Ifugao Panorama

Ifugao Panorama Ifugao Panorama opens a window to the Ifugao world taking pride of her rich cultural landscape.

IFUGAO AUTHOR IN NORTH AMERICA RELEASES BOOK ON RESILIENCESheilah Jane Balanhi Troiano, a lady engineer and a book autho...
12/08/2025

IFUGAO AUTHOR IN NORTH AMERICA RELEASES BOOK ON RESILIENCE

Sheilah Jane Balanhi Troiano, a lady engineer and a book author, announces the release of her book, Shadows and Sunrises, that details her personal journey of reckoning, resilience and the moments that defined who and what she is now.

Sheila Jane grew up in Lagawe, Ifugao and later transferred residence to Colorado, USA with her family due to work.

Please check the shared post to know more about Shadows and Sunrises, and be part of Sheila Jane's journey in reliving her memoirs over the years.




______________________________________

Shadows and Sunrises
by Sheila Jane

🎙️Have you ever looked back and realized a moment broke something open in you?
This memoir holds mine.

📖 Shadows and Sunrises is a story of reckoning, resilience, and the moments that remade me—quietly and completely. I wrote it for anyone navigating the in-between, trying to make sense of what came before and what could still come next.

CTA:
📥 Want a free first chapter?
Tap http://subscribepage.io/Shadows_and_Sunrises or visit https://sheilahjane.com to begin the journey.

WANO IN THE CITY: BALANCING SENSE AND SENSIBILITY BETWEEN CULTURAL EXPRESSION AND CLOUT CHASINGThere is no law prohibiti...
02/08/2025

WANO IN THE CITY: BALANCING SENSE AND SENSIBILITY BETWEEN CULTURAL EXPRESSION AND CLOUT CHASING

There is no law prohibiting one to wear his own traditional attire outside his place of origin. However, there are unwritten customary laws and cultural norms on the specificity in wearing the proper attire and how one behaves when wearing the traditional attire wherever he may be.

Recently, we have seen a rise on the number of young Ifugao gents donning the dominantly vivid red and black wano while traversing streets, parks and malls in the metropolis. They attract attention for being dressed differently in a sea of people in casual shirts and jeans, thus they court the curious eyes of onlookers and even pose for some clicks on request. Social media plays a vital role to the resurgence of interest of Ifugao lads to display their colorful traditional attire. But this seemed to not sit well in some fellow Ifugao. A Facebook post of an Ifugao vlogger garbed in wano amidst an urban jungle as backdrop poses the question: cultural expression or clout chasing?

It is a given these wano wearing Ifugao gents, content creator as they are, would dismiss their acts as views-driven and attention seeking stunts. They, instead, openly express their fervor for cultural pride as inspiration to wear wano in the city. Thus, the determinant between being culturally expressive and being a clout chasernis nothing more but motive (which I believe are highly personal and subjective) which means that their real intent lies upon the recesses of their hearts and minds. We give them that without question.

As watchers from the sideline, we form our thoughts and opinions regarding our fellow Ifugao flaunting their traditional attire in an otherwise regular day in an urban setting. Debates and discussions ensue once these points of views come out in the open as social media commentaries. It is understandable for clashes of ideas to occur but what sets these clashes to be supposedly an opportunity for respectful exchanges of words for informational and educational purposes from trash talk word wars is the tone. It is never wrong for us to agree to disagree provided that civility comes way ahead over invective-laden malicious banters.

So, is wearing wano in the city acceptable? Intent does matter with great consideration to cultural sensitivity and context. While it is generally a way to express cultural identity and pride, it is crucial to be mindful of cultural misrepresentation the key of which is respecting the traditional attire's significance ascertaining that it is donned in deference to culture.

Let's have a breakdown of the factors to consider in wearing our traditional attire outside our place of origin:

CULTURAL SIGNIFICANCE: Understand the cultural meaning and context of the attire. Some traditional wears maybe reserved for specific ceremonies or occasions.

