The Blueprint

The Blueprint The Official Student Publication of MMSU College of Engineering

๐—ก๐—˜๐—ช๐—ฆ | ๐— ๐— ๐—ฆ๐—จ ๐—Ÿ๐—ฎ๐˜‚๐—ป๐—ฐ๐—ต๐—ฒ๐˜€ ๐— ๐—ผ๐—ฑ๐—ฒ๐—น ๐—จ๐—ป๐—ถ๐˜๐—ฒ๐—ฑ ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐—ฃ๐—ถ๐—ผ๐—ป๐—ฒ๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐—ข๐—ฎ๐˜๐—ต-๐—ง๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—–๐—ฒ๐—ฟ๐—ฒ๐—บ๐—ผ๐—ป๐˜†๐˜ฃ๐˜บ ๐˜ˆ๐˜ช๐˜ณ๐˜ข ๐˜๐˜ข๐˜บ๐˜ฆ ๐˜Ž. ๐˜Š๐˜ฐ๐˜ณ๐˜ฑ๐˜ถ๐˜ป The Mariano Marcos ...
15/09/2025

๐—ก๐—˜๐—ช๐—ฆ | ๐— ๐— ๐—ฆ๐—จ ๐—Ÿ๐—ฎ๐˜‚๐—ป๐—ฐ๐—ต๐—ฒ๐˜€ ๐— ๐—ผ๐—ฑ๐—ฒ๐—น ๐—จ๐—ป๐—ถ๐˜๐—ฒ๐—ฑ ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐—ฃ๐—ถ๐—ผ๐—ป๐—ฒ๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐—ข๐—ฎ๐˜๐—ต-๐—ง๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—–๐—ฒ๐—ฟ๐—ฒ๐—บ๐—ผ๐—ป๐˜†
๐˜ฃ๐˜บ ๐˜ˆ๐˜ช๐˜ณ๐˜ข ๐˜๐˜ข๐˜บ๐˜ฆ ๐˜Ž. ๐˜Š๐˜ฐ๐˜ณ๐˜ฑ๐˜ถ๐˜ป

The Mariano Marcos State University (MMSU) officially welcomed a new chapter in its student organizations with the oath-taking of the pioneering officers and members of the MMSU Model United Nations (MUN) on September 15, 2025, held at the College of Arts and Sciences Audio Visual Room (CAS AVR).

Representing the College of Engineering in the organization are three active members: EXECOMM Member Toni Marit Gabrielle B. Jacildo (BS Civil Engineering 2B); USG for Finance John Wayne B. Dalere (BS Civil Engineering 4C); and Finance Member Trisha Jane I. Gappi (BS Civil Engineering 2C). Their involvement signifies the collegeโ€™s upbringing of future engineers who are equally prepared to take part in international discourse.

In her welcome remarks, Secretary-General Beatrice Michaela Acenan described the oath-taking as a landmark moment, pointing out that the MMSU MUN was born from a shared passion for diplomacy and international relations. She noted that the organization seeks to prove that MMSU students have the talent and drive to join global conversations. More importantly, Acenan underscored that MMSU now takes pride in being one of the first universities in Region I to establish a Model United Nation.

Director-General Vinz Thyrone C. Asuncion, meanwhile, emphasized that the MMSU MUN is determined to grow stronger, aim higher, and continually improve in the years ahead. For Asuncion, diplomacy must always be the first step, reminding students to โ€œbe relevant, be known, be yourself, be Model United Nations.โ€

After Vice President of Academic Affairs Dr. Aris Reynold Cajigal administered the oath-taking ceremony, the organization adviser, Ms. Divina Grace Eugenio delivered the message of commitment reminding the new officers to lead with empathy and action: โ€œMay you commit to listening before speaking, respecting differences, seeking solutions instead of fueling divisions, and may you commit to being leaders who will not just dream but act.โ€

Dr. Cajigal also delivered an inspirational message, recognizing the organization as a legacy for its pioneering members. โ€œToday, you have organized yourselves into a Model United Nations ready to serve the university and fulfill your mandate of developing global citizens,โ€ he said.

With its establishment, MMSU joins the ranks of universities worldwide that provide students with platforms to practice diplomacy, broaden their worldview, and become future leaders in both local and international arenas.

๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜ด ๐˜ฃ๐˜บ ๐˜‹๐˜ช๐˜ฐ๐˜ฏ๐˜ฆ ๐˜—๐˜ณ๐˜ช๐˜ฏ๐˜ค๐˜ฆ๐˜ด๐˜ด ๐˜ ๐˜ณ๐˜ข ๐˜”. ๐˜๐˜ข๐˜ฃ๐˜ช๐˜ข๐˜ฏ

๐— ๐—ข๐—ง๐—œ๐—ฉ๐—”๐—ง๐—œ๐—ข๐—ก๐—”๐—Ÿ | ๐—ช๐—ฎ๐—น๐—ธ ๐˜€๐—น๐—ผ๐˜„๐—น๐˜†, ๐—ฏ๐˜‚๐˜ ๐—ป๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐—ฏ๐—ฎ๐—ฐ๐—ธ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€๐˜ฃ๐˜บ ๐˜๐˜ช๐˜ฏ๐˜ค๐˜ฆ๐˜ฏ๐˜ต ๐˜‘๐˜ข๐˜ฅ๐˜ฆ ๐˜™. ๐˜๐˜ช๐˜ญ๐˜ฐ๐˜ณ๐˜ช๐˜ขFrom James Clearโ€™s Atomic Habits, this reminds ...
14/09/2025

๐— ๐—ข๐—ง๐—œ๐—ฉ๐—”๐—ง๐—œ๐—ข๐—ก๐—”๐—Ÿ | ๐—ช๐—ฎ๐—น๐—ธ ๐˜€๐—น๐—ผ๐˜„๐—น๐˜†, ๐—ฏ๐˜‚๐˜ ๐—ป๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐—ฏ๐—ฎ๐—ฐ๐—ธ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€
๐˜ฃ๐˜บ ๐˜๐˜ช๐˜ฏ๐˜ค๐˜ฆ๐˜ฏ๐˜ต ๐˜‘๐˜ข๐˜ฅ๐˜ฆ ๐˜™. ๐˜๐˜ช๐˜ญ๐˜ฐ๐˜ณ๐˜ช๐˜ข

From James Clearโ€™s Atomic Habits, this reminds us that motion lays the blueprint, while action builds it. Failure teaches us to adapt and grow. Low scores donโ€™t define usโ€”they simply show that we are beautifully imperfect.

