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RANDOM PHOTO JOURNAL VOL V. NEIGHBORHOODS (3rd Cover.)PHOTOGRAPHYSemra Öcalmis  Melany Ismail  Christopher Scheurich  Ga...
28/06/2025

RANDOM PHOTO JOURNAL VOL V. NEIGHBORHOODS (3rd Cover.)

PHOTOGRAPHY
Semra Öcalmis Melany Ismail Christopher Scheurich Gallery F Rachel Seidu Greta Rico Carlo Soffietti Studio Pellosh Fidelio Faustino Ferrier Anke Loots Kay Kwabia Juanita Richards Aisha Dahir Roshini Copriz .mango Natalija Gomalova and Arinzechukwu Patrick

ESSAY & FICTION
Chizaram Innocent Ilo
Husna Swaleh

DESIGNERS AND BRANDS
Wanda Lephoto
Chez Nous
Asata Maisé .maise
Kente Gentlemen
Village Boy
Udiri .official
Afro Grunge
Skating is Risky!™

CREATIVE DIRECTION
Justyna Obasi

PRESS
[email protected]
Cover 1: By Wanda Lephoto
Cover 2: By Gallery F
Cover 3: Jacques Wayers
Bonus Cover: Arinzechukwu Patrick

MODELS
Oratile Moh
Taylor Mahkoba
Masego Morgan
Manie Fagodien
Ciele
Asata Maisé
Thanxdulo
Thato Madisa


General inquiries / Press: [email protected]

RANDOM PHOTO JOURNAL VOL V. NEIGHBORHOODS (2nd Cover.)PHOTOGRAPHYSemra Öcalmis  Melany Ismail  Christopher Scheurich  Ga...
28/06/2025

RANDOM PHOTO JOURNAL VOL V. NEIGHBORHOODS (2nd Cover.)

PHOTOGRAPHY
Semra Öcalmis Melany Ismail Christopher Scheurich Gallery F Rachel Seidu Greta Rico Carlo Soffietti Studio Pellosh Fidelio Faustino Ferrier Anke Loots Kay Kwabia Juanita Richards Aisha Dahir Roshini Copriz .mango Natalija Gomalova and Arinzechukwu Patrick

ESSAY & FICTION
Chizaram Innocent Ilo
Husna Swaleh

DESIGNERS AND BRANDS
Wanda Lephoto
Chez Nous
Asata Maisé .maise
Kente Gentlemen
Village Boy
Udiri .official
Afro Grunge
Skating is Risky!™

CREATIVE DIRECTION
Justyna Obasi

PRESS
[email protected]
Cover 1: By Wanda Lephoto
Cover 2: By Gallery F
Cover 3: Jacques Wayers
Bonus Cover: Arinzechukwu Patrick

MODELS
Oratile Moh
Taylor Mahkoba
Masego Morgan
Manie Fagodien
Ciele
Asata Maisé
Thanxdulo
Thato Madisa


General inquiries / Press: [email protected]

RANDOM PHOTO JOURNAL VOL V. NEIGHBORHOODS (1st Cover.)PHOTOGRAPHYSemra Öcalmis  Melany Ismail  Christopher Scheurich  Ga...
28/06/2025

RANDOM PHOTO JOURNAL VOL V. NEIGHBORHOODS (1st Cover.)

PHOTOGRAPHY
Semra Öcalmis Melany Ismail Christopher Scheurich Gallery F Rachel Seidu Greta Rico Carlo Soffietti Studio Pellosh Fidelio Faustino Ferrier Anke Loots Kay Kwabia Juanita Richards Aisha Dahir Roshini Copriz .mango Natalija Gomalova and Arinzechukwu Patrick

ESSAY & FICTION
Chizaram Innocent Ilo
Husna Swaleh

DESIGNERS AND BRANDS
Wanda Lephoto
Chez Nous
Asata Maisé .maise
Kente Gentlemen
Village Boy
Udiri .official
Afro Grunge
Skating is Risky!™

CREATIVE DIRECTION
Justyna Obasi

PRESS
[email protected]
Cover 1: By Wanda Lephoto
Cover 2: By Gallery F
Cover 3: Jacques Wayers
Bonus Cover: Arinzechukwu Patrick

MODELS
Oratile Moh
Taylor Mahkoba
Masego Morgan
Manie Fagodien
Ciele
Asata Maisé
Thanxdulo
Thato Madisa


General inquiries / Press: [email protected]

PRESERVING PROOF: THE INSURGENT AND IMPORTANT WORK OF GALLERY F!: By Gavin Furlonger for Gallery F in collaboration with...
21/06/2025

PRESERVING PROOF: THE INSURGENT AND IMPORTANT WORK OF GALLERY F!: By Gavin Furlonger for Gallery F in collaboration with Random Photo Journal

All images ©️ GALLERY F!, courtesy of .vis
www.Galleryf.co.za

In this interview we had a long conversation with Gallery F‘s  founder, Gavin Furlonger , a deeply respected specialist ...
21/06/2025

In this interview we had a long conversation with Gallery F‘s founder, Gavin Furlonger , a deeply respected specialist in photographic preservation and archival documentation, was the founder of The Photographic Archival and Preservation Association (PAPA-SA). Beyond his pioneering work in safeguarding visual history, Gavin was also a gifted and versatile photographer, celebrated for his ability to capture powerful, story-rich images that resonated far beyond the frame.