COMMUNITY PERSPECTIVE: Be mindful of your community's stance on wearing of traditional attire outside place of origin and the observance of proper decorum when wearing it.

INTENT AND MOTIVE: Be honest and true to yourself about the reason for wearing the traditional attire wherever you may be. Is it for genuine cultural expression or just a costume to gain attention for more photo opportunities and views? You know your self best.

In gist, wearing our traditional attire wherever we are can be an avenue for us to celebrate our heritage sending a message of cultural pride provided that we wear it with genuine understanding, thoughtfulness and respect of its significance to our timeless cultural practices and traditions. After all, culture is what defines us as a people.




__________________________________________

Photos were copied from my friend's remote posts on their Facebook accounts. They are proud Ifugao living and working in various parts of the world.

Shoutout to Manong Gil in New Zealand, Manong Elal in the USA and Ading Ginay in Japan.

ANOTHER CHALLENGE OUT FOR IFUGAO MUSIC ARTISTS TO INTERPRET TUWALI VERSION OF LEE YOUNG HYUN'S RESIGNATIONResignation is...
23/07/2025

ANOTHER CHALLENGE OUT FOR IFUGAO MUSIC ARTISTS TO INTERPRET TUWALI VERSION OF LEE YOUNG HYUN'S RESIGNATION

Resignation is an emotional Korean song that tells the story of heartbreak and acceptance. It portrays a woman who, despite her feelings of hurt and confusion, accepts her partner's decision to leave. She grapples with the pain of their parting, questioning why he couldn't have been more open with her, and expressing a longing to go back to their past. However, she ultimately chooses to let him go even if she anticipates him deeply. (Source: Genius.com)

In the Philippines, Morissette performed her own multilingual version using English, Filipino and Hanggeul which was well received not only by Filipinos but by Koreans, as well.

This time, I am posting the Tuwali version hoping again that any of our Ifugao music artists may take notice and include this translated song in their repertoire. The link to Morissette's song with lyrics is included for reference.

AMMUNA MO TATAWWA

I
Din munkadwa ta
Amlong di puhu' i he'a
Uray nu bokon haon
Wahnah puhum
Bokon nan agge' inila
Nu hay gibok mu hina
Te magibok uh

II
Ume a mo
An namin ya linglingom mo
Hinae di ohan
Maikawahan
Mahakit tayya
Adi ha' mo wingihon i he'a

III
Inhana'ut mu pay
Te nape ngay
Ninomnom mu kuma
Han tun pamhod u
Nuhukkun a
Kalyom di munggayyum ta
Mu imbatim tun puhu'
Tinaynam maid di gapu

Chorus
Hihiw-an daa nin
Linglingon nu mabalin
Mu wada nin bahul u
Puhu' ya muntutuyu
Nu mabalin kuma an bangngadon
Tun imme an tatawon
Din hopap na an
Eta numpohhodan

(Repeat III and Chorus)

IV
Din limmah-un an tinaynana' mo
Maid damag nu hay pinhod mu
Makak a ya agge a numbangngad
Patnaho' hukkatan hi imi tun luwa
Hin-unu ya nalingling daa
Munkama'id panginomnomnoman
Maawata' mo'd uwani
Maid dita uray handi

(Repeat Chorus)

Fade
Mu ta hiya ot kuma
Nan am-amlong mu
An maid i haon...

https://youtu.be/2wadfzTyJV0?si=jc2JafPEOWVTrDD9

DO YOU KNOW OF ANY NON-ENGLISH FOREIGN SONG WITH FILIPINO VERSION? Please comment below so we may translate them into Tuwali then let interested Ifugao music artists record.




__________________________________________

Text Credit:
Genius.com

Photo Credit:
Sharon Datong-Naila

Note: Subjects in the photo are only for visuals to convey the song's message of parting and acceptance. Models are Bugan di Gotad 2025 Hannie Lee and Mr. Tourism Universe Philippines Garett Lyre.