But motion without action becomes procrastination. Even the best plan is useless if we never begin. Yes, you may have failed an exam, drawn past the border, or miscalculated a problem setโ€”but thatโ€™s okay. Each mistake; errorโ€”an invitation to try again, until trying is no longer needed.

Step by step, slowly but surely, we move forward. And when we stumble, let failure be our teacherโ€”not the reason we turn back.

Do not let a single setback dim the fire youโ€™ve carried this far. The dream you holdโ€”whether a degree, a promise to your younger self, or a quiet hope youโ€™ve never spoken aloudโ€”deserves to be chased, even on weary days. Keep going. Slowly, perhaps. Softly, at times. But always forward.

_
๐˜ช๐˜ญ๐˜ญ๐˜ถ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜บ ๐˜‘๐˜ถ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ข ๐˜—. ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ข๐˜ฏ๐˜ฐ

  | In preparation for the upcoming midterm examinations, the Movement of Ilocos Norte DOST Scholars (MINDS) is organizi...
13/09/2025

| In preparation for the upcoming midterm examinations, the Movement of Ilocos Norte DOST Scholars (MINDS) is organizing CalcuLISKO, a structured calculus tutoring program open to all MMSU students currently enrolled in a calculus subject.

What makes this initiative distinctive is that all tutors come from the College of Engineering, bringing both academic expertise and peer perspective into the review sessions. The program aims to help participants strengthen their problem-solving skills, revisit major topics, and build confidence ahead of exams.

๐Ÿ“ Venues
โ€ข Sept. 16 โ€“ MMSU Library, American Corner
โ€ข Sept. 19, 23, 26 โ€“ MMSU CFL, International Program Center

๐Ÿ—“ Session Topics and Schedule
โ€ข Limits & Basic Differentiation โ€“ Sept. 16 & 23 (8โ€“10 AM / 2โ€“4 PM)
โ€ข Exponents, Radicals, Rationalization โ€“ Sept. 19 & 26 (8โ€“10 AM)
โ€ข Polynomial Functions & Binomial Theorem โ€“ Sept. 19 & 26 (10 AMโ€“12 NN)
โ€ข Integration: Concepts, Formulas, Techniques โ€“ Sept. 19 & 26 (1โ€“3 PM / 3โ€“5 PM)

โ„น๏ธ For more information and registration details, visit the official MINDS page.





๐—˜๐——๐—œ๐—ง๐—ข๐—ฅ๐—œ๐—”๐—Ÿ ๐—–๐—”๐—ฅ๐—ง๐—ข๐—ข๐—ก | ๐—•๐˜‚๐—ถ๐—น๐˜ ๐——๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐˜: ๐—ง๐—ต๐—ฒ ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ ๐—ฆ๐˜๐—ถ๐—น๐—น ๐—ฆ๐˜๐—ฎ๐—ป๐—ฑ๐˜€๐˜ฃ๐˜บ ๐˜‹๐˜ช๐˜น๐˜ช๐˜ฆ ๐˜’๐˜บ๐˜ญ๐˜ฆ ๐˜ˆ. ๐˜‰๐˜ข๐˜ณ๐˜ข๐˜ฐ๐˜ช๐˜ฅ๐˜ข๐˜ฏ
11/09/2025

๐—˜๐——๐—œ๐—ง๐—ข๐—ฅ๐—œ๐—”๐—Ÿ ๐—–๐—”๐—ฅ๐—ง๐—ข๐—ข๐—ก | ๐—•๐˜‚๐—ถ๐—น๐˜ ๐——๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐˜: ๐—ง๐—ต๐—ฒ ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ ๐—ฆ๐˜๐—ถ๐—น๐—น ๐—ฆ๐˜๐—ฎ๐—ป๐—ฑ๐˜€
๐˜ฃ๐˜บ ๐˜‹๐˜ช๐˜น๐˜ช๐˜ฆ ๐˜’๐˜บ๐˜ญ๐˜ฆ ๐˜ˆ. ๐˜‰๐˜ข๐˜ณ๐˜ข๐˜ฐ๐˜ช๐˜ฅ๐˜ข๐˜ฏ

๐—Ÿ๐—œ๐—ง๐—˜๐—ฅ๐—”๐—ฅ๐—ฌ | ๐—–๐—น๐—ผ๐˜‚๐—ฑ๐˜€ ๐—•๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป ๐—จ๐˜€๐˜ฃ๐˜บ ๐˜๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜Œ๐˜ณ๐˜ช๐˜ฏ๐˜ฉ โ€œ๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜ดโ€ ๐˜Ž. ๐˜”๐˜ช๐˜ญ๐˜ฐ ๐—›๐—ผ๐˜„ ๐—ฑ๐—ผ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ฐ๐—ฎ๐—ฟ๐—ฟ๐˜† ๐˜„๐—ฒ๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ ๐—ถ๐—ป๐˜€๐—ถ๐—ฑ๐—ฒ ๐˜๐—ต๐—ฒ๐—บ?Moods like weathe...
10/09/2025

๐—Ÿ๐—œ๐—ง๐—˜๐—ฅ๐—”๐—ฅ๐—ฌ | ๐—–๐—น๐—ผ๐˜‚๐—ฑ๐˜€ ๐—•๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป ๐—จ๐˜€
๐˜ฃ๐˜บ ๐˜๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜Œ๐˜ณ๐˜ช๐˜ฏ๐˜ฉ โ€œ๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜ดโ€ ๐˜Ž. ๐˜”๐˜ช๐˜ญ๐˜ฐ

๐—›๐—ผ๐˜„ ๐—ฑ๐—ผ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ฐ๐—ฎ๐—ฟ๐—ฟ๐˜† ๐˜„๐—ฒ๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ ๐—ถ๐—ป๐˜€๐—ถ๐—ฑ๐—ฒ ๐˜๐—ต๐—ฒ๐—บ?
Moods like weather; shifting, breaking, holding on.

