EPIC_Oldies_XL5

EPIC_Oldies_XL5 EPIC Oldies is the Radio XL5 stream of oldies covering the 50s, 60s, 70s,80s, Motown & Doo W*p
Listen here: https://streema.com/radios/EPIC_OLDIES

Here is a how a very early 80s hit when remembered and played  today has a reputation for having that "oh wow!" factor. ...
07/28/2025

Here is a how a very early 80s hit when remembered and played today has a reputation for having that "oh wow!" factor. When you hear it you realize it was such a good song but is rarely played today. The song was the one and only hit for a 27 year old Rocky Burnett, son of 50s country turned rock-a-billy artist Johnny Burnett. The song went to #8 in the USA. While it was the only hit for Rocky (his next single only went to about 108 the music video for this song was in many ways ahead of its time. Remember this is 1980 and MTV was still a year away. Most American artists weren't even making videos.
In the video for Toein the Line we see Burnette is backed in the video by beautiful girls miming various instruments - something Robert Palmer would do years later on his famous videos. There are also scenes of Burnette dressed up as a fireman and blasting water at the girls, a forebear of the wet video vixen videos that came later.
Here is the official video for 'Toein' The Line". You have to admit this is a lost hit that deserves more airplay in this new century. Radio XL5, the parent of the Radio XL5 stream and Epic Oldies has this song in rotation. We play it on 'GP's 80s Rewind" too ( a program heard on Radio XL5 at 11 PM ET Saturdays on Radio XL5.

https://youtu.be/7qNV8mbn_1A

Australia gave Rocky Burnette his greatest success and prevented him from being a one hit wonder when he scored successive hits with 'Tired Of Toein' The Lin...

Epic Oldies is sad to learn that singer Connie Francis has passed away. She had been hospitalized over the July 4th week...
07/17/2025

Epic Oldies is sad to learn that singer Connie Francis has passed away. She had been hospitalized over the July 4th weekend for intense pain but seemed very communicative with her fans through social media. She was scheduled to be with Cousin Brucie but could only make a brief phone call.

She is an icon of pop music history with numerous hits and the first woman to have a #1 hit on the Billboard 100 in 1960.

Epic Oldies did a tribute to her over July 4th 2025. We will be running that again.

RIP Connie.

If you grew up with music we play on Epic Oldies you will remember running with mom.
07/16/2025

If you grew up with music we play on Epic Oldies you will remember running with mom.

On the 16th day of July 1966 Tommy James and The Shondelss go to  #1 in the US with 'Hanky Panky".This is the song that ...
07/16/2025

On the 16th day of July 1966 Tommy James and The Shondelss go to #1 in the US with 'Hanky Panky".

This is the song that set in motion the strange events that led to the rise of Tommy James & the Shondells, and their journey recording for a record company controlled by the Mafia, the full and fascinating story of which is told in a Songfacts interview with Tommy James.

The song was written by Jeff Barry and Ellie Greenwich, which is the team responsible for the hits "Be My Baby" and "Leader of the Pack." Barry and Greenwich recorded it themselves as The Raindrops, and released it as the B-side of their 1963 single "That Boy John." Shortly after the release of the Raindrops' version, 13-year-old Tommy Jackson, who would later become Tommy James, slipped into a club in South Bend, Indiana and listened to a local band, the Spinners (not the hitmakers of the '70s) play the song. After hearing "Hanky Panky" drive the crowd wild, Tommy wanted to record it for his second single - he had released one locally the previous year. He and his group, The Shondells, recorded the song at a radio station in his hometown of Niles, Michigan.

The song was released on the tiny Snap label, the first issue of the record label owned by a DJ friend of Tommy. It sold well in the midwest, then faded into obscurity. A year and a half later - in 1965 - Tommy Jackson graduated from high school and the Shondells went their separate ways.

In late 1965, a Pittsburgh DJ started playing the two-year-old single and touted it as an "exclusive." Another Pittsburgh DJ played HIS copy of "Hanky Panky" at various dance parties and the resulting demand caused a "Hanky Panky" war as bootleggers sold an estimated 80,000 illegal copies of the record. DJ "Mad Mike" Metro called Tommy to inform him of the single's popularity and asked if the Shondells could perform it in Pittsburgh. One minor problem: by then, Jackson was a solo act. When he arrived in Pittsburgh, he asked a local band, the Raconteurs, if they would like to be the new Shondells. They accepted the offer and he adopted the new stage name of Tommy James.