CHALLENGING IFUGAO MUSIC ARTISTS TO GIVE LIFE TO THE TUWALI VERSION OF TOKUNAGA'S SAIGO NO IIWAKE!Released in 1988, Saig...
22/07/2025

CHALLENGING IFUGAO MUSIC ARTISTS TO GIVE LIFE TO THE TUWALI VERSION OF TOKUNAGA'S SAIGO NO IIWAKE!

Released in 1988, Saigo No Iiwake penned and recorded by Hideaki Tokunaga is probably the most popular contemporary Japanese song ever that reached the Philippine shores. Loosely translated as "Last Excuse," the song's backstory is rooted in Tokunaga's experience of a painful breakup which left an indelible emotional impact into his bruised heart. The song expresses the aches of parting and the fading of a relationship with Tokunaga reflecting on how most cherished things can drift into memory. The song's widespread popularity made it recognized as one of the best-selling singles in the history of Japanese music scene. (Source: Wikipedia)

Saigo No Iiwake's fame and reach had musicians translate it into their own languages. In the Philippines, Keempe De Leon released his English version with the title, My One and Only, in 1991 which became a staple across all media from radio to television. The teen generation then went gaga over Keempee's rendition owing to the song's masa appeal coupled with the singer-actor's matinee idol status in showbiz that time. Nearly a decade later in 2000, Ted Ito recorded his Filipino version, Ikaw Pa Rin, which was a national smash hit especially among the karaoke crowd.

Ifugao may not be far behind now as regards versions of foreign songs with the special mention of Kristen Gragasin leading the way with her Maid Moh 'Yana Hi Biyag Mu, a translation of the Indonesian hit, Dia Masa Lalumu by Vionita.

Thus, I'm posting here the Ifugao translation of Saigo No Iiwake for any takers among our Ifugao musicians to render their own intetpretation using the Tuwali version. The link to Ted Ito's Ikaw Pa Rin is also posted for reference.

HE'A LATTA
(Tuwali Version of Saigo No Iiwake)

Din nama'id a hituh way puhu'
Mu nape't hamhamakkon daa
Nan angam matigo'
O ya tayya an minonomnom a

Maid di maatan heglan gibbokan
An linglingon nadan immen tawon
Athitu nin gayam
An nan pinhod ya naligat an taynan

Chorus:
Pinhod un munhaggon ta umat din handi
Pinhod un ognan taklem ua inkuyyug mu
Taomman hi in-inop hituwe
Hea latta di nakappinhod u

(Repeat all)
(Repeat chorus)

https://youtu.be/f-L4vwXJmpQ?si=WBumNbz1vov1-Mc1




__________________________________________

Text Credit:
Wikipedia

Photo Credit:
Sharon Datong-Naila

Note: Photo below is for visuals only as the subjects appears to convey the emotion of parting. Models are Bugan di Gotad 2025 Hannie Lee and Mr. Tourism Universe Philippines 2025 Garett Lyre.

IFUGAO GENT TO WAVE COUNTRY'S FLAG AT MISTER TOURISM UNIVERSE 2025 IN MALAYSIAFrom the idyllic town of Mayoyao, Garett L...
21/07/2025

IFUGAO GENT TO WAVE COUNTRY'S FLAG AT MISTER TOURISM UNIVERSE 2025 IN MALAYSIA

From the idyllic town of Mayoyao, Garett Lyre Dulnuan slowly inched his way up breaking barriers at regional and national male pageants emerging triumphant at his recent stint to win the Mr. Teen Philippines Youth Ambassador title earning him the right to be the country's flag bearer at a reputable international pageant overseas.

Today the 21st of July, Garett Lyre was officially announced as the Philippine representative to the Mister Tourism Universe 2025 pageant during the courtesy call and ceremonial sashing held at the Ifugao Governor's Office with the honored Governor Jerry Dalipog and his wife Angelina at the helm of occasion to give due recognition to Garett's role and responsibility to hold high the Ifugao torch of cultural identity with pride and dignity at the international stage.

