abhi2414thebolywoodboss

abhi2414thebolywoodboss "I have a deep love for Bollywood and poetry in the true sense of the term, I enjoy sharing stories of forgotten stars.

I also believe in friendship, kindness, morality, transparency and try to spread humanity through my words and work."

đŸŒŧ Tribute to Satish Shah — The Legend Who Made Us Laugh & Think đŸŒŧ(1951– 2025)Dear Friends,Today, with a truly heavy hear...
26/10/2025

đŸŒŧ Tribute to Satish Shah — The Legend Who Made Us Laugh & Think đŸŒŧ
(1951– 2025)

Dear Friends,
Today, with a truly heavy heart, I am writing about a man who made millions smile through decadesâ€Ļ a man who quietly left the stage, but whose laughter will forever echo in Bollywood’s history — Satish Shah.

🎭 A Journey of Pure Talent
Satish Shah was not just a comedian. He was a performer with brilliance in every frame. Yet Bollywood often gave him only small, comic roles. But even in those limited opportunities, he created unforgettable magic.

He was part of some of the biggest blockbuster films in Indian cinema:
✅ Dilwale Dulhania Le Jayenge
✅ Hum Aapke Hain Kaun
✅ Hum Saath Saath Hain
✅ Main Hoon Na
✅ Mujhse Shaadi Karoge
✅ Kabhi Haan Kabhi Naa
✅ Kal Ho Naa Ho
✅ Om Shanti Om
â€Ļ and the list goes on.

But — true greatness lies not in how long you appear on screenâ€Ļ but how deeply you stay in the heart of the audience.

đŸŽŦ “Jaane Bhi Do Yaaro” — Immortality in Cinema
As Municipal Commissioner D’Mello, Satish Shah redefined dark comedy. His dead-body performance in the iconic Mahabharat sequence is arguably the funniest moment in Indian film history.
From satire to silent humour — he showed the world what real versatility looks like.

đŸ“ē Television — Where He Became a Legend
Two shows made him immortal in Indian households:

✨ Yeh Jo Hai Zindagi — where his effortless timing made daily life feel like comedy gold
✨ Sarabhai vs Sarabhai — the iconic Indravadan Sarabhai
His sarcasm, wit, and unmatched comic presence turned this show into a cult classicâ€Ļ and millions still binge it today.

💔 A Talent Bollywood Never Fully Utilized
It hurts to sayâ€Ļ
Bollywood often missed the treasure it had.
They labeled him just as a comedian.
But he was much more — a natural actor with a rare spark đŸ”Ĩ

Even with small rolesâ€Ļ
He left a giant footprint.

🌟
People like Satish Shah don’t leave us.
They live on — in the characters we cherish,
in the memories that make us smile unexpectedly,
in the laughter that hides our tears.

Today, we bow our heads to a man
who taught us that joy is also a legacy.

🙏 Rest in peace, Satish Shah ji â¤ī¸
Your laughter will continue to heal hearts.

📌 Friends, I’ll attach this tribute with some moods of satish shah,
A reminder of those countless Indians who fight for a smile every dayâ€Ļ
just like Satish Shah gifted us smiles throughout his life.
Please listen, feelâ€Ļ and remember him with love. â¤ī¸

If you like this tribute,
please share it so more people can honor this unforgettable artist.
Let us tell the world thatâ€Ļ
Satish Shah is not gone.
He is forever. 🌟

ITS A SIMI & RAJ PRESSENTATION.



IMAGE COURTESY YOUTUBE

đŸ’Ģ Good Night — A Whisper of Love đŸ’ĢSometimes the night feels softer than a whisper — as if it knows how deeply I miss you...
23/10/2025

đŸ’Ģ Good Night — A Whisper of Love đŸ’Ģ

Sometimes the night feels softer than a whisper — as if it knows how deeply I miss you.
Close your eyes, my loveâ€Ļ let the stars touch your dreams the way I wish I could touch your soul.
If love had a sound tonight, it would be the rhythm of my heartbeat calling your name.
Good night, my heartbeatâ€Ļ sleep wrapped in my warmth and wake up in my thoughts. 💖🌙

✨ It’s a Simi & Raj presentation

🌙 āĻļ⧁āĻ­āϰāĻžāĻ¤ā§āϰāĻŋ — āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āĻĢāĻŋāϏāĻĢāĻŋāϏāĻžāύāĻŋ 🌙

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āĻļ⧁āĻ­āϰāĻžāĻ¤ā§āϰāĻŋ āφāĻŽāĻžāϰ āĻĒā§āϰāĻžāĻŖ, āφāĻŽāĻžāϰ āωāĻˇā§āĻŖāϤāĻžāϝāĻŧ āύāĻŋāĻœā§‡āϕ⧇ āĻŽā§ā§œā§‡ āύāĻŋāĻ“, āφāϰ āϏāĻ•āĻžāϞ⧇ āωāϠ⧇āχ āφāĻŽāĻžāϕ⧇ āĻŽāύ⧇ āĻ•āϰ⧋āĨ¤ 💞🌌

✨ āĻāϟāĻž āϏāĻŋāĻŽāĻŋ āĻ“ āϰāĻžāϜ-āĻāϰ āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύāĻž ✨

#āĻļ⧁āĻ­āϰāĻžāĻ¤ā§āϰāĻŋ #āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰāĻĢāĻŋāϏāĻĢāĻŋāϏāĻžāύāĻŋ #āϰāĻžāϤ⧇āϰāĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž #

IMAGE COURTESY GETTY.

🌙💖

🌹 56 Years of “Aradhana” — The Film That Changed Indian Cinema Forever 🌹A Raj & Simi Presentation – “Breaking the Bollyw...
23/10/2025

🌹 56 Years of “Aradhana” — The Film That Changed Indian Cinema Forever 🌹
A Raj & Simi Presentation – “Breaking the Bollywood Myth” đŸŽŦ

Greetings, friends and cinema lovers,
Today we look back with emotion, respect, and nostalgia — because some films are not just movies, they are milestones.
Released in 1969, Shakti Samanta’s “Aradhana” redefined the language of love, sacrifice, and destiny.
It wasn’t merely a story of one woman’s strength — it was the moment when a new star rose and a new voice ruled the sky.

đŸ’Ģ The Story That Touched Hearts

“Aradhana” told the tale of Vandana (Sharmila Tagore) — a woman whose love transcends life and death.
Her secret marriage to Air Force pilot Arun (Rajesh Khanna), his tragic death, her lonely motherhood — all painted a portrait of unconditional love and sacrifice.
It made audiences cry, smile, and dream — all at once.