Record companies took notice and lined up to sign the band. Atlantic, Columbia, Epic and K**a Sutra all courted them along with a smaller label called Roulette. But, as Tommy told us, things didn't go as expected: "One by one all the record companies started calling up and saying, 'Look, we gotta pass.' I said, 'What? What are you talking about?' 'Sorry, we take back our offer. We can't…' There was about six of them in a row. And so we didn't know what in the world was going on. And finally Jerry Wexler over at Atlantic leveled with us and said, Look, Morris Levy and Roulette called up all the other record companies and said, 'This is my freakin' record.' (laughs) And scared 'em all away – even the big corporate labels. And so that should have been the dead giveaway right there. So we were apparently gonna be on Roulette Records." The band did sign with Roulette and did a great job promoting the record, which hit #1 in the summer of 1966. Tommy James was 19 years old and a year out of high school.

This is a pretty silly song and there's not much to it, just "my baby does the hanky panky" repeated 23 times and the same verse repeated twice. Jeff Barry wrote the song in about 20 minutes when he finished a 3-hour studio session for his group The Raindrops early. With the extra time, he quickly composed the song and had the session musicians play a simple backing track, which became the song.

Barry considered it a bonus track that would give buyers nine songs on the album instead of eight, and he also used it as the B-side of their single "That Boy John," which is where Tommy James heard it.
When Tommy recorded this, he couldn't remember all the lyrics from the original Raindrops version, so he made up some on the spot.

Regarding his sudden fame, James said: "One night I was playing for 20 drunks in a bar in Michigan, and the next night I'm playing for 10,000 screaming fans in Pittsburgh. It was literally overnight. It was very unexpected, one of those winning-the-lottery type stories."

Tommy James & the Shondells initially formed in 1959 as Tom and the Tornadoes, with the then 12-year-old Tommy Jackson as lead singer. In 1963, he renamed the band The Shondells, after one of his idols, guitarist Troy Shondell. At first, they played straightforward rock and roll (as their first hit proves), but soon became involved in the budding Bubblegum music movement. From 1968, the group members tried themselves as songwriters, penning the psychedelic classic "Crimson And Clover." The group carried on with constant success until early 1970, when James became exhausted from the strenuous touring and decided to drop out. His four bandmates carried on for a short while under the name of Hog Heaven but disbanded soon afterwards. Tommy James launched a solo career in 1971 which yielded the hit "Draggin' the Line" before leaving the music business.



My baby does the hanky pankyYeah, my baby does the hanky pankyMy baby does the hanky pankyMy baby does the hanky pankyHey, my baby does the hanky pankyMy bab...

Bill Haley and The Comets were the first group to get a  #1 song on the Billboard charts back in 1955. it happened on 9 ...
07/09/2025

Bill Haley and The Comets were the first group to get a #1 song on the Billboard charts back in 1955. it happened on 9 July 1955.

At the time, Billboard magazine compiled charts in three different categories: Best Sellers in Stores, Most Played By Disc Jockeys, and Most Played in Juke Boxes - many songs like "Rock Around The Clock" topped all three and were a consensus #1. Elvis had his first chart-topper in 1956 with "Heartbreak Hotel," and rock music made steady gains from there, but to give you some idea of what the charts looked like before Haley hit the pinnacle, the 1955 that hit before Haley were by Joan Weber, The Fontane Sisters, The McGuire Sisters, Bill Hays, Perez Prado, Georgia Gibbs and Les Baxter.

This was written in 1953 by a Philadelphia songwriter named named Max Freedman (who was nearly 60 years old), and by James Myers, a local musician and song publisher who published it under the name "Jimmy De-Knight." In addition to owning half the composer credit on the song, Myers had 100% of the publishing. Haley wanted to record the song, but Dave Miller, who owned his label Essex Records, refused because of a dispute over the publishing. Myers then placed the song with a veteran Country act called Sonny Dae and His Nights, and their version was released in 1953 to little acclaim. In 1954, Myers helped Haley leave Essex records and sign with Decca; as part of their agreement, one side of every single Haley recorded had to be a song from Myers' catalog, and the first one they picked was "Rock Around The Clock," which was originally released as the B-side of a Dickie Thompson song called "Thirteen Women," which was about a nuclear bomb that leaves just one man and 13 women alive.

In 1956, Bill Haley and the Comets starred as themselves in a low-budget movie called Rock Around The Clock, where they performed nine songs. The film was far from scandalous, but was targeted to teenagers and caused a stir among theater owners who feared bad behavior. Possibly spurred on by these reports, there were incidents of dancing in aisles and other breaches in etiquette that helped fuel the perception among many adults that rock music would lead to mayhem in America's youth.