Link in bio 🧫 ⛓️‍💥❤️

In a world eager to forget, Gallery F  insists on remembering. Not remembering for nostalgia’s sake — but for reckoning,...
21/06/2025

In a world eager to forget, Gallery F insists on remembering. Not remembering for nostalgia’s sake — but for reckoning, for clarity, for the kind of preservation that disturbs comfort and reanimates the breath of those flattened by history’s machinery. Through its stewardship of the works of photographers like Juhan Kuus, Gallery F isn’t simply displaying images. It’s curating testimonies. It’s keeping proof alive!
Take a look at these photographs:
A soldier collapses into the dirt mud-ritual, the dust around him a visible trace of his humanity amidst uniformed precision. Behind him, a phalanx of brothers locked arm-in-arm, their raised legs forming a chorus of choreography and control. This is no casual gathering. It’s a disciplined, defiant claiming of space — a celebration under surveillance, a cultural code etched in movement and muscle. Then there’s the quiet, explosive image of Nelson Mandela and Bill Clinton peeking through the bars of a Robben Island prison cell. The light falls on them as both men lean toward memory: one as a survivor of those walls, the other as a witness to their legacy. It’s not just a photograph; it’s a portrait of witnessing itself — the bars holding history hostage, even as the image breaks them open.
And then, a line of weary, blackened soldiers, their faces smeared in training paint or ash, their eyes sharp with an exhaustion that’s more than physical. Each helmet branded with a crude number, reducing personhood to inventory. Yet no image can entirely erase the individual. Look at the eyes. That’s what Juhan Kuus saw. That’s what Gallery F, managed by .vis refuses to let fade.
What makes Gallery F’s work remarkable isn’t just the preservation of these photographs, but their insistence on context. Every image carries within it the politics of its making and its afterlife. Their archive is a battleground where official history is contested by visual evidence. The images aren’t passive artifacts — they are alive, challenging the present, confronting selective memory, and offering those erased from textbooks a voice through visual proof.

MAURICE BIDILOU, STUDIO PELLOSH: THE MAN WHO FRAMED A NATION’S SOUL: By Studio Pellosh for  All images ©️ Maurice Bidilo...
17/06/2025

MAURICE BIDILOU, STUDIO PELLOSH: THE MAN WHO FRAMED A NATION’S SOUL: By Studio Pellosh for

All images ©️ Maurice Bidilou, Courtesy of

Pellosh  struck a balance between formal composition and informal spontaneity. While his posed studio portraits displaye...
17/06/2025

Pellosh struck a balance between formal composition and informal spontaneity. While his posed studio portraits displayed classical symmetry and arrangement. Rendered largely in black and white, his photographs leaned on tonal richness and a sensitivity to texture. From the rough grain of a wall to the softness of worn fabric or the shimmer of polished shoes, each image invited viewers to feel the environment as much as observe it.

In our ongoing search across the African continent for neighbourhood photography that speaks deeply to self-presentation...
17/06/2025

In our ongoing search across the African continent for neighbourhood photography that speaks deeply to self-presentation, postcolonial identity, visual semiotics, memory, ancestry, and fashion as vernacular archive, we encountered the remarkable work of Maurice Pellosh via the project. Though Maurice has since passed on, Pellosh’s rich photographic legacy continues to resonate, lovingly preserved by Emmanuèle Béthery — a close friend of the artist and his family. Open, generous, and deeply passionate, Emmanuèle welcomed us into the world of Studio Pellosh, sharing not only the archive but also his biography in a bid to shed more light on the life and work of this renowned artist. Through research-driven conversations, she helped illuminate the personal and historical significance of a body of work that remains vital to our visual understanding of postcolonial Africa.

The story begins like this: In the lively streets of Pointe-Noire, in the Republic of Congo, there once stood a modest photo studio whose images would come to define and add structure to an unforgetable era. Behind the lens was photographer Maurice Bidilou, a man whose life and work remind us of photography’s profound power: not merely to see and record, but to celebrate, to affirm, and to bear witness. Born on August 15, 1951, in Bouansa Maurice’s journey began with humble origins.

Full article link in bio. All Images ©️ Maurice Bidilou Pellosh, Courtesy of

THE PURE AND SWEET JOY OF FINDING PHOTOGRAPHY: By Rachel Seidu for  All images ©️ Rachel Seidu
09/06/2025

THE PURE AND SWEET JOY OF FINDING PHOTOGRAPHY: By Rachel Seidu for

All images ©️ Rachel Seidu

We had such a fun time chatting with  about the joy of discovering photography 📸✨ — loved hearing her journey and passio...
09/06/2025

We had such a fun time chatting with about the joy of discovering photography 📸✨ — loved hearing her journey and passion behind the lens! Link in bio to read full interview 📝⛓️‍💥

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