But beyond its story, Aradhana became a revolution in Indian cinema.

🌟 The Birth of India’s First Superstar — Rajesh Khanna

Though Aradhana was a heroine-centric film, it was Rajesh Khanna who emerged as the heartbeat of an entire generation.
With one tilt of his head and that gentle smile, he became a phenomenon.
The film marked the beginning of superstardom in India — and the man who achieved it was none other than Rajesh Khanna.

Before Aradhana, actors like Rajendra Kumar, Shammi Kapoor, and Joy Mukherjee ruled the romantic space.
But after Aradhana, their careers faded — because a new idol had arrived.
Between 1969 and 1972, Rajesh Khanna delivered 17 consecutive solo superhits — a record that no actor has ever broken.

People used to say in the 1970s —

> “Upar aaka, niche Kaka.”
(Above is God, and below him is Kaka — Rajesh Khanna.)

That’s the magic of Aradhana — it didn’t just create a hero, it created India’s first superstar.

🎤 The Rebirth of Kishore Kumar — The Voice That Defined an Era

Before Aradhana, Kishore Kumar had been singing since 1944, but was never considered among the top two playback singers.
He was always seen as the “fun” or “light” voice, standing behind stalwarts like Rafi and Mukesh.

But destiny had other plans.
With Aradhana, and the songs “Mere Sapnon Ki Rani” and “Roop Tera Mastana,” Kishore Kumar’s golden era began.

It was S. D. Burman’s illness that led to R. D. Burman recommending Kishore’s voice for Rajesh Khanna — and what a divine coincidence it turned out to be!
The film not only revived Kishore Kumar’s career but also started a new musical era that lasted till Kishore’s death in 1987.

From Aradhana onwards, it was always said —

> “If Rajesh Khanna is the face of romance, Kishore Kumar is its soul.”

Together, they became an emotion — the dream team that defined love for an entire generation.

đŸŽļ Music That Never Died

Every song in Aradhana was a heartbeat:

“Mere Sapnon Ki Rani” — youth on a toy train of dreams.

“Roop Tera Mastana” — sensuality with grace.

“Kora Kagaz Tha Yeh Man Mera” — purity of love.

“Chanda Hai Tu Mera Suraj Hai Tu” — the mother’s eternal lullaby.

The combination of S. D. Burman’s melody, Anand Bakshi’s lyrics, and Kishore Kumar’s voice made Aradhana immortal.

💖

More than five decades later, Aradhana is not just remembered — it is revered.
It proved that emotions need no language, that cinema has no borders, and that real magic is born when art meets sincerity.

For Rajesh Khanna, it was the dawn of stardom.
For Kishore Kumar, it was the dawn of immortality.
For Indian cinema, it was the dawn of a new era — one that still shines in our hearts.

🌹

Friends, as we celebrate 56 years of Aradhana, let us bow to these legends — Rajesh Khanna, Sharmila Tagore, Kishore Kumar, S. D. Burman, and Shakti Samanta — who gave us a film that time can never erase.

If this post brought back memories of melodies and magic, then please —
â¤ī¸ Like this post
đŸ’Ŧ Share your favorite Aradhana song or scene in the comments
🔁 Share with all who believe in the golden era of cinema

Because some films are not just seen — they are felt forever.

✨ From Raj & Simi, with love, nostalgia, and respect —
Breaking the Bollywood Myth – Eternal Echoes đŸŽĨ

, #

ITS A SIMI AND RAJ PRESENTATION

IMAGE COURTESY YOUTUBE

Shout out to my newest friends! Excited to have you onboard! Chandrakant Tiwari, āϏ⧈āϝāĻŧāĻĻ āĻ¸ā§āĻŦāϰāύ, World's Farman, Rina Guwal...
22/10/2025

Shout out to my newest friends! Excited to have you onboard! Chandrakant Tiwari, āϏ⧈āϝāĻŧāĻĻ āĻ¸ā§āĻŦāϰāύ, World's Farman, Rina Guwala, Rengasamy Govinden, āχāϏāĻžāĻ• āϏāϰāĻĻāĻžāϰ, Larry Dela Cruz, Sohna munda

I can't control my self, having seen a new avatar created by AI of my favorite singer. Enjoy & good night.VIDEO COURTESY...
20/10/2025

I can't control my self, having seen a new avatar created by AI of my favorite singer. Enjoy & good night.

VIDEO COURTESY YOUTUBE.

Best Of Kishore Kumar's Superhit Songs,Kishore Kumar's Romantic Songs,Kishore Kumar's Evergreen Hits,Kishore Kumar's Sadabahar Songs,Kishore Kumar's Melody S...

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20/10/2025

đŸ’ĢđŸ’Ģ

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āϏāĻŦāĻžāχāϕ⧇ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āϜāĻžāύāĻžāχâ€Ļ āφāĻŽāĻŋ āĻĒāϰ⧀āĻŽāĻŖāĻŋāĨ¤ āφāϜ āφāĻŽāĻŋ āφāĻŽāĻžāϰ āĻœā§€āĻŦāύ⧇āϰ āĻ•āĻŋāϛ⧁ āĻ•āĻĨāĻž āφāĻĒāύāĻžāĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āĻ­āĻžāĻ— āĻ•āϰ⧇ āύāĻŋāϤ⧇ āϚāĻžāχāĨ¤ āφāĻŽāĻžāϰ āĻœā§€āĻŦāύāϟāĻž āĻ āĻŋāĻ• āϏāĻŋāύ⧇āĻŽāĻžāϰ āĻŽāĻ¤ā§‹â€”āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž, āĻĻ⧁āσāĻ–, āĻŦāĻŋāϤāĻ°ā§āĻ•, āφāϰ āĻœā§‡āĻĻ⧇āϰ āĻ—āĻ˛ā§āĻĒ⧇ āĻ­āϰāĻžāĨ¤

