25/03/2026
🎬 Some of the world's best composers are scoring your favorite shows RIGHT NOW — and the lineup this week is insane.
This isn't a slow week for film and TV music. Not even close.
Here's who's delivering the heat:
→ Anne Dudley — scoring PBS's The Forsytes
→ Volker Bertelmann (Oscar winner, Conclave) — scoring The Count of Monte Cristo for PBS
→ Benjamin Wallfisch (Blade Runner 2049, It) — scoring Fox's The Faithful
→ Colin Stetson (Hereditary) — scoring Netflix's Something Very Bad Is Going to Happen
→ Nick Cave & Warren Ellis — scoring Netflix's Jo Nesbo's Detective Hole
→ Joseph Trapanese (The Greatest Showman) — scoring Hulu's Mike & Nick & Nick & Alice
That's Oscar winners, horror legends, and cinematic giants — all dropping scores in the same week.
This is what the industry looks like at its highest level:
✅ Composers with deep genre expertise matched to the right project
✅ Sound that doesn't just support the story — it IS the story
✅ Music that makes you feel something before a single word is spoken
Film and TV scoring isn't background noise. It's the emotional engine of every great production.
The best creators understand this. The best studios invest in it.
If you're building content — whether it's a short film, a series, or a brand project — the question isn't "do I need music?" It's "does my music actually serve the story?"
Which composer on this list are you most excited to hear this week? 🎧