"Rock Around The Clock" first appeared on the charts on June 3, 1953, selling 75,000 copies and convincing Decca to pick up Haley's option. Haley then recorded a successful cover of the Big Joe Turner song "Shake, Rattle And Roll," and on March 25, 1955, "Rock Around The Clock" was featured in the movie Blackboard Jungle, which gave it a surge in popularity and prompted Decca to re-release the single. This time, the song surged to the top of the charts, entering the Top 40 on May 14, 1955 and hitting #1 on July 9, where it stayed for eight weeks.

Haley first recorded this song on April 12, 1954 at his first session for Decca Records. Haley went to New York to cut his first Decca session. Musicians were: Billy Williamson on steel guitar, Johnny Grande on piano, Joey d'Ambrosio on tenor sax, Danny Cedrone on lead guitar and Marshall Lytle on bass. A session drummer, named Billy Gussack played on this recording. Haley recorded the song a few other times, but this recording was the original single.

The term "Rock 'n' Roll" was a relatively new way of describing music when this came out. A lot of early "Rock" was based on the blues, and was far too racy for most white listeners. Many white singers made careers out of sanitizing R&B records for pop appeal, but Haley added a country/swing element to his covers that kept a lot of the edge. When Elvis came along, he did the same thing, transforming R&B songs like "Hound Dog" without sucking the life out of them.

Many listeners had never heard of "rock and roll" when this was released, so the record company had a hard time describing the song. The label on the single called it a "Novelty Foxtrot."

Haley's guitarist Danny Cedrone played pretty much the same solo on "Rock Around The Clock" that he did on Haley's 1952 cover of the Jimmy Preston "Rock The Joint," which was a big break for Haley, selling over 150,000 copies, and established the swinging blues style he would use on his famous hit.

Haley was never able to duplicate the massive success of "Rock Around The Clock," but he did have a few more hits in the '50s, including "See You Later Alligator" and "The Saints Rock 'N Roll." Haley is a key figure in the evolution of rock music, helping transform the sound out of country music, but he couldn't sustain his early success. Elvis stole his thunder, and Haley recorded many substandard songs because wanted to cut tracks owned by his publishing company. He remained somewhat popular overseas, but lawsuits and financial problems took their toll on the singer, and he died in 1981 at age 55. Bill Haley and His Comets were inducted into the Rock and Roll Hall of Fame in 1987.



Bill Haley & His Cometswas an American Rock&Roll band founded in 1952 that continued playing until Haley's death in 1981. The band was the earliest group of ...

On July 7th 1969, John Lennon releases "Give Peace A Chance" in the US, a song he and Yoko, along with a chorus of guest...
07/07/2025

On July 7th 1969, John Lennon releases "Give Peace A Chance" in the US, a song he and Yoko, along with a chorus of guests, recorded at their "bed-in" in a Montreal hotel room in May 1969. The song went to #14 in the US and #2 in the UK.

This was recorded May 31, 1969 at a "Bed-In" Lennon staged in room 1472 of Queen Elizabeth's Hotel in Montreal. John and Yoko stayed in bed for eight days, beginning on May 26, in an effort to promote world peace. They got a great deal of media attention, which is exactly what they wanted to promote their cause.

Some of the people in the hotel room who sang on this were Tommy Smothers, Timothy Leary, Allen Ginsberg, and Petula Clark. Smothers also played guitar on this. Along with his brother, Dick, Smothers had a TV show from 1967-1969 called The Smothers Brothers' Comedy Hour. The show was canceled after Tommy complained about CBS censoring their political skits.
This was Lennon's first hit away from The Beatles. It was credited to The Plastic Ono Band, the name Lennon used on many of his recordings.
Visitors to John and Yoko's bed-in, including reporters, staff, and celebrities, banged on everything from doors to tabletops for rhythm. John thought the first take sounded weak, so the next take added a group of Hare Krishna drummers. The drumming was remixed in the studio, because John came in too soon on the third verse. >>
This song quickly became the anthem of the antiwar movement as many Americans felt the country should not be fighting in Vietnam. On October 15, 1969, a multi-city demonstration called The Moratorium to End the War in Vietnam, took place, with protesters singing this song in mass. >>
Looking back on this song in 1998, Yoko Ono told Uncut, "I think we kind of made a point there. We thought that we were presenting a thought through an alternative theater setting and that was the platform and the world was the theater."

Yoko explained that she and John saw the humor in the stunt and knew they would sound silly, but they felt is was an effective way to get their message across.