āφāĻŽāĻžāϰ āϜāĻ¨ā§āĻŽ ⧍ā§Ē āĻ…āĻ•ā§āĻŸā§‹āĻŦāϰ ⧧⧝⧝⧍ āϏāĻžāϞ⧇ āϏāĻžāϤāĻ•ā§āώ⧀āϰāĻžāϰ āĻāĻ• āϏāĻžāϧāĻžāϰāĻŖ āĻĒāϰāĻŋāĻŦāĻžāϰ⧇āĨ¤ āϛ⧋āϟāĻŦ⧇āϞāĻžāϤ⧇āχ āĻšāĻžāϰāĻŋāϝāĻŧ⧇āĻ›āĻŋāϞāĻžāĻŽ āĻŽāĻž-āĻŦāĻžāĻŦāĻžāϕ⧇āĨ¤ āĻāϰāĻĒāϰ āĻŦāĻĄāĻŧ āĻšāϝāĻŧ⧇āĻ›āĻŋ āĻŽāĻžāĻŽāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻŋāϤ⧇, āĻĒāĻŋāϰ⧋āϜāĻĒ⧁āϰ⧇āĨ¤ āϛ⧋āϟāĻŦ⧇āϞāĻž āĻĨ⧇āϕ⧇āχ āĻ…āĻ­āĻŋāύāϝāĻŧ, āĻ—āĻžāύ āφāϰ āϏāĻžāϜāĻ—ā§‹āĻœā§‡ āφāĻŽāĻžāϰ āĻ­ā§€āώāĻŖ āφāĻ—ā§āϰāĻš āĻ›āĻŋāϞāĨ¤ āĻŽāύ⧇ āĻšāϤ āĻāĻ•āĻĻāĻŋāύ āφāĻŽāĻŋ āφāϞ⧋āϝāĻŧ āϭ⧇āϏ⧇ āϝāĻžāĻŦā§‹, āϏāĻŦāĻžāχ āφāĻŽāĻžāϕ⧇ āϚāĻŋāύāĻŦ⧇āĨ¤ ✨

āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏ⧇āχ āĻĒāĻĨāϟāĻž āϏāĻšāϜ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻ¸ā§āϕ⧁āϞ⧇ āĻĒāĻĄāĻŧāĻžāϰ āϏāĻŽāϝāĻŧāχ āĻœā§€āĻŦāύ⧇āϰ āĻ•āĻ āĻŋāύ āĻŦāĻžāĻ¸ā§āϤāĻŦāϤāĻžāϰ āĻŽā§āĻ–ā§‹āĻŽā§āĻ–āĻŋ āĻšāϤ⧇ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āϖ⧁āĻŦ āĻ…āĻ˛ā§āĻĒ āĻŦāϝāĻŧāϏ⧇āĻ‡â€”āĻšā§āϝāĻžāρ, āφāĻŽāĻžāϰ āĻĒā§āϰāĻĨāĻŽ āĻŦāĻŋāϝāĻŧ⧇āϟāĻž āĻ•āĻŋāĻļā§‹āϰ⧀āĻŦ⧇āϞāĻžāϤ⧇āχ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏ⧇āχ āϏāĻŽā§āĻĒāĻ°ā§āĻ• āϟāĻŋāĻ•āϞ⧋ āύāĻžâ€Ļ āφāĻŽāĻžāϰ āĻœā§€āĻŦāύ⧇ āĻ…āύ⧇āĻ• āĻ•āĻĨāĻž, āĻ…āύ⧇āĻ• āϗ⧁āϜāĻŦ āĻāϏ⧇āĻ›ā§‡â€”āĻ•āĻ–āύāĻ“ āϏāĻ¤ā§āϝ, āĻ•āĻ–āύāĻ“ āĻŽāĻŋāĻĨā§āϝāĻžāĨ¤ āϤāĻŦ⧁āĻ“ āφāĻŽāĻŋ āĻšāĻžāϰ āĻŽāĻžāύāĻŋāύāĻŋ, āĻ•āĻžāϰāĻŖ āφāĻŽāĻŋ āϜāĻžāύāϤāĻžāĻŽ āφāĻŽāĻžāϰ āĻ­āĻžāĻ—ā§āϝ⧇ āϞ⧇āĻ–āĻž āφāϛ⧇ āφāϞ⧋, āϞāĻĄāĻŧāĻžāχ āφāϰ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāĨ¤ 🌸

āĻ…āĻ­āĻŋāύāϝāĻŧ⧇āϰ āĻĒā§āϰāϤāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āφāĻŽāĻžāϕ⧇ āĻĸāĻžāĻ•āĻžāϝāĻŧ āĻŸā§‡āύ⧇ āφāύ⧇āĨ¤ āĻļ⧁āϰ⧁āϤ⧇ āĻ›āĻŋāϞ āĻĢāĻŸā§‹āĻļ⧁āϟ, āϤāĻžāϰāĻĒāϰ āϛ⧋āϟ āϛ⧋āϟ āĻŦāĻŋāĻœā§āĻžāĻžāĻĒāύāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻŽāĻžāϰ āĻ¸ā§āĻŦāĻĒā§āύ āĻ›āĻŋāϞ āĻŦāĻĄāĻŧ āĻĒāĻ°ā§āĻĻāĻžāĨ¤ āĻ…āĻŦāĻļ⧇āώ⧇ “āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āϰāĻ™â€ āĻ›āĻŦāĻŋāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ ⧍ā§Ļā§§ā§Ģ āϏāĻžāϞ⧇ āφāĻŽāĻŋ āĻĸāĻžāϞāĻŋāωāĻĄā§‡ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰāĻŋāĨ¤ āĻĻāĻ°ā§āĻļāĻ•āϰāĻž āϖ⧁āĻŦ āĻĻā§āϰ⧁āϤ āφāĻŽāĻžāϕ⧇ āφāĻĒāύ āĻ•āϰ⧇ āύāĻŋāϞ⧇āύāĨ¤ “āϰāĻ•ā§āĻ¤â€, “āĻ¸ā§āĻŦāĻĒā§āύāϜāĻžāĻ˛â€, “āϗ⧁āĻŖāĻŋāĻ¨â€â€”āĻāχāϏāĻŦ āĻ›āĻŦāĻŋāϤ⧇ āφāĻŽāĻŋ āĻ•āĻžāϜ āĻ•āϰ⧇āĻ›āĻŋ āĻŽāύāĻĒā§āϰāĻžāĻŖ āĻĻāĻŋāϝāĻŧ⧇āĨ¤

āφāĻŽāĻžāϰ āĻ•āĻžāĻœā§‡āϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āϏāĻŦāϏāĻŽāϝāĻŧ āĻŦāĻŋāϤāĻ°ā§āĻ•āĻ“ āĻ›āĻŋāϞāĨ¤ āĻŽāĻŋāĻĄāĻŋāϝāĻŧāĻž āĻ•āĻ–āύāĻ“ āφāĻŽāĻžāϕ⧇ āĻ­āĻžāϞ⧋āĻŦ⧇āϏ⧇āϛ⧇, āĻ•āĻ–āύāĻ“ āφāĻŽāĻžāϕ⧇ āϭ⧁āϞ āĻŦ⧁āĻā§‡āϛ⧇āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻŽāĻŋ āĻ•āĻ–āύāĻ“ āĻŽā§āĻ–ā§‹āĻļ āĻĒāϰāĻŋāύāĻŋāĨ¤ āφāĻŽāĻŋ āϏāĻŦāϏāĻŽāϝāĻŧ āύāĻŋāĻœā§‡āϰ āĻŽāϤ⧋ āĻ•āϰ⧇ āĻŦ⧇āρāĻšā§‡āĻ›āĻŋ—āĻ•āĻžāϰāĻŖ āφāĻŽāĻŋ āĻĒāϰ⧀āĻŽāĻŖāĻŋ, āφāĻŽāĻŋ āĻ•āĻžāϰāĻ“ āĻŽāϤ⧋ āύāχāĨ¤ 🌹

