Outofprint

Outofprint est. 2013
New York, New York

record.archive.publishing[@]gmail[.]com outofprint is Roland Carter, GGL (girlsgetlow), EBW, justcallmejack, TH4ZH, SC4RZ.

Outofprint Starter PackAvailable on our shop! BundleWHAT’S INSIDE:Signed + Numbered Vinyl (T. Nguyen – Self-Titled LP)...
01/05/2026

Outofprint Starter Pack

Available on our shop! Bundle

WHAT’S INSIDE:

Signed + Numbered Vinyl (T. Nguyen – Self-Titled LP)
- Pressed in limited runs
- Hand-signed by the artist
- Includes fan favorites like ‘The Kissing Song’, ‘Meet Me Again’, and ‘Til Late’
OOP Classic Tee (Brooklyn Edition)
- Front: Minimal “OutOfPrint” embroidery
- Back: NYC Borough roll-call in bold serif
- 100% cotton | Vintage violet wash | Relaxed fit
- Built for presence, not performance
Digital Music Vault (Instant Download)
- T. Nguyen Digital Album + 4 Singles
- Includes Self-Titled LP, The Kissing Song, Meet Me Again, Til Late + 4 exclusive remixes
- High-quality .WAV format
x4 Sample Packs (2000+ Curated Vinyl Samples)
- Pulled from OutOfPrint’s rare vinyl collection
- Includes UKG drums, deep house loops, lo-fi textures, and vocal chops
- Designed for Ableton, FL Studio, Logic, or MPC workflows
- Royalty-free | Drag-and-drop ready

12/25/2025

Wishing everyone a Happy Holiday!

12/22/2025

First sample packs.

I’m giving away a sample pack cut from my vinyl collection pulled entirely from 1990 records — US and Germany.

44 original files. All different BPMs. Vocals, rhythm loops, minimal drums, kicks, snares, textures.

This is the first pack I’ve ever released like this.
If you download it, you’re automatically entered to win a free OutOfPrint sweatshirt.

I’ll be picking four names over the next four days.

Download the pack.
Comment ‘1990’ and I’ll DM you the direct link.

Hope everyone’s having a good holiday.

Free pack, limited time.

SXSW 2007/8 Fools Gold ran a lineup at a club called Volume. The flyer was a manifesto. The room was full before the ope...
09/17/2025

SXSW 2007/8 Fools Gold ran a lineup at a club called Volume. The flyer was a manifesto. The room was full before the openers started.

VICE called it saving Texas. Chromeo, Kid Sister, Flosstradamus — the sound was just forming.

This is a documentation into a different era when scenes came together before there was a name for it.

Read more on our shop page.

The Knitting Factory in 2008 was a living archive of New York’s sound. Three floors stitched together hip-hop, jazz, no...
09/10/2025

The Knitting Factory in 2008 was a living archive of New York’s sound. Three floors stitched together hip-hop, jazz, noise, and indie, every night.

These shows—Flying Lotus, Thurston Moore, Ladybug Mecca, Plaid, Fred Armisen, and countless others—were moments where the city remade itself in real time.

Looking back at these flyers is like flipping through the DNA of creativity. It’s proof that culture isn’t built in boardrooms but in basements, stairwells, and crowded rooms.

OutOfPrint is about —archiving the lived experience that shaped the presence in all of us.

More archival material on Knitting Factory in our Print section at shop.outofprintreordings.com

Wax from the turn of the millennium, when UK garage, grime, and electro-house were genre stories crossing through the cl...
09/03/2025

Wax from the turn of the millennium, when UK garage, grime, and electro-house were genre stories crossing through the clubs.

The Streets told you “Don’t Mug Yourself.” Wookie kept the bassline warm. Justice turned dance floors into cathedrals. Ms. Dynamite and Sticky dropped anthems that still rattle the walls.

Some of these came straight from the old Vice Records office in Williamsburg. Most are mint, a few bear the fingerprints of a hundred nights out.

