Art and Afterthought

Art and Afterthought Art & Afterthought is a space where literature, art, and critical thought converge.

This blog explores the deeper currents beneath creative expression—examining how literature and visual culture reflect,construct, and reshape society.

"Rang" Journal Issue No. 2An Important Contribution to Modern Urdu LiteratureReview by : Hammad Niazi"Rang," the second ...
24/07/2025

"Rang" Journal Issue No. 2
An Important Contribution to Modern Urdu Literature

Review by : Hammad Niazi

"Rang," the second issue of the literary series, is a significant contribution to the present scenario of Urdu literature. With its diversity, range, and depth, the issue instantly engages the reader. It presents not only creative writing but also intellectual and critical writing, proving the editorial vision and the literary seriousness of its editor, Mushtaq Ahmed.

The first section of the issue features twenty poems by Rafaqat Razi. Among them, poems such as “Sawal” (Question), “Mere Haji Murad”, and “Koi Aur Tohmat Dharo” (Accuse Me of Another Crime) are particularly noteworthy for their symbolic depth, inner anguish, and layered meanings. These poems highlight a dimension of Razi’s style that represents contemporary sensibility and simultaneously opens new possibilities for the Urdu poem as a genre.

A lovingly compiled subset of twenty ghazals by Shahid Bilal also belongs to this issue. The unique tone, inner struggles, and nuanced observations of life of Bilal stand out as a unified artistic entity, adding depth and diversity to the journal.

The fiction part comprises four short stories by Khalid Mehmood Sanjrani, and "Na Kar" and "Disposable Sheher" (Disposable City) make a very strong impact on the reader. These stories, in their language, atmosphere, and narrative strategy, portend new trends in Urdu short fiction. Disposable City, particularly, provides a fresh approach to narrative and captures the intricacies of contemporary social realities.

The translation part is also enriched with worthwhile content. Juan Rulfo's short story translated by Zaheer Abbas, holds the reader in its grip with its eerie atmosphere and narrative grip. Three short stories by him translated by Saeed Naqvi are placed alongside it and both for their subject matter as well as for the standards of translation. The translation of letters by Forough Farrokhzad,(Shoaib Ahmad) and a passage from "Dil-e-Madfoon" (Gravel heart) by Abdul Razzaq Gurnah, translated by Zia Turk ,demonstrates the literary ability of the translator. The novella "Aye Ladki" (Oh Girl) of Krishna Sobti, translated from Hindi to Urdu by Muhammad Abbas, adds more value to the section. Abbas has already been awarded for his excellent Hindi-to-Urdu translations in the last few years.

The most notable and engaging part of the issue is surely the special section on Milan Kundera, which can truly be said to be the soul of the journal. The section is comprised of reflective essays by veteran critics like Dr. Zia-ul-Hasan, Dr. Nasir Abbas Nayyar, Sarwar-ul-Huda, Syed Kashif Raza, Iqbal Khurshid, and M. Khalid Fayyaz. These essays not only give profound insights into Kundera's writing and personality but also contribute to establishing a critical link between Urdu readers and world literature.

Edited by Mushtaq Ahmed, this issue testifies to his intellectual and literary brilliance. As an editor, he offers a well-rounded, multifaceted, and balanced collection of papers. His editorial skill adds intellectual and artistic weight to the journal. In addition to the powerful content selection, the print quality too is good, ensuring a comfortable reading experience overall.

With its first two numbers, Rang has already made a decent space among the modern Urdu literary magazines. Sustaining its intellectual diversity, the judicious choice of serious writers, the quality of contributions, and the considered presentation mark the start of a process that can well make Rang an important document in Urdu literary debate.

Sang-e-Meel Publishers, Lahore, has been publishing this journal.

Mushtaq Ahmad

"Between Life and Verse: Sarwat Hussain in Adnan Bashir's Words"Review by: Hammad NiaziAdnan Bashir's book"Sarwat Hussai...
19/07/2025

"Between Life and Verse: Sarwat Hussain in Adnan Bashir's Words"

Review by: Hammad Niazi

Adnan Bashir's book"Sarwat Hussain: Personality and Art" (Sarwat Hussain shkasiat aur fun)is one of those few scholarly books in the field of Urdu literature, which not only profoundly delve into the life and art of a sensitive and deep poet, but also venture to discover the inner secrets of his heart. Printed under the "Pakistani Adab Kay maimaar" series by Pakistan Academy of Letters, this book is a gift to literature enthusiasts worth its weight in gold.

In the introductory part of the book, the author has carefully analyzed different phases of Sarwat Hussain's life ,from his childhood to youth and beyond. The psychological nuances and emotional sensitivities ingrained in his character, which progressively influenced his poetic nature into something profound and complex, have not been merely defined through words alone, but developed through recorded incidents and psychological observations in an integral and logical manner. Particularly striking is the in-depth examination of the situation in which Sarwat Hussain took his own life, giving the book its specific scholarly tone.

The second chapter enlightens us about Sarwat Hussain's literary and intellectual relationships with celebrated figures of Urdu literature. The author has delved into Sarwat's aesthetic and philosophical relations with poets like Shakeb Jalali, Muneer Niazi, Muhammad Saleem-ur-Rehman, and Salahuddin Mehmood with scholarly accuracy. The conversation of how the latest generation of poets views and is affected by Sarwat's writing brings an interesting depth to this chapter, showing the relevance of his work to today's youth.

The third chapter is presented in a thorough, serious, and profound examination of the psychological and sociocultural reasons for Sarwat Hussain's su***de. Rather than based on emotional speculation, the author examines this complicated topic through scientific, psychological, and societal perspectives, for which reason an interpretation built of layers and tact of inner misery, social indifference, and secret wounds of a human being is offered.

The last academic chapter elaborates on Sarwat Hussain's imaginative horizon. He does not belong to poetry alone, but his prose writings — including stories, allegories, verse dramas, letters, and sketches — are also examined in great detail.

Adnan Basheer's book is a valuable addition to Urdu criticism and biographical work, and anyone who does not view literature as mere entertainment or information, but rather as a highly intellectual and aesthetic experience, must read it.
The book costs 500 PKR and can be purchased through order from the Pakistan Academy of Letters in Islamabad.

Adnan Bashir
Hammad Niazi
Pakistan Academy of Letters

Welcome to Art & Afterthought🖋 Where words meet reflection, and art challenges the world.Here, literature is more than a...
19/07/2025

Welcome to Art & Afterthought
🖋 Where words meet reflection, and art challenges the world.

Here, literature is more than a text—it’s a tool for thinking, questioning, and transforming. We publish essays, critiques, and reflections that connect literature and art to society, politics, identity, and culture.

For Readers
We invite you to pause, read slowly, and engage deeply with the texts and ideas shared here. Every piece is an invitation to think further—beyond the surface, and beyond the page.

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We’re accepting submissions from contributors who share our passion for thoughtful analysis and cultural critique.

We accept:

Literary criticism (classic or contemporary works)

Essays on art, identity, resistance, and culture

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• Word count: 700–1500 words
• Submit via DM or email: [Your Email]
• Include a 2–3 line bio
• Unpublished work preferred

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