Big black mountain the darkness never ever comes

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Big black mountain the darkness never ever comes Big black mountain the darkness never ever comes is an independent publishing project based in Athen

09/02/2026
Very few copies left!!!!!Making and Repairingby Apostolos Ntelakos“There is an atmosphere of undiluted male here” Vaness...
06/02/2026

Very few copies left!!!!!

Making and Repairing
by Apostolos Ntelakos

“There is an atmosphere of undiluted male here” Vanessa Bell, private letter to Virginia Woolf, August 21, 1908.

Drawing on specific textile-artworks produced by British artist Vanessa Bell (1879-1961), German Anni Albers (1899-1994) and Russian Lyubov Popova (1889-1924), the present text attempts to map the nexus of discourse in and through which, the said female artists applied the language of geometric abstraction on items of everyday life from 1913 until 1927. Despite the visual similarities among the textile-artworks produced by these three women arising from the common pictorial language, as well as the technical nature of the medium, on a second plane, their works present major differences, as each artist’s conception of the specific stakes born by geometric abstraction differs according to the cultural context within which they found themselves positioned—as well as positioned themselves—in terms of gender, class and national identity.

Edited and Texts by Apostolos Ntelakos
Design by Studio Lialios Vazoura

Language: English, Greek
Pages: 136
Format: 110 × 175mm, softcover, cold glue
Edition: 200 copies






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Sarakiniko by Eva Giannakopoulou and Panos SklavenitisIn November 1978, the German artist Wido Buller, from Cologne, cir...
03/02/2026

Sarakiniko by Eva Giannakopoulou and Panos Sklavenitis

In November 1978, the German artist Wido Buller, from Cologne, circulated a leaflet in various German cities, issuing a rather unexpected public invitation: “We are looking for about a hundred people who are crazy enough to live on an island and attempt to develop their own idea of the social.” By founding the company ‘Sarakiniko Alternatives Leben GmbH’, he hoped to gather individuals whose combined contributions would amount to ten thousand Deutsche Marks, a sum that would allow for the purchase of sufficient land on the island of Ithaca.

In the summer of 1979, approximately two hundred men, women, and children from Germany arrived at the “place-to-be-inhabited”: the peninsula of Sarakiniko, in southeastern Ithaca. There, on an area of four hundred and eighty acres (roughly 48 hectares), an ecological settlement was established, structured around communal social forms and small-scale economic practices, with emphasis on organic cultivation, animal husbandry, handicrafts, and alternative forms of energy and technology. It was one of the largest and most dynamic communal living experiments in Europe during the 1970s.

The Sarakiniko community functioned exemplary during its early years. However, differing ideological orientations, internal rivalries, the difficulty of cultivating the barren land using strictly ecological methods, and persistent financial pressures gradually led the project into decline. The community began to lose its communal character, and by 1986 a large portion of its residents had permanently abandoned the endeavor. Today, only a few inhabitants remain in Sarakiniko, some dividing their lives between Germany and Greece, while others return only for what have now become, more or less, conventional summer holidays...

Edited by Eva Giannakopoulou
and Panos Sklavenitis
Design by Studio Lialios Vazoura

Language: Greek, English
Pages: 160
Format: 170 × 240mm, soft cover, otabind
Edition: 300 copies

With the kind support of the Municipality of Ithaca







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