Someone is a calm drizzle;
one is an unbearable sunshine;
some are just a small lone cloud, adrift in the middle;
some are untouchable;
sometimes there is an unexpected shiver in the breeze;
and another is unpredictable thunder.

We tend to have different moods in every minute of our lives;

some days weโ€™re storms โ€”raging at anything that tries to come close;
some days weโ€™re all sun โ€”blinding ourselves with joy that is too bright to hold.

But there are skies we never notice,
and they frighten us;
the ones that carry a storm in silence,
smiling while lightning splits inside.

๐—•๐—ฒ๐—ฐ๐—ฎ๐˜‚๐˜€๐—ฒ ๐—ป๐—ผ ๐—ณ๐—ผ๐—ฟ๐—ฒ๐—ฐ๐—ฎ๐˜€๐˜ ๐—ถ๐˜€ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ฒ๐—ฐ๐˜;
and we never know who is holding on just to see another tomorrow.

There are mornings we wake as fog โ€”uncertain; slow; hard to read.
Evenings when we set like overcast skies โ€”quiet; heavy; aching for some light.
And yet, most of the time, weโ€™re a sky pretending to be fine.

But then, we meet someone whose weather collides with ours;
too much heat; too much rain; too little calm;
so our clouds stay between us, never quite clearing.

Thatโ€™s why kindness must be our default
โ€”a soft umbrella; a shelter of words during heavy rains;
a gentle touch of sun โ€”a warmth that is given freely;
or just being alone together โ€”where the sky can be worth clearing, if only for some time.

And if today your sky feels like itโ€™s breaking;
know that even storms pass;
know that even unfinished sentences can continue.

Maybe thatโ€™s just how people are; skies shifting, always meant to carry something.

So, we keep the clouds between us;
and yet, we remain.

-
๐˜ช๐˜ญ๐˜ญ๐˜ถ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜บ ๐˜‘๐˜ถ๐˜ญ๐˜ช๐˜ข๐˜ฏ๐˜ข ๐˜”๐˜ข๐˜ฆ ๐˜๐˜ช๐˜ฐ๐˜ฏ๐˜ฆ ๐˜˜. ๐˜›๐˜ถ๐˜จ๐˜ข๐˜ฐ๐˜ฆ๐˜ฏ

๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ | ๐—” ๐——๐˜‚๐—ฒ๐˜ ๐˜„๐—ถ๐˜๐—ต ๐—ก๐˜‚๐—บ๐—ฏ๐—ฒ๐—ฟ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ผ๐—ฒ๐˜๐—ฟ๐˜†: Josefino Servรฉ๐˜ฃ๐˜บ ๐˜Œ๐˜ฎ๐˜ฎ๐˜ข๐˜ฏ๐˜ถ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ฆ ๐˜™. ๐˜—๐˜ข๐˜ฎ๐˜ฎ๐˜ช๐˜ตIn the halls of Mariano Marcos Stat...
08/09/2025

๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ | ๐—” ๐——๐˜‚๐—ฒ๐˜ ๐˜„๐—ถ๐˜๐—ต ๐—ก๐˜‚๐—บ๐—ฏ๐—ฒ๐—ฟ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ผ๐—ฒ๐˜๐—ฟ๐˜†: Josefino Servรฉ
๐˜ฃ๐˜บ ๐˜Œ๐˜ฎ๐˜ฎ๐˜ข๐˜ฏ๐˜ถ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ฆ ๐˜™. ๐˜—๐˜ข๐˜ฎ๐˜ฎ๐˜ช๐˜ต

In the halls of Mariano Marcos State University โ€“ College of Engineering, where chalkboards sing with equations and plates dance across drafting tables, stands a young man with two voices โ€” Joseph Labayan, the Civil Engineering student who speaks the language of numbers, and Josefino Servรฉ, the soul who refuses silence, singing truths deeper than numbers can hold.

For Joseph, writing is a platform where his heart composes its own equations and sings emotions no blueprint can explain. From simple social media posts to his first book ๐—Ÿ๐—ฎ๐—ด๐—ฝ๐—ฎ๐˜€ ๐—›๐—ฎ๐˜๐—ถ๐—ป๐—ด๐—ด๐—ฎ๐—ฏ๐—ถ, published at only 17, he proved he was not a typical engineering student. What he offered was not just poetry but a passage urging others toward courage and acceptance. In that honesty, his whisper turned into a voice, and the spotlight found him. โ€œ๐˜‘๐˜ฐ๐˜ด๐˜ฆ๐˜ฑ๐˜ฉ ๐˜Ž. ๐˜“๐˜ข๐˜ฃ๐˜ข๐˜บ๐˜ข๐˜ฏ ๐˜ฉ๐˜ข๐˜ด ๐˜ธ๐˜ฐ๐˜ฏ 2๐˜ฏ๐˜ฅ ๐˜—๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ช๐˜ฏ ๐˜—๐˜ฉ๐˜ช๐˜ญ๐˜š๐˜ˆโ€™๐˜ด ๐˜š๐˜ฑ๐˜ข๐˜ค๐˜ฆ-๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜—๐˜ฐ๐˜ฆ๐˜ต๐˜ณ๐˜บ ๐˜Š๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฆ๐˜ต๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ!โ€ What was once heard only within the walls of his room has now soared beyond earthly bounds.

