Beirut Groove Collective

Beirut Groove Collective A vinyl DJ collective who throw a club-night showcasing obscure 60s-80s records from the SWANA Beirut Groove Collective

Bookings: [email protected]

WE ARE THE BEIRUT GROOVE COLLECTIVE

Now into its 10th year, the Beirut Groove Collective (BGC) has become the premier destination for deep funk, soul, northern soul and African funk in the Middle East. The Beirut-based DJ collective is the only party in Lebanon and the wider region that promotes vinyl-only culture, representing an underground alternative to the nightlife of the city while regular

ly throwing the region's only strictly 45rpm/7"record parties. Whether in basement clubs at alternative beach venues, or in warehouse spaces at the forgotten fringes of the city, the BGC has hosted the leading international DJs, tastemakers and crate-diggers from the funk and soul scene, loyal to the format of the 45rpm/7" record. Established in 2009 by two of Lebanon’s pioneer DJs, Ernesto Chahoud and Rami O, with the support of other Beirut-based music scene shapers such as Ramsay Short, the BGC started out as a small underground funk and soul party in the living room of cultural venue Zico House. Rami O eventually left the BGC for a more disco and house orientated party. With his departure the BGC took a new form, evolving into a vinyl only party that connected with like-minded DJs and diggers on the international scene. From 2008-2010, the BGC added new members to the equation like broadcaster, filmmaker and DJ Jackson Allers aka Brother Jackson - British DJ and music journalist Natalie Shooter, alongside other members of the DJ collective such as Lebanese DJ Ghayyan Al-Amine aka Heavy G, Swiss DJ Yukah San, a partner of underground Beirut club Yukunkun, and Japanese soul, funk and groove DJ Masa Teshima. From the very beginning, the BGC began a humble attempt to do something new in Beirut, and offer an alternative to the more mainstream, commercial varieties of music. They began organizing “house party” style events with a premium on utilizing alternative, community-oriented spaces as a means of drawing parallels to the underground funk and soul parties that used to occur in the major urban centers of America and Africa in the 1970s. The BGC became the Middle East’s premier stop off for all things funky, soulful and alternative, where African-influenced musical traditions are concerned. The BGC also collaborated with the local scene, inviting local MCs and musicians to perform live and working with artist collaborators like VJ artist Nadim Saoma, filmmaker Helena Forsell, painter/trombonist Tom Young aka Tom Bone, artist Semaan Khawam and artist and animator Noor Haydar – who have all contributed mightily to the BGC's epic party evolution. BGC co-founder Ernesto Chahoud continues to chase those undiscovered record gems from digging trips that have taken him from the dusty garages of Beirut to the backstreets of Ethiopia’s Adiss Ababa, intent on bringing the freshest unheard sounds to his DJ sets from Ethiopian soul-filled stompers from the ‘70s to rare Lebanese ‘60s garage and funk and northern soul rarities. His Arabic funk mix “Middle Eastern Heavens was recently named Middle East Mix of the Year in the Guardian. Since coming on board, Natalie Shooter has helped to shape the direction of the party, bringing a passion for soul and northern soul into the mix. Together they have taken the BGC’s musical philosophy around the world, connecting with similar musical movements. They’ve wowed crowds across the Middle East and Europe, being invited to play at parties everywhere from Dubai and Amman to London and Vienna. Over the last few years the BGC has built a solid reputation among the international scene, hosting and playing alongside DJs and producers such as Keb Darge (BBE; UK), Andy Smith (Ex-Portishead; UK), Jan Weissenfeldt (Poets of Rhythm, Karl Hector and the Malcouns; Germany), Mr Thing (BBE; UK), DJ Format (aka Matt Fox, Jurassic 5; UK), Florian Keller (Compost, Party Keller; Munich), Ollie Teeba (Herbaliser; UK), Marc Hype (Dusty Donuts; Germany), Janis Jakarta AKA Habibi Funk (Jakarta Records, Germany), DbH (Restless Leg Syndrome, founder of Austrian hip hop; Austria), DJ Foxy Bee (France), Nickodemus (Wonderwheel Recordings, Turntables on the Hudson; NYC), Megadon Betamax (Voyeurhythm; Sydney/Dubai) and, Wriggly Scott (DUST; UK). The Beirut Groove Collective has become an attraction for the best diggers and DJs in the world, where they can spin their most obscure records to an open-minded crowd and exchange music knowledge and rare records with the Beirut Groove Collective’s resident crate diggers. Come check out the party that The New York Times named as one of their "Top 15" parties around the world.

 live on  now for  .  now
30/08/2025

live on now for .
now

Ernesto Chahoud live on NTS Radio now
30/08/2025

Ernesto Chahoud live on NTS Radio now

Infamous Beirut DJ Ernesto Chahoud takes over the NTS signal for his monthly 'Beirut Daze' slot, recorded in Lebanon and showcasing music from his far-ranging collection.

