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ART news & views Each issue of Artetc. news & views has a guest editor. We have already had artists like Satish Gujral, Jogen Chowdhury, Waswo. X. And more are to follow.
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ART ETC.news & views, was conceptualized as a ready-reckoner for artists, connoisseurs, gallery owners, auction houses, collectors, investors and art enthusiasts. A online art magazine, which gives its readers current news on art and culture, starting from details of forthcoming auctions, auction results, artist interviews and informative articles on art,antiques,collectibles,furniture,fashion,cin

ema,music etc. It also concentrates on trends in the art market, taking a close look at individual artist’s price-index as well as an informed low-down on the market trends prevalent during the months. The magazine is aimed at initiating the prospective investor/collector into the hitherto complex world of the art and collectibles market, as well as serving as a reference point for auction houses and galleries. Waswo, famous art historian Shiv Kumar, curators like Amit Mukhopadhyay, critics like Pranabranjan Ray and Johny ML on board as Guest Editors. The magazine has a focus on each issue that is published such as Antiquities and Art treasure which was in three parts, Indian Printmaking again in three parts and Cutting Edge in two parts are some of the themes that have been dealt with. We do not only stop at this. We have a committed editorial network spread out all over the country and abroad; to mention some, we have Jasmine Shah Varma from Mumbai, Sabrina Osborne and Preeti Kathuria from UK, Sunanda K. Sanyal and Neerja Poddar from USA, Frank Barthelemy from Paris/ Bengaluru, Koeli Mukherjee Ghose from Hyderabad, Vaishnavi Ramanathan from Chennai, Moushumi Kandali from the North East & Mrinal Ghosh , Nanak Ganguly from Kolkata as regular contributors—thus lending a sharp authenticity to the content. Naturally, in no time, artetc. news & views has become the main source of reference for artists, galleries, collectors and critics alike.

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The Importance of Correctly Cataloguing an Artwork.In the art world, a catalogue entry is not simply a record—it is the ...
08/08/2025

The Importance of Correctly
Cataloguing an Artwork.

In the art world, a catalogue entry is not simply a record—it is the artwork’s official biography. From the moment a piece enters a gallery, museum, or private collection, its catalogue entry becomes the foundation for everything that follows: research, conservation, exhibition, and sale. A single oversight in cataloguing can echo for decades, leading to misattribution, loss of provenance, or even legal disputes.

1. Preserving Provenance

Provenance—the documented history of ownership—is one of the most important elements in determining both an artwork’s authenticity and its value. A correctly catalogued work will record:
• Artist’s name (accurately spelled, with correct diacritics)
• Title of the work (original language and, if necessary, English translation)
• Date of creation
• Medium and materials
• Dimensions (in the correct Height × Width × Depth order)
• Signature or inscription details
• Full chain of ownership, if known

Even minor errors—such as a missing signature note or a mistranslated title—can weaken provenance, making authentication more difficult in the future.

2. Supporting Scholarly Research

Art historians and researchers rely on catalogue entries as primary data sources. When cataloguing is done correctly, it provides scholars with accurate facts for comparative analysis, stylistic study, and exhibition histories. An incomplete or incorrect catalogue entry can mislead scholarship, resulting in works being wrongly attributed, misdated, or overlooked in academic research.

3. Facilitating Loans and Exhibitions

When artworks travel for exhibitions, their catalogue record acts as a universal reference point for curators, registrars, and conservators. Correct catalogue entries ensure that:
• Handling instructions are based on accurate size, weight, and material information.
• Display conditions are set according to the work’s specific requirements (light levels, humidity, mount type).
• Insurance documentation matches the physical reality of the object.

4. Legal and Ethical Safeguards

A thorough catalogue entry can protect against legal disputes by proving legitimate ownership, lawful acquisition, and compliance with cultural property laws. For works with sensitive histories—such as those looted during wartime or illicitly exported—accurate cataloguing is an ethical imperative as much as a legal one.

5. Market Confidence

In galleries and auction houses, buyers depend on catalogue entries to make informed decisions. A complete and accurate record instils trust, while discrepancies can cause hesitation or devalue the work. For collectors, this level of precision becomes part of the asset’s long-term security.

Best Practices in Art Cataloguing
• Consistency – Use a standardised format for all entries.
• Verification – Cross-check details with artist records, prior publications, and the object itself.
• Clarity – Avoid ambiguous terms; be precise in material descriptions (“oil on canvas” vs “mixed media”).
• Transparency – Note any uncertainties (e.g., “attributed to” or “probably 1950s”) rather than omitting details.
• Documentation – Include high-resolution images, detail shots, and reverse-side photographs.

Note : Correct cataloguing is not an administrative chore—it is a responsibility to the artwork, the artist, and future generations. In the same way a well-kept archive safeguards history, an accurate catalogue entry safeguards the truth of a work’s identity. The value of art is not determined by price alone; it is also measured by the depth and accuracy of the story we preserve with it.

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