Only weeks later, his voice reached the prestigious grounds of the University of the Philippines Diliman. From almost six hundred entry submissions, only ten were selected as fellows to the workshop. Hosted by ๐— ๐—ด๐—ฎ ๐—ง๐—ฎ๐—น๐—ฎ ๐—ฎ๐˜ ๐—ง๐˜‚๐—น๐—ฎโ€”a literary community founded by Sir Ron Camino and followed by millionsโ€”Joseph Labayan of Ilocos Norte stood tall as one of the Top 10 participants, presenting his collection of five Filipino poems under the general title ๐—œ๐—ฏ๐—ฎโ€™๐˜ ๐—œ๐—ฏ๐—ฎ๐—ป๐—ด ๐—”๐—ป๐˜†๐—ผ ๐—ป๐—ด ๐—ฃ๐—ฎ๐—ด๐˜๐—ฎ๐—ป๐—ด๐—ด๐—ฎ๐—ฝ. The piece peeled back layers of human experience, exploring acceptance of pain, love, departure, and even death.

His poems refuse to romanticize suffering. Instead, they let it speak plainly, vulnerably, and sometimes hauntingly. From the searing heat of companionship in ๐—œ๐—ป๐—ถ๐˜, to the fragile hope in ๐—›๐—ถ๐—ป๐—ฎ๐—ด๐—ฎ๐—ฝ, the quiet exhaustion in ๐—›๐—ผ๐˜€๐—ฝ๐—ถ๐˜๐—ฎ๐—น, and the stark yet tender surrender in ๐—จ๐—ป๐—ฑ๐—ฎ๐˜€, each piece reflects how the human heart learns to endure and let go. His words held the room in stillness โ€” not because they were unfamiliar, but because they echoed truths many were too afraid to voice.

What makes the collection striking is its intimacy. The words feel less like poetry and more like someone sitting beside you, whispering truths you never dared admit. As one line from ๐—Ÿ๐—ฎ๐—บ๐—ฎ๐˜† puts it: โ€œ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ๐˜ช ๐˜ฌ๐˜ข ๐˜ฎ๐˜ข๐˜ถ๐˜ถ๐˜ฃ๐˜ฐ๐˜ด, ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ๐˜ช ๐˜ต๐˜ถ๐˜ญ๐˜ข๐˜ฅ ๐˜ฏ๐˜จ ๐˜ฌ๐˜ข๐˜ฏ๐˜ฅ๐˜ช๐˜ญ๐˜ข. / ๐˜ข๐˜ต ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ๐˜ช ๐˜ฌ๐˜ข ๐˜ฎ๐˜ข๐˜ต๐˜ข๐˜ต๐˜ข๐˜ฑ๐˜ฐ๐˜ด, ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ๐˜ช ๐˜ต๐˜ถ๐˜ญ๐˜ข๐˜ฅ ๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜จ-๐˜ช๐˜ฃ๐˜ช๐˜จ ๐˜ฏ๐˜ช๐˜บ๐˜ข.โ€ In these poems, acceptance is not a single act but a constant becoming: burning, breaking, grieving, and still, somehow, choosing to love.

The collection also drew the eyes of renowned critics. Sir Allan Popa noted not only its honesty and depth but also its deliberate use of language and form โ€” how its imagery carries weight, how its structure mirrors the process of acceptance, and how its rhythm allows silence to speak as much as the words. Sir Ron Camino โ€” whom Joseph considers his greatest inspiration โ€” became both mentor and dream come true when their paths finally crossed. Sir Jerry Graciano, another speaker-mentor at the workshop, critiqued a different collection, yet Joseph carried valuable lessons from his words as well.

He became โ€œJosefino Servรฉโ€ โ€” not just reciting poetry but opening a door that invites others to step into the courage of acceptance. With that courage, rooted in humility and truth, his journey reached an even wider audience when the story of the fellows was featured by TV personality Marc Logan. This moment marked Josephโ€™s debut television appearance โ€” a testament that his words live not only on the page but also in the hearts of people longing to be understood.

Living in two worlds often seen as incompatible โ€” numbers demanding precision and letters demanding soul โ€” Joseph shows he was never torn between them. He is the ruler of both: messy yet precise, not a mathematical theory but achingly real. He represents not only excellence but possibility, proving that logic and art can thrive in one mind. Solving equations does not mean silencing emotions. Intelligence is not a single form. And in Joseph, we see how one can thrive in two worlds โ€” and even build bridges between them.

โ€”
๐˜ฑ๐˜ถ๐˜ฃ๐˜ฎ๐˜ข๐˜ต ๐˜ฃ๐˜บ ๐˜’๐˜ช๐˜ฏ๐˜จ ๐˜—๐˜ข๐˜ต๐˜ณ๐˜ช๐˜ค๐˜ฌ ๐˜š. ๐˜ˆ๐˜จ๐˜ฅ๐˜ฆ๐˜ฑ๐˜ฑ๐˜ข

๐—–๐—ข๐— ๐—œ๐—–๐—ฆ | ๐—–๐—ฎ๐—น๐—บ ๐—•๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ฆ๐˜๐—ผ๐—ฟ๐—บ (๐™›๐™ค๐™ง๐™š๐™จ๐™๐™–๐™™๐™ค๐™ฌ๐™ž๐™ฃ๐™œ)-๐˜ค๐˜ฐ๐˜ฎ๐˜ช๐˜ค ๐˜ข๐˜ณ๐˜ต ๐˜ฃ๐˜บ ๐˜‘๐˜ถ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ข ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ข๐˜ฏ๐˜ฐ
07/09/2025

๐—–๐—ข๐— ๐—œ๐—–๐—ฆ | ๐—–๐—ฎ๐—น๐—บ ๐—•๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ฆ๐˜๐—ผ๐—ฟ๐—บ (๐™›๐™ค๐™ง๐™š๐™จ๐™๐™–๐™™๐™ค๐™ฌ๐™ž๐™ฃ๐™œ)