With high hopes to bring home the crown, Garett Lyre is focusing on his preparations not just on stage works and personality development but also on strengthening his advocacy as a cultural ambassador. He divulged that he will be showcasing the rich and vibrant Ifugao tapestry in his wears throughout his international pageant journey to symbolically take with him his home, his heritage and the unparalleled craftsmanship of local artists and artisans.

Garett Lyre will be flying to Malaysia in September wearing the Philippine sash across his chest and carrying with him the aspirations of our pageant-crazy nation to win another crown as an addition to the legacy of Filipino titleholders.

Garett, who does not only hail from Mayoyao but also from Hingyon owing to his father's Namulditan origin, calls on his fellow Ifugaos and Cordillerans to rally behind him in support to provide him the much needed push to boost his confidence more. He promised to keep his social media busy to give his supporters updates on his activities leading to his Malaysian trip.

Recently, Garett Lyre was in town to grace the Intertwined Arts and Fashion Fair 2025 that ran from July 17 to 19 at the provincial public plaza. He also strutted the runway during the Layag ng Habi III, the fair's culminating activity which served as an avenue for local designers to exhibit and market their wearables. He left for Baguio as of this writing after the sashing ceremony at the Ifugao Governor's Office.




_____________________________________________

Text Credit:
Yoyo Entertainment

Photo Credit:
Yoyo Entertainment
Sharon Datong-Naila

INTERTWINED FIRST DAY MUSINGS AT THE COLORFUL ARTS AND FASHION FAIR When I received an invitation to close the opening p...
19/07/2025

INTERTWINED FIRST DAY MUSINGS AT THE COLORFUL ARTS AND FASHION FAIR

When I received an invitation to close the opening program of the INTERTWINED ARTS AND FASHION FAIR 2025, I immediately accepted it without batting an eyelash not just because the organizers are my friends but also to take this opportune moment to meet wonderful locals with unparalleled devotion to elevate Ifugao arts and fashion a notch higher. Awe inspiring is an understatement to describe the festive mood enveloping the venue filled with revellers enjoying their time away.

Speaking before local artists and artisans was a moment of reflection transporting me back in time when I used to be on an advocacy mission either as a stage actor or director utilizing the power of performing arts as medium to create ripples of change in communities we reached out to. This is what Maya of the Mayoyao Artists Guild and I share in common. We even had the same theater arts mentor though at different times of schooling. At present, I still have the flair for three-dimensional art through set designing and installation but more so for events.

It was a splendid morning on July 16 when the fair opened with bursts of colors at every corner of the brick lined public plaza ground. The sun may not fully be out from the cloudy sky but such gloom did not dampen the spirit of those in attendance who were eager to participate in community dances once the gongs reverberate through the beatings of the muntobob and the manuyya. The crowd applauded when the honored guest finally untied the woven ribbon signalling the formal opening of the fair.

I had the chance to share some convo moments over a cup of coffee and sweets with Ifugao culture guru Marlon Martin of SITMO and Ifugao Nation. Treats were from the amiable Ting of DTI and the energetic BM Jaweh. We were joined by beautiful souls the likes of Hannie and Dart who were recently crowned Bugan ya Wigan di Gotad 2025, respectively, and Garett Lyre who currently holds the title of Mr. Teen Philippines Youth Ambassador 2025. These Ifugao pride are preparing to wave the Ifugao banner in bigger stages wherein Dart and Hannie will be representing us at the Mr. and Miss Cordillera 2026 following the footsteps of Henry and Sidney who placed remarkably at the recent regional pageant, and Garett Lyre will soon fly to Malaysia as Philippine candidate to an international pageant.

Some minutes later, Nick Garcia of iHingyon TV arrived to also have a cup to perk his day. I learned that Nick is a teetotaler and now a non-soda drinker preferring coffee over such. I have high respect for him and his craft taking every experience to hone his skill in short and full length filmmaking.

