07/10/2025                                                                            
                                    
                                                                            
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                                        In the heart of Biñan, a 28-year-old artist named Justin Quero walked through the aftermath of a flood that had swept through his community. The flood was supposed to have been prevented by a costly flood control project, one that promised safety and progress. But the project failed, its poor construction stood as a symbol of negligence and corruption.
As Justin looked around, he saw piles of discarded metal, bent and rusted by water and time. To many, they were just remnants of a disaster. But to him, they were fragments of a story, a story of broken promises, greed, and power abused.
He began collecting the scraps, each piece heavy with meaning. In his hands, the fragments became something more. Day after day, he welded, hammered, and shaped the cold steel into the form of a crocodile, a figure long associated in Filipino culture with corruption and greed.
The crocodile, its body patched together from flood debris, sits on a throne of metal, illuminated by a faint yet luxurious glow. The figure appears to hold its power with pride, its form shimmering with hints of blue and red, the colors of the Philippine flag. It stands as a subtle yet powerful reminder that corruption does not exist outside the system, but is woven deeply into the very fabric of the nation.
To the viewer, it stands as a masterpiece of resilience and truth, but for Justin, it is a mirror reflecting the nation’s struggle. The crocodile is not just a symbol of greed, it is a prisoner of its own power, trapped by its insatiable hunger for control and wealth.
Through “Naka Gapos sa Kapangyarihan” Justin Quero turns scrap and sorrow into a timeless statement, that even in a nation shadowed by corruption, art remains a weapon of truth.
By Justin Quero
Medium: Metal Scrap, Natural Stone
Size: 38” x 23”