Opera Now

Opera Now Opera Now captures the drama, colour and vitality of one of the most powerful of performing arts

Trafalgar Releasing has acquired worldwide theatrical rights from Lionsgate to distribute Andrea Bocelli: Because I Beli...
10/07/2025

Trafalgar Releasing has acquired worldwide theatrical rights from Lionsgate to distribute Andrea Bocelli: Because I Believe to cinemas around the world from September 21, 2025

Read the full story online now!

‘Musically there’s plenty to enjoy even if both casts proved uneven’ ⭐️⭐️⭐️✍🏻Mark PullingerFull review online!
10/07/2025

‘Musically there’s plenty to enjoy even if both casts proved uneven’

⭐️⭐️⭐️

✍🏻Mark Pullinger

Full review online!

09/07/2025

'Ogilvie’s vision is far from a benign one'
⭐️⭐️⭐️⭐️
✍️Alexandra Coghlan
Full review:

Over 600 young performers from Waltham Forest came together to celebrate the 150th anniversary of Bizet’s Carmen, in a s...
07/07/2025

Over 600 young performers from Waltham Forest came together to celebrate the 150th anniversary of Bizet’s Carmen, in a special production titled ‘This Is Carmen’⭐️

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'The conclusion from this absorbing and enjoyable production might nonetheless be that Beethoven’s vision is best served...
03/07/2025

'The conclusion from this absorbing and enjoyable production might nonetheless be that Beethoven’s vision is best served undiluted — either as a period-piece…albeit with bags of imagination…or in an entirely updated production.'
⭐⭐⭐
✍️Andrew Green
Full review:

What, then, of approaches to staging Fidelio, given its all too authentic depiction of a dimension of early 19th-century life under despotic, dysfunctional power structures…

'The cast is huge and the ensembles were zingy in this revival under conductor Michele Spotti, whipping up the orchestra...
27/06/2025

'The cast is huge and the ensembles were zingy in this revival under conductor Michele Spotti, whipping up the orchestral froth in the pit.'
⭐⭐⭐⭐
✍️Mark Pullinger
Full review:

Barrie Kosky gets that Offenbach’s 'Les Brigands' was a vicious social satire on the Second Empire, a year before its fall

'Even without the best tunes, this Faust was very much the devil’s show'⭐⭐⭐⭐✍️Mark PullingerFull review:
26/06/2025

'Even without the best tunes, this Faust was very much the devil’s show'
⭐⭐⭐⭐
✍️Mark Pullinger
Full review:

Opéra de Lille, in a co-production with the Opéra-Comique and Bru Zane, brings the 1859 version back to Paris

'The profoundly disturbing subject matter is ingeniously handled by director Cordula Däuper'⭐⭐⭐⭐✍️Mark PullingerFull rev...
23/06/2025

'The profoundly disturbing subject matter is ingeniously handled by director Cordula Däuper'
⭐⭐⭐⭐
✍️Mark Pullinger
Full review here:

Voice Killer is the operatic equivalent of a true crime docudrama

'It was a jaw-dropping piece of singing, affirmed by a roaring audience. Yes, definitely spinto enough!'⭐⭐⭐⭐⭐✍️Mark Pull...
23/06/2025

'It was a jaw-dropping piece of singing, affirmed by a roaring audience. Yes, definitely spinto enough!'
⭐⭐⭐⭐⭐
✍️Mark Pullinger
Full review here:

Netrebko’s soprano has the ideal colour and weight for Lisa

'Where Mozart and Da Ponte explore class dynamics, the servants getting one over on the aristocracy, de Beer explores po...
19/06/2025

'Where Mozart and Da Ponte explore class dynamics, the servants getting one over on the aristocracy, de Beer explores power and s*x, focusing on the repression of women'

⭐⭐

✍️Mark Pullinger

Full review:

De Beer’s staging is overstuffed with ideas, most of which should have been scrapped at the drawing board stage of development

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The new-look Opera Now captures the drama, colour and vitality of one of the most powerful of all the performing arts. In our print edition, we showcase the creative spirit of opera, both on stage and behind the scenes, with profiles of opera companies, singers, directors and designers. Our in-depth features reflect how diverse cultural elements have influenced opera, including travel, history, literature, art, architecture, politics and philosophy.

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