Urthona Buddhist arts magazine

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Urthona Buddhist arts magazine Urthona magazine covers contemporary art, photography, literature and traditional Buddhist arts from a Buddhist perspective.

Urthona – the landscape:Our guardian spirits are the romantic and revolutionary writers of early 19th century London – Blake, Hazlitt and Coleridge – and the Zen poets of Japan who were similarly drawn to the open, outer reaches of mind and culture. Our founding inspiration came from the Western Buddhist teacher Sangharaksh*ta who has always seen the arts as a key means of spiritual transformation

in the contemporary world. Here you will find essays on the arts as a means of rousing the imagination and communicating a sense of the sacred in ways that are relevant to the 21st century.Our VisionYou will find here a Romantic / Blakean concern for revolution as an attitude of mind which seeks to regenerate human perception as the means towards transformation of society. We value the language of myth as a vital means to explore human experience. The methods explored are those of the most inspired artists from the whole of human culture and the meditative techniques of mental cultivation which come principally from the Buddhist East. Longer articles and editor's blog at www.urthona.comFull catalogue of back issue for purchase at :https://urthona.com/urthona-shop-subscribe-to-current-issue-buy-back-issues/

WORLD VIEWS or WORLD IMAGEAll of the world's great religions and spiritual philosophies have of course had different com...
02/12/2025

WORLD VIEWS or WORLD IMAGE

All of the world's great religions and spiritual philosophies have of course had different complex and sophisticated approaches to ‘the meaning of life’. However, Oswald Spengler thought that each civilization had a single ‘master image’ behind it. (Eg Infinite Space for the modern ‘faustian’ world.) Could the same be identified for each world religion?

I played with some ideas and this is what I came up with. Neoplatonism seemed to have two very different images– the Cosmic Spheres and the Cave. Early Buddhism and late Buddhism likewise seemed to require two very different images.

Let me know what you think – I'm interested in alternative suggestions…

ANCIENT CHRISTIANITY:
The world was originally a blissful garden – God's perfect creation – which was corrupted by the original sin of Adam and mankind's continued fallen state. Soon however, by the power of Christ's sacrificial death, sin will be wiped away and a new paradisal earth will be established.

MEDIEVAL CHRISTIANITY
The world as a divinely created cosmic sphere, or rather an intricate system of concentric spheres, vast but hierarchically ordered and bounded, created by God to manifest his glory. The upper levels are pure but the lowest level of Earth is corrupted and ensnared by the devil. Nevertheless by the grace of Christ and the intercession of the Church believers may ascend to Heaven (beyond the stars) after death.

GNOSTICISM
The world as a dark prison or dungeon created in error by a malign or deluded demiurge. However, sparks of the Divine are trapped within at least some human beings and by secret knowledge or passwords we may escape the prison.

NEOPLATONISM
The world as an imperfect copy -– a cosmic sphere or cave of shadows. A middle path between the Gnostic and Christian world views. Here the cosmos of nested spheres is a copy or shadow or outpouring of an eternal divine original – as perfect as it could be given the limitations of time and the corrupting influence of matter itself. However, from the point of view of humankind, existence is a dark cave, in which we only perceive the shadows of real things, and which we need to escape.

ANCIENT VEDIC INDIA:
A cosmic dance or flowing pattern of real elemental energies in which the harmony of the cosmos is mirrored by the harmony of the stratified social order. The actual dance image is post vedic but it sums up well the worldview, and the key part played by the highly choreographed ritual sacrifices required to maintain the cosmic order.

CLASSICAL VEDANTIC INDIA
The world as illusion or maya. Everything is Brahman. Differentiation is an illusion. All is one. All is good ultimately. The core of the individual, atman, is identical with the Cosmic unity – Brahman. The goal of life is to be liberated from the cycles of reincarnation.

BUDDHISM
The world as endless cycle or wheel – ‘like an illusion’. Mankind is trapped in an endless cycle of rebirths produced by the delusion of grasping at identity. Liberation is to pass beyond the Divine into the Unconditioned. A middle way between Vedic realism and Vedantic illusionism. The conditioned world is neither fully real nor fully unreal – it is like a magician's illusion where a rope (conditionality) is seen as a snake (things and selves).

VAJRAYANA BUDDHISM
A mandala, or cosmic pattern of Enlightened energies. This Buddhist worldview has some resonances with both the Vedic and the Vedantic worldviews. Ultimately, there is no difference between the round (samsara) and Nirvana. The world can be seen as in fact a mandala or a play or a dance of Enlightened non-dual energies – which unenlightened folk misinterpret as 'the world'!

Call for poetry submissions Each annual issue of Urthona magazine contains 10 pages of carefully selected poetry. The su...
26/11/2025

Call for poetry submissions

Each annual issue of Urthona magazine contains 10 pages of carefully selected poetry.

