Solace

Solace I keep it straightforward, short and precise, Opinions are strictly mine and at always open to constructive feedback

27/06/2025
Is Trump now free to take decisions that pleases him???
27/06/2025

Is Trump now free to take decisions that pleases him???

This is not ending anytime soon...
27/06/2025

This is not ending anytime soon...

24/06/2025

Iran threatens to Pull out of the Nuclear proliferation Treaty , here is my Take..

23/06/2025

22/06/2025

22/06/2025

Before you choose a side base on your religion, listen to this...

For what you are about to read, here’s a direct introduction in the form of an excerpt from someone who walked the talk,...
27/08/2023

For what you are about to read, here’s a direct introduction in the form of an excerpt from someone who walked the talk, and regretted the steps into the journey.

“Drugs are a waste of time. They destroy your memory and your self-respect and everything that goes along with your self-esteem.” – Kurt Cobain

The menacing journeying being referred to here is drugs. Drug abuse in Nigeria can never be over-emphasized, yet credit must be given to the current National Drugs Law Enforcement Agency, (NDLEA) boss (Gen. Mohamed Buba Marwa (rtd), and all the strategies they have been implementing so far, to curb the country of this malady.

On the Cover.....

For what you are about to read, here’s a direct introduction in the form of an excerpt from someone who walked the talk, and regretted the steps into the journey. “Drugs are a waste of time. They destroy your memory and your self-respect and everything that goes along with your self-esteem.” ....

With lyrics that resonate deeply, “Lonely at the Top” explores themes of ambition, resilience, and the pursuit of dreams...
25/08/2023

With lyrics that resonate deeply, “Lonely at the Top” explores themes of ambition, resilience, and the pursuit of dreams despite the odds. The chorus, “It’s lonely at the top, money on my mind, don’t care what they yearning about me in particular,” echoes the sentiment of the isolation that can often accompany success.

Asake’s powerful delivery, combined with the infectious beat, makes for a track that is both relatable and energising.

Asake doesn’t shy away from addressing the challenges he’s faced on his journey. He raps, “I would cheer on the road chasing my dream because I know no one can chase it for me.” These words reflect the artist’s unwavering determination to follow his passion, regardless of the hurdles he’s encountered. The track’s message serves as an inspiration to aspiring artists and dreamers, encouraging them to pursue their goals with the same fervour.

💕💕💕💕💕💕💕💕💕

There is no doubt the Nigeria music industry is way ahead of its African counterparts, and this success is attributed to the plethora of talents across the shores of Nigeria, from Afrobeat’s to juju, Fuji all of these have found their homes in Nigeria. The challenge nowadays is usually about the m...

Ogedengbe The Itinerant WarriorÒgèdèngbé is one of the most important men in the history of the Yorùbá. Ògèdèngbé was th...
03/08/2023

Ogedengbe The Itinerant Warrior

Ògèdèngbé is one of the most important men in the history of the Yorùbá. Ògèdèngbé was the Ìjẹ̀ṣà warrior who was the Commander-in-Chief of the Èkìtì-Parapọ̀ Army. His name at birth was Ọ̀rìṣàráyíbí Ògúnmọ́lá. He was born at Ijọka but taken to Atorin, near Iléṣà in Osun State in 1822 after he was named. He earned the name Ògèdèngbé for his dexterity in wrestling and fearlessness. Agbógungbórò was added when his war credentials soared. Growing up, Ògèdèngbé exemplifed valor, courage and industry. He was tall, intimidating, with piercing eyes. He grew up at a time of great unrest between Yoruba sub-ethnicities. In his youth, he was reckless, commanding and charismatic. Ògèdèngbé was involved in several campaigns against the Ìbàdàn who often attacked the Ìjẹ̀ṣà. In one of such during Ìgbájọ war in 1867 Ògèdèngbé was captured. It was said that, at Ìgbájọ, a young Ìbàdàn soldier severed his head, Ògèdèngbé staggered back and picked up his head, fixed it back. This terrified the Ibadan. Baṣọ̀run Ògúnmọ́lá captured him and took him to Ìbàdàn, where he fought for Ìbàdàn army and rose to the position of senior military commander. To make the ridicule complete he was given Ìbàdàn tribal marks. The Ìbàdàn thought someone might take him for an Ìbàdàn man and kill him in battle.