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๐˜ค๐˜ฐ๐˜ฎ๐˜ช๐˜ค ๐˜ข๐˜ณ๐˜ต ๐˜ฃ๐˜บ ๐˜‘๐˜ถ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ข ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ข๐˜ฏ๐˜ฐ

Weโ€™ve all heard it before โ€” โ€œ๐—”๐—ด๐—ฎ๐—ป-๐—ฎ๐—ป๐˜‚๐˜€ ๐—ธ๐—ฎ, ๐—˜๐—ป๐—ด๐—ฟ.โ€ It slips out in laughter: from a friend who braved a major exam with n...
06/09/2025

Weโ€™ve all heard it before โ€” โ€œ๐—”๐—ด๐—ฎ๐—ป-๐—ฎ๐—ป๐˜‚๐˜€ ๐—ธ๐—ฎ, ๐—˜๐—ป๐—ด๐—ฟ.โ€ It slips out in laughter: from a friend who braved a major exam with nothing but courage, the one who second-guessed every answer and shrugged it off, or that one classmate who cheers, โ€œ๐˜œ๐˜ณ๐˜ข๐˜บ ๐˜ต๐˜ณ๐˜ฆ๐˜ด ๐˜ญ๐˜ข๐˜ฏ๐˜จ, ๐˜ด๐˜ช๐˜ณ!โ€ while quietly hoping for more; shouted half in joke, half in prayer.

Coping comes in many forms โ€”another cup of black coffee to make us feel alive through night, another set of scribbled notes; another sarcastic joke to keep the spirit alive, or even another siomai rice from the auxiliary building just to recharge after getting drained by a calculus exam and say "deserve ko โ€˜to!".

Sleepless, restless, yet still moving.

But hereโ€™s the thing: every small push, every laugh in the middle of the grind, every line of code or solved equation โ€”adds up to more than just survival.

๐—œ๐˜โ€™๐˜€ ๐—ฝ๐—ฟ๐—ผ๐—ผ๐—ณ ๐˜๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚โ€™๐—ฟ๐—ฒ ๐˜€๐˜๐—ถ๐—น๐—น ๐˜€๐˜๐—ฎ๐—ป๐—ฑ๐—ถ๐—ป๐—ด, ๐˜€๐˜๐—ถ๐—น๐—น ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐—ป๐—ด, ๐˜€๐˜๐—ถ๐—น๐—น ๐—ฏ๐—ฒ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด โ€”๐˜€๐˜๐—ถ๐—น๐—น ๐—ด๐—ผ๐—ถ๐—ป๐—ด.

So tell us, Engr., ๐˜ฉ๐˜ฐ๐˜ธโ€™๐˜ด ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฆ๐˜ฏ๐˜จ๐˜ช๐˜ฏ๐˜ฆ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜จ๐˜ฐ๐˜ช๐˜ฏ๐˜จ?

โ€ฆ
๐˜ฃ๐˜บ ๐˜๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜Œ๐˜ณ๐˜ช๐˜ฏ๐˜ฉ ๐˜Ž. ๐˜”๐˜ช๐˜ญ๐˜ฐ
โ€”

๐˜ฑ๐˜ถ๐˜ฃ๐˜ฎ๐˜ข๐˜ต ๐˜ฃ๐˜บ ๐˜™๐˜ฐ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜Ž๐˜ณ๐˜ข๐˜ค๐˜ฆ ๐˜–. ๐˜๐˜ฆ๐˜ณ๐˜ฏ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ป

๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ | ๐—™๐—ฟ๐—ผ๐—บ ๐—น๐—ผ๐—ผ๐—บ ๐˜๐—ผ ๐—น๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜†: ๐—œ๐—ป๐—ฎ๐—ฏ๐—ฒ๐—น ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐˜ƒ๐—ฒ๐—ป ๐˜€๐—ผ๐˜‚๐—น ๐—ผ๐—ณ ๐—œ๐—น๐—ผ๐—ฐ๐—ฎ๐—ป๐—ผ๐˜€๐˜ฃ๐˜บ ๐˜ˆ๐˜ญ๐˜บ๐˜ด๐˜ด๐˜ข ๐˜‘๐˜ฆ๐˜ธ ๐˜š. ๐˜”๐˜ฐ๐˜ณ๐˜ข๐˜ญ๐˜ฆ๐˜ดIn the depth of ever-changin...
03/09/2025

๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ | ๐—™๐—ฟ๐—ผ๐—บ ๐—น๐—ผ๐—ผ๐—บ ๐˜๐—ผ ๐—น๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜†: ๐—œ๐—ป๐—ฎ๐—ฏ๐—ฒ๐—น ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐˜ƒ๐—ฒ๐—ป ๐˜€๐—ผ๐˜‚๐—น ๐—ผ๐—ณ ๐—œ๐—น๐—ผ๐—ฐ๐—ฎ๐—ป๐—ผ๐˜€
๐˜ฃ๐˜บ ๐˜ˆ๐˜ญ๐˜บ๐˜ด๐˜ด๐˜ข ๐˜‘๐˜ฆ๐˜ธ ๐˜š. ๐˜”๐˜ฐ๐˜ณ๐˜ข๐˜ญ๐˜ฆ๐˜ด

In the depth of ever-changing fashion trends, long-passed traditions are forgotten; far beyond our realization, we tend to bury these legacies that have been passed from generation. The only reality is that the gap between fashion and tradition is no close to being latched. Or is it?

Behind closed curtains, cotton and textures; tradition and fashion merged as one during the Habiโ€™t Likha: Inabel nga Istoria ti Kinaandur ni Ilokanoโ€”a showcase of artistry, culture, and identity woven through fine threads and bold dreams of Ilocanos. A moment that testifies the canvas in the cotton worth a thousand wordsโ€”silent yet unhidden tears and hope rose from the story behind each fragment.

