Death metal site

05/05/2026

Live show with Immolation, Deicide and Rotting Christ at the Empire in Albany NY Immolation

23/04/2026

Crematory " Denial " CD Out now
https://necroharmonic.bigcartel.com/
OR
https://www.necroharmonic.com/

07/03/2026

Live tonight -

Death Metal Podcast - March 7th 2026 Dawn of Possessions The Return of DMP for 2026

22/01/2026

Unleashed - The Utter Dark Demo I ’90)

Before Unleashed had a name, it existed as continuation. When Nihilist fractured in the late 1980s, Johnny Hedlund carried its core forward rather than letting it dissolve. Unleashed formed in Stockholm in 1989 as a deliberate extension of that lineage—built on cohesion, discipline, and permanence rather than experimentation. The early lineup solidified around Johnny Hedlund on bass and vocals, Anders Schultz on drums, and guitarists Fredrik Folkare and Tomas Olsson, functioning as a unified force from the outset rather than a loose collective. Early news of the band spread quickly through the underground, not through press but through letters, tape lists, and trusted contacts. By the time The Utter Dark began circulating, Unleashed still operated on a strictly person-to-person level. I obtained the cassette by writing directly to Anders Schultz, corresponding the way the underground actually worked—addresses pulled from inserts, direct exchanges, no separation between band and listener. This was just after the band had visited New York and New Jersey, where they were already handing tapes directly to friends and contacts, extending the Nihilist lineage across the Atlantic through trust rather than promotion. When the cassette arrived, it felt less like a release and more like a direct transmission. There was no catalog, no infrastructure—only intent. Musically, The Utter Dark captured the band in its most formative state: Hedlund’s commanding vocal presence anchoring the vision, Schultz enforcing structure and restraint behind the kit, and the guitars locked into dense, deliberate riff cycles built on weight and repetition. The demo was not a prototype but a declaration. That method of exchange—now extinct—defines how The Utter Dark should be understood: not nostalgia, but a document born of lineage, connection, and belief, before Unleashed crossed into permanence and before anything was diluted or reframed. deathmetalsite

15/11/2025

Death Metal Podcast - First Death Metal Bands - Episode -
https://youtube.com/live/RYS65bzwFIM
11 / 15 /2025 7:00 Pm Est -
1st Death Metal Bands - Lets go back in time and explore the 1st death metal bands from 1980-1990

Death Metal Podcast - First Death Metal Bands - Episode -11 / 15 /2025 - 1st Death Metal Bands - Lets go back in time and explore the 1st death metal bands...

30/09/2025

Short-lived but deeply influential, Midian Creations was an underground indie label from Belgium founded by Wim Baelus, a writer for Dutch Aardschok metal magazine during the 1980s and 90s. In addition to his role as a journalist, Wim also created artwork—covers and logos—for some of the most legendary demo releases of the era. Operating out of Geel, Antwerp, Midian Creations ran from 1992 to 1995 and issued just seven releases, each one now considered a cult artifact. These included Eternal Solstice / Mourning – At The Dawn Of… (1992), Poison – Into The Abyss (Cassette Promo, 1993), Poison – Into The Abyss (1993), Sathanas – Ripping Evil (7”, 1994), Ancient Rites – The Diabolic Serenades (1994), Samhain – The Courier (7”, 1995), and Pentacle – Exalted Journey (7”, 1995). Midian wasn’t just a label—it was a statement. As its original flyer declared: “Dedicated to real death & black metal. No trend. No compromise. Only DEATH!” Known for its limited vinyl pressings, CDs, and tapes, Midian Creations captured the true underground spirit of the early 90s metal scene and remains a reference point for collectors and death metal purists alike.

08/09/2025

IMPETIGO — a name forever carved into the rotting tombstone of underground death/grind. Formed in 1987 in Bloomington, Illinois, Impetigo fused the speed and filth of grindcore with a grotesque horror aesthetic, making them one of the earliest pioneers of what would become goregrind. Fronted by bassist/vocalist Stevo Dobbins, with guitarist Mark Sawickis, drummer Dan Malin, and later Scotty Bross, the band rose from the tape-trading underground with crude but infectious demos like All We Need Is Cheez (1987) and Giallo (1989). Signed to the infamous Wild Rags Records, they unleashed their first album Ultimo Mondo Cannibale in 1990 — a sick, noisy, blood-splattered mix of hardcore roots and grinding death metal fury. Even the album’s original artwork was so graphic that it was banned at the pressing plant, forcing the band to issue a censored cover at the time. Their obsession with Italian cannibal and splatter cinema shaped the imagery, lyrics, and samples that made Impetigo infamous in the tape-trading network worldwide. Throughout 1991–1992, they kept the horror rolling with EPs like Buio Omega and Faceless, and even split releases with international acts like Blood. But their ultimate statement came with Horror of the Zombies (1992) — a slab of gore-drenched extremity packed with grisly riffs, unhinged vocals, and buckets of horror film samples that captured the very spirit of VHS-era gore mania. By 1993, the band dissolved, leaving behind only two full-length albums but a legacy that continues to inspire deathgrind, goregrind, and splatter-obsessed maniacs across the globe. Their 2007 reunion only proved how deep the cult runs. From their primitive beginnings to their splatter-soaked finale, Impetigo remain true legends of the extreme underground — horror, gore, and grind at its most raw.

08/09/2025

https://youtube.com/?si=EAUyqLXJz-UK-uLa

31/08/2025

Rare Florida Infamy