all/WITHIN (2025)

21/08/2024

“Elemental Spirit: The Journey of Marley” shot in Bali for issue/002.

Exploring the four elements—Earth, Water, Fire, and Air—through the eyes of Marley. A boy with an untamed spirit and a heart torn between his passion for motocross and the serene Vipassana environment he grew up in. His story is one of balance, where he learns to harmonise these contrasting aspects of his life.

Through this story, we explore the idea that true strength lies in embracing all facets of oneself, finding peace amidst the chaos, and living with an elemental spirit.

Marley styled in Martin Rose, Paria Farzaneh, Hed Mayner & Balinese Tridatu Kamben.

CD & Styling:
Photography: .jessss
Talent:

More updates coming soon on the release of ‘Healing’ issue/002.

03/06/2024

Born in London to Nigerian parents, Ojie Edoburun () embodies the spirit of cultural hybridity, seamlessly blending the traditions of his ancestral homeland with the vibrant energy of his birthplace.

His family’s immigration journey from Nigeria to London, UK serves as a testament to the resilience, perseverance, and adaptability that define his approach to sprinting.

Our all/WITHIN issue/002 digital cover, ‘healing’ captures Edoburun’s journey from the streets of his upbringing to the global stage of athletic excellence aiming to leave his mark on the Paris 2024 Olympic games this summer.

Ojie Edoburun wearing items sourced from .

Creative direction:
Photography & styling:
PR: &
Production:

14/05/2024

Spanning film and fashion, ITER MORA () is a journey through the passage of time, the parallel of the past and future existing in one present. The debut collection Orion Au Sahara 2970 interweaves the sands to the stars.

Shot in Southern Morocco at The Stadt des Orion, a towering mud observatory aligned to the constellation Orion itsel. cost in te sanard unknown to those in the country and the rest or the world.

When Elias Riadi () discovered this desert land art in 2020 the course of the next few years of his life changed forever. As an enthusiast of retro Sci-fi and the beginnings of him delving deeper into his Amazigh roots, Morocco & North Africa as a whole. It was a story he felt compelled to tell, using the works as a channel to showcase the region and it’s deep routed ancestral history of astronomy and the stars. Fashion through a cinematic lens not tainted by the western worlds take on inspired sci-fi tales and visuals that have routed themselves in North Africa, whilst blanketing the representation of those indigenous to the lands for thousands of years.

The collection features technical desert suits and veiled headpieces designed using 3D rendering software and
laser cut fabrics. Armoured knit hoods and cimensional knitwear. paired with the brands stanle orbit nockets on tailored flared trousers and crewnecks.

Each piece in this collection tells a story of celestial wonder, where space age design mirages with Saharan
spirit, and the timeless allure of retro-futurism.
This endeavour represents more than a collection; it is a testament to Elias’ full ownership and creative control. A self funded investment in himself that marks a pivotal moment, a new chapter in his journey.

ITER MORA provides costume design for Elias’ directorial debut, his short film titled ‘The City of Orion” landing on the screens of global film festivals soon. A folklore tale of an ancient Stargate guarded by the Guedra, seeking an ancestral ascension to the stars above, the Amazigh tribe embark on a journey of no return.

IM is an assertion that identity, too long obscured in the shadows, demands its rightful place beneath the sun’s gaze.

26/05/2023

‘Amoji’ by Toufic Beyrum () is a reflection of the growing connectivity across the African continent and the resulting tension between traditional and modern cultures.

Beyhum commissioned young, Namibian artists to recreate familiar emojis in an ‘African mask’ style using both recycled and traditional Namibian materials. Once completed, Beyhum travelled across the country and modelled these ‘Amoji’ masks on regular people – half of the subjects were asked to choose which emoji best represented them, and the other half chose masks based either on their clothes or the surrounding environment.

The choice to photograph his ‘Amojis’ on people present powerful metaphors for Africa’s unique relationship to the rest of the world. In combining traditional Namibian materials with emojis, Beyhum has transformed the universal image of an emoji into one that is immediately recognisable as an African motif – at once remaining true to the defining characteristics of these small, digital icons; and staking a claim for Africa in the global narrative where modern and traditional cultures collide.

25/05/2023

Symbiosis. Bringing elements of the natural environment together; the ocean and human form. Appreciating the fluidity of water and the dynamic nature and shapes of biological beings. Experiencing the interactions between both, fierce or friendly.

This editorial re-conceptualises the way we think of sustainability, featuring pieces from , the brand that does not bear to witness the pollution of the ocean, setting targets to embrace and preserve nature in all its forms.

Creative direction:
Photography:
Hair & MUA
Head pieces:
Models: .c .societty

09/03/2023

Scroll through the streets of West Africa's capital cities from Mali to Guinea and Senegal through the lens of multi-disciplinary artist Emile-Samory Fofana as part of his ongoing photography series 'Champions League Koulikoro' which tells an intricate story of global football fandom. In this series, he explores how an imported culture has impacted the daily lives of all sections of West African society and why the football shirt has come to represent the hopes and dreams of a new generation.