Once woven purely from homegrown cotton, Inabel has evolved with the timesโ€”Ilocano weavers now blend polyester into their craft, infusing vibrant colors that keep tradition alive while embracing modern fashion trends.

Anchored with the theme, the designs were portioned to three, not for the sake of a scheme, but to carve in our souls a narrative that we once lived, or we hope to have.

Starting off with the โ€œUnang Koleksyon: Hinabing Alaala,โ€ a glance of where we all began, what Ilocanos were accustomed to wearing, looking back the remnants of the past.

Then, the โ€œPangalawang Koleksyon: Hinabing Pangarap,โ€ a chain of huge aspirations from Ilocanos, masterpieces built from the scraps of โ€œwhat ifโ€ and โ€œwhat nowโ€ to symbolize how far will the brilliant minds go in search of something greater to write their names on.

Finally, the testimony we all want to articulate, โ€œIkatlong Koleksyon: Hinabing Kagandahan,โ€ where everything makes sense. This is the very moment where every sweat gracefully dances in echo to shape beauty and elegance.

Broad strokes were made, but the designers colored outside the lines. And with every piece telling a story, reliving the past; they crafted in the specs of an ordinary Ilocano.

Diversely, modern designs were in subtle inception with the traditional, yet without dragging into dusty drawers our unified culture and identity. It is an indication that amid borders of traditions and trends, we are directed to look back at the legacy that are worth treasuring.

Let us not forget that fashion is not merely stitched in style but in storiesโ€”stories that remind us that while trends may fade, the threads of tradition endure. In every woven piece of Inabel lies not just artistry, but the living testament of people, of Ilocanos, who dare to dream forward without unraveling their roots.

โ€”
๐˜ฑ๐˜ถ๐˜ฃ๐˜ฎ๐˜ข๐˜ต ๐˜ฃ๐˜บ ๐˜’๐˜ช๐˜ฏ๐˜จ ๐˜—๐˜ข๐˜ต๐˜ณ๐˜ช๐˜ค๐˜ฌ ๐˜š. ๐˜ˆ๐˜จ๐˜ฅ๐˜ฆ๐˜ฑ๐˜ฑ๐˜ข

๐—ก๐—˜๐—ช๐—ฆ | ๐‡๐š๐›๐ขโ€™๐ญ ๐‹๐ข๐ค๐ก๐š: ๐Œ๐Œ๐’๐” ๐‚๐Ž๐„ ๐๐ซ๐จ๐ฆ๐จ๐ญ๐ž๐ฌ ๐ˆ๐ฅ๐จ๐œ๐š๐ง๐จ ๐‡๐ž๐ซ๐ข๐ญ๐š๐ ๐ž ๐“๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐…๐š๐ฌ๐ก๐ข๐จ๐ง๐˜ฃ๐˜บ ๐˜‘๐˜ฐ๐˜ด๐˜ฆ ๐˜™๐˜ช๐˜ฐ ๐˜ˆ๐˜ถ๐˜ฎ๐˜บ๐˜ณ๐˜ณ๐˜ฉ ๐˜Š. ๐˜Š๐˜ข๐˜ญ๐˜ช๐˜ท๐˜ขThe Mariano Marcos S...
02/09/2025

๐—ก๐—˜๐—ช๐—ฆ | ๐‡๐š๐›๐ขโ€™๐ญ ๐‹๐ข๐ค๐ก๐š: ๐Œ๐Œ๐’๐” ๐‚๐Ž๐„ ๐๐ซ๐จ๐ฆ๐จ๐ญ๐ž๐ฌ ๐ˆ๐ฅ๐จ๐œ๐š๐ง๐จ ๐‡๐ž๐ซ๐ข๐ญ๐š๐ ๐ž ๐“๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐…๐š๐ฌ๐ก๐ข๐จ๐ง
๐˜ฃ๐˜บ ๐˜‘๐˜ฐ๐˜ด๐˜ฆ ๐˜™๐˜ช๐˜ฐ ๐˜ˆ๐˜ถ๐˜ฎ๐˜บ๐˜ณ๐˜ณ๐˜ฉ ๐˜Š. ๐˜Š๐˜ข๐˜ญ๐˜ช๐˜ท๐˜ข

The Mariano Marcos State University (MMSU), through the College of Engineering (COE) Student Council, staged โ€œHabiโ€™t Likha: Inabel nga Istoria ti Kinaandur ni Ilocano,โ€ on September 2 at Teatro Ilocandia. The fashion show for a cause showcased modernized Inabel designs, cultural presentations, and student performances.

The event aimed to promote the enduring tradition of Inabel weaving while providing designers with a venue to present their works while celebrating Ilocano heritage and artistry.

During her Opening Remarks, Engr. Marifaye Flores, representing COE Dean Dr. Sharona Q. Barroga, highlighted that culture is not stuck in the past, but continues to improve in the modern day.

