24/11/2025
Joy Division didn’t set out to be a cult. In 1979 they were just four young men from Greater Manchester whose first album, Unknown Pleasures, sounded like nothing else around – stark, intense, oddly beautiful. At the centre of it all was singer and lyricist Ian Curtis.
“We’re free to do what we want. There’s no one restricting us… We don’t want to get diluted, really,” he says in a 1979 interview with NME writer Paul Rambali, who has come to Manchester to see what this band are doing to people in small, dark basement venues.
One thing that sets them apart is the way they want the songs to be heard. Bassist Peter Hook talks about not pinning down “official” meanings. Joy Division refuse to print lyric sheets. Misheard lines become part of the experience. Different listeners can take completely different things from the same song and still be right. The echo, the space, the way Curtis's voice sits inside Martin Hannett’s production – all of that is deliberate.
Curtis also reflects on the factory job he *used* to do, pushing a wagon of cotton up and down the floor while he daydreamed about records and weekends in London. Most people, he says, live in their own private worlds. Music is where those worlds finally collide.
That 1979 feature is reprinted in full in our new Ultimate Music Guide – Joy Division / New Order, alongside classic archive interviews, brand new album reviews and deep dives on side projects, rarities and more.
🔗 Link to the magazine in the first comment 👇