āφāĻŽāĻžāϰ āĻĒā§āϰ⧇āĻŽ, āφāĻŽāĻžāϰ āϏāĻŽā§āĻĒāĻ°ā§āĻ•, āφāĻŽāĻžāϰ āĻ—āĻ°ā§āĻ­āĻžāĻŦāĻ¸ā§āĻĨāĻž, āφāĻŽāĻžāϰ āĻŽāĻž āĻšāĻ“āϝāĻŧāĻžâ€”āϏāĻŦāĻ•āĻŋāϛ⧁āχ āϏāĻŦāĻžāχ āĻĻ⧇āϖ⧇āϛ⧇, āĻŦāĻŋāϚāĻžāϰ āĻ•āϰ⧇āϛ⧇āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻāĻ•āϜāύ āύāĻžāϰ⧀ āĻšāĻŋāϏ⧇āĻŦ⧇, āĻāĻ•āϜāύ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻšāĻŋāϏ⧇āĻŦ⧇, āφāĻŽāĻŋ āϜāĻžāύāĻŋ—āĻāχ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϤ⧇ āύāĻŋāĻœā§‡āϰ āϜāĻžāϝāĻŧāĻ—āĻž āϤ⧈āϰāĻŋ āĻ•āϰāĻž āϏāĻšāϜ āύāϝāĻŧāĨ¤ āϤāĻŦ⧁āĻ“ āφāĻŽāĻŋ āĻĨāĻžāĻŽāĻŋāύāĻŋāĨ¤ āĻ•āĻžāϰāĻŖ āφāĻŽāĻŋ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāĻŋ, “āϝ⧇ āύāĻžāϰ⧀ āφāϗ⧁āύ⧇ āĻĒā§‹āĻĄāĻŧ⧇, āϏ⧇-āχ āφāϞ⧋āϰ āϜāĻ¨ā§āĻŽ āĻĻ⧇āϝāĻŧāĨ¤â€ đŸ”Ĩ

āφāĻŽāĻžāϰ āĻœā§€āĻŦāύ⧇āϰ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āĻŦāĻĄāĻŧ āϏ⧁āϖ⧇āϰ āĻŽā§āĻšā§‚āĻ°ā§āĻ¤â€”āφāĻŽāĻžāϰ āϛ⧇āϞ⧇ āϰāĻžāĻœā§āϝāϰ āϜāĻ¨ā§āĻŽāĨ¤ āĻ“ āφāĻŽāĻžāϰ āĻœā§€āĻŦāύ⧇āϰ āφāĻļā§€āĻ°ā§āĻŦāĻžāĻĻ, āφāĻŽāĻžāϰ āĻ­āϰāϏāĻžāĨ¤ āĻ“āϰ āĻšā§‹āϖ⧇ āφāĻŽāĻŋ āĻĻ⧇āĻ–āĻŋ āĻ­āĻŦāĻŋāĻˇā§āϝāϤ⧇āϰ āφāϞ⧋, āϝ⧇āĻ–āĻžāύ⧇ āφāĻŽāĻŋ āĻāĻ• āϏāĻžāĻšāϏ⧀ āĻŽāĻž āφāϰ āĻāĻ• āĻĻ⧃āĻĸāĻŧ āύāĻžāϰ⧀ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦ⧇āρāĻšā§‡ āĻĨāĻžāĻ•āĻŦā§‹āĨ¤ 💖

āĻšā§āϝāĻžāρ, āφāĻŽāĻŋ āϭ⧁āϞ āĻ•āϰ⧇āĻ›āĻŋ, āφāĻŽāĻŋ āϕ⧇āρāĻĻ⧇āĻ›āĻŋ, āφāĻŽāĻŋ āĻ­āĻžāϞ⧋āĻŦ⧇āϏ⧇āĻ›āĻŋ, āφāĻŽāĻŋ āĻšā§‡āϰ⧇āĻ›āĻŋ—āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻŽāĻŋ āϏāĻŦāϏāĻŽāϝāĻŧ āϏāĻ¤ā§āϝāĻŋ āĻ›āĻŋāϞāĻžāĻŽāĨ¤ āφāĻŽāĻŋ āύāĻŋāĻœā§‡āϕ⧇ āĻ•āĻ–āύāĻ“ āϞ⧁āĻ•āĻžāχāύāĻŋāĨ¤ āĻāχ āφāĻŽāĻžāϰ āĻ—āĻ°ā§āĻŦ, āĻāχ āφāĻŽāĻžāϰ āϏāĻ¤ā§āϤāĻžāĨ¤

āφāϜ āϝāĻĻāĻŋ āϕ⧇āω āφāĻŽāĻžāϕ⧇ āϜāĻŋāĻœā§āĻžāĻžāϏāĻž āĻ•āĻ°ā§‡â€”â€œāϤ⧁āĻŽāĻŋ āϕ⧇ āĻĒāϰ⧀āĻŽāĻŖāĻŋ?”
āφāĻŽāĻŋ āĻŦāϞāĻŦā§‹â€”â€œāφāĻŽāĻŋ āϏ⧇āχ āĻŽā§‡āϝāĻŧ⧇, āϝāĻžāϕ⧇ āϕ⧇āω āĻšāĻžāϰāĻžāϤ⧇ āĻĒāĻžāϰ⧇āύāĻŋ, āĻ•āĻžāϰāĻŖ āφāĻŽāĻŋ āĻ•āĻ–āύāĻ“ āĻĨāĻžāĻŽāĻŋāύāĻŋāĨ¤â€ đŸŒē

