seen in a long time, not least because of its use of the single take format. Having recently written a real time, 'one shot' novel (DIRTY DAY), I've thought a lot about how the specific restrictions of that approach only suits certain types of story. In the case of Adolescence, the inescapable intensity of the format was used to great effect. What I hadn't appreciated was just how much of an undertaking making the series in this way was.
On Saturday I attended a fascinating event at the MAC in Birmingham, where Matt Lewis (DoP), Sean Beasley (Focus Puller), Lee Brown (Camera Operator), Adam Farquharson (Clapper Loader / VND), and Natasha Booluck (Camera Trainee) dissected key scenes and talked about how the series was created. I've daydreamed about a one shot Dirty Day movie, but after listening to the panel, I can't imagine that'll ever happen. The logistics would be insane (not to mention the fact I foolishly set the book in the chaos of central London).
But my biggest takeaway from the panel - which was part of the Birmingham's Forward Film & Television Festival - was the sheer amount of coordination between cast and crew that was necessary to make Adolescence a success. It's remarkable.
I hear that Warp Films (one the of the co-producers) has a remake of THREADS lined up. Jesus. With a team like this behind the camera, that has the potential to be something very special - and utterly terrifying - indeed.