22/05/2025
is not just a tense Netflix thriller, it’s a carefully constructed case study in virtual production. 🎬
Based on a real-life hostage situation from 2022, the film recreates Amsterdam’s Leidseplein square, the Apple Store interior, and its surrounding city environment not on location, but entirely inside a real-time LED volume. The viewer never sets foot in Amsterdam, and yet it feels undeniably real. That’s where it gets interesting from a VP standpoint.
The filmmakers didn’t just use technology. They modeled authenticity. Live reflections, camera-synced backgrounds, dynamic light response, and real-time urban activity — all designed to make the virtual space reflect reality, not stylize it.
We had the chance to attend this year’s Marché du Film - Festival de Cannes, where virtual production received unprecedented attention, including a dedicated Village Innovation section for cutting-edge technologies and immersive storytelling. One standout session was the iHostage panel with Bobby Boermans, Robert Okker, and Nils Pauwels, which explored the creative tension between realism and reconstruction in both dramatic and documentary formats. We were in the audience, and we couldn’t agree more:
The challenge today isn’t using the technology. It’s deciding what to do with realism now that we can create it. 🎥
Hoe breng je het intense verhaal van iHostage tot leven? In deze exclusieve behind-the-scenes video neemt regisseur Bobby Boermans je mee in het creatieve pr...