The submission window is now wide open from now until the end of March 2026. The 2026 issue will be published in late summer.

We are looking for well-crafted words with a feeling for the possibilities of language and the untapped ungraspable spiritual dimensions of life and the universe.

Or any good poetry really! Actually it can be as quotidian as you like as long as it's well observed...

There are no limits on the length of poems, although we don't often publish very long ones. Please limit yourself to about six poems per submission.

Send your work to:

urthonamag{at}gmail com

Or message me on this page

The Inklings and the ‘Matter of Britain’Pictured is the cover of the excellent study of the Inklings by Humphrey Carpent...
24/11/2025

The Inklings and the ‘Matter of Britain’

Pictured is the cover of the excellent study of the Inklings by Humphrey Carpenter.

The Inklings (the famous Oxford literary group of Christian intellectuals founded by C. S. Lewis) were deeply inspired by the Arthurian Legends, as found in Malory, Chrétien de Troyes and other medieval writers.

They felt that those old stories contained rich imaginative resources that were badly needed by the world-weary intellectually sterile culture of their time.

However, C. S. Lewis thought that T. S. Eliot's handling of Arthurian themes would only contribute to modern chaos and alienation, rather than healing the Wasteland!

In a letter to a friend he said:

"I must be content to judge his work by its fruits, and I contend that no man is fortified against chaos by reading ‘The Waste Land’" (C.S. Lewis, ‘On Writing (and Writers)’, edited by David C. Downing (Harper, 2022), 137–138)

In fact several of the Inklings drew on Arthurian material in their attempts to create new symbolic narratives rich with meaning and spiritual purpose.

C. S. Lewis himself included a resurrected Merlin in his 1945 science fiction fantasy novel, ‘That Hideous Strength’. Here, assisted by benign planetary deities, Merlin helps to purify a university town of the evil intellectual cult that has overtaken it and which threatens to dominate the world. The fictional town of Edgestow is clearly a thinly veiled parallel for the Oxford of Lewis's time.

Tolkien does not draw directly very much on the Arthurian ‘Matter of Britain’ in ‘The Lord of the Rings’, although arguably his concern with kingship and the return of lost kings has Arthurian resonances. Certainly one of the overarching purposes of his entire legendarium was to create a full cycle of myths and legends for the English peoples – equivalent to that found in the Norse material and the Arthurian material (which itself draws on rich veins of Celtic matter).

Tolkien did also engage directly with the story of Arthur in his alliterative epic poem ‘The Fall of Arthur’ (written in the early thirties but not published until 2013). Sadly, like so many of his projects, this wonderful, dramatic epic poem remained incomplete. Urthona will be taking a deeper look at this masterpiece, which deserves to be better known, at some point in the future.

Last but by no means least there is the Arthurian poetry of the Inkling Charles Williams.

Charles Williams' Arthurian poetry is one of the most unique, profound, and challenging contributions to the vast body of literature on the Matter of Britain. It stands in stark contrast to the better known chivalric romances of Tennyson or the tragic heroic idealism of Malory.

Williams re-imagined the Arthurian myth not as a historical tragedy or a simple moral fable, but as a complex, cosmic drama of divine grace working through human agents. His central poetic work is the two-volume cycle ‘Taliessin through Logres’ (1938) and ‘The Region of the Summer Stars' (1944).

These poems are dense and difficult works of high modernism. They are intensely dramatic (in an inner spiritual sense) and reward deep reading.

Here to close is a short extract from ‘Taliessin Through Logres’ In which the archetypal bard Taliessin arrives at King Arthur's Court.

You can read more about the Inklings group and their quest to revive true literature of imagination in the current issue 37 of Urthona Magazine.

In a harbour of Logres
lightly I came to land
under a roaring wind.
Strained were the golden sails
the masts of the galley creaked
As it rode for the Golden Horn
and I for the hills of Wales.
In a train of golden cars
the Emperor went above,
for over me in my riding,
shot seven golden stars,
as if while the great oaks stood,
straining, creaking, around,
seven times the golden sickle
flashed in the Druid wood.

The long wait is over! The final volume of Philip Pullman's Book of Dust trilogy 'The Rose Field' is here. Stacks of the...
23/11/2025

The long wait is over!
The final volume of Philip Pullman's Book of Dust trilogy 'The Rose Field' is here. Stacks of the sumptuous hard back edition are to be found in Waterstones and elsewhere.

So far the reviews have been very mixed. Some feel that he satisfiedly ties up all the threads from the previous volume and makes some very interesting philosophical inquiries along the way. Others feel that the philosophical inquiries are a distraction from the story and that he doesn't tie up all the threads and bring them to a satisfying dramatic conclusion.

