Skene Theatre, dance, opera & performance. The international community artists trust.

Actsafe Industry Social: Mingle. Munch. Repeat!● September 23, 2026●  5:00–7:00 PM●  Tap & Barrel Bridges, 1696 Duranlea...
09/05/2026

Actsafe Industry Social: Mingle. Munch. Repeat!

● September 23, 2026
● 5:00–7:00 PM
● Tap & Barrel Bridges, 1696 Duranleau St., Vancouver, BC

Actsafe is bringing the B.C. Arts & Entertainment industry together for an evening of networking, great conversations, food, and drinks. Join Actsafe’s team, Board of Directors, Standing Committee members, and fellow industry professionals for a relaxed evening of connection.
Limited capacity. Book early to secure your spot!

Register Now
https://actsafeconference.ca/industry-mixer
in partnership with .pub

09/04/2026

"Out of the thousand messages that I've sent, fairly to say 900 have come back answered."

Martín Acuña built a New York theatre career out of cold DMs sent from Colombia. Hey, I'm a fan. I have a podcast. Do you want to be a guest?

The thing standing between you and the room you want to be in is a message you haven't sent.

New OFFSTAGE out now. https://skene.pub/send-that-message-offstage-ep-10/
Link in bio →



Your voice matters. Your work matters. The world needs what you’ve been called to create.Send this to someone who needs ...
09/04/2026

Your voice matters. Your work matters. The world needs what you’ve been called to create.

Send this to someone who needs this reminder too ❤️

09/03/2026

"If something doesn't bring me joy, I'm not gonna do it. I'm not even gonna try it."

Martín Acuña decided in college that joy would be the thing he navigated by. Not discipline. Not ambition. Joy.
Bad day at work, good meal at home. Check. That counts. Look back at the whole day and it wasn't that bad.
A career built on the simplest possible filter.

New OFFSTAGE drops this Friday.


Five rising Latinx voices you should know, this Hispanic Heritage Month and every month.From a Guatemalan playwright to ...
09/03/2026

Five rising Latinx voices you should know, this Hispanic Heritage Month and every month.

From a Guatemalan playwright to designers, directors, and singers across the Americas, these new talents are redefining what live performance can be. Swipe through to meet them, then read their full stories on Skene.

Follow .pub. El escenario es global
https://skene.pub/khristian-mendez-aguirre-after-the-storm/
https://skene.pub/zeltzin-vargas/
https://skene.pub/rodolfo-robles-cruz-art-fights-back/
https://skene.pub/jennifer-gonzalez-strength-in-community/
https://skene.pub/sebastian-zavalza-hidden-in-plain-sight/

09/02/2026

"It was my baby. I know for a fact that it was what kept me sane during lockdown."

Martín Acuña launched Backstage Talk two and a half weeks before Broadway went dark. Six years later it is the only Latin American musical theatre podcast still running, and still the only one bridging New York and Latin America in both languages.
He skims the competition every so often. There isn't any.

New OFFSTAGE drops this Friday.


09/01/2026

"I had my cringe era in high school. After that I decided to be happy."

Martín Acuña is a self-described clown. Dad jokes, silly comments, joining the silly dance. He gets that it costs him nothing and buys him everything.
Most people never get past the fear of looking stupid online. He got past it at 18.

New OFFSTAGE drops this Friday.


09/01/2026

🎭 ¿Hace cuánto no ibas a escuchar una orquesta en vivo?

Hay lugares que, aunque los hayas visto mil veces por fuera, siguen emocionándote cuando cruzas la puerta.

Eso me pasó otra vez en el Palacio de Bellas Artes.

Desde la llegada del público, encontrar mi lugar, escuchar cómo los instrumentos comienzan a afinar, ese momento en el que el primer violín da la nota para que toda la orquesta respire al mismo tiempo…

Y entonces…

Se apagan las luces.

El murmullo desaparece.

Sabes que está a punto de ocurrir algo irrepetible.

Más allá del concierto, me gusta pensar que asistir a una función también es una experiencia arquitectónica, histórica y humana.

No importa cuántas veces vuelva a Bellas Artes.

Siempre encuentro un detalle nuevo que admirar.

Y sí…

Ese sonido de la afinación antes de comenzar sigue siendo uno de mis momentos favoritos. 🎻

💬 ¿Cuál ha sido el concierto o función que más te ha emocionado en el Palacio de Bellas Artes? ¿O todavía no has tenido oportunidad de conocerlo?

.monde

08/31/2026

How much should I charge as a designer? Most advice skips the part that actually matters, so let me say the quiet part out loud.

Most of us designers are introverts. Talking about money feels awkward, even a little rude. That discomfort is exactly why so many of us get underpaid. It's not a personality flaw. It's a pattern, and patterns can be broken.

Here's the reframe that changed it for me: as a designer, you're usually not setting the fee. You're responding to an offer. So the skill isn't pulling a number out of thin air. It's knowing what your work actually costs you, the research, the drafting, the revisions, all the invisible hours, so you can look at any offer and know whether it works.

That's your floor. Not your base fee. The number below which you're literally paying to work. You don't go under it.

Can you ever take less than your ideal fee? Sometimes, yes, but only if it stays above your floor and only if you can name exactly what else you're getting: a director you want to build with, a new work you believe in, a room you're trying to get into. Name the value, or it's just underpayment.

And if you're holding back your rate out of fear of losing a theatre that underpays everyone: you're not losing an opportunity. You're dodging a bullet.

So where do you get stuck, knowing your number, asking for it, or holding it? Tell me. I read every comment.

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