tiedtke

tiedtke โœ‰๏ธ For any business inquiries, email me at [email protected] ๐Ÿ‘‹ Hi there!

Here's what I do in ๐Ÿฏ ๐˜€๐—ถ๐—บ๐—ฝ๐—น๐—ฒ ๐˜€๐˜๐—ฒ๐—ฝ๐˜€:

1. ๐—ฃ๐—ถ๐˜…๐—ฒ๐—น ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ฒ๐—ฐ๐˜ ๐—ถ๐—บ๐—ฎ๐—ด๐—ฒ๐—ฟ๐˜† - I have both a background in film principal photography where I've found an incredibly deep love for lighting, camera sensor technology and lenses. Combined with a new passion for digital imagery which has elevated me into working as a digital compositor, VFX-artist and 3D-generalist that makes me push my boundaries for what images I c

an output for projects - regardless if they're shot on a cinema camera or captured on a digital cine camera in Unreal Engine 5.

2. ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฝ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด, ๐—ฏ๐—ฟ๐—ฎ๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐˜€๐˜๐—ฟ๐—ฎ๐˜๐—ฒ๐—ด๐˜† - Years of analyzing content, doing marketing studies and workshops from the likes of Meta, Snapchat, Google and LinkedIn has made me really learn all the ins and outs of the psychology and tactics behind audience behavior, consumer cycles in marketing campaigns and distribution of a film or commercial project.

3. ๐——๐—ถ๐˜€๐˜๐—ฟ๐—ถ๐—ฏ๐˜‚๐˜๐—ถ๐—ผ๐—ป - There's no point in knowing strategies if you can't put them into practice. That's why I'm also experienced in distribution of content using paid social on SoMe ad platforms such as Meta, Google Ads, TikTok, but also non paid organic using growth hacking techniques fully utilizing each platforms full potential. An example of this is currently growing my own Youtube channel focused on 3D and VFX tutorials.

โญ ๐——๐—ผ๐—ฃ/๐—ข๐˜„๐—ป๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—ฎ ๐—ฆ๐—ผ๐—ป๐˜† ๐—–๐—ถ๐—ป๐—ฒ๐—”๐—น๐˜๐—ฎ ๐—™๐Ÿฑ ๐˜„/ ๐—ฅ๐Ÿฑ ๐Ÿฐ๐—ž ๐Ÿญ๐Ÿฒ๐—ฏ๐—ถ๐˜ ๐—ฅ๐—”๐—ช ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ผ๐—ป๐˜† ๐—”๐Ÿณ๐—ฆ๐—œ๐—œ๐—œ ๐—ฐ๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ ๐—ฝ๐—ฎ๐—ฐ๐—ธ๐—ฎ๐—ด๐—ฒ.
โญ ๐—˜๐˜…๐—ฐ๐—ฒ๐—ฝ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐˜„๐—ผ๐—ฟ๐—ธ๐—ถ๐—ป๐—ด ๐—ธ๐—ป๐—ผ๐˜„๐—น๐—ฒ๐—ฑ๐—ด๐—ฒ ๐—ถ๐—ป ๐——๐—ฎ๐—ฉ๐—ถ๐—ป๐—ฐ๐—ถ ๐—ฅ๐—ฒ๐˜€๐—ผ๐—น๐˜ƒ๐—ฒ, ๐—™๐˜‚๐˜€๐—ถ๐—ผ๐—ป ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ผ, ๐—ก๐˜‚๐—ธ๐—ฒ, ๐—•๐—น๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ฟ, ๐—ฆ๐˜‚๐—ฏ๐˜€๐˜๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฆ๐˜‚๐—ถ๐˜๐—ฒ, ๐—จ๐—ป๐—ฟ๐—ฒ๐—ฎ๐—น ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ ๐Ÿฑ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ต๐—ผ๐˜๐—ผ๐˜€๐—ต๐—ผ๐—ฝ.
โญ ๐—ฆ๐˜‚๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€๐—ณ๐˜‚๐—น ๐—ฐ๐—ฎ๐—บ๐—ฝ๐—ฎ๐—ถ๐—ด๐—ป ๐—บ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—ง๐—ถ๐—ธ๐—ง๐—ผ๐—ธ, ๐— ๐—ฒ๐˜๐—ฎ, ๐—š๐—ผ๐—ผ๐—ด๐—น๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ป๐—ฎ๐—ฝ๐—ฐ๐—ต๐—ฎ๐˜ ๐—”๐—ฑ๐˜€. See some of my work within VFX, 3D and animation at: ๐—ต๐˜๐˜๐—ฝ๐˜€://๐˜„๐˜„๐˜„.๐—ฎ๐—ฟ๐˜๐˜€๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป.๐—ฐ๐—ผ๐—บ/๐˜๐—ถ๐—ฒ๐—ฑ๐˜๐—ธ๐—ฒ