Urthona will not be rushing to judgment but we will be doing a review in due course. I want to relate this final volume to the overall mythic themes of the entire Dark Materials series. I will be asking to what extent he was able to do justice to his grand Blakean and Miltonic themes. What is the overall mythic archetypal structure of the books and how well has he handled it? Watch this space.

What is your favourite not so well known fantasy novel? Please post recommendations below... Anything apart from the ver...
14/08/2025

What is your favourite not so well known fantasy novel?

Please post recommendations below... Anything apart from the very best known classic fantasy novels (Tolkien, Martin, Le Guin etc) will be interesting to hear about.

My recommendation is 'The Broken Sword' by Poul Anderson.

This is a savage, powerful tale of a warrior who goes to the dark side. It is full of the atmosphere of dark Northern folk tales and Sagas, which Anderson had clearly studied deeply.

A changing warrior who has been adopted by the elven race wishes to revenge a great wrong and in order to do this he has a powerful magical sword repaired for him. But the sword is cursed, it is fated that as well as destroying his enemies it will destroy those he loves and finally himself.

Full of magic and dark power, this short novel has a tragic mythic grandeur, unique among modern fantasy novels.

Urthona issue 37 - the Dharma of FantasyThe cover of the current issue in all its glory, featuring a dramatic shot of an...
30/07/2025

Urthona issue 37 - the Dharma of Fantasy

The cover of the current issue in all its glory, featuring a dramatic shot of an Icelandic volcano which could easily be a scene from Middle Earth.
Inside Buddhist writers explore how fantasy literature has provided inspiration during dark times and helped them transform their lives...

URTHONA BUDDHIST ARTS MAGAZINE ISSUE 37 Now on Sale'The Dharma of Fantasy' buy online: https://urthona-magazine.square.s...
30/07/2025

URTHONA BUDDHIST ARTS MAGAZINE ISSUE 37 Now on Sale

'The Dharma of Fantasy' buy online:

https://urthona-magazine.square.site/product/37-urthona-37/19?cp=true&sa=true&sbp=false&q=false

(Click below for slide show preview)

Each Urthona Magazine (printed on high quality art paper in full colour A4 format with many fine images) presents in-depth exploration of an aspect of art and culture from a contemporary Buddhist perspective.

Issue 37, 'the Dharma of Fantasy' explores the sublime visions of danger, wonder and transformation of some of the best loved fantasy writers. Includes articles and beautiful visual features on:

* Tolkien's flawed heroes
* The Inklings of Oxford
* Interview with Ursula Le Guin
* Visuddhimati – visionary Buddhist art
* Moksananda – sublime abstract painting
* Poetry, reviews and much more

Back issues have included these fascinating themes:

* Landscapes and the sublime – issue 36
* Beauty of the Goddess image – issue 32
* The dharma of Science Fiction – issue 34
* Storytelling & Arthurian legend – issue 31

By current and back issues here:

https://urthona-magazine.square.site/s/shop

Charles Williams - the forgotten Inkling The celebrated literary group from mid-century Oxford - the Inklings -  are bes...
03/06/2025

Charles Williams - the forgotten Inkling

The celebrated literary group from mid-century Oxford - the Inklings - are best known for their two most famous authors - J.R.R. Tolkien and C.S Lewis.

However, they had several other members who were equally talented. Most notably perhaps the poet and literary scholar Charles Williams.

Charles Williams was a wonderful mercurial expounder of the esoteric Christian imagination. He made major contributions in three areas:

Novels with deep metaphysical and supernatural themes such as 'The Place of the Lion', in which the platonic archetypes of things come to life in the real world. Or 'War in Heaven' in which the Holy Grail surfaces in an obscure English rural parish church.

Highly imaginative prose writing on literature and theology, most notably perhaps 'The Figure of Beatrice' in which he explores the spiritual significance of Dante's divine muse & guide.

But his most significant achievements surely were his long modernist poems based on Arthurian symbolism, 'Taliessin through Logres' and 'The Region of the Summer Stars.'

Perhaps not so immediately accessible, these poems nevertheless are every bit as rich with imaginative & mythic significance as the works of Tolkien or Lewis. Here is a short extract from 'Taliessin through Logres' in which his hero poet the Welsh bard Taliessin arrives in the mythical Britain of Logres:

In a harbor of Logres

lightly I came to land

under a roaring wind.

Strained were the golden sails

the masts of the galley creaked

as it rode for the Golden Horn

and I for the hills of Wales.

In a train of golden cars

the emperor went above,

for over me in my riding,

shot seven golden stars,

as if while the great oaks stood,

straining, creaking, around,

a golden sickle

flashed in the Druid wood.

Covered on my back

untouched, my harp had hung;

its notes sprang to sound

as I took the blindfold track.

You can read more about the Inklings in the latest issue

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