To be sitting with Ifugao personalities with wide age range made me realize that love for culture and the arts is a common ground and a unifying factor that opens myriad channels of communication for the young ones and the young once.

Our barista host, Waylon of Palazzo and Dolce Vita, was at his best trainer mode walking us through the processes of coffee preparation with focus on the various flavors seemingly infused in each kind of coffee bean. Waylon was my barista workshop mentor many years back when he was just starting to carve his own niche in the coffee industry. And, he indeed exceeded expectations leveling up his status to become Ifugao's great coffee connoisseur extending his circle within the national scope. His passion for anything about coffee is a testament that culinary art is on the rise in Ifugao.

Opting for the fruity medium roast hot coffee was a wise choice for me because the tanginess fancied my palate. Over sips of coffee, we intently listened to Marlon's reiteration of the message of his speech earlier that our time honored culture is dynamic where changes are and will be expected over generations. Informal discussions among our small group ensued revolving around Ifugao culture and the arts. Listening to a man whose deeply rooted knowledge and appreciation to our prided heritage was already a free lecture taking advantage of his presence to broaden our horizon.

Dart mentioned to me of his plan to create music that would feature fusion of traditional and modern. His eyes sparked with interest while he was providing me vivid description of his future project. I concurred that he has a great vision, a balanced artistic and cerebral mind, and a passionate heart for his high musical intelligence of which the product I would be looking forward to.

Coffee time over, we went our own ways to appreciate various arts and crafts on display. The gallery of paintings attracted my sight soonest because of the various styles utilized like impressionism, realism, expressionism and more. My jaw dropped in particular with the art works using water diluted ground coffee of various tones as medium to paint. The monochromatic browns may seem to be minimalist but the details from the different shades made the face portrait of an old man so lifelike. And there was the massive mural-like painting of my friend, Darise, that was just bought for thousands by an art collector from Asipulo. What impressed me no end was the fact that most of the painters were so young in their twenties.

Of course I didn't miss the metal sculptures of my nephew, Kelvi, whose keen-eyed precision and attention to details undoubtedly catapulted him to fame making him one of the the best in the region, bar none. At the next table, students crowded the artist at work which piqued my curiosity so I looked with raised heels. The young girl, a nine-year old clay dough artist from Aguinaldo named Sofi Martin, melted my heart. Her being differently abled belonging to the Level 1 Autism Spectrum is not a hindrance for her to mold miniatures as an avenue to express her emotion and artistic inclination. I have two young relatives in the spectrum and one of them is into similar art, thus Sofi resonated well to me while I was watching her gentle hands working on her next masterpiece while exhibiting a quiet demeanor.

Before leaving the festive venue, I had a quick stopover at the shared shop of Etniq Filosofi and Abella's House of Fashion owned by Imbang Dulnuan and Marcelino Bumilac, respectively, to check their masterfully designed collections of wearables that showcase the incorporation of Ifugao ikat to each piece. I had to excuse myself soonest because the designers were prepping for a live interview by youth volunteers of the Cordillera Network, a non-profit Facebook-based multimedia outfit which was created by popular iHingyon TV's Nick Garcia that serves as a training ground for budding artists in the province.

After an hour or so of rest at my crib, I readied myself to revisit the fair supposedly towing Georgia with me to watch the cosplayers and buskers but the heavy rain derailed our plan. I contented my self keeping abreast with the current events at the fair via livestream of FB friends. I gave my thumbs up to the cosplayer who sashayed in her fiery Perena of Encantadia costume. Dart, on the other hand, was in his Buble elements crooning jazz with hints of blues. And there were Andrew and Xergei whose soulful ballads and RnBs seemed to have dissipated the precipitation. As they say, the show must go on even with the gloom up the sky.