🌟 🌟

āĻŦāĻ¨ā§āϧ⧁āϰāĻž, āĻĒāϰ⧀āĻŽāĻŖāĻŋ āĻļ⧁āϧ⧁ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻāĻ• āĻ…āĻ­āĻŋāύ⧇āĻ¤ā§āϰ⧀ āύāĻ¨â€”āϤāĻŋāύāĻŋ āĻāĻ• āĻĒā§āϰāϤ⧀āĻ•āĨ¤ āĻāĻ• āύāĻžāϰ⧀ āϝāĻŋāύāĻŋ āύāĻŋāĻœā§‡āϰ āĻœā§€āĻŦāύ⧇āϰ āφāϗ⧁āύ āĻĒ⧁āĻĄāĻŧāĻŋāϝāĻŧ⧇ āφāϞ⧋āϰ āĻ—āĻ˛ā§āĻĒ āϞāĻŋāϖ⧇āϛ⧇āύāĨ¤ āφāĻŽāĻžāĻĻ⧇āϰ ‘āĻāχ āĻĻ⧇āĻļ āĻāχ āϏāĻŋāύ⧇āĻŽāĻžâ€™ āϏāĻŋāϰāĻŋāĻœā§‡ āφāĻŽāϰāĻž āϤāĻžāρāϕ⧇ āĻļā§āϰāĻĻā§āϧāĻž āϜāĻžāύāĻžāĻ‡â€”āĻāĻ•āϜāύ āϞāĻĄāĻŧāĻžāϕ⧁, āϏāĻ‚āĻŦ⧇āĻĻāύāĻļā§€āϞ, āϏ⧁āĻ¨ā§āĻĻāϰ⧀ āĻ“ āϏāĻžāĻšāϏ⧀ āύāĻžāϰ⧀āϰ āĻĒā§āϰāϤāĻŋāĻšā§āĻ›āĻŦāĻŋ āĻšāĻŋāϏ⧇āĻŦ⧇āĨ¤

āϝāĻĻāĻŋ āφāĻĒāύāĻžāĻĻ⧇āϰ āĻĒāϰ⧀āĻŽāĻŖāĻŋāϰ āĻāχ āϏāĻ¤ā§āϝāĻŋāĻ•āĻžāϰ⧇āϰ āĻœā§€āĻŦāύāĻ•āĻžāĻšāĻŋāύāĻŋ āĻ­āĻžāϞ⧋ āϞ⧇āϗ⧇ āĻĨāĻžāϕ⧇, āĻĻāϝāĻŧāĻž āĻ•āϰ⧇ āϞāĻžāχāĻ•, āĻ•āĻŽā§‡āĻ¨ā§āϟ āφāϰ āĻļ⧇āϝāĻŧāĻžāϰ āĻ•āϰ⧁āύāĨ¤ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āĻĻāĻŋāύ āĻāχ āύāĻžāϰ⧀āϰ āĻĒā§āϰāϤāĻŋ, āϝāĻŋāύāĻŋ āφāϜāĻ“ āĻĻāĻžāρāĻĄāĻŧāĻŋāϝāĻŧ⧇ āφāϛ⧇āύ āύāĻŋāĻœā§‡āϰ āĻļāĻ•ā§āϤāĻŋāϤ⧇āĨ¤ â¤ī¸

āϰāĻžāϜ āĻ“ āϏāĻŋāĻŽāĻŋ-āĻāϰ āĻĒāĻ•ā§āώ āĻĨ⧇āϕ⧇, āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āφāϰ āĻļā§āϰāĻĻā§āϧāĻž āϏāĻšāĨ¤
đŸŽĨ āĻāχ āĻĻ⧇āĻļ āĻāχ āϏāĻŋāύ⧇āĻŽāĻž – āĻ—āĻ˛ā§āĻĒ āφāĻŽāĻžāĻĻ⧇āϰ āϏāĻŋāύ⧇āĻŽāĻžāϰ, āĻ—āĻ°ā§āĻŦ āφāĻŽāĻžāĻĻ⧇āϰ āĻĻ⧇āĻļ⧇āϰāĨ¤ 🇧🇩✨

ITS A SIMI AND RAJ PRESENTATION

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IMAGE COURTESY PRINTEREST

🌸 Eternal Echoes: The Timeless Grace of Sharmila Tagore 🌸(A tribute under our series — ‘Breaking the Bollywood Myth’ & ‘...
19/10/2025

🌸 Eternal Echoes: The Timeless Grace of Sharmila Tagore 🌸
(A tribute under our series — ‘Breaking the Bollywood Myth’ & ‘Eternal Echoes’)

Dear friends,
Today, as we walk down the golden lanes of Indian cinema, let us pause and bow before a woman who carried elegance like poetry, intelligence like art, and emotion like fragrance — Sharmila Tagore.

Born in 1944 in Hyderabad, into the illustrious Tagore family, her bloodline itself was soaked in creativity and refinement. A descendant of none other than Rabindranath Tagore, she inherited the calm composure of Bengal’s culture, the rhythm of its literature, and the quiet pride of its legacy. Before she spoke a word on screen, her eyes already told a story — a story of grace, depth, and quiet confidence.

đŸŽŦ Discovered by a Genius
Sharmila Tagore was discovered by the legendary Satyajit Ray, a master sculptor of emotions. He saw in her a spark that could light the screen differently. Her debut in Apur Sansar (1959) as Aparna, opposite Soumitra Chatterjee, was not just a beginning — it was an arrival of a new era.
That shy Bengali girl, with innocence in her smile and wisdom in her silence, left audiences spellbound. The world took notice — a star had been born, but one wrapped in simplicity and art.

From the lanes of Kolkata to the glamour of Bombay, her journey was like a graceful river finding its way to the ocean. She was Bengali by birth, but universal by emotion.

🌹 Breaking the Bollywood Myth
In the 1960s, when Hindi cinema had its own set of myths — that glamour and intellect can’t exist together — Sharmila shattered them all.
When she appeared in Kashmir Ki Kali (1964), she brought along not just beauty, but freshness — the kind that touched hearts instantly. With her expressive eyes and natural poise, she became the Kashmir Ki Kali of every admirer’s dream.
Then came An Evening in Paris, where she dared to redefine screen boldness with unmatched dignity. She wasn’t just a beauty queen — she was a woman of conviction. She proved that sophistication can coexist with strength, and that a Bengali girl can rule the heart of Bollywood with elegance, not noise.

🌟 The Rajesh Khanna Chapter – Magic of Two Souls
Fate then brought her to the world of India’s first superstar — Rajesh Khanna. Together, they created cinematic magic that is still cherished.
Their pair became iconic, as if destiny had written their names side by side in golden ink. Films like Aradhana, Safar, Amar Prem, Chhoti Bahu and Daag turned into emotional milestones.
Who can forget the haunting lullaby “Mere Sapno Ki Rani Kab Aayegi Tu” as the train chased her smile?
Or the eternal pain of “Chingari Koi Bhadke” from Amar Prem, where her silent suffering spoke more than words ever could.
Their chemistry wasn’t loud — it was soulful. Sharmila’s calm complemented Khanna’s charisma, and together, they wrote a love story on celluloid that still echoes in every heart.