"Through the showcasing of Inabel garments, we not only honor the richness of our Filipino language and culture, but also highlight the beauty, artistry, and resilience of the Ilocano people," (๐˜š๐˜ข ๐˜ฑ๐˜ข๐˜ฎ๐˜ข๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ต๐˜ข๐˜ฏ ๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜จ๐˜ฑ๐˜ข๐˜ฑ๐˜ข๐˜ฎ๐˜ข๐˜ญ๐˜ข๐˜ด ๐˜ฏ๐˜จ ๐˜ฎ๐˜จ๐˜ข ๐˜ฌ๐˜ข๐˜ด๐˜ถ๐˜ฐ๐˜ต๐˜ข๐˜ฏ๐˜จ ๐˜๐˜ฏ๐˜ข๐˜ฃ๐˜ฆ๐˜ญ, ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ๐˜ช ๐˜ญ๐˜ข๐˜ฎ๐˜ข๐˜ฏ๐˜จ ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฏ ๐˜จ๐˜ช๐˜ฏ๐˜ถ๐˜จ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜ข ๐˜ข๐˜ฏ๐˜จ ๐˜บ๐˜ข๐˜ฎ๐˜ข๐˜ฏ ๐˜ฏ๐˜จ ๐˜ข๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ž๐˜ช๐˜ฌ๐˜ข๐˜ฏ๐˜จ ๐˜๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ช๐˜ฏ๐˜ฐ ๐˜ข๐˜ต ๐˜ฌ๐˜ถ๐˜ญ๐˜ต๐˜ถ๐˜ณ๐˜ข, ๐˜ฌ๐˜ถ๐˜ฏ๐˜ฅ๐˜ช ๐˜ฃ๐˜ช๐˜ฏ๐˜ช๐˜ฃ๐˜ช๐˜จ๐˜บ๐˜ข๐˜ฏ๐˜จ ๐˜ฅ๐˜ช๐˜ช๐˜ฏ ๐˜ฅ๐˜ช๐˜ฏ ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฏ ๐˜ข๐˜ฏ๐˜จ ๐˜จ๐˜ข๐˜ฏ๐˜ฅ๐˜ข, ๐˜ด๐˜ช๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ต ๐˜ต๐˜ช๐˜ฃ๐˜ข๐˜บ ๐˜ฏ๐˜จ ๐˜ฎ๐˜จ๐˜ข ๐˜๐˜ญ๐˜ฐ๐˜ค๐˜ข๐˜ฏ๐˜ฐ) she said.

In his Inspirational Message on behalf of MMSU President Virgilio Julius P. Manzano, Jr., Dr. Fides Bernardo Bitanga, Vice President for Administration and Finance, emphasized the value of perseverance, saying, โ€œWhen we really work hard for something, the fulfillment is always there.โ€

โ€œClothing [Inabel] is something we put on not because we cover ourselves,โ€ further emphasized Dr. Bitanga. โ€œThey are not to cover who we are but rather to show the best and the beauty of you,โ€ he added, stressing the cultural significance of Inabel.

The event featured three main collections: Hinabing Alaala, Hinabing Pangarap, and Hinabing Kagandahan, each highlighting unique designs inspired by Ilocano weaving traditions.

The models, composed of students from COE, graced the runway with elegance and poise as they gave life into the Inabel creations. Their refined walks and presence underscored the intricacy of the woven fabrics while reflecting the artistry and vision of the featured designers.

Adding depth and entertainment to the show were performances by the COE Talent Troupe Assemblage along with intermission numbers from Elfrieda Francesca Esquero, Shekinah Grace Versoza, and the troupe.

Designers who presented their works during the event were Ira Baylon, Mark Leo Aguillar, Rhodel Baliclic, Christian Neil Oasay, Allen Garvida, Bryan Paul Macayanan, Albert Wong, Mark Paul Gresola, and Pinili Inabel Designs.

Through Habiโ€™t Likha, MMSU COE reaffirmed its commitment to preserving and promoting Ilocano culture while nurturing innovation. The event was a tribute to heritage, artistry, and identity, a testament that Inabel lives even in modern times

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๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜ด ๐˜ฃ๐˜บ ๐˜ˆ๐˜ฏ๐˜จ๐˜ฆ๐˜ญ๐˜ฐ ๐˜Š. ๐˜“๐˜ข๐˜จ๐˜ถ๐˜ฏ๐˜ช๐˜ญ๐˜ญ๐˜ข ๐˜‘๐˜ณ, ๐˜‹๐˜ช๐˜ฐ๐˜ฏ๐˜ฆ ๐˜—๐˜ณ๐˜ช๐˜ฏ๐˜ค๐˜ฆ๐˜ด๐˜ด ๐˜ ๐˜ณ๐˜ข ๐˜”. ๐˜๐˜ข๐˜ฃ๐˜ช๐˜ข๐˜ฏ, ๐˜๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜Œ๐˜ณ๐˜ช๐˜ฏ๐˜ฉ ๐˜Ž. ๐˜”๐˜ช๐˜ญ๐˜ฐ, ๐˜‘๐˜ฆ๐˜ฏ๐˜ฌ๐˜ช๐˜ฏ๐˜ด ๐˜‹. ๐˜™๐˜ข๐˜ท๐˜ฆ๐˜ญ๐˜ฐ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜™๐˜ฐ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜Ž๐˜ณ๐˜ข๐˜ค๐˜ฆ ๐˜–. ๐˜๐˜ฆ๐˜ณ๐˜ฏ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ป

๐—›๐—”๐—ฃ๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐—ก๐—ข๐—ช | Habiโ€™t Likha is about to commence and captivate the audience. The runway is about to shine with stunning...
02/09/2025

๐—›๐—”๐—ฃ๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐—ก๐—ข๐—ช | Habiโ€™t Likha is about to commence and captivate the audience. The runway is about to shine with stunning models adorned in elegant Inabel creations.

Timeless patterns are about to meet modern flair, ready to draw resounding applause for this vibrant celebration of heritage and fashion excellence.

More moments are about to unfold. Stay tuned. ๐˜ท๐˜ช๐˜ข ๐˜’๐˜ณ๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ง๐˜ง๐˜ฆ๐˜ณ ๐˜‘๐˜ฆ๐˜ข๐˜ฏ ๐˜ˆ. ๐˜Ž๐˜ถ๐˜ฎ๐˜ข๐˜ญ๐˜ญ๐˜ข๐˜ฐ๐˜ช

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๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜ด ๐˜ฃ๐˜บ ๐˜‹๐˜ช๐˜ฐ๐˜ฏ๐˜ฆ ๐˜—๐˜ณ๐˜ช๐˜ฏ๐˜ค๐˜ฆ๐˜ด๐˜ด ๐˜ ๐˜ณ๐˜ข ๐˜”. ๐˜๐˜ข๐˜ฃ๐˜ช๐˜ข๐˜ฏ

๐—ฃ๐—”๐—”๐—Ÿ๐—”๐—Ÿ๐—” | Bukas ay muling itatanghal ang โ€œHabiโ€™t Likha: Inabel nga Istorya ti Kinaandur ni Ilokanoโ€ sa Teatro Ilocandia,...
01/09/2025

๐—ฃ๐—”๐—”๐—Ÿ๐—”๐—Ÿ๐—” | Bukas ay muling itatanghal ang โ€œHabiโ€™t Likha: Inabel nga Istorya ti Kinaandur ni Ilokanoโ€ sa Teatro Ilocandia, isang pampamayanang pagtatanghal ng moda na naglalayong itaguyod ang sining, kultura, at pamana ng mga Ilokano.