To cap, I wish to share excerpt from my closing the opening program: "I wholeheartedly thank and commend all the artists and artisans participating in this INTERTWINED ARTS AND FASHION FAIR 2025 that celebrates the best of Ifugao artistry in all forms such as visual arts, performing arts, traditional skills arts, culinary arts, the world of fashion and even contemporary pop arts. You are all the stars of this three- day gathering of great minds because you utilize your creative skills to produce works of art. As such, you play a vital role in preserving cultural heritage and artistic traditions, and you contribute to the cultural landscape enriching our own Ifugao society. Your mediums and techniques may vary but you are all recognized for your unique artistic vision, your individual lifestyle and your masterful craftsmanship. May Mamiyo and Monlolot, two of our Ifugao deities who preside over the art of weaving, be upon us to weave a bond of community to further strengthen the unifying fibers amongst us."

INTERTWINED ARTS AND FASHION FAIR 2025 runs from July 17 to 19 culminating with the LAYAG NG HABI III, an extravaganza of fashion by local designers through the chairmanship of Genesis Galap Gonzales of Tribo Estilo, on the evening of Saturday at the Don Bosco Gymnasium. Special mention goes to the Mayoyao Artists Guild and Ifugao Creatives for stepping up to the challenge as the coordinating body for this fair.





___________________________________________

Photo Credit:
Sharon Datong-Naila
Heidi Guiniling

IS BEING AN OFW WORTH IT?(I delivered this speech as an invited speaker during the Lagawe Migrant Workers Day held at th...
18/07/2025

IS BEING AN OFW WORTH IT?

(I delivered this speech as an invited speaker during the Lagawe Migrant Workers Day held at the public plaza last July 15, 2025 with the theme "BAYAN, BAYANI, BAYANIHAN." This is the redacted English version of the speech which was originally in Tuwali. I am posting this as requested by some of the participants.)

Here's one question I want to ask: "Is being an OFW worth it?" The answer resides deep within the recesses of our hearts because we had varying experiences. However, it is imperative to state that we had happy and sad moment during our OFW days. It boils down to one thing though that we opted to work overseas out of love for our families bringing with us our hopes and aspirations to provide our loved ones better life. They were our driving force turning our tears to subdued smiles. Thus, let's hold each other's hands and say this affirmation: "Congratulations to all of us! We finally made it home safe and sound." After long years of toiling in a foreign land, we are now enjoying the fruit of our labor and having great time with our families. This, my dear fellow former OFWs, is what BAYAN means in our theme for this year's celebration for migrant workers of Lagawe. After all, there is no place like home sweet home.

Next in our theme is BAYANI. Let's close our eyes and together we travel back in time. Think of that very first time when you left the country for greener pasture. That time when you hugged your family and exchanged goodbyes. That moment when you stepped in at the receiving lounge of the airport while your loved ones waved their hands as a parting gesture. What were your feelings back then? Slowly, open your eyes and be thankful that you are finally reunited with your family.

To be away from home to work overseas is one big sacrifice which earns us the title of being the heroes of modern times. Let's check some OFW statistics as of the first quarter of 2025. Currently, there are 2.3 million migrant workers around the world. Survey reveals that 6.7% of Philippine households has an OFW which means that 67 out of 1000 households in the country have family members working overseas. Their personal remittances alone account to US$3.1B for the first quarter according to the Bangko Sentral ng Pilipinas contributing to 11% to the country's GDP.

The Philippine government recognizes these sacrifices and economic contributions which prompted the creation of the Department of Migrant Workers on December 30, 2021 to safeguard and protect the rights, and to promote the welfare of OFWs and their families. Thus, if you consider yourself as a modern hero then three cheers for your diligence and hard work.

Last in our theme is BAYANIHAN which I consider more of a challenge to us as former OFWs and to the associations. To current OFWs who are home for vacation, please listen because you will eventually head for home for good one day. Just like our varied experiences as OFWs before, our experiences as regards coming home for good are varied, too. Others came home because they reached their age of retirement. Others already reached their goals like having all their kids finish their studies. And, others already secured a bright future by investing in our hometown. Unfortunately, others came home due to forced circumstances like homesickness, unfavorable working conditions, abuses at the workplace and early termination. Whatever the reason would be, we all face dire situations on our return back home such as financial adjustment, social reintegration, finding suitable local employment and mental health issues.

