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A Powerful Tunisian Presence at the 46th Cairo International Film Festival Tunisia made a standout appearance at CIFF46,...
20/11/2025

A Powerful Tunisian Presence at the 46th Cairo International Film Festival

Tunisia made a standout appearance at CIFF46, participating across competition sections, the jury, and industry meetings — confirming its position as one of the most dynamic and daring film industries in the Arab world.

🎬 International Competition
• “Exile” by Mehdi Hmili follows Mohamed, a steel-factory worker whose life collapses after a brutal accident, leading him into a dark journey of revenge, corruption, and physical decay.
Director Hmili returns to Cairo after his acclaimed 2021 film Streams.

🎬 Arab Horizons Competition
• “Searching for Aïda” by Sarah Abidi — a delicate portrait of a woman confronting time, regret, and self-discovery inside a call center.
• “Round 13” by Mohamed Ali Nahdi — the emotional story of a retired boxer fighting for his family as his son faces a devastating diagnosis.

🎬 Official Selection – Out of Competition (Closing Film)
• “The Voice of Hind Rajab” by Kawther Ben Hania — inspired by the real tragedy of a 6-year-old Palestinian girl trapped in a bombed vehicle in Gaza. Tunisia’s official submission for the 2026 Oscars.

🎬 Short Film Competition
• “First Shame, Then Habit” by Meriem Ferjani — a haunting tale of two “undead” bodies wandering a city in search of connection.
• “Bird’s Illusion” by Rami Jarboui — following Yahya, a young man in a wheelchair who dreams of crossing the Mediterranean.

🎬 Cairo Industry Days – Co-Production Forum
• “Farewell Party”, the new project by Sarah Al Abed, showcased Tunisia’s emerging generation in global co-production networks.

From intimate storytelling to bold political cinema, Tunisia’s participation this year highlights a growing creative force reshaping the landscape of Arab filmmaking.

Follow for exclusive CIFF coverage, filmmaker interviews, and behind-the-scenes insights.


Film Review | “Once Upon a Time in Gaza” A bold, deeply emotional Palestinian crime drama by Tarzan & Arab Nasser, blen...
20/11/2025

Film Review | “Once Upon a Time in Gaza”

A bold, deeply emotional Palestinian crime drama by Tarzan & Arab Nasser, blending thriller, satire, and raw political reality into a powerful portrait of life under siege.

Set between 2007 and 2009, the film follows Osama and Yahya, two friends whose lives spiral after a clash with a corrupt police officer. What begins as a crime story transforms into a film-within-a-film — where Yahya is cast as the hero of an action movie he never wanted to be in, mirroring the trapped dreams of an entire generation in Gaza.

The Nasser Brothers deliver a moving, multilayered narrative about identity, resistance, and the everyday struggle to stay human under occupation. It is a tribute to Gazans who insist on living with dignity, even when the world tries to silence their dreams.

Full CIFF46 coverage, exclusive interviews, and global festival insights on

Ahmed Mourad at “With El-Sett, We’re Bringing Back Female-Led Cinema.”In a powerful Cairo Industry Days session, acclai...
20/11/2025

Ahmed Mourad at

“With El-Sett, We’re Bringing Back Female-Led Cinema.”

In a powerful Cairo Industry Days session, acclaimed novelist and screenwriter Ahmed Mourad () reflected on his creative journey — from a childhood shaped by photography to becoming one of the Arab world’s most influential storytellers.

Mourad revealed how his writing process begins visually, imagining scenes as photographs before turning them into prose, and later into cinema. He emphasized that writers today cannot be trapped in one genre, arguing that blending categories is the key to surprising audiences in an era dominated by digital platforms.

He confirmed that “The Blue Elephant 3” begins filming next month, and spoke about the impact of AI on creativity:
“AI will speed up some people and slow down others — but it still needs an educated mind to guide it.”
Mourad also discussed the origins of his iconic novel The Blue Elephant, which he initially feared might be his last due to its complexity, before it became a cultural phenomenon through director Marwan Hamed ().

Looking ahead, Mourad said he is eagerly awaiting the release of his new film “El-Sett”, starring Mona Zaki (), calling it one of the most challenging works he and Marwan Hamed have ever created:
“There is no action, no fantasy — just a real woman’s story. Female-led cinema has vanished in Egypt, and we are trying to bring it back.”

For in-depth coverage, exclusive interviews, behind-the-scenes moments, and daily highlights from the heart of CIFF, follow — your global window into the world’s most important film festivals.

Mahmoud Abdel Samee’ at :“The Director of Photography Is a Co-Author of the Film’s Visual Language.”In a special tribute...
20/11/2025

Mahmoud Abdel Samee’ at :
“The Director of Photography Is a Co-Author of the Film’s Visual Language.”