๐ŸŽŸ Ang programa ay bukas para sa lahat ng estudyante ng MMSU. Tumatanggap din ng walk-in ticket buyers mula 12 NN hanggang 3 PM sa venue entrance.
๐Ÿ• Gaganapin ang pagtatanghal mula 1 PM hanggang 5 PM.

Isang pagdiriwang ng sining at pagkakakilanlan, isang alay sa komunidad.

๐—œ๐˜€๐—ฎ๐—ป๐—ด ๐—›๐—ฎ๐—ฝ๐—ผ๐—ป ๐—ป๐—ด ๐— ๐—ผ๐—ฑ๐—ฎ, ๐—ž๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฎ, ๐—ฎ๐˜ ๐—ฃ๐—ฎ๐—ด๐—ธ๐—ถ๐—น๐—ฎ๐—น๐—ฎ ๐˜€๐—ฎ ๐—ฃ๐—ฎ๐—บ๐—ฎ๐—ป๐—ฎ

Muli nating bubuhayin bukas ang makulay na kwento ng katatagan, sining, at pagkakakilanlan ng llokano sa "๐˜๐˜ข๐˜ฃ๐˜ช'๐˜ต ๐˜“๐˜ช๐˜ฌ๐˜ฉ๐˜ข: ๐˜๐˜ฏ๐˜ข๐˜ฃ๐˜ฆ๐˜ญ ๐˜ฏ๐˜จ๐˜ข ๐˜๐˜ด๐˜ต๐˜ฐ๐˜ณi๐˜ข ๐˜ต๐˜ช ๐˜’๐˜ช๐˜ฏ๐˜ข๐˜ข๐˜ฏ๐˜ฅ๐˜ถ๐˜ณ ๐˜ฏ๐˜ช ๐˜๐˜ญ๐˜ฐ๐˜ฌ๐˜ข๐˜ฏ๐˜ฐ" - isang pampamayanang pagtatanghalang moda na may layuning pangkawanggawa na tampok ang mga likhang isinilang mula sa sinulid ng kasaysayan.

Sa kamay ni Nana Magdalena Gamayo ay umusbong ang mga hiblang may lalim, may saysay, at may damdamin - mga telang nag-uugnay sa atin galing sa ating pinagmulan. Inaanyayahan namin kayong makiisa sa adhikaing ito: isang pagdiriwang ng kultura, isang alay sa komunidad, at isang paglalakbay patungo sa panibagong bukas na may dangal at kulay ng ating lahi.

๐˜›๐˜ข๐˜ฑ๐˜ข๐˜ต ๐˜ฏ๐˜ข ๐˜ฑ๐˜ข๐˜จ๐˜ญ๐˜ช๐˜ญ๐˜ช๐˜ฏ๐˜จ๐˜ฌ๐˜ฐ๐˜ฅ ๐˜ด๐˜ข ๐˜ฌ๐˜ฐ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ฅ๐˜ข๐˜ฅ ๐˜ฏ๐˜จ ๐˜’๐˜ข๐˜ฎ๐˜ฑ๐˜บ๐˜ฆ๐˜ฐ๐˜ฏ!

Materials by K

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๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ต ๐˜ช๐˜ด ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข๐˜ญ๐˜ญ ๐˜”๐˜”๐˜š๐˜œ ๐˜š๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ด.
๐˜ž๐˜ฆ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฃ๐˜ฆ ๐˜ข๐˜ค๐˜ค๐˜ฆ๐˜ฑ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ข๐˜ญ๐˜ฌ-๐˜ช๐˜ฏ ๐˜ต๐˜ช๐˜ค๐˜ฌ๐˜ฆ๐˜ต ๐˜ฃ๐˜ถ๐˜บ๐˜ฆ๐˜ณ๐˜ด ๐˜ต๐˜ฐ๐˜ฎ๐˜ฐ๐˜ณ๐˜ณ๐˜ฐ๐˜ธ.
๐˜š๐˜ฐ ๐˜ช๐˜ง ๐˜บ๐˜ฐ๐˜ถ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ๐˜ฏโ€™๐˜ต ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ฅ ๐˜บ๐˜ฆ๐˜ต, ๐˜ต๐˜ฉ๐˜ข๐˜ต'๐˜ด ๐˜ต๐˜ฐ๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ฐ๐˜ฌ๐˜ข๐˜บ!
๐˜‘๐˜ถ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฅ๐˜ช๐˜ณ๐˜ฆ๐˜ค๐˜ต๐˜ญ๐˜บ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜›๐˜ฆ๐˜ข๐˜ต๐˜ณ๐˜ฐ ๐˜๐˜ญ๐˜ฐ๐˜ค๐˜ข๐˜ฏ๐˜ฅ๐˜ช๐˜ข ๐˜ข๐˜ต 12-3๐˜ฑ๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฃ๐˜ถ๐˜บ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ต๐˜ช๐˜ค๐˜ฌ๐˜ฆ๐˜ต ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ณ ๐˜ข๐˜ด๐˜ฌ ๐˜ข๐˜ฏ๐˜บ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ต ๐˜ด๐˜ถ๐˜ฑ๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ด๐˜ฐ๐˜ณs. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ต ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ด๐˜ต๐˜ข๐˜ณ๐˜ต ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ 1๐˜ฑ๐˜ฎ ๐˜ต๐˜ฐ 5๐˜ฑ๐˜ฎ.


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