FINANCIAL ADJUSTMENT on whatever savings we have is somewhat a daunting task especially if we don't have an immediate source of income due to the absence of investment with returns or a local employment at hand. Thus, we learn to tighten our belts ad cash flow is mostly from the pocket out. We may try self-employment but the security to prosper may not be fail proof even with the invested time, money and effort.

Another situation is SOCIAL REINTEGRATION of which our long absence may tip our balance related to the different changes in our community. Our peers we used to hangout with in the past may now be preoccupied with their own families and careers. Worse would be the difficult readjustment in our homes especially when the children were left at a very young age and they grew up under the care of just one parent or the relatives. Imagine the heartache of hugging your own child without him reciprocating since he is not used to your presence. It is an emotional rollercoaster ride that needs great length of time to improve the family dynamics.

FINDING SUITABLE LOCAL EMPLOYMENT poses a challenge for us, former migrant workers. Our age may be a factor or our skills may not already be in demand for the local market. And not to forget the notion that we should not be locally employed because of the thought that we have with us sackful of money. These ate the sad realities that we need to prepare for.

And last among these are MENTAL HEALTH ISSUES wherein the three previous enumerations contribute to a former OFW's state of mind - a make or break situation depending how well our coping mechanisms work. Sometimes, we feel depressed due to the changes in our environment, in our lifestyle and in our family dynamics. From our busy days as OFWs, we suddenly plunge into a much different scenario of lazy days if inactivity.

I am not here to speak of solutions for these difficult situations because needs are highly individualized. Instead, I am here to pose some challenges not just individually but for every association to commit to the BAYANIHAN spirit and work together as a team to determine possible solutions for the upliftment and empowerment of members. In general, include in your plan of activities and programs the following:
1. FINANCIAL LITERACY
2. LIVELIHOOD AND ENTERPRISE DEVELOPMENT
3. SKILLS TRAINING AND CAPABILITY ENHANCEMENT
4. JOB SEARCH ASSISTANCE
5. REINTEGRATION AND MENTAL HEALTH COUNSELLING

As an association, you may visit NRCO (National Reintegration Center for OFWs), OWWA (Overseas Workers Welfare Authority), TESDA (Technical Education and Skills Development Authority), DOST (Department of Science and Technology), DOLE (Department of Labor and Employment) and DTI (Department of Trade and Industry) to inquire and seek assistance for programs they can offer. The mother association, for example, may request NRCO to conduct trainers' training on social reintegration and mental health counselling for barangay association representatives who, in turn, would act as counsellors in their own turfs. Or, the association may ask TESDA which skills training programs would be suitable to be conducted.

Thus, I challenge your associations to sit down, draft your plan of activities and programs, and network with possible agencies that can provide assistance. You have to help one another because it is your BAYANIHAN that will sustain the association to the advantage of the members. Most important is the back home application which means you have to realize and materialize the learnings to by putting them into practice.

Before I end my speech, may I take this opportunity to thank the different barangay associations and the mother association which is the Lagawe Overseas Migrant Workers Association for your great participation, the Lagawe Municipal Local Government Unit for providing migrant workers space in your busy schedules and for extending unwavering support in the conduct of this celebration, and to the working committee who tirelessly dedicated their time to make this event one to remember. Your trust in me to be your invited speaker will forever be cherished.

May Maknongan be in our midst for us to successfully celebrate our day. Haggiyo Lagawe migrant workers!




____________________________________________

Photo Credit:
Angie Guinid
Darise Augusto-Taguiam

Address

Lagawe
3600

Website

Alerts

Be the first to know and let us send you an email when Ifugao Panorama posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Share