Our new comp 'Une Voix M'Appelle' on  focused on the legacy of Lebanon's monumental label Voix De L'Orient is reviewed i...
20/08/2025

Our new comp 'Une Voix M'Appelle' on focused on the legacy of Lebanon's monumental label Voix De L'Orient is reviewed in this month's edition of 🙏❤️

09/08/2025

In Vienna this evening with Ernesto Chahoud Natalie Sho**er Holger Hoertnagl and Luna

Excited to announce our next London date at Grow in Hackney Wick on 15 August. Join us for the Beirut Groove Collective'...
05/08/2025

Excited to announce our next London date at Grow in Hackney Wick on 15 August. Join us for the Beirut Groove Collective's Summer Club, with
and **er spinning all vinyl sets of rare and soul-fuelled clubbing records from the 1960s to the 1980s South West Asia and North Africa and around the world. We'll be outdoors, riverside from 7-10pm, and continuing the night indoors till 2am. We've sold out of the limited advance tickets, but don't sweat, tickets will be avail on the door. Free entrance before 9pm. You can reserve a table until 8pm.

'Ziad's timeless soundtracks came to define the sound of the leftist movement, and jokes and phrases from the plays seep...
03/08/2025

'Ziad's timeless soundtracks came to define the sound of the leftist movement, and jokes and phrases from the plays seeped into everyday conversation, becoming part of the cultural fabric.

His work was a guiding force in Lebanon’s political consciousness. He shaped the leftist movements that he was part of with his ideas, radio shows, writings and music.

Ziad’s contribution to Lebanese and Arabic music was revolutionary - laying new foundations for its modernisation. He created his own musical world, always innovating and coming out with pioneering ideas that resulted in forward-thinking waves of music.

As an artist, his musical offering was difficult to categorise and define - elegant and complex yet subtle, gritty and experimental yet accessible, and never lacking in originality.

Across his career, he covered the full spectrum of styles, from the Rahbani Brothers' classical sound to unusual bellydance records, Arabic jazz, funk, disco and soul to tarab, dabke, Brazilian, Latin and political protest music.

He took elements of the genres he loved to compose new chapters in Arabic music that were distinctly Ziad. A true musical maverick, he was able to present his ideas in a way that immediately connected to his people.'

Opinion piece by Ernesto Chahoud & Nat Sho**er for ✍️
Full article here:

A true musical maverick, Ziad Rahbani didn’t do things in half measures. He lived a free life, on his own terms; and left the same way

'Ziad's timeless soundtracks came to define the sound of the leftist movement, and jokes and phrases from the plays seep...
03/08/2025

'Ziad's timeless soundtracks came to define the sound of the leftist movement, and jokes and phrases from the plays seeped into everyday conversation, becoming part of the cultural fabric.

His work was a guiding force in Lebanon’s political consciousness. He shaped the leftist movements that he was part of with his ideas, radio shows, writings and music.

Ziad’s contribution to Lebanese and Arabic music was revolutionary - laying new foundations for its modernisation. He created his own musical world, always innovating and coming out with pioneering ideas that resulted in forward-thinking waves of music.

As an artist, his musical offering was difficult to categorise and define - elegant and complex yet subtle, gritty and experimental yet accessible, and never lacking in originality.

Across his career, he covered the full spectrum of styles, from the Rahbani Brothers' classical sound to unusual bellydance records, Arabic jazz, funk, disco and soul to tarab, dabke, Brazilian, Latin and political protest music. 

He took elements of the genres he loved to compose new chapters in Arabic music that were distinctly Ziad. A true musical maverick, he was able to present his ideas in a way that immediately connected to his people.'

Opinion piece by Ernesto Chahoud & Nat S
ho**er for ✍️
Full article at the link in our bio.

We are so sad to hear the news of the passing of Ziad Rahbani, what a momentous loss for Lebanon and the world. Ziad was...
26/07/2025

We are so sad to hear the news of the passing of Ziad Rahbani, what a momentous loss for Lebanon and the world. Ziad was a composer, arranger and playwright who made a huge contribution to Lebanon's music, and arts scene and cultural identity. He was the voice of Lebanon's left and spoke to a whole generation during the civil war through his political plays and songs. His social realist musical plays of the 1970s and 1980s focusing on Lebanon's struggling working class and real life problems brought him national and regional fame. Ziad's musical contribution to the Lebanese discography was immense. He was the father of 'Oriental jazz', a genre he used to describe his idea of fusing Arabic and jazz music over several projects such as 'Behashakal' and 'Houdou Nisbi'. When he was 16, Ziad wrote the first musical composition for his mother, the icon Fairuz, which was 'Saalouni el Naas'. His collaboration with Fairuz spanned decades, he brought a modern sound and multiple influences from jazz and brazilian to her music through the records he produced for her such as 'Kifak Inta', 'Wahdon', 'Maarifti Feek' and 'Houdo Nisbi' - which reissued with .
**er and had the great pleasure to meet with Ziad in his studio in Hamra a few years back, to find out the story behind his 13-minute long jazz funk masterpiece 'Abu Ali' for an essay we wrote on the Lebanese music scene for the book 'Disco Heterotopias'.

Rest in power Ziad Rahbani. A legend has departed. We offer our sincere condolences to his family, friends and comrades. We will raise a glass to you today, and always.

Address

Beirut
Lebanon

Telephone

+447878175159

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