YUNGRØC

29/10/2025

It’s My Birthday! Wish me Well. 🔥

26/10/2025

“Bro train voice tire, do dance lesson tire, do stage performance rehearse tire… Nothing blow. Sule just drop one song ‘Cana Cana pass me lighter!’ Now him dey tour Dubai. Apparently no be who sing pass dey blow for this industry, na who first burst lighter. The music industry is broken.”

That quote right there sums up the frustration of so many real artists. You pour years into training, rehearsals, and building stage presence — and yet one random song with zero structure goes viral overnight.

But here’s the thing: the industry isn’t really broken… it’s just *reprogrammed.* It doesn’t run on talent alone anymore; it runs on **attention.** That’s both scary and empowering. Because while it means raw, hardworking talent might get overlooked, it also means anyone — yes, anyone — can blow if they understand how to play the new game.

Still, when the hype dies, the trained ones remain. The same “voice tire” guys end up being the backbone of the culture — the ones writing hits for others, producing timeless records, and shaping sounds that last.

So don’t lose focus trying to chase what’s trending. The flash will fade, but real artistry never goes out of style.

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— YUNGRØC

25/10/2025

Cc: this hit me hard when I read thru your comment. There’s always that artist who walks into the studio and can’t hit the right note to save their life — now I’m suddenly the vocal coach, teaching them how to sing the very lyrics they wrote. Being a producer isn’t just about making beats, it’s about bringing out what’s buried in the artist. It’s patience, skill, and a lot of emotional intelligence.

To every young artist out there — learn to respect the foundation of your craft. Your pitch, your tone, your rhythm, your breath control — those are your building blocks. Don’t rush to perform if you can’t first perform to yourself in private and feel it hit right. Good music doesn’t come from the studio speakers; it starts from within you.

Spend time learning your own voice before chasing “vibes.” Learn songwriting like you’re learning how to tell your truth. Practice performing like you’re already on stage with your biggest crowd watching. That’s where real confidence grows from.

And to all the beginners who struggle at first — don’t feel bad. Every great voice you admire once cracked on the mic. Just don’t stay comfortable being off key. Grow. Learn. Keep getting better.

Much love to every artist putting in work to sound better, not just look better.
Keep building the art that’ll last forever.

— YUNGRØC
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24/10/2025

When people say it’s important to do good music—music that can stand the test of time—they’re talking about building something that outlives trends. A lot of artists chase what’s hot right now, what’ll go viral, or what’ll please the crowd for a moment. But truth is, those songs fade just as fast as they rise. Real music—the kind that stays alive for years—comes from depth, honesty, and quality.

Good music isn’t only about a catchy hook or a heavy beat. It’s about intention. It’s about crafting lyrics that speak to real emotions, melodies that hit beyond the surface, and production that’s clean enough to sound fresh even a decade later. When a song carries truth, you don’t have to beg people to replay it. It becomes part of their lives.

Most young artists don’t see it yet because the world moves fast. Everyone wants numbers, fame, validation. But with time and growth, they’ll understand that timeless music is the real currency. It’s the difference between being remembered and being replaced.

So when you’re in the studio, don’t just record for now. Create for forever. Let your work sound like effort, not accident. Because good music doesn’t just make noise—it builds legacy.

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Go Check out Special handbooks made for you at https://selar.com/m/bookhive.
— YUNGRØC

24/10/2025

Some artists lose grip on their lyrics the moment they step in front of the mic. It’s not that they don’t know their songs—it’s just that once the engineer starts fixing a few spots or adjusting timing to match the BPM, everything feels different. Suddenly, the words don’t fall the same, and the brain starts to lag behind the beat. It happens to the best of us, but there’s a way around it.

First thing, stop trying to record the whole verse at once. The pros you look up to don’t even do that. They take it in pieces, two or four bars at a time. Lock into a small section, get the timing and energy right, then move to the next. When it’s all stitched together, it’ll sound like one clean take—but behind that smoothness is structure and patience.

Before you ever hit record, practice your lyrics with the beat but start by just talking through them instead of performing. Talk it through like a conversation, keep your focus on the rhythm of your words against the drum pattern. Once your brain learns that rhythm, your delivery will sit right in the pocket naturally.

It also helps to write or print your lyrics out by hand. There’s something about handwriting that makes you remember phrasing and timing better. Mark where your bars start, underline where you breathe, and circle tricky lines that don’t sit comfortably on the beat. That visual map helps your mind stay ready even when your body gets nervous in the booth.

When rehearsing, try practicing with a metronome instead of the full instrumental once in a while. The metronome exposes whether your timing is truly solid. If you can rap or sing cleanly with just the click, you’ll be bulletproof when the full beat comes on.

And one more thing—don’t rush when the engineer says, “Ready.” Take a breath before each take. Recenter. Picture the line in your head, then deliver it like you’re performing it live. When you calm your energy, memory follows.

Lastly, remember the engineer isn’t your lyric coach. Their job is to shape your sound, not keep your lines alive for you. Your lyrics are your heartbeat—own them. Practice till they live in your bones, so when it’s time to record, all you’re doing is expressing, not remembering.

Artists who approach their sessions this way finish faster, sound more confident, and rarely get thrown off by a timing tweak. Consistency always beats talent that’s untrained.

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— YUNGRØC™

18/10/2025

I am YUNGRØC, a Music Producer, Mixing and Mastering Engineer, Coach, Music Analyst, and Founder of The Beats By Roc Company LLC, Symphony Producers Academy, Mixclassics Mixing & Mastering Services, The YUNGRØC Brands, and AIM Consults.

I work with artists, producers, and labels who want real growth and real results. I help shape sound, mindset, and strategy — from beat creation to final mastering, from song arrangement to music business clarity. My job is to bring professionalism, depth, and excellence into every project that carries my touch.

If you’re serious about your sound, I’m open for:
Production, Mixing, Mastering, Coaching, Artist Development, Business Consulting, Songwriting Collaboration, and Strategic Music Marketing.

Reach out through +2348037643281 or [email protected]
Follow across all platforms for more.

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— YUNGRØC

18/10/2025

COOK.

17/10/2025

As an Artist, wherever you are in the Globe , you have access to Get these books and enjoy the little details on how you can be better on your pen game or simply put , on how you can improve your songwriting skills.
The books are cheap because I’m doing it for the culture.
Get these books and thank me later.

The BookHive is a creative marketplace built for thinkers, creators, and dreamers. More than a store where knowledge, art and entertainment collide.

17/10/2025

Go Listen to Her Masterpiece 🔥🔥🔥

Cc

Olivia C. Dacal · Lady Love · Song · 2025

17/10/2025

16/10/2025

Never Stopped Making Music. . 🎶