đŸ’Ģ Golden Success in Hindi Cinema
In the 1970s, Sharmila Tagore stood at the peak — admired, respected, and loved. She ruled Bollywood not with controversies, but with class. Her performances in Mausam, Avishkaar, Chupke Chupke, and Daag showcased her versatility — from intense emotional roles to delightful comedies.
She could make you laugh, cry, and fall in love — all in a single scene. She wasn’t loud, she wasn’t dramatic — she was real.

đŸŽžī¸ The Bengali Soul — With Uttam Kumar
But even as Bollywood celebrated her, Bengal never lost its own Sharmila. Her chemistry with Uttam Kumar, the Mahanayak of Bengali cinema, remains unforgettable.
Films like Nayak, Sesh Anko, Amanush, and Ananda Ashram revealed her emotional depth and natural artistry.
With Uttam Kumar, she was not just a heroine — she was a mirror to human emotions.
In Nayak, under Satyajit Ray’s direction again, she became the interviewer who stripped the superstar’s soul with empathy.
In Amanush and Ananda Ashram, she portrayed love, pain, and forgiveness with that same soft strength which only she could carry.
Together, Uttam and Sharmila were like poetry written on screen — two minds that understood art beyond words.

💖 A Love Story Beyond Cinema — Sharmila & Tiger Pataudi
While the cameras adored her, destiny had another surprise.
In walked Mansoor Ali Khan Pataudi, the Nawab of Pataudi — India’s youngest Test cricket captain, charming and graceful in his own right.
Their worlds were different — one ruled cinema, the other cricket. But love recognizes neither spotlight nor stadium.
They fell in love, quietly and deeply.
Their marriage in 1969 was a union of royalty and art, a blend of culture and charm. She converted to Islam and became Begum Ayesha Sultana, but never lost her essence — the artist remained the same, full of heart and humility.
Their love stood the test of time — serene, loyal, and eternal. Even after his passing, Sharmila’s eyes still reflect the same warmth whenever she speaks of him.

👑
Sharmila Tagore’s journey is not just about films — it’s about grace in evolution. From a teenage discovery by Ray to a Bollywood legend, from a screen goddess to a loving wife and mother — she has lived many lives, each with beauty and balance.
Her children — Saif, Soha, and Saba — carry forward that legacy of dignity and intelligence. But above all, Sharmila remains herself — elegant, composed, and timeless.

🎤 Eternal Echoes – The Woman, The Myth, The Melody
Even today, when you watch her on screen, you feel peace. She didn’t chase fame — fame followed her.
She didn’t shout to be seen — her silence spoke.
She didn’t act to impress — she acted to express.
And that’s why Sharmila Tagore is not just remembered — she is felt.

đŸŒē
Dear friends, in Sharmila Tagore we find the perfect harmony of Bengali artistry and Bollywood charm — the power of quietness, the strength of elegance.
Through Breaking the Bollywood Myth, she showed that being different is not a weakness — it’s power.
Through Eternal Echoes, she taught us that true beauty never fades; it just transforms into memory, music, and meaning.

Let’s celebrate her — not just as an actress, but as an emotion that still breathes through the soul of Indian cinema.
Because even after decades, when her songs play, when her eyes appear on screen — you can still feel the poetry of Sharmila Tagore. 🌸

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ITS A SIMI AND RAJ PRESENTATION

IMAGE COURTESY FACEBOOK

🌟 A Heartfelt Homage to Pankaj Dheer 🌟Dear friends, greetings to all of you.Today, we come together to remember a man wh...
17/10/2025

🌟 A Heartfelt Homage to Pankaj Dheer 🌟

Dear friends, greetings to all of you.
Today, we come together to remember a man whose presence on screen touched millions of hearts — Pankaj Dheer, best known as Karna in Mahabharat, who left us after a brave battle with cancer.

His departure has left a void in the world of television and film. But his legacy — his voice, his spirit, his performances — will live on forever.

đŸŽŦ

Pankaj Dheer was born into a film-connected family — his father was filmmaker C. L. Dheer. Yet, that heritage was not a guarantee.
He started his journey with small roles, worked patiently, and waited for the moment his talent would be recognized.

Long before fame came, Pankaj Dheer’s life was full of struggle and persistence. At one time, reports say he was earning just ₹300 a month before Mahabharat changed everything for him.

🌟

In 1988, when B. R. Chopra’s Mahabharat hit screens, it became a phenomenon. Pankaj Dheer’s portrayal of Karna was powerful, tragic, majestic — his voice and resolve made the character unforgettable.

That role brought him widespread recognition and love from viewers. He became forever associated with the dignity and depth of Karna.

But he didn’t stop there. He acted in many television serials and films:

Chandrakanta — as King Shiv Dutt in a fantasy drama

Badho Bahu, Yug, Kanoon, Sasural Simar Ka, Zee Horror Show

In films: Soldier, Baadshah, Andaz, Sadak, Tumko Na Bhool Paayenge etc.

Beyond acting, he tried direction and founded Abbhinnay Acting Academy to nurture new talent.

He also held leadership positions in actors’ associations like CINTAA — reflecting his commitment to the community.

đŸŒŋ

Pankaj Dheer had fought cancer before, but sadly the illness relapsed. He underwent major surgery, and in his final days, he was in and out of hospitals.

On 15 October 2025, he passed away in Mumbai at the age of 68.
His cremation was held the same day at Vile Parle (W), next to Pawan Hans crematorium.

His son, Nikitin Dheer, also an actor, and his wife Anita Dheer survive him.
â¤ī¸

Pankaj Dheer was much more than an actor. He was:

A symbol of perseverance: from meager earnings to national fame

A voice of integrity: even when the path was harsh

A mentor and guide: through his academy and leadership roles

An icon whose Karna will forever be remembered

Colleagues and fans share stories — actor Sharad Malhotra called him a man with aura few possess.
Aniruddh Dave praised his voice, charisma, discipline.

Even when mortal body weakens, the spirit and memory persist. That is the gift Pankaj Dheer leaves behind.
🌹

Friends, tears fall when we lose someone dear, but the grief must transform into gratitude.
We grieve not just the man we lost, but celebrate the life that taught us courage, dignity, and artistry.

Let us promise: every time we see Mahabharat, every time we hear a voice that echoes Karna’s resolve, we will remember him. Let us honor him by nurturing young talent, valuing integrity, and holding our passion for cinema close.

If this tribute touched your heart, please like, share, leave a comment — mention your most loved Pankaj Dheer performance. Let’s together keep his memory alive.