Pulled from the archive, they’re part influence and part DNA relics that help inspire

Full breakdown + scans on the blog.
Shop.outofprintrecordings.com

1. The Streets’ “Don’t Mug Yourself” — UK garage cheek with Vice grit. [PROMO]

2. Juan Maclean’s “Give Me Every Little Thing” — DFA disco-funk in full color.

3. Run the Road Vol. 2 — grime’s mid-2000s hit list pressed in wax. [PROMO]

4. Justice’s “Waters of Nazareth” — cathedral-sized electro-house debut. [SEALED]

5. Justice, hooded and golden — remixes that redefined the dance floor. [SEALED]

6. Ms. Dynamite’s “Booo!” — UKG anthem with Sticky’s unstoppable bounce.

7. Wookie’s “Back Up (To Me)” — a 2-step love letter to London nights.

8. Wookie, side B spinning — turquoise label, pure groove.

9. Wookie’s shadowed profile — garage royalty framed in black.

09/01/2025

🚨 Flash Sale: 10% Off Orders $40+ 🚨
Use code G9MHPQCEYXBV at checkout. Limited time only.

This clip is the final chapter in our series showing how the Classic T came together—built for quality, designed with top vendors, and made to carry presence wherever your process takes you.

is about connecting with creativity, documenting the work, and wearing something that reflects the power you already carry.

Shop now → shop.outofprintrecordings.com

⸻

08/28/2025

Ice in the bars. Frost on the page. Early 2000s Wiley—before the charts, before the scene thawed. Straight from the OOP Print Archive, scanned so the cold never melts.

Full story + scans
Shop.outofprintrecordings.com

08/27/2025

Ice in the bars. Frost on the page.
Early 2000s Wiley—before the charts, before the scene thawed. Straight from the OOP Print Archive, scanned so the cold never melts.

Full story + scans
Shop.outofprintrecordings.com

Freeze Frame, Wiley’s Ice Age: Wiley, Charts, and the Artists That Built Grime.RWD Magazine, May 2004. A time when the U...
08/27/2025

Freeze Frame, Wiley’s Ice Age: Wiley, Charts, and the Artists That Built Grime.

RWD Magazine, May 2004. A time when the UK Garage Top 40 still meant something physical. These pages smell like ink and adrenaline of a scene crossing over.

The chart reads like a roll call of who was shaping the sound—Sadie & Kano, Wizzbit, Jon E Cash, Statik, Gemma Fox. A time capsule artifact frozen of how culture moved before streaming made everything flat.

Then there’s Wiley—basement stairwell, NY cap tilted, the kind of photo that makes you feel the cold of the concrete. The feature’s headline says it all: “Let Me Tell You About The Boy Named Kylea.” It’s Logan on the byline, walking you through why Wiley jwas never just an artist, but a blueprint—producer, businessman, scene-builder. You hear him talk about going “back to zero” if he had to, and you believe it.

A contribution to the story of grime. Every scan pulls one more piece of this scene’s story back into light.

Materiality: the fonts, the ads, the colors, the way the photo bleeds off the page. Enjoy!

on

Rebooting the lived experience.Slowing down, noticing the details, and remembering that presence is its own design.Built...
08/26/2025

Rebooting the lived experience.
Slowing down, noticing the details, and remembering that presence is its own design.

Built for Presence.

The idea born from molten metal and mirror grooves, lacquer spinning under the kind of light that would blind gods.It wa...
08/23/2025

The idea born from molten metal and mirror grooves, lacquer spinning under the kind of light that would blind gods.

It waits in boxes like contraband, wrapped in plastic, itching for the cut of a blade to be tested on a sound system.

It glows under stitched into purple while bathing in swallows daylight, a uniform for the hours in between.

And then it’s you—still dressed for the night—hunting down snacks at 2AM under flickering fluorescents, the beat still in your chest, the track still in your head.

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Brooklyn, NY

Telephone

+12143363266

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