The Ukrainian: Life and Culture

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The Ukrainian: Life and Culture In some ways, you can call The Ukrainian a tour guide: one of Ukrainian tradition, culture and contemporary lifestyle.

By reading our magazine, you will be able to know Ukraine without ever traveling there In this magazine we’ve gathered the best Ukrainian voices to tell you about the country’s culture: the voices of both the young and adventurous, who are building a new Ukraine, and the old and experienced, who have years of excitement and hardship to talk about. Our contributors are well known, professional, and

successful in their chosen fields: scholars, journalists, authors, artists, bloggers, and entrepreneurs who have put in their efforts to help you to know Ukraine. READ PDF HERE:
https://issuu.com/oleksiychekal/docs/the_ukrainian_all_web

Happy Easter! Ivan Marchuk, 1993
20/04/2025

Happy Easter! Ivan Marchuk, 1993

Іван Марчук «Великдень». 1993 рік

During May in Bucha city at Kosenko Art Gallery, the exhibition "Don’t Be Silent. Captivity Kills" will be open for the ...
20/05/2024

During May in Bucha city at Kosenko Art Gallery, the exhibition "Don’t Be Silent. Captivity Kills" will be open for the audience.
The exhibition is supported by the Association of Families of Azovstal Defenders. This project is about women and for women who are fighting for the lives of their husbands, fiancés, sons, fathers, and friends, striving for their return from captivity.
Captivity is an iron wall built by the enemy — a wall of uncertainty, despair, and separation between loved ones. Photos in this project capture what women fear to express and dare not show in real life: pain, anxiety, fear, but also an incredible power of love and hope.
"The project is meant to support women who tirelessly fight on various fronts every day: fighting, volunteering, or evacuating and caring for wounded soldiers. Above all, it supports those who, despite the despair of not knowing the fate of their loved ones, find the strength to fight for their lives here. This project is about their emotions, experiences, and incredible willpower and strength. We must support and help them, doing everything we can so they don’t feel alone in this struggle," says project initiator and photographer Maryana Bodnar.
The full-scale Russian aggression against Ukraine started on the 24th of February 2022. For two years now, up to 900 Ukrainian fighters who surrendered after weeks besieged deep under the Azovstal steelworks in the port city of Mariupol (east of Ukraine) have been kept in inhumane conditions by Russia.

03/05/2024

Повітроплавання. 2016р.
(Із серії "Польоти над полями").

Interesting information about traditional Ukrainian head wears.What headdresses did Ukrainian girls wear at the end of t...
12/04/2024