With long notes and vocals sung in a choir screaming for attention, this is similar to Verdi's Opera-Choirs, for example "Va pensiero" or "The choir of the prisoners" in the opera Nabucco from 1842. Lennon often used elements of Classical music in his compositions.

This was released on the album Live Peace In Toronto 1969. It was from a concert Lennon performed backed by Eric Clapton on guitar, Klaus Voorman on bass, and Alan White on drums.

John Lennon told Rolling Stone that he wrote this song to be sung during demonstrations such as The Moratorium to End the War in Vietnam. He explained: "In me secret heart I wanted to write something that would take over "We Shall Overcome." I don't know why. The one they always sang, and I thought, 'Why doesn't somebody write something for the people now, that's what my job and our job is.'"

JOHN LENNON. GIMME SOME TRUTH. THE ULTIMATE MIXES. The Very Best of John Lennon.36 tracks completely remixed from the original multitracks in Stereo, 5.1 and...

07/06/2025

We are feeling it!
Are you feeling it?
Little Richard's "Lucille"!

Epic Oldies streams the 50s-80s, Motown and Doo W*p 24x7 right to your smartphone, smart speaker or smart TV!



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Hi everyone! Epic Oldies carries The Doo W*p Stop with Cool Bobby B every Saturday at 6 PM ET. But did you  know Bobby p...
06/25/2025

Hi everyone!
Epic Oldies carries The Doo W*p Stop with Cool Bobby B every Saturday at 6 PM ET. But did you know Bobby produces live doo w*p shows you can attend? Yes! How cool is that?.......its Cool Bobby B cool!

*pstop *p *pstop

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For the past 27 years LAR Enterprises has successfully produced and promoted Doo-w*p concerts throughout the United States. We bring the sounds everyone remembers from the artists who created them. We have some great concerts coming up, so check out our list below for our Upcoming Shows in 2025.

To purchase tickets just CLICK ON ANY OF THE LINKS.

While you are on our website www.larentr.com please sign up for the LAR Enterprises email list.

UP COMING CONCERTS 2025

Saturday July 26, 2025, Showtime: 7pm--Resorts Casino Hotel, Atlantic City,Superstar Theater STARRING That Motown Band
FOR TICKETS: https://www.ticketmaster.com/event/02006285D4B87C73

THURSDAY AUGUST 7,2025 @7:30PM---A SUMMER DOO-WOP--CARTERET PERFORMING ARTS CENTER. STARRING: Jimmy Gallagher & The Passions---“Just To Be With You”Joey Dee-“Peppermint Twist” LA LA Brooks “Da Doo Ron Ron” Award Winning Accappella Group Classic Sounds. Hosted by Cool Bobby B of Sirius XM Radio – 50s Gold, Tom Schizzano & The LAR Enterprises Band. FOR TICKETS: https://carteretpac.showare.com/eventperformances.asp?evt=251

Sat – October 18, 2025 Count Basie Theatre, Red Bank NJ/That Motown Band/Step by Step. https://www.ticketmaster.com/event/1D0062A2F8A9C209

Sat. November 15, 2025—@ 7pm State Theatre in Easton PA. –Jay Siegels Tokens, Chris Montez, Classic Sounds, The Coasters, The Fireflies And Mr. Jimmy Clanton
https://statetheatre.showare.com/orderticketsvenue.aspp=1688&src=&_ga=GA1.1.1877635321.1743873616&_gl=

Sat. November 22, 2025—7pm Westbury MusicFair Long Island-----Kenny Vance & The Planotones, Jay Siegels Tokens, Jimmy Clanton, Cleveland Still’s Dubs, Jimmy Gallagher & The Passions https://www.ticketmaster.com/event/000062A8E93D948F

Sat – December 6, 2025 Count Basie Theatre, Red Bank NJ/Kenny Vance & The Planotones, LA LA Brooks, Cleveland Still’s Dubs, Jimmy Gallagher & The Passions,Classic Sounds---
https://www.ticketmaster.com/event/1D0062B79C4E1952

Sat- December 13, 2025 Bergen Performing Arts Center—Jay Siegel’s Tokens---The Lion Sleeps Tonight’ Chris Montez –“Lets Dance” Joey Dee “The Peppermint Twist”Brian Hyland “Sealed With A Kiss” The Excellents---“Coney Island Baby” The Fireflies---You Were Mine”Accappella By Classic Sounds----Tom Schizzano & The LAR Enterprises Band---Hosted by Cool Bobby B of Sirius XM Radio 50s Gold---ON-SALE SOON

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