Om Shanti, dear Karna of our hearts. 🙏

ITS A SIMI AND RAJ PRESENTATION

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IMAGE COURTESY FACEBOOK

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đŸŽŦ

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🌟

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āϚāĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ (1984) — āĻļāĻ°ā§ŽāϚāĻ¨ā§āĻĻā§āϰ⧇āϰ āωāĻĒāĻ¨ā§āϝāĻžāϏ āĻ…āĻŦāϞāĻŽā§āĻŦāύ⧇ āĻāĻ•āϟāĻŋ āĻŦāĻžāĻ‚āϞāĻž āĻ›āĻŦāĻŋāĨ¤

āĻļāĻžāĻ¸ā§āϤāĻŋ (2004) — āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ⧇āϰ āϞ⧇āĻ–āĻž āĻ…āĻŦāϞāĻŽā§āĻŦāύ⧇ āϏāĻŋāύ⧇āĻŽāĻžāĨ¤

Revival / Devdas (2013) — āϤāĻŋāύāĻŋ āĻāĻ•āχ āύāĻžāĻŽā§‡āϰ āύāϤ⧁āύ āϏāĻ‚āĻ¸ā§āĻ•āϰāĻŖ āĻĻāĻŋāϕ⧇āχ āĻĒāϰāĻŋāϚāĻžāϞāĻŋāϤ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύ, āϝ⧇āĻ–āĻžāύ⧇ āĻļāĻžāĻ•āĻŋāĻŦ āĻ–āĻžāύ āĻ…āĻ­āĻŋāύ⧟ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤

āĻļ⧁āĻ­āĻž — āĻ—āĻžāύ āĻ“ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāϰ āĻŽāĻŋāϞāύ⧇ āĻāĻ•āϟāĻŋ āĻ›āĻŦāĻŋāϤ⧇ āϤāĻŋāύāĻŋ āĻ…āĻ‚āĻļ āύāĻŋā§Ÿā§‡āϛ⧇āύāĨ¤

āϤāĻŋāύāĻŋ āĻļ⧁āϧ⧁ āĻĸāĻžāϞāĻžāχ āϏāĻŋāύ⧇āĻŽāĻž āĻ•āϰ⧇āύāύāĻŋ — āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻ“ āĻŽāĻžāύāĻŦāĻŋāĻ• āĻĻāĻŋāĻ•āĻ“ āϤāĻžāρāϰ āĻ›āĻŦāĻŋāϰ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧇ āĻ›āĻŋāϞāĨ¤ āĻ—ā§€āϟāĻŋāĻŽāĻžā§Ÿ āĻŦāĻšā§ āϚāϰāĻŋāĻ¤ā§āϰ āĻ“ āĻ—āĻ˛ā§āĻĒ āϤ⧁āϞ⧇ āϧāϰ⧇āϛ⧇āύāĨ¤

🏆

āϚāĻžāώ⧀ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽ ⧍ā§Ļā§Ļā§Ē āϏāĻžāϞ⧇ āĻāϕ⧁āĻļ⧇ āĻĒāĻĻāĻ• āϞāĻžāĻ­ āĻ•āϰ⧇āύ, āϝāĻž āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰāĨ¤
āϤāĻŋāύāĻŋ āĻĻ⧁āχāĻŦāĻžāϰ āϜāĻžāĻ¤ā§€ā§Ÿ āϚāϞāĻšā§āϚāĻŋāĻ¤ā§āϰ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ – āϏ⧇āϰāĻž āĻĒāϰāĻŋāϚāĻžāϞāĻ• āĻĒāĻžāύ — āĻļ⧁āĻ­āĻĻāĻž āĻ“ āĻšāĻžāĻ™āϰ āύāĻĻā§€ āĻ—ā§āϰ⧇āύ⧇āĻĄ āĻ›āĻŦāĻŋāϰ āϜāĻ¨ā§āϝāĨ¤
āϤāĻžāĻ›āĻžā§œāĻž, āĻĒāϰāĻŋāϚāĻžāϞāϕ⧇āϰ āϏāĻ‚āĻ—āĻ āύ, āϏ⧇āĻ¨ā§āϏāϰ āĻŦā§‹āĻ°ā§āĻĄ āĻ“ āĻ‰ā§ŽāĻĒāĻžāĻĻāύ āĻŦā§‹āĻ°ā§āĻĄā§‡āĻ“ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āĻĒāĻžāϞāύ āĻ•āϰ⧇āϛ⧇āύāĨ¤

🕊

ā§§ā§§ āϜāĻžāύ⧁⧟āĻžāϰāĻŋ ⧍ā§Ļā§§ā§Ģ āϏāĻžāϞ⧇ āϞāĻŋāĻ­āĻžāϰ āĻ•ā§āϝāĻžāĻ¨ā§āϏāĻžāϰ⧇ āĻŽāĻžāϰāĻž āϝāĻžāύ āϚāĻžāώ⧀ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽ, āĻĸāĻžāĻ•āĻžāϰ āϞāĻžāĻŦ‌ایāĻĄ āĻšāĻžāϏāĻĒāĻžāϤāĻžāϞ⧇āĨ¤ āϤāĻŋāύāĻŋ āϤāĻžāρāϰ āĻļ⧇āώ āĻĻāĻŋāύāϗ⧁āϞ⧋ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻĻ⧇āĻļ⧇āϰ āϏāĻŋāύ⧇āĻŽāĻž āϜāĻ—āϤ⧇ āϏāĻ•ā§āϰāĻŋ⧟ āĻ›āĻŋāϞ⧇āύāĨ¤
āωāύāĻŋ āĻ°ā§Ÿā§‡ āϗ⧇āϛ⧇āύ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϰ āĻŽā§‚āĻ°ā§āϤ āĻĒā§āϰāϤāĻŋāĻšā§āĻ›āĻŦāĻŋ — āĻŦāĻžāĻ‚āϞāĻžāϰ āĻļāϤāĻžāϧāĻŋāĻ• āĻĻāĻ°ā§āĻļāĻ• āĻāĻ–āύāĻ“ āϤāĻžāρāϰ āĻ›āĻŦāĻŋāϗ⧁āϞāĻŋ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇ āĻāĻŦāĻ‚ āύāϤ⧁āύ āĻĒā§āϰāϜāĻ¨ā§āĻŽ āϤāĻžāρāϕ⧇ āϜāĻžāύāϤ⧇ āϚāĻžā§ŸāĨ¤

