عطار میرا مرشدِ ہے

عطار میرا مرشدِ ہے مجھے اپنی اور ساری دنیا کے لوگوں کی اصلاح کی کوشش کرنی ہے ان شاءاللہ عزوجل

آپ سب کو جمعہ مبارک*زندگی کا دروازہ*
21/08/2025

آپ سب کو جمعہ مبارک
*زندگی کا دروازہ*

*شبِ جمعہ و روز جمعہ کی فضیلت**ہر شبِ جمعہ (جمعہ اور جمعرات کی درمیانی شب) وائرل کرکے ثواب کمائیے*
21/08/2025

*شبِ جمعہ و روز جمعہ کی فضیلت*
*ہر شبِ جمعہ (جمعہ اور جمعرات کی درمیانی شب) وائرل کرکے ثواب کمائیے*

لیڈر کی ایک عمدہ خوبی "مسکراہٹ" ہے۔اور میرے قائد" بے مثال لیڈر ہیں۔
21/08/2025

لیڈر کی ایک عمدہ خوبی "مسکراہٹ" ہے۔
اور میرے قائد" بے مثال لیڈر ہیں۔

🫶 مرشدِ کامل ❤️Day and night view of the Royal Clock Tower 🌙
20/08/2025

🫶 مرشدِ کامل ❤️

Day and night view of the Royal Clock Tower 🌙

شرک کی تعریف : شرک کی تعریف یہ ہے کہ اللہ عَزَّوَجَلَّ کے سوا کسی غیر کو واجبُ الوجود یا لائقِ عبادت سمجھاجائے ...
20/08/2025

شرک کی تعریف :

شرک کی تعریف یہ ہے کہ اللہ عَزَّوَجَلَّ کے سوا کسی غیر کو واجبُ الوجود یا لائقِ عبادت سمجھاجائے ۔ حضرت علامہ سعدُ الدین تفتازانی رَحْمَۃُاللہِ تَعَالٰی عَلَیْہِ شرک کی حقیقت ان الفاظ میں بیان فرماتے ہیں :’’اَلْاِشْتِرَا کُ ھُوَاِثْبَاتُ الشَّرِیْکِ فِی الْاُلُوْہِیَّۃِبِمَعْنٰی وُجُوْبِ الْوُجُوْدِکَمَا لِلْمَجُوْسِ اَوْ بِمَعْنٰی اِسْتِحْقَاقِ الْعِبَادَۃِ کَمَا لِعَبَدَۃِ الْاَصْنَامِ‘‘ یعنی ’’شرک یہ ہے کہ خدا کی اُلوہیت (یعنی معبود ہونے) میں کسی کو شریک کرنا اس طرح کہ کسی کو واجبُ الوجود مان لینا جیسا کہ مجوسیوں کا عقیدہ ہے یا خدا کے سوا کسی کو عبادت کا حقدار مان لینا جیسا کہ بت پرستوں کا خیا ل ہے۔(شرح عقائد نسفیہ، مبحث الافعال کلہا بخلق اللہ تعالی والدلیل علیہا، ص ۷۸)

اعلیٰ حضرت امامِ اہلسنّت امام احمد رضا خان عَلَیْہِ رَحْمَۃُ الرَّحْمٰنْ ارشاد فرماتے ہیں : ’’ آدمی حقیقۃً کسی بات سے مشرک نہیں ہوتا جب تک غیرِخدا کو معبود یا مستقل بالذّات و واجبُ الوجود نہ جانے ۔(فتاوی رضویہ، ۲۱ / ۱۳۱)

صدرُالشریعہ بدرُالطریقہ مولانا مفتی امجد علی اعظمی رَحْمَۃُاللہِ تَعَالٰی عَلَیْہِ فرماتے ہیں ’’شرک کے معنی غیرِ خدا کو واجبُ الوجود یا مستحقِ عبادت جاننا یعنی الوہیت میں دوسرے کو شریک کرنا اور یہ کفر کی سب سے بد تر قسم ہے اس کے سوا کوئی بات کیسی ہی شدید کفر ہو حقیقۃً شرک نہیں۔(بہار شریعت، حصہ اول، ایمان وکفر کا بیان،۱ / ۱۸۳)

19/08/2025

Maslak E ala hazrat salamat rahay Ameen

19/08/2025

عرس اعلیٰ حضرت امام احمد رضا خان بریلوی رحمۃ اللہ علیہ مبارک ہو 🌹

19/08/2025

اجتماع میں شرکت کرنے والوں کے لیے دعائے عطار 🌹

18/08/2025

Ya Allah Reham farma 🤲

💙🥀💙The history of began with the discovery of two critical principles: The first is camera obscura image projection, t...
17/08/2025

💙🥀💙

The history of
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.
In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and Niépce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print proce

16/08/2025

Murshid E Kamil Maulana Ilyas qadri dawateislami 🌹
💙🥀💙

The history of
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.
In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and Niépce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print proce

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