24/04/2026
๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐: ๐๐๐๐๐ ๐๐ฌ๐ข๐ ๐๐๐๐ข๐๐ข๐ ๐๐จ๐ฆ๐ฆ๐ข๐ญ๐ญ๐๐ ๐๐๐๐ญ๐ข๐ง๐ ๐๐ญ ๐๐จ๐ง๐ซ๐๐ ๐๐๐ง๐ข๐ฅ๐, ๐๐ฉ๐ซ๐ข๐ฅ ๐๐ & ๐๐, ๐๐๐๐ ๐ต๐ญ
A year later todayโand I still feel the hype about this exact week. โจ
Thereโs something about posting a win the moment it happens that never felt right with me. Too fresh. Like youโre still catching your breath but already reaching for the caption. So I waited.
More than a year into my journey with FILSCAP, I think itโs finally time.๐ฉต
In April 2025, we hosted the ๐๐๐๐๐ ๐๐ฌ๐ข๐-๐๐๐๐ข๐๐ข๐ ๐๐จ๐ฆ๐ฆ๐ข๐ญ๐ญ๐๐ ๐๐๐๐ญ๐ข๐ง๐ at Conrad Manila. Two full days. High-level meetings. Right smack in the middle of the ๐๐๐ญ๐ก ๐๐ง๐ง๐ข๐ฏ๐๐ซ๐ฌ๐๐ซ๐ฒ ๐ฐ๐๐๐ค ๐จ๐ ๐
๐๐๐๐๐๐. ๐คฏ Other affiliate societies flew in from across the region and the world: CISAC Paris (France), WAMI (Indonesia), VCPMC (Vietnam), MรST (Taiwan), MCSC (China), MACA (Macau), KOMCA (South Korea), JASRAC (Japan), CASH (Hong Kong), IPRS (India), COMPASS (Singapore), and MCT (Thailand). ๐
The days leading up to it? High stress. Low sleep. This was the kind of week that gets remembered and talked about for years, itโs the same kind of week that tests whether you actually love the job or just love the idea of it.
And I genuinely loved it. ๐
What struck me most wasnโt the pressure. It was watching everything come together โฆthe logistics, the diplomacy, the sheer coordination it takes to put that many key players in one room โ and realizing I was witnessing FILSCAP at its highest level. I wasnโt just part of the staff. I was a spectator learning from some of the best operators in the industry, up close. ๐ฏ
The agenda for the week matched the weight of the moment: AI lobbying, registration of AI-generated works, CIS-Net 2.0, regional licensing frameworks. These werenโt ordinary talking points. They were decisions that will move the needle for music creators across Asia-Pacific for years to come.๐ซก
I was five months in at my first ever corporate job when this all happened. Five months. And somehow, between the chaos and the calendar blocks and the sleepless nights, I found myself thinking ๐ค.. ๐ฉ๐๐๐จ ๐๐จ ๐๐ญ๐๐๐ฉ๐ก๐ฎ what I thought โmy jobโ should be.
Not just the social media & content curation side of things. But the management. The strategy. The policy-making. The high level aspect of the copyright & publishing industry. The business behind the music. All of it. ๐
Salamat, FILSCAP. Salamat, CISAC and the Asia Pacific Committee. Sa lahat ng dumalo โฆyour presence during our 60th Year made ripples.๐
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CISAC โ the International Confederation of Societies of Authors and Composers โ is the global network of collective management organizations, with over 225 member societies across 116 countries. FILSCAP is the Philippinesโ sole CISAC-affiliated CMO, protecting the rights and royalties of Filipino music creators since 1965.