GUP magazine

GUP magazine Guide to Unique Photography
since 2005
www.gupmagazine.com

GUP Magazine, an international authoritative publication on photography, connects its communities with the sharpest conceptual photography, the latest photo books, and compelling writings about the contemporary world of photography. As an overall platform for photography we publish four premium print issues a year, deliver daily online content, and produce self-initiated book publications.

23/08/2026

We proudly present you with one of the winners of this year's edition 🔥❤️

Devashish Gaur
1996, India


“I never met my grandfather. Growing up, I was told I shared his habits, interests, and way of moving through the world. He was a freedom fighter, teacher, poet, and photographer. Everything I knew of him came through my father, through memories that were already a translation, already a loss.

My curiosity about my grandfather led me to photograph my father and our ordinary shared life: objects on his shelves, domestic rituals, and the body that carried half of what I am. Through him, I searched for traces of someone I could never know directly. After my father’s sudden death in 2024, these photographs changed meaning. What began as an act of connection became a record of absence. The images now speak of the distance that remains between generations, even within intimacy itself.”

21/08/2026

We proudly present you with one of the winners of this year's edition 🔥❤️

Jason Landis
1993, The United States


“My photographic practice revolves around the transformative relationship between people and their environments. I am drawn to moments of connection, curiosity, and the unpredictable ways individuals interact with one another and the world around them. Working between documentary observation and constructed situations, I seek images that feel both spontaneous and emotionally charged.

I am inspired by natural landscapes as much as by the complexities of human relationships. Rather than following a fixed narrative, I create space for unscripted encounters, allowing chance and intuition to shape the work. Much of my work exists somewhere between social experiment and visual storytelling. Through photography, I investigate how people adapt to unfamiliar situations, revealing vulnerability, resilience, and the desire for connection. The camera becomes a tool for entering the unknown and discovering what emerges there.”

19/08/2026

We proudly present you with one of the winners of this year's edition 🔥❤️

Ayanda Kanise
1997, South Africa


“My work reflects South Africa as an evolving, fragile utopia shaped by social stratification, cultural erosion and the quiet negotiations of everyday life. Drawing from lived experiences across rural landscapes and urban centres, the work explores identity as something unfinished: layered, contested and continually reforming.

Through portraiture and image-making, I use semiotics, texture as well as tonal layering to suggest states of longing, tenderness and restraint without being too sentimental. My process often begins with silhouettes and intuitive mark-making, building depth through accumulation rather than resolution. Techniques such as double exposure and the integration of text rooted in the South African lexicon allow images to hold multiple readings at once.

My practice embraces imperfection as both method and meaning, inviting viewers to slow down, sit with ambiguity while reflecting on memory and becoming within a shifting social landscape.”

21/05/2026

DEADLINE EXTENDED TILL MAY 31!

Due to large volume of last-minute submissions, we have decided to extend the deadline. This is your moment to apply!

You can submit via fresheyesphoto.com ❤️‍🔥

VIKTORIIA TYMONOVA1996, Ukraine/Czech RepublicViktoriia Tymonova is an artist who explores fiction, magical thinking, an...
31/03/2026

VIKTORIIA TYMONOVA
1996, Ukraine/Czech Republic


Viktoriia Tymonova is an artist who explores fiction, magical thinking, and conspiracy theories. The phenomena of the paranormal, the unexplored, and the otherworldly are central to her work. Viktoriia uses reenactments, hoaxes, and memories as tools in her practice. She is fascinated by mystifications and the combination of real and alternative history.

EDITA LIESSNER1991, The Czech RepublicThe grammar of alienation is counterintuitive. Its forces are mysterious, yet mani...
17/03/2026

EDITA LIESSNER
1991, The Czech Republic


The grammar of alienation is counterintuitive. Its forces are mysterious, yet manifestations painfully palpable. The complexity of being seen is in tandem with the anxiety of being overlooked. Culturally rooted in the fabric of our everyday lives, it finds its shape and form in crowds and behind glass. The loneliness of a large city is an emotional map with loose knots and heightened sensations. In such an environment, how do we find a connection?

Short Stories on a Long Theme ponder human disconnection in the contemporary world and our fundamental need to belong through colour theory. Combining geometric studio still-lifes and documentary photographs that have been simplified to a form, the series lyrically investigates feelings of alienation and solitude. Although in close proximity, loneliness transforms human subjects into shapes, movements, shadows, and reflections to guide the viewer's gaze and simultaneously support their meaning-making process. The series contemplates not only the relationships of colour and their harmonies but also social interactions. Similarly to colours, those could be deceitfully misleading.

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