Over the years I've been blessed to have worked with so many amazing people and companies, creating wonderful stories, films and projects. These include: ๐——๐—ฟ. ๐—•๐—ผ๐—บ๐—ฏ๐—ฎ๐˜†, ๐—•๐—ฟ๐—ฎ๐˜ƒ๐—ผ ๐—๐˜‚๐—ถ๐—ฐ๐—ฒ, ๐—ฅ๐—ฎ๐˜†๐—น๐—ฒ๐—ฒ, ๐—œ๐—ž๐—˜๐—”, ๐—Ÿ๐—ฒ๐—ป๐˜€๐—ช๐—ฎ๐˜†, ๐—˜๐—ฟ๐—ป๐˜€๐˜ ๐—ž๐—ถ๐—ฟ๐—ฐ๐—ต๐˜€๐˜๐—ฒ๐—ถ๐—ด๐—ฒ๐—ฟ, ๐—ง๐—ผ๐˜†๐—ผ๐˜๐—ฎ, ๐——๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ขฬˆ๐—น๐—ฎ๐—ป๐—ฑ, ๐—Ÿ๐—ผ๐—บ๐—ผ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜† ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น, ๐—Ÿ๐—ถ๐—ป๐—ฑ๐—ฎ๐—ต๐—น๐˜€ and so, so many more.

What you're seeing is ๐—ป๐—ผ๐˜ AI, it's UE5โ€”However!The best quote I've heard about AI is "not using it as a tool, rather as ...
25/06/2025

What you're seeing is ๐—ป๐—ผ๐˜ AI, it's UE5โ€”However!

The best quote I've heard about AI is "not using it as a tool, rather as a collegue". One practical approach to this was I wanted to create a vintage 90s sportscar, but I didn't want a real world brand/model.

1. I started by chatting with Google Gemini about what defined iconic 90s sportscar design, shared some of my favorites, and asked it to help craft a detailed image prompt for Google Whisk.
2. After a few iterations, Whisk delivered a 4-split orthographic concept I really liked.
3. I fed those images into Hunyuan 3D 2.0, a free AI-based 3D generator, which gave me a detailed 3D sketch of the car in minutes.
4. I imported the FBX into Blender and manually retopologized
it using Retopoflow 3.
5. With Geminiโ€™s earlier design suggestions in mind, I added more custom touches via traditional 3D modeling.
6. I named my fictional car brand Raccoonโ€”partly because I love raccoons, partly because the dark headlight design reminded me of one.
7. Finally, I brought it all into Unreal Engine 5.6, shaded it using Epic Gamesโ€™s Automotive Materials pack, and rendered it with Lumen + Raytracing.

All-in-all, I didnโ€™t use AI to generate a 3D carโ€”I co-created with it. Through a back-and-forth process, I gained insights into what made 90s sportscars so iconic, received tailored references based on my taste, and got help in areas I might have struggled with alone. The result: a fully optimized, high-quality 3D model ready for Unreal Engine 5.

No more long curls for a while now. ๐Ÿซก
13/04/2025

No more long curls for a while now. ๐Ÿซก

WIP and the power of previz in a real-time cinematic renderer like Unreal Engine 5. I wanted to share some progress on m...
26/01/2025

WIP and the power of previz in a real-time cinematic renderer like Unreal Engine 5. I wanted to share some progress on my weekend project. Recently, I was inspired by a video that emphasized "Don't be afraid to show the process and unfinished work, instead of waiting to release everything at once." This approach is not what I did with my previous Need for Speed animated film, so I thought I'd try that now. In the image below you can see v001 renders with the ๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ด๐˜ต settings (no AA, 1 sample for RT etc) so I could do an offline edit and the quality you get with the lowest quality settings is.. greatโ€”to say the least. ๐Ÿ˜€

Additionally, I came across another inspiring video made by Karim Yasser that encouraged me to rethink my lighting approach. The idea to "paint with lights" for each camera setupโ€”focusing on lighting individual parts of the frame rather than treating the scene as a whole. It's a simple concept in hindsight, but one I hadnโ€™t fully explored in my CG work until now.

In the image below, I used lots of multiple spawnable lights for each shot to emphasize specific details.

3D character design: Rachel Teller from Need for Speed Underground 2โ€”reimagined in Unreal Engine 5.โ €๐Ÿ–Œ๏ธ Mesh/Rigging:  Ch...
18/12/2024

3D character design: Rachel Teller from Need for Speed Underground 2โ€”reimagined in Unreal Engine 5.
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๐Ÿ–Œ๏ธ Mesh/Rigging: Character Creator 4.3
โœ‚๏ธ Hair Groom: .official 4.2
๐ŸŽจ Textures: Photoshop
๐ŸŽฅ Lookdev & Simulations: 5.4
โ €
Features include custom hair grooming, advanced cloth physics using UE5's Cloth Asset system, dynamic makeup and wrinkle maps for enhanced expression. All simulations are integrated into a streamlined UE5 blueprint for efficient iterative workflow.
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Excited to share more soon!