Interesting information about traditional Ukrainian head wears.
What headdresses did Ukrainian girls wear at the end of the 19th and the beginning of the 20th century? The first thing that comes to mind is wreaths. To some extent it is. But to be precise, we should not talk about a wreath as such, but about wreath-like headdresses, the main features of which are a crown-like shape and open head hair.
Traditionally, a wreath is perceived as a girl's headdress or as a bride's headdress in a wedding ceremony. Instead, the wreath in the Ukrainian folk tradition has a wider symbolic meaning: ethnographers recorded it not only as a girl's headdress and not only as a bride's headdress. During the wedding ceremony in some regions of Ukraine, the young man wore a wreath on top of his hat.
In the Ukrainian folk tradition, the wreath is common in all regions of Ukraine. It is widely used in various archaic rituals: calendar (Kupal, obzhynkov) and family (funeral, wedding, family). The most archaic of those listed are bathing and burial rites, which were closely related to the cult of ancestors and the transition to another, "other" world. If the ritual death-sacrifice is imitated in the Kupala rite, then in the funeral it is a direct departure to the "other world". Everyone who found himself on this "border" between two worlds was endowed with this talisman. The high symbolic status of the braided amulet-wreath also stimulated the choice of material for its manufacture, namely, natural, non-baptized: herbs, flowers, leaves. In the winter period, due to the lack of living plants, other natural materials (wool, feathers, yarn, dry cereals, etc.) were used to imitate natural fauna; at the same time, they sought to preserve the archetype of living woven wreaths.
Various crown-like headdresses - integral attributes of a wedding - had a rather complex design, and various materials were used for their manufacture, which retained an attractive appearance for a long time: feathers, ribbons, paper flowers, metal and bead ornaments, wool, wax. The only "living" material added to the wedding wreath is green periwinkle.
The use of dyed feathers for wedding wreaths was quite interesting. In Volhynia Polissia, girls decorated their heads with small chicken feathers dyed green. In Western Podillya, girls decorated their hair with "kachurik" from the tail of a drake, dipping them in melted, green colored wax. Once upon a time in the Kyiv region, green feathers from the tail of a drake were sewn between two ribbons, and then knitted with this decoration below the wreath. Hutsuls of Bukovyna wore carabul wreaths made of glassware, ribbons, artificial flowers and peacock feathers. Wedding vase-shaped wreaths in Bukovina were richly decorated with beaded garlands, ribbons, paper flowers, and a lush bunch of yellow and white cotton was inserted from above.
Poltava region and Kyiv region are known for their wreaths made of silk or woolen ribbons assembled in different ways: either in the form of rosettes, or in the form of a ribbon gathered in folds. In the Galician Hutsul region, the wedding wreath-chiltse was decorated with a large number of narrow brass plaques in the form of small petals and leaves, and instead of ribbons, "labels" - bundles of red woolen threads - were attached to the back. In Western Podillya, the wedding wreath was a kind of cap, made of beaded garlands, colorful flowers, a periwinkle wreath and "zombirok" - vertical pendants made of beads that went down on the forehead.
In Odesa, so-called "candy" wreaths were used in the border areas with Modavia. The main elements of the wreath were made from candy wrappers, hence the name. Such a wreath was decorated with a glass necklace and paper flowers. Urban fashion at the beginning of the 20th century brought white wax wreaths, which imitated wreaths of orange flowers, into rural life. Such wreaths were supplemented with colored paper flowers and leaves. The paper was also treated with wax for this purpose.
If the wreath was a ritual-celebratory girl's headdress, then ribbons and handkerchiefs were the festive-everyday girl's headdress.
Ribbons were a rather expensive gift given to a girl by her father, brother or lover. They were brought from Europe and Russia and sold at fairs. Usually they were not plain, but woven with floral, mostly floral, ornament. The girl wore a ribbon as long as it was. If the ribbon was too long, it was simply wrapped in a loop and worn like that. They did not dare to cut such a precious thing. They saved the ribbons by folding them into triangles. Therefore, when such a ribbon was worn, it had beautiful folds, like waves.
In addition to ordinary silk ribbons, so-called "ribbons" - embroidered ribbons on a solid base - were worn in the Kyiv region. Ordinary silk ribbons were lowered behind such ribbons. In the summer, such an outfit could be decorated with fresh flowers. In Chernihiv Oblast, girls used to tie two ribbons of different colors at once - a regular silk one, and a lace one on top of it. In Podilla and Pokutta, a woolen or silk ribbon was decorated with paper flowers-cones, which were attached to the ribbon with large pins.

Ukrainian-American architect Zenon Mazurkevich (1939 – 2018)  was famous for his futuristic church architecture. "His mo...
08/04/2024

Ukrainian-American architect Zenon Mazurkevich (1939 – 2018) was famous for his futuristic church architecture. "His most prominent architectural work is St. Joseph the Betrothed Ukrainian Catholic Church in Chicago, Illinois. Three-quarters of the Church's exterior consists of curved windows. It was one of the largest bent-glass projects in the country at that time.[10] When it was built, local press commented that its futuristic design looked “like a product of a cosmic collision." The church has been cited by architectural experts as one of the most beautiful buildings in Chicago, and one of the most beautiful churches in America] Mazurkevich's other projects included St. Michael the Archangel Ukrainian Catholic Church in Baltimore, Maryland, which he designed in the Cossack Baroque style, the Prayer Room at St. Basil Academy in Fox Chase, Pennsylvania, the Order of St. Basils Monastery in Glen Cove, New York, renovations of St. Nicholas Ukrainian Catholic Cathedral in Chicago, Illinois, as well as an avant-garde design for the Cathedral of the Transfiguration of our Lord, in Kolomyia, Ukraine" (Information from Wikipedia)

Our magazine  The Ukrainian: Life and Culture and our amazing artist Oleksii Chekal won an award in New York for Typogra...
08/04/2024

Our magazine The Ukrainian: Life and Culture and our amazing artist Oleksii Chekal won an award in New York for Typographic Excellence by the world's oldest typographic competition The Type Directors Club. We won the nomination for best magazine design. Some of the parts of the magazine are published in The World's Best Typography Annual!

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In this magazine we’ve gathered the best Ukrainian voices to tell you about the country’s culture: the voices of both the young and adventurous, who are building a new Ukraine, and the old and experienced, who have years of excitement and hardship to talk about. Our contributors are well known, professional, and successful in their chosen fields: scholars, journalists, authors, artists, bloggers, and entrepreneurs who have put in their efforts to help you to know Ukraine. READ PDF HERE: https://issuu.com/oleksiychekal/docs/the_ukrainian_all_web