â¤ī¸

āĻŦāĻ¨ā§āϧ⧁āϰāĻž, āϚāĻžāώ⧀ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽ āĻļ⧁āϧ⧁ āĻĒāϰāĻŋāϚāĻžāϞāĻ• āύāύ, āϤāĻŋāύāĻŋ āĻŽāĻžāύ⧁āώ⧇āϰ āĻŽāύ⧇āϰ āĻ›āĻŦāĻŋ āϤ⧁āϞ⧇ āϧāϰāĻž āĻāĻ• āĻļāĻŋāĻ˛ā§āĻĒā§€āĨ¤
āϤāĻŋāύāĻŋ āĻĻ⧇āĻ–āĻŋā§Ÿā§‡āϛ⧇āύ, āϏāĻŋāύ⧇āĻŽāĻž āϕ⧀ āĻ•āϰ⧇ āĻļ⧁āϧ⧁ āĻ—āĻ˛ā§āĻĒ āĻŦāϞ⧇ āύāĻž — āĻŽāĻžāύ⧁āώ⧇āϰ āĻ­āĻžāĻŦāύāĻžāϕ⧇ āĻ¸ā§āĻĒāĻ°ā§āĻļ āĻ•āϰ⧇, āχāϤāĻŋāĻšāĻžāϏāϕ⧇ āĻ…āĻ™ā§āĻ•āĻŋāϤ āĻ•āϰ⧇, āĻ¸ā§āĻŦāĻĒā§āύāϗ⧁āϞ⧋āϕ⧇ āφāĻ˛ā§‹ā§Ÿ āĻāύ⧇ āĻĻā§‡ā§ŸāĨ¤

āϤāĻžāϰ āĻ›āĻŦāĻŋāϗ⧁āϞ⧋ āφāϜāĻ“ āφāĻŽāĻžāĻĻ⧇āϰ āĻĻāĻŋā§Ÿā§‡āχ āĻ•āĻĨāĻž āĻŦāϞ⧇ — āϝāĻžāĻĻ⧇āϰ āϏāĻ‚āĻ—ā§āϰāĻžāĻŽ āĻ›āĻŋāϞ, āϝāĻžāĻĻ⧇āϰ āĻšā§‹āϖ⧇ āĻ¸ā§āĻŦāĻĒā§āύ āĻ›āĻŋāϞ, āϝāĻžāĻĻ⧇āϰ āĻšāĻžāϤ⧇ āĻšāĻžāϤ āĻ›āĻžāĻĄāĻŧāĻž āĻœā§€āĻŦāύ āĻ—ā§œāĻžāϰāχ āĻšā§‡āĻˇā§āϟāĻž āĻ›āĻŋāϞāĨ¤
āφāĻŽāϰāĻž āϝāĻĻāĻŋ āĻ•āĻ–āύ⧋ āĻŦāϞāĻŋ, “āĻŦāĻžāĻ‚āϞāĻžāϰ āϏāĻŋāύ⧇āĻŽāĻž āĻ›āĻŋāϞ āύāĻžâ€, āĻŽāύ⧇ āĻ•āϰāĻŦ āϝ⧇āύ āϏ⧇āχ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ…āĻĒā§‚āĻ°ā§āĻŖ — āĻ•āĻžāϰāĻŖ āϚāĻžāώ⧀ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽ āĻĻ⧇āĻ–āĻŋā§Ÿā§‡āϛ⧇āύ āĻŦāĻžāĻ‚āϞāĻžāϰ āĻŽāĻžāϟāĻŋ āĻĨ⧇āϕ⧇āχ āϏāĻŋāύ⧇āĻŽāĻž āϤ⧈āϰāĻŋ āĻ•āϰāĻž āϝāĻžā§Ÿ, āφāĻŽāĻžāĻĻ⧇āϰ āĻ­āĻžāώāĻžā§Ÿ, āφāĻŽāĻžāĻĻ⧇āϰ āĻŦā§‹āϧ⧇āĨ¤

āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻŽāĻšāĻžāύāĻžā§Ÿāϕ⧇āϰ āĻĒā§āϰāϤāĻŋ āφāϜ āφāĻŽāĻžāĻĻ⧇āϰ āĻ•ā§ƒāϤāĻœā§āĻžāϤāĻž āϏ⧀āĻŽāĻžāĻšā§€āύāĨ¤
āϚāϞ⧁āύ, āφāϜāϕ⧇āϰ āĻāχ āĻĒāĻ°ā§āĻŦ⧇ āφāĻŽāϰāĻž āϏāĻŦāĻžāχ āĻŽāĻŋāϞ⧇āχ āĻĒā§āϰāĻŖāĻžāĻŽ āϜāĻžāύāĻžāχ — āϏ⧇āχ āĻŽāĻžāύ⧁āώāϟāĻŋāϕ⧇, āϝāĻžāϰ āĻšāĻžāϤ āĻŦāϰāĻžāĻŦāϰ āĻšāĻžāϤ⧇ āĻĻāĻŋā§Ÿā§‡āĻ›āĻŋāϞ āĻŽā§āĻ•ā§āϤāĻŋ, āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āĻ“ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϰ āφāϞ⧋āĨ¤

✨

āϝāĻĻāĻŋ āĻāχ āϞ⧇āĻ–āĻž āϤ⧋āĻŽāĻžāĻĻ⧇āϰ āĻšā§ƒāĻĻ⧟ āϛ⧁āĻā§Ÿā§‡āϛ⧇,
āϤāĻžāĻšāϞ⧇ āϞāĻžāχāĻ•, āĻļā§‡ā§ŸāĻžāϰ, āĻ•āĻŽā§‡āĻ¨ā§āϟ āĻ•āϰ⧋ —
āĻŦāϞ āϤ⧁āĻŽāĻŋ āϕ⧋āύ āϚāĻžāώ⧀ āύāϜāϰ⧁āϞ⧇āϰ āĻ›āĻŦāĻŋāϟāĻŋ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧋?
āφāϰ āĻĒāĻžāĻļ⧇ āĻĨ⧇āϕ⧋ Ei Desh Ei Cinema āϏāĻŋāϰāĻŋāĻœā§‡āϰ āϏāĻ™ā§āϗ⧇,
āϝ⧇āĻ–āĻžāύ⧇ āφāĻŽāϰāĻž āĻļ⧁āϧ⧁ āϏāĻŋāύ⧇āĻŽāĻž āĻŦāϞāĻŋ āύāĻžâ€” āĻ…āύ⧁āĻ­āĻŦ āĻ•āϰāĻŋ, āĻ¸ā§āĻŽāϰāĻŖ āĻ•āϰāĻŋ, āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻŋāĨ¤

â¤ī¸ Simi & Raj’s tribute to Chashi Nazrul Islam

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IT'S A SIMI AND RAJ PRESENTATION

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