The Journal of Cultural Heritage Crime

The Journal of Cultural Heritage Crime Lโ€™Informazione per la Tutela del Patrimonio Culturale
ISSN 2785-7182

๐Ÿ›๐Ÿบ๐Ÿ–ผ๐ŸŽป

Il 18 settembre 2018, dopo tre anni di sperimentazione, viene lanciato ๐‘ป๐’‰๐’† ๐‘ฑ๐’๐’–๐’“๐’๐’‚๐’ ๐’๐’‡ ๐‘ช๐’–๐’๐’•๐’–๐’“๐’‚๐’ ๐‘ฏ๐’†๐’“๐’Š๐’•๐’‚๐’ˆ๐’† ๐‘ช๐’“๐’Š๐’Ž๐’† (๐‘ฑ๐‘ช๐‘ฏ๐‘ช), un progetto editoriale fondato e diretto da Serena Epifani.
รˆ un nuovo contenitore di approfondimento, ๐ข๐ฅ ๐ฉ๐ซ๐ข๐ฆ๐จ ๐ข๐ง ๐ˆ๐ญ๐š๐ฅ๐ข๐š, in cui trovano spazio i fatti che quotidianamente vedono il patrimonio culturale minacciato, violato e oggetto di crimini.
๐‘ฑ๐‘ช๐‘ฏ๐‘ช รจ informazione di servizio, p

romuove le attivitร  di contrasto ai reati e sostiene quanti quotidianamente sono impegnati nella attivitร  di tutela e valorizzazione del patrimonio culturale.


โค๏ธ Un sentito ringraziamento va a tutte le persone che credono e sostengono il progetto.


ยฉ๐‘ป๐’‰๐’† ๐‘ฑ๐’๐’–๐’“๐’๐’‚๐’ ๐’๐’‡ ๐‘ช๐’–๐’๐’•๐’–๐’“๐’‚๐’ ๐‘ฏ๐’†๐’“๐’Š๐’•๐’‚๐’ˆ๐’† ๐‘ช๐’“๐’Š๐’Ž๐’† - L'Informazione per la Tutela del Patrimonio Culturale
Testata giornalistica culturale registrata presso il Tribunale di Roma con n. 108/2022 del 21/07/2022, e presso il CNR con ISSN 2785-7182. Sede legale: Roma
Direttore responsabile: Serena Epifani
Condirettore: Nadia Pedot

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Il ๐ฝ๐‘œ๐‘ข๐‘Ÿ๐‘›๐‘Ž๐‘™ promuove la ๐Ÿ๐จ๐ซ๐ฆ๐š๐ณ๐ข๐จ๐ง๐ž ๐๐ข ๐ช๐ฎ๐š๐ฅ๐ข๐ญ๐šฬ€ e segnala ๐ž๐ฏ๐ž๐ง๐ญ๐ข ๐๐ข ๐š๐ฅ๐ญ๐จ ๐ฉ๐ซ๐จ๐Ÿ๐ข๐ฅ๐จ. Per info sulle modalitร  di pubblicazione sul sito ufficiale di notizie relative a master o corsi di formazione, conferenze, giornate di studio, seminari, webinar, eventi online contattare la Redazione.

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30/08/2025

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Daniel Garcรญa Lรณpez, El Paรญs conversation with the British Museum's Director, Dr Nicholas Cullinan.

Nicholas Cullinan, director of the British Museum: "We canโ€™t give things away, but there is nothing preventing us from sharing the collection."
The 48-year-old Briton just completed his first year as head of the institution, and is faced with carrying out its biggest renovations ever and that all-important question about returns or restitutions.... even reunifications!

Q by Daniel Garcรญa Lรณpez: Where are you at in the restitution debate?

A by Dr Nicholas Cullinan: The 20 examples that are affected by it are on our website, because we think itโ€™s very important to be transparent so everyone can see and understand what the claim is, the history of it, the complexity of it. We take all of those really seriously. Thereโ€™s often a very complex and long-standing discussion.

Q by Daniel Garcรญa Lรณpez : The Parthenon Marbles are the most urgent example, I suppose?

A by Dr Nicholas Cullinan: Theyโ€™re the most famous. I think itโ€™s no secret that we would love to find a partnership with Greece where we would be able to lend on a rolling basis sculptures from the Parthenon, and in exchange, Greece would lend incredible things here. I think a partnership with Greece would be a fantastic thing for both parties, and I think we really hope that that will be possible with the Benin [Nigeria] bronzes. Weโ€™ve got the partnership with the MOWAA [Museum of West African Art, which has a digitalized archive of the bronzes that were stolen by Western countries and houses both pieces that have been returned and those obtained in new archaeological digs done in collaboration with the British Museum]. It opened in a soft way in November, but the grand opening is this autumn. I canโ€™t wait to see it. The hope is for the partnership to carry on and flourish.

The first thing Dr Cullinan did upon assuming his position was reach out to the โ€œcountries or institutions where there is a claim to see how we can move this conversation forward,โ€ he says. โ€œThere are more specific examples. But the general principle is that weโ€™ve got a collection of eight million objects. One percent are on show in the museum. One percent. We want to share that collection as much as we can with the public, which was the whole point of the collection and the museum being founded.โ€

Q by Daniel Garcรญa Lรณpez: Going back to the Parthenon Marbles, the final decision is the governmentโ€™s, right?

A by Dr Nicholas Cullinan: Yes, but it depends more on us, to be honest. We canโ€™t give things away, but there is absolutely nothing preventing us from sharing the collection, and we do that all the time. I think you have to focus on whatโ€™s possible, rather than arguing over what you could try and make happen.

๐Ÿ”™  Da Atene al British e [  il] ritorno๐Ÿ‘‰๐Ÿปhttps://www.linkedin.com/posts/kritikopoulos_ai-parthenon-acropolis-ugcPost-736...
25/08/2025

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Da Atene al British e [ il] ritorno

๐Ÿ‘‰๐Ÿปhttps://www.linkedin.com/posts/kritikopoulos_ai-parthenon-acropolis-ugcPost-7365293023947120640-jQlS?utm_medium=ios_app&rcm=ACoAAA2IuiYBTlc7xKmZoJXbgbVPx2yhb_OTo9I&utm_source=social_share_send&utm_campaign=copy_link

The British Committee for the Reunification of the Parthenon Marbles โค๏ธ

This is a text-to-video AI production that cost just a few euros. It brings to life a powerful idea: the marble Caryatid from the British Museum escaping and returning to the Acropolis Museum in Athens, the area where she stood for 2400 years! For decades Greeks have called for the reunification of....

24/08/2025

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Rome
00185

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