Photography from Montreux, Switzerland - Freddie Mercury's second home. Chapter 2. ๐Ÿ‡จ๐Ÿ‡ญโ€Žโ€Žโ€Žโ€Žโ€Ž                              ...
18/11/2024

Photography from Montreux, Switzerland - Freddie Mercury's second home. Chapter 2. ๐Ÿ‡จ๐Ÿ‡ญ

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Photography from Montreux, Switzerland - Freddie Mercury's second home. Chapter 1. ๐Ÿ‡จ๐Ÿ‡ญ โ€Žโ€Žโ€Žโ€Žโ€Ž                             ...
17/11/2024

Photography from Montreux, Switzerland - Freddie Mercury's second home. Chapter 1. ๐Ÿ‡จ๐Ÿ‡ญ

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It's really fun to create   videos, and it's also very fun to see that a lot of people actually appreciate watching my v...
01/11/2024

It's really fun to create videos, and it's also very fun to see that a lot of people actually appreciate watching my videos too. Yesterday I reached an incredible 10,000 subscribers on my YouTube channel . Thank you if you're one of the people watching my videos! ๐Ÿ˜€๐Ÿ™

๐Ÿ‘‰ https://www.youtube.com/channel/tiedtkeio?sub_confirmation=1

30 ๐ŸŽˆ Thank you so much to those who wished me a happy birthday, I had not only an amazing day, but an amazing weekend! E...
31/10/2024

30 ๐ŸŽˆ Thank you so much to those who wished me a happy birthday, I had not only an amazing day, but an amazing weekend! Emilia had planned a surprise adventure and over the course of wonderful 5 days I got to see some beautiful views in Switzerland, take a short swim in the Mediterranean sea and go millionaire car-spotting in Monaco. France and Monaco was great, but Switzerland was just something else. The bluest water I've seen in my life and the vibe was just so pure and welcoming. ๐Ÿ‡จ๐Ÿ‡ญ is the best present I've gotten in life. โค๏ธ

13/10/2024

It's easy to miss ๐Ÿ˜ฉ But โ€” I just couldn't miss out on the Indie Bundle deal pushed recently, so yesterday I finally received my first very own motion capture suit, complete with hand tracking gloves too. It's too early to know, but honestly, I think this will probably be the importance equivalent to cameras for me to tell stories going forward. In both CG and live action filmmaking ๐˜๐—ต๐—ฒ ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ฒ๐—ฟ๐˜€ are always the most important part of a story. Now I can not only capture visuals of characters, but also the motions of characters. I feel so inspired and motivated knowing what's possible with these tools. This video is my first time in the suit and my first test capture. It's also one of the most cringe improves I've ever made hahah. ๐Ÿฅด
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Photography from weekend in Finland, Helsinki. Chapter 2 of 2.โ€Žโ€Žโ€Žโ€Žโ€Ž                                                     ...
22/09/2024

Photography from weekend in Finland, Helsinki. Chapter 2 of 2.

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Photography from weekend in Finland, Helsinki. Chapter 1. โ€Žโ€Žโ€Žโ€Žโ€Ž
20/09/2024

Photography from weekend in Finland, Helsinki. Chapter 1.

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Chapter 2 of 2 from Street photography in Denmark โ€™13โ€Žโ€Žโ€Žโ€Žโ€Žโ€Ž
18/09/2024

Chapter 2 of 2 from Street photography in Denmark โ€™13
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tiedtke - videographer & director

๐Ÿ‘‹ What I do in 3 simple steps:

1. Creative planning, branding and strategy based on psychology, studies and industry insights. 2. Direct, shoot and edit content with knowledge from projects with some of Swedens biggest brands, influencers and artists. 3. Distribute the content with paid social and growth hacking using the latest and most up-to-date strategies on social media platforms. โญ DoP/Owner of RED DSMC2 RAVEN cinema camera โญ Certified Premiere Pro/After Effects editor with 10.000+ hours โญ Facebook/Instagram Ads Manager โญ Google Ads โญ Snapchat Ads As the light and composition enthusiast I am, I felt early on that visual storytelling was something for me. The last few years I've worked with multiple ambitious production companies and agencies, brands such as Bravo Juice, MECA, Skรฅnemejerier, LRF, LensWay, Toyota, Destination ร–land, Philips etc, and created hundreds of awareness, activation and conversion campaigns on social media.