“My goal is to point out and report all the different aspects linked to European football. Still in this territory of West Africa, it carries an assortment of symbols and signs, and I think the
work is more on the symbolic aspect of it, the logos, the names of the players, the teams. The Champions League Koulikoro project was designed to show the importance of this community in the public space daily. This is not only about sport”
Émile-Samory-Fofana says.

Photography by Émile-Samory Fofana (

02/03/2023

Art on skin similar to the way we choose to dress still fundamentally alters the body, albeit permanently.

This editorial showcases how the utilisation of tattoos are a signifier of belonging. A way to transform the body and in doing so re characterise identity becoming a statement of beauty and individualism. As much as a tattoo or a piece of clothing is a demarcation of belonging (or rejection), it is also a historical image tied to particular events.

Creative direction:
Photography:
Styling:
Styling assistant:
Producer:
Hair stylist:
MUA:
Talent:

group

01/03/2023

Art on skin similar to the way we choose to dress still fundamentally alters the body, albeit permanently.

This editorial showcases how the utilisation of tattoos are a signifier of belonging. A way to transform the body and in doing so re characterise identity becoming a statement of beauty and individualism. As much as a tattoo or a piece of clothing is a demarcation of belonging (or rejection), it is also a historical image tied to particular events.

Creative direction:
Photography:
Styling:
Styling assistant:
Producer:
Hair stylist:
MUA:
Talent:

26/02/2023

Beneath the sound of rain falling against the branches above, and upon the tread of fallen leaves - the old world kala cotton, grown without human touch; stands out like a purity in the clearing.

With mud dyed garments in direct rooting to the earth beneath their feet, all seems fluid in the moment.

Swaddled in layers of handmade finery, the expertly crafted works of art sit delicately against their skin. A sense of protection, and security comes from these items with interwoven love and care.

The peaceful environment reflects the serenity which comes alongside these carefully made textiles.

Campaign in collaboration with captured by

Talent:
wearing works hand block printed by

23/02/2023

“Do it like a villain” - AW23

The collection explores the theme of the villain, who is often portrayed as both beautiful and dangerous in films, TV plays, legends, and myths from around the world. This theme is a reflection of the current cultural shift in China, where young people are embracing their individuality and creativity, challenging the status quo, and pushing boundaries in their own ways.

Inspired by the rising youth culture in China, the collection features a range of masks, symbolising the different roles and personalities of the youth in today’s diverse world. The “Do It Like A Villain” collection represents Buerlangma’s goal to push the boundaries of traditional fashion and create something that is truly unique and representative of the youth culture. With its debut at London Fashion Week, Buerlangma is determined to establish itself as a leading voice in the world of fashion, promoting individuality, creativity, and innovation.

Photography by 📸

22/02/2023

Discover imagery that explores her heritage and roots, making it immensely personal and relatable.

Throughout Salomé's work, the family and relationships take centre stage. Whether it's a series called Dysfunctional Families, wherein the photographer has captured a cinematic snapshot of family life in the suburbs, or a high-contrast panorama vision of a couple embracing, posing and laughing in Figures of Love; everything she creates has a connection to her roots and the notion of connectivity.

By looking at the themes of heritage, love and family, she says: "I think these are three huge starting points that can spiral into so many different beautiful narratives that allow me to reflect my life and surroundings while also being able to reflect other peoples' lives and surroundings. I aim for my work to feel extremely personal but relatable at the same time."

Words by Ayla Angelos 🖤

20/02/2023

‘They Burn Witches Don’t They’ - Pam Hogg AW 23 collection

Soon After Pam Hog's Spring/summer 2023 Show, She Was Struck By Sinead O'connor's quote in the documentary ‘Nothing Compares' "They Tried To Bury Me, They Didn't Realise I Was A Seed”. In Pan's Words They Not Only burned her work, but set her on fire like Joan Of Arc.

This autumn/winter 2023 collection revisits Pam’s theme of celebrating the power of women, now with focus on those demonised as witches.

"They burn witches don't they” challenges the witch hunt with a conviction familiar to those forging their own path. The show was dedicated to the great late Dame Vivienne Westwood and the misunderstood. Thriving in disorder, disruption and disarray, Pam Hogg is committed to sustainability: materials in this collection have been Repurposed and reworked.

Production: Fashion Scout
Show Chorfography; Martyn Roderts
Hair: Lead Artist With
Make-up: Mandy Gakhal
Pr: Sapfiyah Khan
Photography:

all/WITHIN

21/08/2024

03/06/2024

14/05/2024

26/05/2023

25/05/2023

09/03/2023

02/03/2023

01/03/2023

26/02/2023

23/02/2023

22/02/2023

20/02/2023

Address

Telephone

Website

Alerts

Contact The Business

Shortcuts

Share