After the fall of Ọ̀̀yọ́, Ìbàdàn, a new city founded in the 1820s began its quest to rule and dominate the rest of Yoruba sub-ethnicities. The struggle for power, influence and survival led to a sixteen year internecine war among the Yoruba. That war was named Kírìjì - an onomatopoeic play on the thunderous sound of cannons fired by the Èkìtì and Ìjẹ̀sà, under the command of Ogedengbe. Kírìjì war was fought between the Western Yoruba (Ibadan, Modakeke Oyo and Ọfà forces ) and Eastern Yoruba (Ìjẹ̀sà, Èkìtì, Ifè, Àkókò, Ìgbómìnà, Kàbbà, Egbé and Lọ́kọ́ja). During the Kírìjì war, Ìbàdàn was fighting on five fronts. The first battle in Kírìjì war between the Western and Eastern forces called Ogun Jálumi (battle of waterloo) fought at Ìkìrun on 1st of November, 1878 ended in ignominious for the Ekiti. This defeat led the Èkìtì to Ògèdèngbé, who had been reluctant to lead the Ekiti-Parapo against Ìbàdàn under whom he obtained his infantry training. Ògèdèngbé led the Ekiti Parapo front, assisted by the Ẹ̀gbá, Ìjẹ̀bú and Èkó (Lagos) against Ibadan imperialism. Ìlárá-Mọ̀kín served as the military and reconnaissance headquarters where Ekiti War generals reviewed and perfected war strategies. The Èkìtì and Ìjẹ̀sà purchased cannons in abundance and that gave them advantage over Ibadan. During the Kiriji war, it was said that Ògèdèngbé would shoot arrows from his room to the battlefield. He was also known for making himself invisible. Ògèdèngbé trusted no one but his dog who is rumored to be more of a wild canine beast. People ran at the sight of the beast. Ògèdèngbé tied cowries on his dog on market days and the dog would walk into the Ìyálọ́jà stall. She would load supplies on the dog and the dog would return home.

After the armistice was signed to end Kírìjì war, Ògèdèngbé returned to a hero's welcome in Iléṣà. He was honoured with the highest chieftaincy title of Ọbańlá of Ìjẹ̀ṣà, second to the Ọwá-Obòkun of Ìjẹ̀sà in 1898. After Kiriji war, Chief Ògèdèngbé lived peacefully until he died on the 29th July, 1910. Mysteriously, Ògèdèngbé's dog disappeared immediately he died. Other notable war heroes of the 19th century Yorùbá were Baṣọ̀run Olúyọ̀lé, Ìbíkúnlé and Ògúnmọ́lá of Ibadan, Ọ̀náfọwọ́kàn of Ìjẹ̀bú, Ṣódẹkẹ́ of Ẹ̀gbá and Fábùnmi of Òkè-Ìmẹ̀sí.

It is hard to write about Ògèdèngbé without delving much into Kírìjì war. It was Kírìjì that cemented his legacy as a fearless warrior with remarkable skills in war strategy and weaponry. This defining Yoruba civil war will be discussed on Òbíríkítí some day soon.

Narrated by Bamidele Ademola-Olateju

𝗧𝗛𝗘 𝗔𝗡𝗖𝗜𝗘𝗡𝗧 𝗬𝗢𝗥𝗨𝗕𝗔 𝗦𝗧𝗢𝗡𝗘 𝗪𝗥𝗜𝗧𝗜𝗡𝗚𝗦 𝗢𝗙 𝗜𝗚𝗕𝗔𝗥𝗔 𝗢𝗞𝗘 - 𝗪𝗵𝗮𝘁 𝘄𝗲𝗿𝗲 𝗼𝘂𝗿 𝗮𝗻𝗰𝗲𝘀𝘁𝗼𝗿𝘀 𝘁𝗿𝘆𝗶𝗻𝗴 𝘁𝗼 𝘁𝗲𝗹𝗹 𝘂𝘀?Ìgbàrà Òkè is an Ekiti diale...
26/07/2023

𝗧𝗛𝗘 𝗔𝗡𝗖𝗜𝗘𝗡𝗧 𝗬𝗢𝗥𝗨𝗕𝗔 𝗦𝗧𝗢𝗡𝗘 𝗪𝗥𝗜𝗧𝗜𝗡𝗚𝗦 𝗢𝗙 𝗜𝗚𝗕𝗔𝗥𝗔 𝗢𝗞𝗘 - 𝗪𝗵𝗮𝘁 𝘄𝗲𝗿𝗲 𝗼𝘂𝗿 𝗮𝗻𝗰𝗲𝘀𝘁𝗼𝗿𝘀 𝘁𝗿𝘆𝗶𝗻𝗴 𝘁𝗼 𝘁𝗲𝗹𝗹 𝘂𝘀?
Ìgbàrà Òkè is an Ekiti dialect speaking town in Ondo state. Sometime in 1959, a man was clearing a piece of land for construction when he stumbled on a collection of rocks on a patch. On a closer look, he noticed that one in particular bore strange marks and carvings on its surface. Astounded by what he had just discovered, he rushed to inform the then Oba, who also promptly notified authorities at the Ife National Museum and the Ooni of Ife.

