07/13/2026
In 1940, a twenty three year old painter named Jacob Lawrence began work on a series of sixty small tempera panels that would tell the story of the Great Migration, the mass movement of six million Black Americans from the rural South to the cities of the North. 🎨🖤 He was working in a small Harlem apartment, laying all sixty panels out at once on the floor and applying each color across the entire series simultaneously, moving from panel to panel with the same shade of red or blue or brown to ensure visual unity across the whole narrative. He was barely out of his teens and he was making one of the most important bodies of American art produced in the twentieth century.
Lawrence had grown up in Harlem, the child of Southern migrants, studying at community art workshops where he was mentored by Augusta Savage and Charles Alston, absorbing the stories of the Great Migration directly from the families living around him. ✊🏾🖌️ His visual style was unlike anything being produced in the mainstream American art world at the time, flat angular forms in bold saturated color that borrowed from African art, from cubism, and from the graphic visual language of political posters, creating a mode of storytelling that was simultaneously modern and deeply rooted in Black vernacular life.
When the Migration Series was completed, it was purchased jointly by the Phillips Collection in Washington D.C. and the Museum of Modern Art in New York, with the odd numbered panels going to one and the even numbered panels to the other, an arrangement that means the series has almost never been exhibited together in full. Lawrence was the first Black artist to have work acquired by MoMA, a milestone that opened institutional doors for generations of Black visual artists who followed him. What does it mean to you that one of the most important American art series of the twentieth century was created by a twenty three year old in a Harlem apartment? 🙏🏾