In a special tribute session at the Cairo International Film Festival, legendary Egyptian cinematographer Mahmoud Abdel Samee’ shared rare stories from his remarkable career — including an unfinished film on Palestine he once developed with the late Rafat El-Mihi.

Abdel Samee’ spoke candidly about the creative partnership between director and cinematographer, describing it as a “relative relationship” shaped by trust, clarity, and shared vision. He recalled using over 90 lights to achieve a full 360° camera movement in “Le’l Hob Qessa Akheera”, showing how technical ambition and visual precision guided his work.

He also revealed innovative behind-the-scenes solutions, such as designing a custom moving wooden platform for “Al-Taweezah”, giving the supernatural scenes a unique visual texture that still stands out today.

For Abdel Samee’, cinematography is not ex*****on — it is authorship.
“The DP isn’t just following instructions. He is a partner in creating the film’s language,” he emphasized, urging young filmmakers to clarify their artistic vision and communicate it to their teams.

From shooting with his first film camera in 1961, to photographing more than 200 documentaries, to being the first cinematographer to enter the battlefield during the War of Attrition and the October War, Abdel Samee’ has shaped Egyptian visual culture for decades.

Today, as head of the Film Society and director of its annual festival, he continues to mentor new generations, carrying forward the discipline, curiosity, and artistry that defined his life’s work.

Full coverage on

Opening Film | “The Blue Trail” at A bold and poetic Brazilian drama that follows Tereza — portrayed with stunning dept...
20/11/2025

Opening Film | “The Blue Trail” at

A bold and poetic Brazilian drama that follows Tereza — portrayed with stunning depth by Denise Weinberg () — a 77-year-old woman who refuses to let the state decide the limits of her life.

Directed by Gabriel Mascaro (), the film sends Tereza on a rebellious journey through the Amazon, where she crosses paths with Kadu, played by Rodrigo Santoro (), and the sharp-witted vendor Roberta (Miryam Socarras).

The Blue Trail is a cinematic tribute to women society tries to silence — a film about courage, dignity, freedom, and the beauty of refusing to disappear.

Full festival coverage on

Mohamed Abdel Aziz at :“Comedy Is a Social Art… Laughter Is the Result, Not the Goal.”In an inspiring masterclass during...
20/11/2025

Mohamed Abdel Aziz at :
“Comedy Is a Social Art… Laughter Is the Result, Not the Goal.”

In an inspiring masterclass during CIFF46, legendary Egyptian director Mohamed Abdel Aziz reflected on the philosophy behind his iconic comedy films, emphasizing that true comedy carries meaning, message, and social depth.

He shared unforgettable memories with Adel Imam, revealing that the superstar initially refused to star in “El Baad Yezhab Lel Ma’zoun Marratein”, only for the film to become a massive success after release. Abdel Aziz insisted on casting Lobna (Lobna/Lobloba) in “Khally Balak Men Giranak”, a film that went on to run for an impressive 32 weeks despite opening in a small cinema.

For him, humor doesn’t come from forced jokes
“It’s the events themselves that make you laugh.”

Actress Lobna/Lobloba praised Abdel Aziz for teaching her how to perform comedy with elegance and without exaggeration, crediting him for shaping her understanding of timing and screen presence.

Abdel Aziz spoke about the difficulty of directing comedy, describing it as a delicate balance between emotion, thought, and human truth — a craft he polished through decades of work across cinema, theatre, and television. With over 20 TV works and dozens of beloved films, he highlighted that comedy often carries more seriousness than tragedy because it reflects society itself.

Receiving the Golden Pyramid for Lifetime Achievement, he expressed deep gratitude and celebrated his long creative partnership with Hussein Fahmy.

“Comedy is an honest art… a mirror of everyday life, not just humor.”

More festival highlights on

Arab Cinema Rising | From Local Roots to Global Screens A powerful conversation unfolded during Cairo Industry Days as l...
15/11/2025

Arab Cinema Rising | From Local Roots to Global Screens

A powerful conversation unfolded during Cairo Industry Days as leading figures in Arab cinema — Alaa Karkouti, Sara Mansanet Royo, filmmakers Tarzan & Arab Nasser, and actor Ahmed Malek () — explored the evolution of regional filmmaking and its growing global impact.
The session, moderated by Mohamed Allal, highlighted how bold storytelling, cultural authenticity, and new production models are helping Arab cinema transcend borders and reach international audiences.

With unique perspectives from producers, directors, and rising talent, the panel offered a clear message:
Arab cinema is not just emerging — it is redefining its place on the world stage.

More exclusive CIFF coverage coming soon.
Follow for daily festival updates.

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