By March 1963 the federal government, through the Federal Antiquities Department, declared the site a national monument. It has since been known and referred to as Igbara-Oke Petroglyphs.
In simple terms, petroglyphs are ancients markings or drawings on a rock surface or in caves and they are found around the world. As at the time of writing, information reaching us is that the site has been grossly neglected and is even overgrown with bush.

Note that the Igbara Oke petroglyphs and the 'Iho Eleeru' fossil site, location of oldest human fossil record in Western Africa are not very far off from each other. In fact, both are sites in the same local government area, Ifedore.

What could the markings and depictions on these rocks mean? Were our ancestors trying to immortalize an idea, event or information in stone? What information do the pictograms carry? There are a thousand and one questions that could be asked about the occurrence of these etchings in stone.
Posted as seen...

History is Great..."Ijebu Ode History"Ijebu also known as Jebu or Geebu  is a Yoruba kingdom in Nigeria. It was formed a...
22/07/2023

History is Great...

"Ijebu Ode History"

Ijebu also known as Jebu or Geebu is a Yoruba kingdom in Nigeria. It was formed around the fifteenth century.

According to legend, its ruling dynasty was founded by Obanta whose personal name was Ogborogan of Ile-Ife. Its contemporary successor is one of the country's traditional states.

The kingdom was one of the most developed in the region with a complex and highly organized government.

The capital is at Ijebu Ode where the Awujale has his palace. Counterbalancing the Awujale is the Osugbo (known as the Ogboni in other parts of Nigeria), a council of all free born, titled men that acted as the kingdom's courts.

The Osugbo is divided into six groups based on rank, the highest being the iwarefa, whose head the Oliwa was the second most powerful figure in the nation.

Also powerful is the Olisa, who could be described as the mayor of Ijebu Ode. The Kingdom was made up of several towns and stretches to parts of Lagos State and borders Ondo State.

The state rose in power in the eighteenth and nineteenth centuries, mainly due to its important position on the trade routes between Lagos and Ibadan.

The kingdom imposed sharp limits on trade, insisting that all trade through the region be conducted by Ijebu merchants. The monopoly brought great wealth to the kingdom, but also annoyed the Europeans.

In 1892, the British Empire declared war on the Ijebu kingdom in response to its barriers on trade.

The British emerged victorious in the conflict and captured the Ijebu capital, burning the meeting hall of the Osugbo. As noted by colonial governor Frederick Lugard, 1st Baron Lugard, the British made efficient use of the Maxim gun during the conflict; when Lugard defended himself in response to criticism of the high casualties rates caused by Maxim guns employed by troops under his command during military campaigns in the Uganda Protectorate, he stated: "On the West Coast, in the 'Jebu' war, undertaken by Government, I have been told 'several thousands' were mowed down by the Maxim."

After British colonization, the capital served as an administrative center for colonial officials as the kingdom was annexed to the colony of Southern Nigeria. Today, it constitutes one of the traditional states of Nigeria.

The Ijebu kingdom is governed by a king and his group of titled elders, who usually are men of a higher status and of considerable influence.

The council governed the region and had representatives of further devolved councils who no longer have any power.

Since the invasion of Lord Lugard, these councils have continued to meet and advise the Obanta kings, their power, however, is largely ceremonial since the establishment of the colonial administration in their protectorate.

The elders were known to represent their various villages and the will of the people, and are now not such a significant part in the ceremonial process.

The elders were all given individual titles and the lead elder was given the title prince, although he was only ever to inherit the kingship in special circumstances.

The traditional belief that governed the monarchy was similar to that of the Chinese Mandate of Heaven.

The Ijebu Kingdom is estimated to be one of the earliest kingdoms founded in the African rain forest. Ijebu-Ode was originally a city founded by a leader from Ife.

Like most other early states in the Yoruba region, they began to build a series of walls and ditches around the city, construction of these walls began in 800–1000 AD when the walls were called Sungbo’s Eredo.

The walls extended to eventually cover the entirety of the Ijebu kingdom. It was massive with an estimated 3.5 million cubic meters of moved earth and sand and is among the largest man-made monuments in Africa.

The evidence found is not linked to an isolated townbut to a kingdom’s large d**e, a kingdom which was once functional and had at its disposal a high level of agricultural practice, an established pottery-making tradition, and possibly an army that triggered the construction of the Eredo.

Further archeological works show the advancement of the Ijebu kingdom, the palace of the capital, Ijebu-Ode was shown to have the floors paved with ceramic pavements.

People at the palace also seemed to practice astronomy with triangular pavements facing a true eastern direction; it extreme aligns to the movement of the sun from one solar solstice to the other one and worked as a sundial.

Europeans also had a first hand account of Ijebu and wrote about it. Portuguese sailors and traders on the West African coast encountered the Ijebu kingdom first in which they called Geebu in the 1508...

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